Dottie Rambo with the Homecoming | TBN

Dottie Rambo with the Homecoming

Watch Dottie Rambo with the Homecoming
June 15, 2019
57:30

Bill & Gloria Gaither: Precious Memories

Closed captions

Dottie Rambo with the Homecoming

Show timecode
Hide timecode
  • ... like turning the pages of a photograph album.
  • 00:00:03.240 --> 00:00:03.250
  • ... like turning the pages of a photograph album.
  • 00:00:04.260 --> 00:00:06.150
  • Our memories preserve for us the relationships...
  • 00:00:06.160 --> 00:00:09.040
  • ... and events that tell the stories of each of our lives.
  • 00:00:09.050 --> 00:00:14.010
  • Happy, sad, joyful, and painful.
  • 00:00:14.020 --> 00:00:17.160
  • The memories of our days make up the fabric...
  • 00:00:17.170 --> 00:00:20.170
  • ... of who we are.
  • 00:00:20.180 --> 00:00:22.140
  • (Choir Singing) Precious Memories
  • 00:00:22.150 --> 00:00:29.110
  • How they linger
  • 00:00:29.120 --> 00:00:37.000
  • How they ever flood my soul
  • 00:00:37.010 --> 00:00:50.060
  • Bill Gaither: An unforgettable memory was made when dozens of friends...
  • 00:00:50.070 --> 00:00:53.190
  • ... who had spent their lives in gospel music...
  • 00:00:53.200 --> 00:00:55.250
  • ... gathered to sings some songs from their own...
  • 00:00:55.260 --> 00:00:58.090
  • ... personal treasure of memories.
  • 00:00:58.100 --> 00:01:01.060
  • For these folks, many precious memories...
  • 00:01:01.070 --> 00:01:04.060
  • ... had begun around a piano somewhere.
  • 00:01:04.070 --> 00:01:06.040
  • They're sharing songs about how their lives have been changed...
  • 00:01:06.050 --> 00:01:10.060
  • ... by God's amazing grace.
  • 00:01:10.070 --> 00:01:12.070
  • [cheers and applause]
  • 00:01:12.080 --> 00:01:14.290
  • - I'M GOING TO THE ROCK
  • 00:01:14.290 --> 00:01:15.290
  • OF MY SALVATION--
  • 00:01:15.290 --> 00:01:18.220
  • - Bill Gaither: DOTTIE RAMBO
  • 00:01:18.220 --> 00:01:19.220
  • WROTE HER FIRST SONG
  • 00:01:19.220 --> 00:01:20.220
  • ON A CREEK BANK
  • 00:01:20.220 --> 00:01:21.220
  • AT THE TENDER AGE OF EIGHT,
  • 00:01:21.220 --> 00:01:23.120
  • AND SINCE THAT DAY,
  • 00:01:23.120 --> 00:01:24.190
  • MORE THAN 2.500 SONGS
  • 00:01:24.190 --> 00:01:26.140
  • HAVE FLOWED FROM THE HEART
  • 00:01:26.140 --> 00:01:28.020
  • OF THIS POET.
  • 00:01:28.020 --> 00:01:29.140
  • DOTTIE'S RARE GIFT FOR
  • 00:01:29.140 --> 00:01:30.220
  • SONGWRITING HAS FOREVER IMPACTED
  • 00:01:30.220 --> 00:01:32.200
  • THE WORLD OF GOSPEL MUSIC
  • 00:01:32.200 --> 00:01:34.120
  • THROUGH CLASSICS SUCH AS
  • 00:01:34.120 --> 00:01:35.240
  • WE SHALL BEHOLD HIM,
  • 00:01:35.240 --> 00:01:38.020
  • I GO TO THE ROCK,
  • 00:01:38.020 --> 00:01:39.110
  • HE LOOKED BEYOND MY FAULT,
  • 00:01:39.110 --> 00:01:40.260
  • AND MANY OTHER TIME-HONORED
  • 00:01:40.260 --> 00:01:42.050
  • FAVORITES.
  • 00:01:42.050 --> 00:01:44.270
  • THE SONGS OF DOTTIE RAMBO
  • 00:01:44.270 --> 00:01:45.280
  • HAVE EARNED A PLACE OF HONOR
  • 00:01:45.280 --> 00:01:47.160
  • IN THE HEARTS OF MUSIC LOVERS
  • 00:01:47.160 --> 00:01:48.250
  • FOR DECADES.
  • 00:01:48.250 --> 00:01:50.200
  • NOW WE'RE DELIGHTED TO HONOR
  • 00:01:50.200 --> 00:01:52.010
  • DOTTIE'S INVALUABLE GIFT
  • 00:01:52.010 --> 00:01:54.000
  • THROUGH THIS UNIQUE COMPILATION
  • 00:01:54.000 --> 00:01:55.120
  • OF UNFORGETTABLE MOMENTS FROM
  • 00:01:55.120 --> 00:01:57.020
  • THE HOMECOMING VIDEO SERIES,
  • 00:01:57.040 --> 00:02:00.060
  • FEATURING PERSONAL STORIES
  • 00:02:00.060 --> 00:02:01.160
  • AND COMMENTARY BY DOTTIE RAMBO,
  • 00:02:01.160 --> 00:02:03.250
  • [dramatic music]
  • 00:02:24.220 --> 00:02:27.100
  • - I SHALL FOREVER LIFT
  • 00:02:34.060 --> 00:02:37.060
  • MY EYES TO CALVARY
  • 00:02:40.170 --> 00:02:43.170
  • TO VIEW THE CROSS
  • 00:02:46.050 --> 00:02:49.050
  • WHERE JESUS DIED FOR ME.
  • 00:02:54.260 --> 00:02:57.260
  • HOW MARVELOUS THE GRACE
  • 00:03:02.090 --> 00:03:05.090
  • THAT CAUGHT MY FALLING SOUL.
  • 00:03:12.020 --> 00:03:15.020
  • HE LOOKED BEYOND MY FAULT
  • 00:03:19.270 --> 00:03:22.270
  • AND SAW MY NEED.
  • 00:03:32.210 --> 00:03:35.210
  • - Bill Gaither: AND, DOTTIE
  • 00:03:42.080 --> 00:03:43.080
  • RAMBO, WE'RE HERE TONIGHT
  • 00:03:43.080 --> 00:03:44.080
  • TO SALUTE YOU AND HONOR YOU
  • 00:03:44.080 --> 00:03:45.250
  • FOR ALL THE GREAT SONGS
  • 00:03:45.250 --> 00:03:46.290
  • YOU HAVE WRITTEN AND GIVEN
  • 00:03:46.290 --> 00:03:48.110
  • TO THE KINGDOM.
  • 00:03:48.110 --> 00:03:49.170
  • DOTTIE RAMBO.
  • 00:03:49.170 --> 00:03:50.290
  • [cheers and applause]
  • 00:03:50.290 --> 00:03:53.160
  • [upbeat piano music]
  • 00:03:53.160 --> 00:03:54.160
  • 00:04:00.110 --> 00:04:03.110
  • - WHEN I'M DOWN,
  • 00:04:03.110 --> 00:04:05.020
  • WHEN I'M DOWN AND OUT,
  • 00:04:05.020 --> 00:04:07.190
  • WHEN MY HEART IS FILLED
  • 00:04:07.190 --> 00:04:09.250
  • WITH FEAR AND DOUBT,
  • 00:04:09.250 --> 00:04:12.000
  • THEN I LIFT UP MY HEAD,
  • 00:04:12.000 --> 00:04:13.260
  • AND HE LIFTS UP MY HEART,
  • 00:04:13.260 --> 00:04:16.030
  • AND MY TROUBLES
  • 00:04:16.030 --> 00:04:17.230
  • JUST ALL ROLL AWAY.
  • 00:04:17.230 --> 00:04:20.140
  • ROLL AWAY, LORD.
  • 00:04:20.140 --> 00:04:22.240
  • TROUBLES ROLL AWAY, LORD.
  • 00:04:22.240 --> 00:04:24.270
  • ROLL AWAY, LORD.
  • 00:04:24.270 --> 00:04:27.110
  • TROUBLES ROLL AWAY, LORD.
  • 00:04:27.110 --> 00:04:29.120
  • WHEN I LIFT UP MY HEAD,
  • 00:04:29.120 --> 00:04:31.200
  • AND HE LIFTS UP MY HEART,
  • 00:04:31.200 --> 00:04:34.030
  • AND MY TROUBLES
  • 00:04:34.030 --> 00:04:35.150
  • JUST ALL ROLL AWAY.
  • 00:04:35.230 --> 00:04:38.230
  • - WELL, I CAN'T SEE THE SUN
  • 00:04:38.230 --> 00:04:40.140
  • WITH MY HEAD TO THE GROUND.
  • 00:04:40.140 --> 00:04:43.120
  • TEARS DIM MY VISION
  • 00:04:43.120 --> 00:04:45.110
  • AND WEIGH MY HEART DOWN.
  • 00:04:45.210 --> 00:04:48.210
  • BUT I FOUND THE SECRET
  • 00:04:48.210 --> 00:04:50.290
  • WHEN I KNELT TO PRAY.
  • 00:04:50.290 --> 00:04:53.010
  • WHEN I LIFT UP MY HEAD,
  • 00:04:53.010 --> 00:04:55.030
  • AND HE LIFTS UP MY HEART,
  • 00:04:55.030 --> 00:04:57.130
  • AND MY TROUBLES
  • 00:04:57.130 --> 00:04:58.210
  • JUST ALL ROLL AWAY.
  • 00:04:58.260 --> 00:05:01.280
  • - ROLL AWAY, LORD.
  • 00:05:01.280 --> 00:05:03.260
  • TROUBLES ROLL AWAY, LORD.
  • 00:05:03.260 --> 00:05:06.050
  • ROLL AWAY, LORD.
  • 00:05:06.050 --> 00:05:08.100
  • TROUBLES ROLL AWAY, LORD.
  • 00:05:08.100 --> 00:05:10.140
  • WHEN I LIFT UP MY HEAD,
  • 00:05:10.140 --> 00:05:12.220
  • AND HE LIFTS UP MY HEART,
  • 00:05:12.220 --> 00:05:14.280
  • AND MY TROUBLES
  • 00:05:14.280 --> 00:05:16.130
  • JUST ALL ROLL AWAY.
  • 00:05:16.230 --> 00:05:19.230
  • - WELL, I CAN'T SEE THE SUN
  • 00:05:19.230 --> 00:05:21.220
  • WITH MY HEAD TO THE GROUND.
  • 00:05:21.220 --> 00:05:23.250
  • TEARS DIM MY VISION
  • 00:05:23.250 --> 00:05:26.070
  • AND WEIGH MY HEART DOWN.
  • 00:05:26.270 --> 00:05:29.270
  • BUT I FOUND THE SECRET
  • 00:05:29.270 --> 00:05:31.270
  • WHEN I KNELT TO PRAY.
  • 00:05:31.270 --> 00:05:34.100
  • WHEN I LIFT UP MY HEAD,
  • 00:05:34.100 --> 00:05:35.260
  • AND HE LIFTS UP MY HEART,
  • 00:05:35.260 --> 00:05:38.140
  • AND MY TROUBLES
  • 00:05:38.140 --> 00:05:39.290
  • JUST ALL ROLL AWAY.
  • 00:05:39.290 --> 00:05:42.270
  • - ROLL AWAY, LORD.
  • 00:05:42.270 --> 00:05:45.000
  • TROUBLES ROLL AWAY, LORD.
  • 00:05:45.000 --> 00:05:47.050
  • ROLL AWAY, LORD.
  • 00:05:47.050 --> 00:05:49.090
  • TROUBLES ROLL AWAY, LORD.
  • 00:05:49.090 --> 00:05:51.190
  • WHEN I LIFT UP MY HEAD,
  • 00:05:51.190 --> 00:05:53.270
  • AND HE LIFTS UP MY HEART,
  • 00:05:53.270 --> 00:05:56.070
  • AND MY TROUBLES
  • 00:05:56.070 --> 00:05:57.190
  • JUST ALL ROLL AWAY,
  • 00:05:57.190 --> 00:05:59.210
  • ROLL AWAY, ROLL AWAY,
  • 00:05:59.210 --> 00:06:02.030
  • ROLL AWAY.
  • 00:06:06.060 --> 00:06:09.060
  • [cheers and applause]
  • 00:06:09.110 --> 00:06:12.110
  • 00:06:13.080 --> 00:06:16.080
  • ROLL AWAY, LORD.
  • 00:06:16.080 --> 00:06:18.090
  • TROUBLES ROLL AWAY, LORD.
  • 00:06:18.090 --> 00:06:20.160
  • ROLL AWAY, LORD.
  • 00:06:20.160 --> 00:06:22.210
  • TROUBLES ROLL AWAY, LORD.
  • 00:06:22.210 --> 00:06:25.010
  • WHEN I LIFT UP MY HEAD,
  • 00:06:25.010 --> 00:06:27.020
  • AND HE LIFTS UP MY HEART,
  • 00:06:27.020 --> 00:06:29.150
  • AND MY TROUBLES
  • 00:06:29.150 --> 00:06:30.230
  • JUST ALL ROLL AWAY,
  • 00:06:31.000 --> 00:06:34.000
  • ROLL AWAY, LORD.
  • 00:06:34.000 --> 00:06:35.290
  • TROUBLES ROLL AWAY, LORD.
  • 00:06:35.290 --> 00:06:38.100
  • ROLL AWAY, LORD.
  • 00:06:38.100 --> 00:06:40.040
  • TROUBLES ROLL AWAY, LORD.
  • 00:06:40.040 --> 00:06:42.190
  • WHEN I LIFT UP MY HEAD,
  • 00:06:42.190 --> 00:06:44.280
  • AND HE LIFTS UP MY HEART,
  • 00:06:44.280 --> 00:06:47.020
  • AND MY TROUBLES
  • 00:06:47.020 --> 00:06:48.170
  • JUST ALL ROLL AWAY,
  • 00:06:48.170 --> 00:06:50.140
  • ROLL AWAY, ROLL AWAY,
  • 00:06:50.140 --> 00:06:52.220
  • ROLL AWAY.
  • 00:06:57.190 --> 00:07:00.210
  • [cheers and applause]
  • 00:07:04.230 --> 00:07:07.230
  • - Bill Gaither: DOTTIE,
  • 00:07:07.230 --> 00:07:08.230
  • WHAT WERE SOME OF YOUR
  • 00:07:08.230 --> 00:07:09.250
  • FIRST MUSICAL INFLUENCES,
  • 00:07:09.250 --> 00:07:11.230
  • THE FIRST KIND OF MUSIC
  • 00:07:11.230 --> 00:07:13.000
  • THAT YOU HEARD THAT JUST GOT
  • 00:07:13.000 --> 00:07:15.080
  • YOUR ATTENTION AND YOU SAID,
  • 00:07:15.080 --> 00:07:16.200
  • "I'D LOVE TO BE ABLE TO DO THAT
  • 00:07:16.200 --> 00:07:18.060
  • OR SOUND LIKE THAT"?
  • 00:07:18.060 --> 00:07:20.040
  • - FANNY CROSBY, BILL.
  • 00:07:22.140 --> 00:07:25.140
  • OF COURSE, I NEVER MET THAT
  • 00:07:25.140 --> 00:07:26.140
  • LADY, BUT SOMEDAY, I WILL.
  • 00:07:26.140 --> 00:07:29.010
  • BUT JUST LISTENING TO
  • 00:07:29.010 --> 00:07:30.010
  • BLESSED ASSURANCE,
  • 00:07:30.010 --> 00:07:32.100
  • IT ALWAYS GRABBED ME.
  • 00:07:32.100 --> 00:07:33.280
  • YOU KNOW, I WAS JUST A LITTLE
  • 00:07:33.280 --> 00:07:34.210
  • KID, AND WE WERE SINGING
  • 00:07:34.210 --> 00:07:36.130
  • FROM HYMNALS.
  • 00:07:36.130 --> 00:07:37.050
  • MY GRANDFATHER WAS
  • 00:07:37.050 --> 00:07:38.050
  • A BAPTIST MINISTER, YOU KNOW.
  • 00:07:38.050 --> 00:07:39.270
  • AND WE'D GO TO HEAR HIM PREACH.
  • 00:07:39.270 --> 00:07:42.060
  • HE HAD THIS BOOMING, DEEP VOICE.
  • 00:07:42.060 --> 00:07:44.060
  • THAT'S WHERE I GOT MINE.
  • 00:07:44.060 --> 00:07:45.160
  • BUT THAT SONG ANDPASS ME NOT,
  • 00:07:45.190 --> 00:07:48.190
  • O GENTLE SAVIOR,
  • 00:07:48.190 --> 00:07:50.050
  • HAD SUCH AN INFLUENCE ON ME,
  • 00:07:50.050 --> 00:07:52.250
  • AND I WOULD STUDY THAT
  • 00:07:52.250 --> 00:07:54.000
  • AND DISSECT IT, YOU KNOW?
  • 00:07:54.000 --> 00:07:55.190
  • AND I THOUGHT,
  • 00:07:55.190 --> 00:07:57.020
  • "THAT'S THE NEATEST THING
  • 00:07:57.020 --> 00:07:58.040
  • I HAVE EVER HEARD."
  • 00:07:58.040 --> 00:07:59.220
  • AND THEN YEARS WENT BY,
  • 00:07:59.220 --> 00:08:01.040
  • AND I GOT TO STUDYING
  • 00:08:01.040 --> 00:08:03.050
  • FANNY CROSBY.
  • 00:08:03.050 --> 00:08:04.050
  • AND I HAD A GIRL BUYING ME
  • 00:08:04.050 --> 00:08:05.160
  • EVERYTHING SHE COULD GET
  • 00:08:05.160 --> 00:08:06.190
  • ON FANNY CROSBY.
  • 00:08:06.190 --> 00:08:08.040
  • AND I WAS SO SHOCKED TO FIND OUT
  • 00:08:08.040 --> 00:08:10.050
  • IN THE '70s THAT FANNY CROSBY
  • 00:08:10.090 --> 00:08:13.090
  • WAS 40 YEARS OLD BEFORE
  • 00:08:13.090 --> 00:08:15.050
  • SHE WROTE HER FIRST SONG.
  • 00:08:15.050 --> 00:08:17.120
  • AND BEING BLIND,
  • 00:08:17.120 --> 00:08:19.240
  • SHE DIDN'T WRITE.
  • 00:08:19.240 --> 00:08:20.240
  • THE ONLY THING
  • 00:08:20.240 --> 00:08:21.250
  • SHE COULD WRITE DOWN--
  • 00:08:21.250 --> 00:08:22.250
  • IT WAS BRAILLE--
  • 00:08:22.250 --> 00:08:24.100
  • WAS HER NAME.
  • 00:08:24.100 --> 00:08:25.160
  • BUT YET SHE TAUGHT,
  • 00:08:25.160 --> 00:08:27.160
  • IN THE COLLEGES, MUSIC.
  • 00:08:27.160 --> 00:08:30.030
  • ISN'T THAT SOMETHING?
  • 00:08:30.030 --> 00:08:31.060
  • BUT SHE HAD A GREAT INFLUENCE
  • 00:08:31.060 --> 00:08:32.160
  • ON MY LIFE.
  • 00:08:32.160 --> 00:08:33.260
  • AND THERE'S BEEN
  • 00:08:33.260 --> 00:08:34.270
  • A LOT OF GREAT SINGERS
  • 00:08:34.270 --> 00:08:36.170
  • THAT HAVE TOUCHED ME TOO.
  • 00:08:36.170 --> 00:08:39.020
  • AND A LOT OF PEOPLE HAVE
  • 00:08:39.020 --> 00:08:40.100
  • A LOT OF STAGE PRESENCE,
  • 00:08:40.100 --> 00:08:42.110
  • WHICH--NOTHING WRONG WITH THAT,
  • 00:08:42.110 --> 00:08:43.230
  • YOU KNOW.
  • 00:08:43.230 --> 00:08:44.250
  • A GREAT PREACHER
  • 00:08:44.250 --> 00:08:45.250
  • IS A GOOD ENTERTAINER.
  • 00:08:45.250 --> 00:08:47.110
  • BUT I'VE HAD GOOD PEOPLE
  • 00:08:49.010 --> 00:08:52.010
  • THAT HAVE RAW GIFTS
  • 00:08:53.020 --> 00:08:56.020
  • THAT INFLUENCED MY LIFE.
  • 00:08:56.020 --> 00:08:58.180
  • AND I ALWAYS LOVE STORY SONGS,
  • 00:08:58.180 --> 00:09:01.030
  • YOU KNOW?
  • 00:09:01.030 --> 00:09:02.050
  • BALLADS AND THINGS
  • 00:09:02.050 --> 00:09:03.220
  • THAT WOULD WEAVE YOU
  • 00:09:03.220 --> 00:09:05.050
  • LIKE THE MOUNTAIN PEOPLE.
  • 00:09:06.090 --> 00:09:09.090
  • - WHEN I'M TOSSED
  • 00:09:09.090 --> 00:09:11.110
  • ON LIFE'S SEA,
  • 00:09:11.110 --> 00:09:14.050
  • AND THE WAVES COVER ME,
  • 00:09:14.170 --> 00:09:17.170
  • AND THE DARK CLOUDS
  • 00:09:17.170 --> 00:09:19.190
  • WON'T LET THE SUN
  • 00:09:19.190 --> 00:09:21.030
  • SHINE THROUGH,
  • 00:09:22.110 --> 00:09:25.110
  • THEN A VOICE SEEMS TO SAY,
  • 00:09:26.010 --> 00:09:29.010
  • "CHILD, THERE'LL BE
  • 00:09:29.010 --> 00:09:30.130
  • A BRIGHTER DAY.
  • 00:09:30.130 --> 00:09:33.070
  • DON'T ALLOW THE STORM
  • 00:09:33.070 --> 00:09:35.110
  • TO HIDE SWEET HEAVEN'S VIEW,
  • 00:09:37.030 --> 00:09:40.030
  • 'CAUSE YOU'VE GOT
  • 00:09:40.030 --> 00:09:42.020
  • ONE MORE VALLEY,
  • 00:09:42.020 --> 00:09:45.000
  • ONE MORE HILL.
  • 00:09:45.190 --> 00:09:48.190
  • YOU'VE GOT ONE MORE TRIAL,
  • 00:09:49.130 --> 00:09:52.130
  • ONE MORE TEAR,
  • 00:09:53.180 --> 00:09:56.180
  • ONE MORE CURVE
  • 00:09:56.180 --> 00:09:58.180
  • IN LIFE'S ROAD,
  • 00:09:58.180 --> 00:10:00.170
  • ONE MORE MILE LEFT TO GO.
  • 00:10:01.220 --> 00:10:04.220
  • YOU CAN LAY DOWN
  • 00:10:04.220 --> 00:10:06.100
  • YOUR HEAVY LOAD
  • 00:10:06.100 --> 00:10:08.010
  • WHEN YOU GET HOME."
  • 00:10:08.010 --> 00:10:10.260
  • 00:10:13.140 --> 00:10:16.140
  • NOW, DON'T LET SATAN
  • 00:10:16.140 --> 00:10:18.180
  • SEE YOUR TEARS.
  • 00:10:18.180 --> 00:10:20.270
  • LEARN TO SMILE
  • 00:10:20.270 --> 00:10:23.010
  • THROUGH YOUR FEARS.
  • 00:10:23.010 --> 00:10:24.280
  • HOLD YOUR HEAD UP HIGH
  • 00:10:24.280 --> 00:10:27.040
  • AND GIVE THE WORLD A SMILE.
  • 00:10:28.260 --> 00:10:31.260
  • YOU JUST BE GRATEFUL
  • 00:10:31.260 --> 00:10:34.190
  • EVERY DAY.
  • 00:10:34.190 --> 00:10:35.290
  • IT'S GONNA BE WORTH IT ALL
  • 00:10:35.290 --> 00:10:38.200
  • ONE DAY,
  • 00:10:38.200 --> 00:10:40.130
  • 'CAUSE IT ALL
  • 00:10:40.130 --> 00:10:42.210
  • WILL BE OVER AFTER 'WHILE,
  • 00:10:44.220 --> 00:10:47.220
  • 'CAUSE YOU'VE GOT
  • 00:10:47.220 --> 00:10:49.110
  • ONE MORE VALLEY,
  • 00:10:49.110 --> 00:10:52.010
  • ONE MORE HILL.
  • 00:10:52.010 --> 00:10:54.220
  • IT'S THE TRUTH.
  • 00:10:54.220 --> 00:10:56.110
  • AND YOU'VE GOT
  • 00:10:56.110 --> 00:10:57.110
  • ONE MORE TRIAL,
  • 00:10:57.110 --> 00:10:59.280
  • ONE MORE TEAR.
  • 00:10:59.280 --> 00:11:01.270
  • YEAH, YOU DO.
  • 00:11:01.270 --> 00:11:04.080
  • ONE MORE CURVE
  • 00:11:04.080 --> 00:11:06.050
  • IN LIFE'S ROAD,
  • 00:11:06.050 --> 00:11:08.030
  • ONE MORE MILE LEFT TO GO.
  • 00:11:08.250 --> 00:11:11.250
  • YOU CAN LAY DOWN
  • 00:11:11.250 --> 00:11:13.230
  • YOUR HEAVY LOAD
  • 00:11:13.230 --> 00:11:15.250
  • WHEN YOU GET HOME.
  • 00:11:15.250 --> 00:11:18.000
  • LET THE CHILDREN
  • 00:11:18.000 --> 00:11:19.070
  • SING THIS SONG.
  • 00:11:19.070 --> 00:11:21.120
  • - ONE MORE VALLEY,
  • 00:11:21.120 --> 00:11:23.270
  • ONE MORE HILL.
  • 00:11:23.270 --> 00:11:25.170
  • - JUST ONE MORE HILL.
  • 00:11:26.000 --> 00:11:29.000
  • - ONE MORE TRIAL,
  • 00:11:29.000 --> 00:11:31.230
  • ONE MORE TEAR.
  • 00:11:31.230 --> 00:11:34.010
  • - ONE MORE TEAR.
  • 00:11:34.010 --> 00:11:35.220
  • - ONE MORE CURVE
  • 00:11:35.220 --> 00:11:38.010
  • IN LIFE'S ROAD,
  • 00:11:38.010 --> 00:11:39.230
  • ONE MORE MILE LEFT TO GO.
  • 00:11:40.200 --> 00:11:43.200
  • YOU CAN LAY DOWN
  • 00:11:43.200 --> 00:11:45.120
  • YOUR HEAVY LOAD
  • 00:11:45.120 --> 00:11:47.090
  • WHEN YOU GET HOME.
  • 00:11:47.290 --> 00:11:50.290
  • YOU CAN LAY DOWN
  • 00:11:50.290 --> 00:11:53.120
  • YOUR HEAVY LOAD
  • 00:11:53.120 --> 00:11:55.130
  • WHEN YOU GET HOME.
  • 00:11:57.190 --> 00:12:00.210
  • OH, YEAH.
  • 00:12:01.200 --> 00:12:04.200
  • - THE RAMBOS WERE JUST BIGGER
  • 00:12:17.000 --> 00:12:18.220
  • THAN LIFE IN THE LATE '60s,
  • 00:12:18.220 --> 00:12:20.220
  • EARLY '70s,
  • 00:12:20.220 --> 00:12:22.030
  • AND WHEN I MOVED TO NASHVILLE
  • 00:12:22.030 --> 00:12:23.150
  • AS AN 18-YEAR-OLD KID, GREEN,
  • 00:12:23.150 --> 00:12:25.290
  • YOU KNOW, PRETTY MUCH,
  • 00:12:25.290 --> 00:12:27.170
  • I DIDN'T KNOW ANYBODY.
  • 00:12:27.170 --> 00:12:28.170
  • AND THEY WERE SOME OF THE FIRST
  • 00:12:28.170 --> 00:12:29.170
  • PEOPLE THAT I MET.
  • 00:12:29.170 --> 00:12:30.180
  • AND THE THING THAT I REMEMBERED
  • 00:12:30.180 --> 00:12:31.210
  • ABOUT DOTTIE IS--I MEAN, SHE WAS
  • 00:12:31.210 --> 00:12:32.290
  • A STAR TO EVERYBODY BECAUSE OF
  • 00:12:32.290 --> 00:12:34.120
  • HER SONGWRITING AND STUFF,
  • 00:12:34.120 --> 00:12:35.200
  • BUT I REMEMBERED GOING AND
  • 00:12:35.200 --> 00:12:37.020
  • SPENDING THE NIGHT AT HER HOUSE
  • 00:12:37.020 --> 00:12:38.110
  • WITH REBA, AND WE WOULD KIND OF
  • 00:12:38.110 --> 00:12:40.150
  • HAVE A LITTLE SLEEPOVER 'CAUSE
  • 00:12:40.150 --> 00:12:42.010
  • WE WERE CLOSE TO THE SAME AGE,
  • 00:12:42.010 --> 00:12:43.170
  • AND HOW REAL SHE WAS AND HOW--
  • 00:12:43.170 --> 00:12:45.150
  • HOW--HOW MUCH OF A MOM SHE WAS,
  • 00:12:46.160 --> 00:12:49.160
  • LOVED TO COOK, AND HER HOUSE WAS
  • 00:12:49.160 --> 00:12:50.240
  • LIKE A WARM LITTLE BLANKET THAT
  • 00:12:50.240 --> 00:12:52.000
  • SHE ALWAYS PUT AROUND YOU.
  • 00:12:52.000 --> 00:12:53.260
  • AND IT DIDN'T MATTER--
  • 00:12:53.260 --> 00:12:54.260
  • AND IT DOESN'T MATTER
  • 00:12:54.260 --> 00:12:55.260
  • TO THIS DAY--
  • 00:12:55.260 --> 00:12:56.260
  • WHEN YOU SEE HER,
  • 00:12:56.260 --> 00:12:57.290
  • HOW WARM SHE IS,
  • 00:12:58.200 --> 00:13:01.220
  • AND SHE NEVER FORGETS.
  • 00:13:01.220 --> 00:13:02.270
  • AND THEN YOU HEAR, "THE HOLY
  • 00:13:02.270 --> 00:13:04.290
  • HILLS OF HEAVEN CALL ME,"
  • 00:13:04.290 --> 00:13:06.180
  • OR, "REMEMBER, I'M HUMAN,
  • 00:13:06.180 --> 00:13:08.210
  • AND HUMANS FORGET.
  • 00:13:08.210 --> 00:13:09.280
  • REMIND ME, DEAR LORD."
  • 00:13:09.280 --> 00:13:11.110
  • IT'S JUST AMAZING TO ME THAT
  • 00:13:11.110 --> 00:13:12.210
  • THIS IS THE SAME PERSON,
  • 00:13:12.210 --> 00:13:14.030
  • NOT THAT IT COULDN'T COME OUT OF
  • 00:13:14.030 --> 00:13:15.060
  • A MOTHER, BUT SHE IS SUCH
  • 00:13:15.060 --> 00:13:17.100
  • A MULTIFACETED LADY,
  • 00:13:17.100 --> 00:13:19.230
  • BEEN THROUGH--AGAIN, ONE OF
  • 00:13:19.230 --> 00:13:21.230
  • THOSE PEOPLE WHO HAVE BEEN
  • 00:13:21.230 --> 00:13:22.250
  • THROUGH AMAZING ADVERSITY
  • 00:13:22.250 --> 00:13:24.290
  • IN HER LIFE.
  • 00:13:24.290 --> 00:13:26.010
  • AND YET THE SONGS CONTINUE
  • 00:13:26.010 --> 00:13:27.160
  • TO POUR OUT OF HER,
  • 00:13:27.160 --> 00:13:28.280
  • AND I THINK THAT'S BECAUSE
  • 00:13:28.280 --> 00:13:29.280
  • OF HER LOVE AND CLOSENESS
  • 00:13:29.280 --> 00:13:31.040
  • WITH THE LORD.
  • 00:13:31.040 --> 00:13:33.090
  • AND SHE'S JUST--
  • 00:13:33.090 --> 00:13:36.050
  • WHEN WE'RE TAPING
  • 00:13:36.050 --> 00:13:37.050
  • AND I'M WATCHING HER SING,
  • 00:13:37.050 --> 00:13:38.070
  • IT'S JUST LIKE,
  • 00:13:38.070 --> 00:13:39.070
  • "DO I REALLY KNOW THIS PERSON?"
  • 00:13:39.070 --> 00:13:40.190
  • AND I'M HAPPY TO SAY,
  • 00:13:40.190 --> 00:13:42.040
  • "YES, I DO KNOW THIS PERSON."
  • 00:13:42.040 --> 00:13:43.170
  • I KNEW HER PERSONALLY,
  • 00:13:43.170 --> 00:13:44.250
  • AND I KNOW HER SONGS.
  • 00:13:44.250 --> 00:13:45.260
  • I'VE SUNG HER MUSIC,
  • 00:13:45.260 --> 00:13:47.000
  • AND IT'S MINISTERED TO ME
  • 00:13:47.000 --> 00:13:48.000
  • AND EVERYBODY
  • 00:13:48.000 --> 00:13:49.000
  • THAT I'VE SUNG IT TO.
  • 00:13:49.000 --> 00:13:50.110
  • AND SHE'S JUST--JUST
  • 00:13:50.110 --> 00:13:51.190
  • A GRANDAM OF OUR BUSINESS.
  • 00:13:52.020 --> 00:13:55.020
  • SHE'S GREAT.
  • 00:13:55.020 --> 00:13:58.010
  • - REMIND ME.
  • 00:13:58.010 --> 00:14:00.100
  • REMIND ME, DEAR LORD.
  • 00:14:04.260 --> 00:14:07.260
  • - THE THINGS THAT I LOVE
  • 00:14:10.010 --> 00:14:13.010
  • AND HOLD DEAR TO MY HEART
  • 00:14:14.210 --> 00:14:17.210
  • ARE JUST BORROWED.
  • 00:14:17.210 --> 00:14:20.110
  • THEY'RE NOT MINE AT ALL.
  • 00:14:24.030 --> 00:14:27.030
  • JESUS ONLY LET ME USE THEM
  • 00:14:29.180 --> 00:14:32.180
  • TO BRIGHTEN MY LIFE.
  • 00:14:34.050 --> 00:14:37.050
  • SO REMIND ME.
  • 00:14:37.050 --> 00:14:40.010
  • REMIND ME, DEAR LORD.
  • 00:14:44.240 --> 00:14:47.240
  • - ROLL BACK THE CURTAIN
  • 00:14:49.090 --> 00:14:52.090
  • OF MEMORY NOW AND THEN.
  • 00:14:54.250 --> 00:14:57.250
  • SHOW ME WHERE YOU
  • 00:14:57.250 --> 00:15:00.040
  • BROUGHT ME FROM
  • 00:15:00.040 --> 00:15:02.090
  • AND WHERE I COULD HAVE BEEN.
  • 00:15:06.240 --> 00:15:09.240
  • REMEMBER I'M HUMAN
  • 00:15:11.200 --> 00:15:14.200
  • AND TEND TO FORGET,
  • 00:15:16.010 --> 00:15:19.010
  • SO REMIND ME.
  • 00:15:19.050 --> 00:15:22.050
  • REMIND ME, DEAR LORD.
  • 00:15:26.020 --> 00:15:29.020
  • - NOTHING GOOD HAVE I DONE
  • 00:15:51.070 --> 00:15:54.070
  • TO DESERVE GOD'S OWN SON.
  • 00:15:56.120 --> 00:15:59.120
  • I'M NOT WORTHY
  • 00:15:59.120 --> 00:16:01.260
  • OF THE SCARS IN HIS HANDS.
  • 00:16:05.070 --> 00:16:08.070
  • YET HE CHOSE
  • 00:16:08.120 --> 00:16:11.120
  • THE ROAD TO CALVARY
  • 00:16:11.120 --> 00:16:14.050
  • TO DIE IN MY STEAD.
  • 00:16:15.170 --> 00:16:18.170
  • WHY HE LOVES ME
  • 00:16:18.170 --> 00:16:21.140
  • I CAN'T UNDERSTAND.
  • 00:16:26.130 --> 00:16:29.130
  • - ROLL BACK THE CURTAIN
  • 00:16:30.210 --> 00:16:33.210
  • OF MEMORY NOW AND THEN.
  • 00:16:36.020 --> 00:16:39.020
  • SHOW ME WHERE YOU
  • 00:16:39.020 --> 00:16:41.110
  • BROUGHT ME FROM
  • 00:16:41.110 --> 00:16:43.230
  • AND WHERE I COULD HAVE BEEN.
  • 00:16:48.020 --> 00:16:51.020
  • REMEMBER I'M HUMAN
  • 00:16:52.290 --> 00:16:55.290
  • AND TEND TO FORGET,
  • 00:16:57.200 --> 00:17:00.220
  • SO REMIND ME.
  • 00:17:00.220 --> 00:17:03.180
  • REMIND ME, DEAR LORD.
  • 00:17:07.130 --> 00:17:10.130
  • SO REMIND ME.
  • 00:17:10.180 --> 00:17:13.180
  • REMIND ME, DEAR LORD.
  • 00:17:19.250 --> 00:17:22.250
  • [d[d[drararamamamatititic c
  • 00:17:30.270 --> 00:17:32.250
  • I DON'T KNOW OF ANYBODY
  • 00:17:32.250 --> 00:17:34.050
  • WE RESPECT ANY MORE
  • 00:17:34.050 --> 00:17:35.220
  • THAN DOTTIE RAMBO
  • 00:17:35.220 --> 00:17:36.280
  • AND THE GREAT CREATIVITY
  • 00:17:36.280 --> 00:17:38.290
  • - I FEEL THE TOUCH OF HANDS
  • 00:17:47.000 --> 00:17:50.000
  • SO KIND AND TENDER.
  • 00:17:52.040 --> 00:17:55.040
  • THEY'RE LEADING ME IN PATHS
  • 00:17:58.060 --> 00:18:01.080
  • THAT I MUST TROD.
  • 00:18:03.140 --> 00:18:06.140
  • I HAVE NO FEAR WHEN JESUS
  • 00:18:09.250 --> 00:18:12.250
  • WALKS BESIDE ME.
  • 00:18:15.080 --> 00:18:18.080
  • FOR I'M SHELTERED
  • 00:18:19.230 --> 00:18:22.230
  • IN THE ARMS OF GOD.
  • 00:18:26.000 --> 00:18:29.000
  • SO LET THE STORMS RAGE HIGH,
  • 00:18:30.220 --> 00:18:33.220
  • THE DARK CLOUDS RISE.
  • 00:18:33.220 --> 00:18:36.190
  • THEY WON'T WORRY ME,
  • 00:18:38.110 --> 00:18:41.110
  • FOR I'M SHELTERED SAFE
  • 00:18:42.050 --> 00:18:45.050
  • WITHIN THE ARMS OF GOD.
  • 00:18:48.230 --> 00:18:51.230
  • HE WALKS WITH ME,
  • 00:18:52.280 --> 00:18:55.280
  • AND NAUGHT OF EARTH
  • 00:18:56.090 --> 00:18:59.090
  • CAN HARM ME,
  • 00:19:01.010 --> 00:19:04.010
  • SHELTERED SAFE WITHIN
  • 00:19:06.110 --> 00:19:09.110
  • THE ARMS OF GOD.
  • 00:19:11.150 --> 00:19:14.150
  • - SOON I SHALL HEAR
  • 00:19:15.200 --> 00:19:18.200
  • THE CALL FROM
  • 00:19:18.200 --> 00:19:20.280
  • HEAVEN'S PORTALS.
  • 00:19:22.240 --> 00:19:25.240
  • "COME HOME, MY CHILD.
  • 00:19:27.010 --> 00:19:30.010
  • IT'S THE LAST MILE
  • 00:19:30.010 --> 00:19:32.100
  • YOU MUST TROD."
  • 00:19:34.020 --> 00:19:37.020
  • I'LL FALL ASLEEP AND WAKE
  • 00:19:40.060 --> 00:19:43.060
  • IN GOD'S NEW HEAVEN,
  • 00:19:46.050 --> 00:19:49.050
  • SHELTERED SAFE WITHIN
  • 00:19:51.170 --> 00:19:54.170
  • THE ARMS OF GOD.
  • 00:19:56.270 --> 00:19:59.270
  • - SO LET THE STORMS
  • 00:20:00.090 --> 00:20:03.090
  • RAGE HIGH,
  • 00:20:03.090 --> 00:20:04.210
  • THE DARK CLOUDS RISE.
  • 00:20:04.260 --> 00:20:07.260
  • THEY WON'T WORRY ME,
  • 00:20:08.270 --> 00:20:11.270
  • FOR I'M SHELTERED SAFE
  • 00:20:12.250 --> 00:20:15.250
  • WITHIN THE ARMS OF GOD.
  • 00:20:19.140 --> 00:20:22.140
  • HE WALKS WITH ME,
  • 00:20:23.220 --> 00:20:26.220
  • AND NAUGHT OF EARTH
  • 00:20:27.030 --> 00:20:30.030
  • CAN HARM ME,
  • 00:20:31.180 --> 00:20:34.180
  • SHELTERED SAFE WITHIN
  • 00:20:36.290 --> 00:20:39.290
  • THE ARMS OF GOD.
  • 00:20:42.290 --> 00:20:45.290
  • SHELTERED SAFE WITHIN
  • 00:20:48.100 --> 00:20:51.100
  • THE ARMS OF GOD.
  • 00:20:56.080 --> 00:20:59.080
  • - I'M SURE EVERYBODY IN HERE
  • 00:21:06.170 --> 00:21:07.290
  • HAS MEMORIES OF THINGS THAT
  • 00:21:07.290 --> 00:21:09.060
  • HAPPENED BACK WHEN THEY GOT INTO
  • 00:21:09.060 --> 00:21:11.150
  • GOSPEL MUSIC, AND DOTTIE DON'T
  • 00:21:11.150 --> 00:21:13.060
  • KNOW ABOUT THIS, OR SHE MAY NOT
  • 00:21:13.060 --> 00:21:14.210
  • REMEMBER IT, BUT IN A LITTLE
  • 00:21:14.210 --> 00:21:16.000
  • SCHOOLHOUSE UP IN VIRGINIA,
  • 00:21:16.090 --> 00:21:19.090
  • WE WERE IN THE BACK ROOM,
  • 00:21:19.090 --> 00:21:20.200
  • JUST A LITTLE SIDE ROOM,
  • 00:21:20.200 --> 00:21:22.010
  • AND SOME OF THE INSPIRATIONS
  • 00:21:22.010 --> 00:21:23.010
  • WERE THERE, AND YOU HAD
  • 00:21:23.010 --> 00:21:24.150
  • AN ACOUSTIC GUITAR,
  • 00:21:24.150 --> 00:21:26.170
  • AND YOU SAID, "I WANT TO SING
  • 00:21:26.170 --> 00:21:27.220
  • A SONG THAT I'M WRITING."
  • 00:21:27.220 --> 00:21:29.110
  • YOU SAT DOWN IN THAT LITTLE
  • 00:21:29.110 --> 00:21:30.190
  • ROOM, AND YOU SANG
  • 00:21:30.190 --> 00:21:31.210
  • THE HOLY HILLSTO US.
  • 00:21:31.210 --> 00:21:33.230
  • AND I'LL NEVER FORGET THAT.
  • 00:21:33.230 --> 00:21:35.090
  • AND THE HOLY SPIRIT WAS IN
  • 00:21:35.090 --> 00:21:36.270
  • THAT ROOM, JUST LIKE IT'S BEEN
  • 00:21:36.270 --> 00:21:38.170
  • IN HERE TONIGHT.
  • 00:21:38.170 --> 00:21:39.280
  • AND I DON'T EVEN KNOW IF YOU HAD
  • 00:21:39.280 --> 00:21:41.050
  • FINISHED IT OR NOT,
  • 00:21:41.050 --> 00:21:42.050
  • BUT I REMEMBER YOU PLAYING
  • 00:21:42.050 --> 00:21:43.050
  • THAT ACOUSTIC GUITAR
  • 00:21:43.050 --> 00:21:44.090
  • AND SINGINGTHE HOLY HILLS.
  • 00:21:45.000 --> 00:21:48.000
  • [acoustic guitar music]
  • 00:21:48.000 --> 00:21:49.000
  • - THE HOLY HILLS
  • 00:22:00.060 --> 00:22:03.060
  • OF HEAVEN CALL ME
  • 00:22:05.030 --> 00:22:08.030
  • TO MANSIONS BRIGHT
  • 00:22:10.020 --> 00:22:13.020
  • ACROSS THE SEA
  • 00:22:14.270 --> 00:22:17.270
  • WHERE LOVED ONES WAIT
  • 00:22:19.240 --> 00:22:22.240
  • AND CROWNS ARE GIVEN,
  • 00:22:24.290 --> 00:22:27.290
  • AND THE HILLS OF HOPE
  • 00:22:29.190 --> 00:22:32.190
  • KEEP CALLING ME.
  • 00:22:34.190 --> 00:22:37.190
  • THIS HOUSE OF FLESH
  • 00:22:39.260 --> 00:22:42.260
  • IS BUT A PRISON.
  • 00:22:45.200 --> 00:22:48.200
  • BARS OF BONES
  • 00:22:50.200 --> 00:22:53.200
  • HOLD MY SOUL.
  • 00:22:54.290 --> 00:22:57.290
  • BUT THE DOORS OF CLAY
  • 00:23:00.040 --> 00:23:03.040
  • ARE GONNA BURST WIDE OPEN
  • 00:23:04.260 --> 00:23:07.260
  • WHEN THE ANGELS SET
  • 00:23:09.290 --> 00:23:12.290
  • MY SPIRIT FREE.
  • 00:23:15.020 --> 00:23:18.020
  • THEN I'LL TAKE MY FLIGHT
  • 00:23:20.000 --> 00:23:23.000
  • LIKE THE MIGHTY EAGLE
  • 00:23:24.290 --> 00:23:27.290
  • WHEN THE HILLS OF HOPE
  • 00:23:29.280 --> 00:23:32.280
  • START CALLING ME.
  • 00:23:35.160 --> 00:23:38.160
  • - I SEE LOVED ONES
  • 00:23:50.220 --> 00:23:53.220
  • OVER YONDER.
  • 00:23:53.220 --> 00:23:56.080
  • YEAH, THEY'RE THERE.
  • 00:23:56.080 --> 00:23:59.000
  • THEIR TEARS ARE GONE,
  • 00:24:00.040 --> 00:24:03.040
  • AND THEIR HEARTS ARE FREE.
  • 00:24:05.010 --> 00:24:08.010
  • AND FROM THE THRONE,
  • 00:24:10.110 --> 00:24:13.110
  • KING JESUS BECKONS.
  • 00:24:15.060 --> 00:24:18.060
  • OH, THE HILLS OF HOPE
  • 00:24:20.030 --> 00:24:23.030
  • ARE CALLING ME.
  • 00:24:25.040 --> 00:24:28.040
  • - THIS HOUSE OF FLESH--
  • 00:24:28.040 --> 00:24:30.180
  • - IT'S A FACT, DOTTIE.
  • 00:24:30.180 --> 00:24:33.130
  • - IS BUT A PRISON.
  • 00:24:35.220 --> 00:24:38.220
  • BARS OF BONES
  • 00:24:40.120 --> 00:24:43.120
  • HOLD MY SOUL.
  • 00:24:45.090 --> 00:24:48.090
  • BUT THE DOORS OF CLAY
  • 00:24:50.100 --> 00:24:53.100
  • ARE GONNA BURST WIDE OPEN
  • 00:24:55.090 --> 00:24:58.090
  • WHEN THE ANGELS SET
  • 00:24:59.280 --> 00:25:03.000
  • MY SPIRIT FREE.
  • 00:25:05.140 --> 00:25:08.140
  • AND I'LL TAKE MY FLIGHT
  • 00:25:10.120 --> 00:25:13.120
  • LIKE A MIGHTY EAGLE
  • 00:25:15.120 --> 00:25:18.120
  • WHEN THE HILLS OF HOPE
  • 00:25:20.060 --> 00:25:23.060
  • START CALLING ME,
  • 00:25:24.290 --> 00:25:27.290
  • WHEN THE HILLS OF HOPE
  • 00:25:30.080 --> 00:25:33.080
  • START CALLING ME.
  • 00:25:37.000 --> 00:25:40.000
  • - HE LEFT THE SPLENDOR
  • 00:25:56.020 --> 00:25:59.020
  • OF HEAVEN
  • 00:26:00.240 --> 00:26:03.240
  • KNOWING HIS DESTINY
  • 00:26:08.190 --> 00:26:11.190
  • WAS THE LONELY HILL
  • 00:26:12.200 --> 00:26:15.200
  • OF GOLGOTHA,
  • 00:26:17.180 --> 00:26:20.180
  • THERE TO LAY DOWN
  • 00:26:20.180 --> 00:26:23.010
  • HIS LIFE FOR ME.
  • 00:26:28.150 --> 00:26:31.150
  • - IF THAT ISN'T LOVE,
  • 00:26:37.140 --> 00:26:40.140
  • THEN THE OCEAN IS DRY,
  • 00:26:46.040 --> 00:26:49.040
  • THERE ARE NO STARS
  • 00:26:49.040 --> 00:26:51.010
  • IN THE SKY,
  • 00:26:54.280 --> 00:26:57.280
  • AND THE SPARROW CAN'T FLY.
  • 00:27:03.070 --> 00:27:06.070
  • IF THAT ISN'T LOVE,
  • 00:27:12.240 --> 00:27:15.240
  • THEN HEAVEN'S A MYTH,
  • 00:27:20.260 --> 00:27:23.260
  • AND THERE'S
  • 00:27:23.260 --> 00:27:25.020
  • NO FEELING LIKE THIS,
  • 00:27:29.240 --> 00:27:32.240
  • IF THAT ISN'T LOVE.
  • 00:27:41.250 --> 00:27:44.250
  • EVEN IN DEATH,
  • 00:27:45.290 --> 00:27:48.290
  • HE REMEMBERED THE THIEF
  • 00:27:52.150 --> 00:27:55.150
  • HANGING BY HIS SIDE.
  • 00:27:58.230 --> 00:28:01.250
  • HE SPOKE WITH LOVE
  • 00:28:02.180 --> 00:28:05.180
  • AND COMPASSION.
  • 00:28:07.100 --> 00:28:10.100
  • THEN HE TOOK HIM
  • 00:28:10.100 --> 00:28:13.050
  • TO PARADISE.
  • 00:28:18.130 --> 00:28:21.130
  • IF THAT ISN'T LOVE,
  • 00:28:27.140 --> 00:28:30.140
  • THEN THE OCEAN IS DRY,
  • 00:28:36.100 --> 00:28:39.100
  • THERE ARE NO STARS
  • 00:28:39.100 --> 00:28:40.280
  • IN THE SKY,
  • 00:28:45.020 --> 00:28:48.020
  • AND THE SPARROW CAN'T FLY.
  • 00:28:53.100 --> 00:28:56.100
  • IF THAT ISN'T LOVE,
  • 00:29:02.230 --> 00:29:05.230
  • THEN HEAVEN'S A MYTH,
  • 00:29:11.090 --> 00:29:14.090
  • AND THERE'S NO FEELING
  • 00:29:14.090 --> 00:29:16.290
  • LIKE THIS,
  • 00:29:23.000 --> 00:29:26.000
  • IF THAT ISN'T LOVE.
  • 00:29:30.020 --> 00:29:33.020
  • - IF THAT ISN'T LOVE.
  • 00:29:39.210 --> 00:29:42.210
  • - THERE'S A VOICE MISSING
  • 00:29:58.170 --> 00:30:01.170
  • IN OUR LITTLE COUNTRY CHOIR.
  • 00:30:04.160 --> 00:30:07.160
  • ROCK OF AGES
  • 00:30:07.160 --> 00:30:10.140
  • WILL NEVER SOUND THE SAME.
  • 00:30:16.050 --> 00:30:19.050
  • GOD HEARD HER SINGING.
  • 00:30:21.210 --> 00:30:24.210
  • HEAVEN WAS NOT COMPLETE.
  • 00:30:27.040 --> 00:30:30.040
  • NOW MAMA'S TEACHING ANGELS
  • 00:30:31.210 --> 00:30:34.210
  • HOW TO SING.
  • 00:30:35.150 --> 00:30:38.150
  • [applause]
  • 00:30:38.270 --> 00:30:41.270
  • - MAMA'S TEACHING ANGELS
  • 00:30:43.160 --> 00:30:46.160
  • HOW TO SING.
  • 00:30:49.270 --> 00:30:52.270
  • HEAVEN'S HALLS ARE SILENT
  • 00:30:54.170 --> 00:30:57.170
  • WHEN MAMA SINGS.
  • 00:31:00.290 --> 00:31:03.290
  • DAVID LAYS DOWN HIS HARP,
  • 00:31:06.110 --> 00:31:09.110
  • AND HEAVEN'S BELLS
  • 00:31:09.110 --> 00:31:11.240
  • WON'T RING
  • 00:31:11.240 --> 00:31:14.090
  • WHEN MAMA'S TEACHING ANGELS
  • 00:31:16.180 --> 00:31:19.180
  • HOW TO SING.
  • 00:31:21.280 --> 00:31:24.280
  • 00:31:33.170 --> 00:31:36.170
  • - THE OLD HOME IS EMPTY.
  • 00:31:39.120 --> 00:31:42.120
  • IT'S LONESOME SINCE
  • 00:31:42.120 --> 00:31:45.110
  • SHE'S GONE.
  • 00:31:45.110 --> 00:31:47.270
  • AND IT'S HARD TO KNOW
  • 00:31:48.020 --> 00:31:51.020
  • SHE WON'T RETURN AGAIN.
  • 00:31:56.040 --> 00:31:59.040
  • BUT I'LL MEET HER
  • 00:31:59.040 --> 00:32:01.280
  • IN THE MORNING
  • 00:32:01.280 --> 00:32:04.270
  • ON HEAVEN'S GOLDEN HILLS
  • 00:32:07.170 --> 00:32:10.170
  • WHERE MAMA'S TEACHING ANGELS
  • 00:32:12.190 --> 00:32:15.190
  • HOW TO SING.
  • 00:32:19.190 --> 00:32:22.190
  • - MAMA'S TEACHING ANGELS
  • 00:32:24.070 --> 00:32:27.070
  • HOW TO SING.
  • 00:32:30.170 --> 00:32:33.170
  • HEAVEN'S HALLS ARE SILENT
  • 00:32:35.070 --> 00:32:38.070
  • WHEN MAMA SINGS.
  • 00:32:41.200 --> 00:32:44.200
  • DAVID LAYS DOWN HIS HARP,
  • 00:32:47.030 --> 00:32:50.030
  • AND HEAVEN'S BELLS
  • 00:32:50.030 --> 00:32:52.090
  • WON'T RING
  • 00:32:52.090 --> 00:32:55.050
  • WHEN MAMA'S TEACHING ANGELS
  • 00:32:57.040 --> 00:33:00.060
  • HOW TO SING.
  • 00:33:04.050 --> 00:33:07.050
  • - DAVID LAYS DOWN HIS HARP,
  • 00:33:09.190 --> 00:33:12.190
  • AND HEAVEN'S BELLS
  • 00:33:12.190 --> 00:33:15.050
  • WON'T RING.
  • 00:33:15.050 --> 00:33:17.190
  • - WHEN MAMA'S TEACHING
  • 00:33:18.130 --> 00:33:21.130
  • ANGELS HOW TO SING.
  • 00:33:27.280 --> 00:33:30.280
  • - Bill Gaither: HOW DID THAT
  • 00:33:51.280 --> 00:33:52.280
  • COMPARE TO THE FEELING YOU HAD
  • 00:33:52.280 --> 00:33:53.280
  • WHEN THE PRODUCERS CALLED YOU
  • 00:33:53.280 --> 00:33:55.100
  • FROM HOLLYWOOD AND SAID,
  • 00:33:55.100 --> 00:33:56.140
  • "WE'D LIKE TO USE ONE OF YOUR
  • 00:33:56.140 --> 00:33:57.190
  • SONGS IN A MOVIE SUNG BY
  • 00:33:57.190 --> 00:33:59.000
  • WHITNEY HOUSTON," RIGHT?
  • 00:33:59.000 --> 00:34:01.240
  • - YES.
  • 00:34:01.240 --> 00:34:03.000
  • WELL, YOU KNOW, BILL,
  • 00:34:03.000 --> 00:34:04.110
  • IF YOU THINK SOMETHING'S
  • 00:34:04.110 --> 00:34:06.170
  • GONNA HAPPEN, AND SOMEBODY'S
  • 00:34:06.170 --> 00:34:07.250
  • WARNED YOU DOWN THE ROAD,
  • 00:34:07.250 --> 00:34:09.110
  • YOU KNOW, LIKE YOU'RE GOING TO
  • 00:34:09.110 --> 00:34:10.260
  • BE SITTING IN A SETTING LIKE
  • 00:34:10.260 --> 00:34:12.070
  • THIS, IN 1960, IF SOMEBODY SAID,
  • 00:34:12.070 --> 00:34:14.190
  • "YOU'RE GOING TO BE SITTING
  • 00:34:14.190 --> 00:34:15.270
  • TALKING WITH BILL GAITHER,"
  • 00:34:15.270 --> 00:34:17.170
  • I WOULD HAVE SAID, "WELL,
  • 00:34:17.170 --> 00:34:19.010
  • IF HE SAYS IT'S GONNA HAPPEN,
  • 00:34:19.010 --> 00:34:21.100
  • THEN I'LL TRUST BILL."
  • 00:34:21.100 --> 00:34:23.030
  • WELL, I WOULDN'T TELL ANYBODY.
  • 00:34:23.030 --> 00:34:25.270
  • A YEAR, THEY CALLED,
  • 00:34:25.270 --> 00:34:27.240
  • AND THEY SAID, "WE WANT
  • 00:34:27.240 --> 00:34:28.240
  • TO GET THE LICENSE
  • 00:34:28.240 --> 00:34:29.240
  • FOR I GO TO THE ROCK."
  • 00:34:29.240 --> 00:34:31.020
  • AND, YOU KNOW, I WANTED TO TELL
  • 00:34:31.020 --> 00:34:32.110
  • EVERYBODY, "WHITNEY'S GOING
  • 00:34:32.110 --> 00:34:33.250
  • TO DO MY SONG."
  • 00:34:33.250 --> 00:34:35.040
  • BUT I ASKED--
  • 00:34:35.040 --> 00:34:36.110
  • - Bill Gaither: YOU WANTED TO
  • 00:34:36.110 --> 00:34:37.160
  • WAIT AND MAKE SURE SHE WAS GOING
  • 00:34:37.160 --> 00:34:38.200
  • TO DO YOUR SONG.
  • 00:34:38.200 --> 00:34:39.200
  • - I WANTED TO MAKE SURE,
  • 00:34:39.200 --> 00:34:40.250
  • YOU KNOW.
  • 00:34:40.250 --> 00:34:41.290
  • IT'S A LOT EASIER THEN
  • 00:34:41.290 --> 00:34:42.290
  • AFTER IT'S DONE, YOU KNOW,
  • 00:34:42.290 --> 00:34:44.030
  • JUST TO TAKE A LITTLE BOW
  • 00:34:44.030 --> 00:34:45.110
  • AND SAY, "THANK YOU.
  • 00:34:45.110 --> 00:34:46.120
  • WE'RE PROUD OF THAT."
  • 00:34:46.120 --> 00:34:47.250
  • BUT I WONDERED HOW IN THE WORLD
  • 00:34:47.250 --> 00:34:49.170
  • THAT SHE WOULD EVER GET
  • 00:34:49.170 --> 00:34:51.170
  • MY MUSIC.
  • 00:34:51.170 --> 00:34:53.050
  • BUT SEE, IT ISN'T MY MUSIC.
  • 00:34:53.050 --> 00:34:55.140
  • IT ISN'T YOUR MUSIC.
  • 00:34:55.140 --> 00:34:57.060
  • IT'S GOD'S MUSIC.
  • 00:34:57.060 --> 00:34:58.290
  • AND ONE OF THE GIRLS THAT SANG
  • 00:34:58.290 --> 00:35:01.030
  • BACKUP, HER MAIN BACKUP SINGER,
  • 00:35:01.030 --> 00:35:03.120
  • WAS A FRIEND OF OURS.
  • 00:35:03.120 --> 00:35:05.080
  • AND SHE TOLD ME A LITTLE LATER.
  • 00:35:05.080 --> 00:35:08.080
  • SHE SAID THAT, "SHE GOES AROUND
  • 00:35:08.080 --> 00:35:10.040
  • BACKSTAGE ALL THE TIME
  • 00:35:10.040 --> 00:35:11.130
  • JUST SINGING YOUR SONGS,
  • 00:35:11.130 --> 00:35:13.160
  • AND GO TO THE ROCK
  • 00:35:13.160 --> 00:35:14.220
  • IS ONE OF THEM."
  • 00:35:14.220 --> 00:35:15.220
  • SHE SAID, "WHEN SHE GOES HOME,
  • 00:35:15.220 --> 00:35:17.170
  • SHE GOES TO HER LITTLE CHURCH,"
  • 00:35:17.170 --> 00:35:19.210
  • SHE SAID, "SHE HAS TO SING
  • 00:35:19.210 --> 00:35:21.030
  • SOME OF YOUR MUSIC,
  • 00:35:21.030 --> 00:35:22.270
  • AND GO TO THE RIS JUST ONE
  • 00:35:22.270 --> 00:35:24.130
  • OF HER FAVORITES."
  • 00:35:24.130 --> 00:35:26.050
  • AND, BILL, DID SHE
  • 00:35:26.050 --> 00:35:28.130
  • DO THAT UP RIGHT.
  • 00:35:28.130 --> 00:35:30.080
  • - Bill Gaither: SHE SANG IT.
  • 00:35:30.080 --> 00:35:31.080
  • - SHE SANG IT.
  • 00:35:31.080 --> 00:35:32.080
  • AND I WATCHED HER THAT YEAR
  • 00:35:33.200 --> 00:35:36.200
  • DO FIVE SPECIALS ON TV,
  • 00:35:36.200 --> 00:35:39.080
  • AND EVERY TIME SHE'D DO
  • 00:35:39.080 --> 00:35:40.090
  • I GO TO THE ROCK,SHE DID
  • 00:35:40.090 --> 00:35:41.240
  • 27 TAGS ON THE END.
  • 00:35:42.110 --> 00:35:45.110
  • IT WAS SOMETHING.
  • 00:35:46.130 --> 00:35:49.130
  • - WHERE DO I GO
  • 00:35:49.230 --> 00:35:52.230
  • WHEN THERE'S
  • 00:35:52.230 --> 00:35:53.230
  • NO ONE ELSE TO TALK TO?
  • 00:35:53.230 --> 00:35:56.180
  • WHO DO I TURN TO
  • 00:35:57.150 --> 00:36:00.170
  • WHEN NO ONE
  • 00:36:00.170 --> 00:36:01.220
  • WANTS TO LISTEN?
  • 00:36:01.220 --> 00:36:03.150
  • WHO DO I LEAN ON
  • 00:36:04.060 --> 00:36:07.060
  • WHEN THERE'S NO FOUNDATION
  • 00:36:07.060 --> 00:36:09.210
  • STABLE?
  • 00:36:09.210 --> 00:36:10.270
  • I GO TO THE ROCK.
  • 00:36:10.270 --> 00:36:12.150
  • I KNOW HE'S ABLE.
  • 00:36:12.150 --> 00:36:14.120
  • I GO TO THE ROCK.
  • 00:36:14.210 --> 00:36:17.210
  • - I GO TO THE ROCK
  • 00:36:17.210 --> 00:36:19.240
  • OF MY SALVATION.
  • 00:36:19.240 --> 00:36:21.190
  • I GO TO THE STONE THAT
  • 00:36:21.190 --> 00:36:23.010
  • THE BUILDERS REJECTED.
  • 00:36:23.010 --> 00:36:25.010
  • I RUN TO THE MOUNTAIN, AND
  • 00:36:25.010 --> 00:36:27.250
  • THE MOUNTAIN STANDS BY ME.
  • 00:36:29.080 --> 00:36:32.080
  • THE EARTH ALL AROUND ME
  • 00:36:32.080 --> 00:36:34.070
  • IS SINKING SAND.
  • 00:36:34.070 --> 00:36:35.260
  • ON CHRIST, THE SOLID ROCK,
  • 00:36:35.260 --> 00:36:37.270
  • I STAND.
  • 00:36:37.270 --> 00:36:39.130
  • WHEN I NEED A SHELTER,
  • 00:36:39.130 --> 00:36:41.080
  • WHEN I NEED A FRIEND,
  • 00:36:41.080 --> 00:36:42.180
  • I GO TO THE ROCK.
  • 00:36:43.210 --> 00:36:46.210
  • - WHERE DO I HIDE
  • 00:36:47.070 --> 00:36:50.070
  • TILL THE STORMS
  • 00:36:50.070 --> 00:36:51.270
  • HAVE ALL PASSED OVER?
  • 00:36:51.270 --> 00:36:53.210
  • WHERE DO I RUN TO
  • 00:36:54.140 --> 00:36:57.140
  • WHEN THE WINDS OF SORROW
  • 00:36:57.140 --> 00:36:59.210
  • THREATEN?
  • 00:36:59.210 --> 00:37:01.030
  • IS THERE A REFUGE
  • 00:37:01.180 --> 00:37:04.180
  • IN THE TIME OF TRIBULATION?
  • 00:37:05.000 --> 00:37:08.000
  • WHEN MY SOUL NEEDS
  • 00:37:08.000 --> 00:37:09.240
  • CONSOLATION,
  • 00:37:09.240 --> 00:37:11.170
  • I GO TO THE ROCK.
  • 00:37:12.000 --> 00:37:15.000
  • - I GO TO THE ROCK
  • 00:37:15.000 --> 00:37:16.230
  • OF MY SALVATION.
  • 00:37:16.230 --> 00:37:18.290
  • I GO TO THE STONE
  • 00:37:18.290 --> 00:37:20.080
  • THAT THE BUILDERS REJECTED.
  • 00:37:20.080 --> 00:37:22.100
  • I RUN TO THE MOUNTAIN, AND
  • 00:37:22.100 --> 00:37:25.010
  • THE MOUNTAIN STANDS BY ME.
  • 00:37:26.100 --> 00:37:29.100
  • THE EARTH ALL AROUND ME
  • 00:37:29.100 --> 00:37:31.130
  • IS SINKING SAND.
  • 00:37:31.130 --> 00:37:33.040
  • ON CHRIST, THE SOLID ROCK,
  • 00:37:33.040 --> 00:37:35.000
  • I STAND.
  • 00:37:35.000 --> 00:37:36.190
  • WHEN I NEED A SHELTER,
  • 00:37:36.190 --> 00:37:38.180
  • WHEN I NEED A FRIEND,
  • 00:37:38.180 --> 00:37:40.070
  • I GO TO THE ROCK.
  • 00:37:40.150 --> 00:37:43.150
  • I GO TO THE ROCK
  • 00:37:43.150 --> 00:37:45.110
  • OF MY SALVATION.
  • 00:37:45.110 --> 00:37:47.150
  • I GO TO THE STONE
  • 00:37:47.150 --> 00:37:48.210
  • THAT THE BUILDERS REJECTED.
  • 00:37:48.210 --> 00:37:50.270
  • I RUN TO THE MOUNTAIN, AND
  • 00:37:50.270 --> 00:37:53.200
  • THE MOUNTAIN STANDS BY ME.
  • 00:37:55.060 --> 00:37:58.060
  • THE EARTH ALL AROUND ME
  • 00:37:58.060 --> 00:37:59.280
  • IS SINKING SAND.
  • 00:37:59.280 --> 00:38:01.210
  • ON CHRIST, THE SOLID ROCK,
  • 00:38:01.210 --> 00:38:03.270
  • I STAND.
  • 00:38:03.270 --> 00:38:05.100
  • WHEN I NEED A SHELTER,
  • 00:38:05.100 --> 00:38:07.050
  • WHEN I NEED A FRIEND,
  • 00:38:07.050 --> 00:38:08.260
  • I GO TO THE ROCK.
  • 00:38:09.260 --> 00:38:12.260
  • WHEN I NEED A SHELTER,
  • 00:38:12.260 --> 00:38:14.120
  • WHEN I NEED A FRIEND,
  • 00:38:14.120 --> 00:38:16.050
  • I GO TO THE ROCK.
  • 00:38:16.280 --> 00:38:19.280
  • WHEN I NEED A SHELTER,
  • 00:38:19.280 --> 00:38:21.190
  • WHEN I NEED A FRIEND,
  • 00:38:21.190 --> 00:38:23.040
  • I GO TO THE ROCK.
  • 00:38:28.100 --> 00:38:31.100
  • I GO TO THE ROCK
  • 00:38:39.260 --> 00:38:41.280
  • OF MY SALVATION.
  • 00:38:41.280 --> 00:38:44.040
  • I GO TO THE STONE
  • 00:38:44.040 --> 00:38:45.150
  • THAT THE BUILDERS REJECTED.
  • 00:38:45.150 --> 00:38:47.250
  • I RUN TO THE MOUNTAIN, AND
  • 00:38:47.250 --> 00:38:50.130
  • THE MOUNTAIN STANDS BY ME.
  • 00:38:50.130 --> 00:38:52.120
  • - STANDS BY ME.
  • 00:38:52.120 --> 00:38:55.030
  • - THE EARTH ALL AROUND ME
  • 00:38:55.030 --> 00:38:56.230
  • IS SINKING SAND.
  • 00:38:56.230 --> 00:38:58.150
  • ON CHRIST, THE SOLID ROCK,
  • 00:38:58.150 --> 00:39:00.160
  • I STAND.
  • 00:39:00.160 --> 00:39:02.010
  • WHEN I NEED A SHELTER,
  • 00:39:02.010 --> 00:39:03.280
  • WHEN I NEED A FRIEND,
  • 00:39:03.280 --> 00:39:05.140
  • I GO TO THE ROCK.
  • 00:39:06.070 --> 00:39:09.070
  • I GO TO THE ROCK
  • 00:39:09.070 --> 00:39:10.220
  • OF MY SALVATION.
  • 00:39:10.220 --> 00:39:12.280
  • I GO TO THE STONE
  • 00:39:12.280 --> 00:39:14.080
  • THAT THE BUILDERS REJECTED.
  • 00:39:14.080 --> 00:39:16.110
  • I RUN TO THE MOUNTAIN, AND
  • 00:39:16.110 --> 00:39:19.050
  • THE MOUNTAIN STANDS BY ME.
  • 00:39:20.200 --> 00:39:23.200
  • THE EARTH ALL AROUND ME
  • 00:39:23.200 --> 00:39:25.080
  • IS SINKING SAND.
  • 00:39:25.080 --> 00:39:27.040
  • ON CHRIST, THE SOLID ROCK,
  • 00:39:27.040 --> 00:39:29.070
  • I STAND.
  • 00:39:29.070 --> 00:39:30.200
  • WHEN I NEED A SHELTER,
  • 00:39:30.200 --> 00:39:32.160
  • WHEN I NEED A FRIEND,
  • 00:39:32.160 --> 00:39:34.050
  • I GO TO THE ROCK.
  • 00:39:35.090 --> 00:39:38.090
  • WHEN I NEED A SHELTER,
  • 00:39:38.090 --> 00:39:39.250
  • WHEN I NEED A FRIEND,
  • 00:39:39.250 --> 00:39:41.060
  • I GO TO THE ROCK.
  • 00:39:42.070 --> 00:39:45.070
  • WHEN I NEED A SHELTER,
  • 00:39:45.070 --> 00:39:46.280
  • WHEN I NEED A FRIEND,
  • 00:39:46.280 --> 00:39:48.080
  • I GO TO THE ROCK.
  • 00:39:54.010 --> 00:39:57.010
  • - Bill Gaither: THE BIBLE TALKS
  • 00:40:04.200 --> 00:40:05.200
  • A LOT ABOUT PERSPECTIVE,
  • 00:40:05.200 --> 00:40:08.030
  • KEEPING THINGS IN PERSPECTIVE,
  • 00:40:08.030 --> 00:40:09.170
  • BECAUSE LIFE IS FILLED
  • 00:40:09.170 --> 00:40:10.280
  • WITH CHOICES.
  • 00:40:10.280 --> 00:40:12.100
  • AND ONE SONG YOU WROTE
  • 00:40:12.100 --> 00:40:15.020
  • THAT I THINK IS ONE OF THE BEST
  • 00:40:15.020 --> 00:40:16.110
  • ON PERSPECTIVE I'VE EVER HEARD
  • 00:40:16.110 --> 00:40:18.110
  • IS TOO MUCH TO GAIN TO LOSE.
  • 00:40:20.050 --> 00:40:23.050
  • THERE COMES A TIME IN LIFE
  • 00:40:23.050 --> 00:40:24.210
  • WHEN YOU HAVE TO CHOOSE BETWEEN
  • 00:40:24.210 --> 00:40:26.090
  • GOOD OR BAD.
  • 00:40:26.090 --> 00:40:29.090
  • SOMETIMES IT'S A CHOICE BETWEEN
  • 00:40:29.090 --> 00:40:30.150
  • GOOD OR SOMETHING EVEN BETTER,
  • 00:40:30.150 --> 00:40:32.130
  • BUT WHEN IT COMES TO THE ETERNAL
  • 00:40:32.130 --> 00:40:34.060
  • THINGS, YOU BETTER MAKE SURE
  • 00:40:34.060 --> 00:40:36.010
  • THAT YOU'RE MAKING
  • 00:40:36.010 --> 00:40:37.060
  • THE RIGHT CHOICES.
  • 00:40:37.060 --> 00:40:38.140
  • - THAT'S RIGHT.
  • 00:40:38.140 --> 00:40:39.200
  • - Bill Gaither: AND THE BIBLE
  • 00:40:39.200 --> 00:40:40.200
  • IS SO GOOD AT THIS POINT TO SAY
  • 00:40:40.200 --> 00:40:42.020
  • THERE'S TOO MUCH
  • 00:40:42.020 --> 00:40:43.050
  • TO GAIN TO LOSE.
  • 00:40:43.050 --> 00:40:44.280
  • I'VE GOT TOO MUCH
  • 00:40:44.280 --> 00:40:45.280
  • INVESTED IN THIS.
  • 00:40:45.280 --> 00:40:46.280
  • - ABSOLUTELY.
  • 00:40:46.280 --> 00:40:47.280
  • - Bill Gaither: IT'D BE STUPID
  • 00:40:47.280 --> 00:40:49.020
  • AND DUMB TO TURN BACK NOW.
  • 00:40:49.020 --> 00:40:52.020
  • - THAT'S SO TRUE, BILL.
  • 00:40:52.020 --> 00:40:53.250
  • WHEN I WROTE THAT,
  • 00:40:53.250 --> 00:40:55.110
  • IT WAS ANOTHER HEARTBREAK.
  • 00:40:55.110 --> 00:40:57.230
  • AND IT SEEMED LIKE I WROTE ABOUT
  • 00:40:57.230 --> 00:40:58.270
  • THINGS LIKE THIS OUT OF THOSE
  • 00:40:58.270 --> 00:41:00.250
  • TIMES, YOU KNOW?
  • 00:41:00.250 --> 00:41:02.230
  • AND WE WERE CROSSING THE DESERT
  • 00:41:02.230 --> 00:41:04.110
  • GOING TO CALIFORNIA,
  • 00:41:04.110 --> 00:41:06.000
  • AND I WENT BACK TO OUR BEDROOM,
  • 00:41:06.000 --> 00:41:07.120
  • LOCKED IT, GOT MY GUITAR,
  • 00:41:07.120 --> 00:41:08.200
  • AND WAS SITTING ON THE FLOOR,
  • 00:41:08.200 --> 00:41:09.250
  • AND I THOUGHT, "I THINK I'LL
  • 00:41:09.250 --> 00:41:11.070
  • JUST HANG IT UP, JUST GO HOME,"
  • 00:41:11.070 --> 00:41:12.280
  • YOU KNOW?
  • 00:41:12.280 --> 00:41:14.000
  • BUT I'VE OFTEN SAID, YOU KNOW,
  • 00:41:14.000 --> 00:41:15.090
  • YOU'D LIKE TO SURRENDER,
  • 00:41:15.090 --> 00:41:16.210
  • BUT WHO DO YOU SURRENDER TO?
  • 00:41:16.210 --> 00:41:18.260
  • YOU KNOW, THERE'S NO PLACE TO GO
  • 00:41:18.260 --> 00:41:20.040
  • WHEN YOU'VE KNOWN THE LORD
  • 00:41:20.040 --> 00:41:21.060
  • AND YOU WRITE ABOUT HIM.
  • 00:41:21.060 --> 00:41:22.220
  • BUT I ALWAYS TRY, LIKE YOU SAID,
  • 00:41:22.220 --> 00:41:24.070
  • TO STAY WITH THE WORD.
  • 00:41:24.070 --> 00:41:25.270
  • YOU KNOW, LOOK IN THAT WORD.
  • 00:41:25.270 --> 00:41:27.100
  • MAKE SURE YOU'RE TELLING
  • 00:41:27.100 --> 00:41:28.210
  • THE TRUTH ABOUT IT.
  • 00:41:28.210 --> 00:41:30.020
  • BUT THAT DAY, I REALLY WASN'T
  • 00:41:30.020 --> 00:41:31.110
  • THINKING THAT WAY.
  • 00:41:31.110 --> 00:41:32.160
  • I WAS THINKING ABOUT, IN LIFE,
  • 00:41:32.160 --> 00:41:35.080
  • I WAS CROSSING THE NATURAL
  • 00:41:35.080 --> 00:41:36.230
  • DESERT, BUT I HAD BEEN CROSSING
  • 00:41:36.230 --> 00:41:38.200
  • A TERRIBLE DESERT IN MY LIFE.
  • 00:41:38.200 --> 00:41:40.240
  • - Bill Gaither: SPIRITUAL
  • 00:41:40.240 --> 00:41:41.250
  • DESERT.
  • 00:41:41.250 --> 00:41:42.250
  • - YEAH, A SPIRITUAL DESERT.
  • 00:41:42.250 --> 00:41:44.050
  • AND THE LAST VERSE JUST DROVE IT
  • 00:41:44.050 --> 00:41:46.230
  • HOME FOR ME, YOU KNOW,
  • 00:41:46.230 --> 00:41:49.140
  • "I'VE CROSSED THE HOT, BURNING
  • 00:41:49.140 --> 00:41:51.210
  • DESERT, STRUGGLING
  • 00:41:51.210 --> 00:41:54.010
  • THE RIGHT ROAD TO CHOOSE,
  • 00:41:54.010 --> 00:41:55.180
  • BUT SOMEWHERE UP AHEAD,
  • 00:41:55.180 --> 00:41:57.070
  • I SEE COOL, CLEAR WATER,
  • 00:41:57.070 --> 00:41:59.200
  • AND DEFIS ONE WORD
  • 00:41:59.200 --> 00:42:01.190
  • I DON'T USE."
  • 00:42:01.190 --> 00:42:04.010
  • - Bill Gaither: [chuckles]
  • 00:42:04.010 --> 00:42:05.090
  • - SO THERE IS JUST TOO MUCH
  • 00:42:05.090 --> 00:42:06.130
  • TO GAIN TO LOSE.
  • 00:42:06.130 --> 00:42:07.140
  • WE HAVE A LOT INVESTED.
  • 00:42:07.140 --> 00:42:08.140
  • - TOO MANY MILES BEHIND ME.
  • 00:42:17.010 --> 00:42:20.010
  • TOO MANY TRIALS ARE THROUGH.
  • 00:42:26.060 --> 00:42:29.060
  • TOO MANY TEARS
  • 00:42:30.040 --> 00:42:33.040
  • HELP ME TO REMEMBER
  • 00:42:35.000 --> 00:42:38.000
  • THERE'S JUST TOO MUCH
  • 00:42:38.000 --> 00:42:40.030
  • TO GAIN TO LOSE.
  • 00:42:44.110 --> 00:42:47.110
  • TOO MANY SUNSETS
  • 00:42:48.230 --> 00:42:51.230
  • LIE BEHIND THE MOUNTAINS.
  • 00:42:53.150 --> 00:42:56.150
  • TOO MANY RIVERS
  • 00:42:57.180 --> 00:43:00.200
  • MY FEET HAVE WALKED THROUGH.
  • 00:43:02.150 --> 00:43:05.150
  • TOO MANY TREASURES
  • 00:43:06.230 --> 00:43:09.230
  • ARE WAITING OVER YONDER.
  • 00:43:11.000 --> 00:43:14.000
  • THERE'S JUST TOO MUCH
  • 00:43:14.000 --> 00:43:16.080
  • TO GAIN TO LOSE.
  • 00:43:20.100 --> 00:43:23.100
  • I CROSSED
  • 00:43:23.100 --> 00:43:25.090
  • THE HOT, BURNING DESERT,
  • 00:43:29.130 --> 00:43:32.130
  • STRUGGLING THE RIGHT ROAD
  • 00:43:33.130 --> 00:43:36.130
  • TO CHOOSE.
  • 00:43:38.110 --> 00:43:41.110
  • SOMEWHERE UP AHEAD,
  • 00:43:42.050 --> 00:43:45.050
  • THERE'S COOL, CLEAR WATER,
  • 00:43:47.030 --> 00:43:50.030
  • ANDDEFEATIS ONE WORD
  • 00:43:50.250 --> 00:43:53.250
  • I JUST DON'T USE.
  • 00:43:54.060 --> 00:43:57.060
  • [cheers and applause]
  • 00:43:57.060 --> 00:43:59.100
  • TOO MANY SUNSETS
  • 00:44:01.040 --> 00:44:04.040
  • LIE BEHIND THE MOUNTAINS.
  • 00:44:05.150 --> 00:44:08.150
  • TOO MANY RIVERS
  • 00:44:09.150 --> 00:44:12.150
  • MY FEET HAVE WALKED THROUGH.
  • 00:44:14.160 --> 00:44:17.160
  • TOO MANY TREASURES
  • 00:44:18.280 --> 00:44:21.280
  • WAITING OVER YONDER.
  • 00:44:23.030 --> 00:44:26.030
  • THERE'S JUST TOO MUCH
  • 00:44:26.030 --> 00:44:28.120
  • TO GAIN TO LOSE.
  • 00:44:32.070 --> 00:44:35.070
  • TOO MANY TREASURES
  • 00:44:37.050 --> 00:44:40.050
  • WAITING OVER YONDER.
  • 00:44:41.080 --> 00:44:44.080
  • - OVER YONDER.
  • 00:44:44.080 --> 00:44:46.130
  • - THERE'S JUST TOO MUCH
  • 00:44:46.130 --> 00:44:48.260
  • TO GAIN TO LOSE.
  • 00:44:54.210 --> 00:44:57.210
  • 00:45:00.120 --> 00:45:03.120
  • - ON THE SUNNY BANKS
  • 00:45:21.270 --> 00:45:24.270
  • OF SWEET DELIVERANCE,
  • 00:45:26.000 --> 00:45:29.000
  • HAPPY FREEDOM LAND,
  • 00:45:30.030 --> 00:45:33.030
  • MY IMMORTAL HOME.
  • 00:45:34.050 --> 00:45:37.050
  • I'M A-GOIN' THERE TO LIVE
  • 00:45:39.090 --> 00:45:42.090
  • WHEN LIFE IS OVER.
  • 00:45:42.120 --> 00:45:45.120
  • - ON THE SUNNY BANKS
  • 00:45:45.120 --> 00:45:47.040
  • - ON THE SUNNY BANKS
  • 00:45:47.040 --> 00:45:49.130
  • - OF MY HOME SWEET HOME.
  • 00:45:50.120 --> 00:45:53.120
  • - THERE'S A LAND
  • 00:45:53.120 --> 00:45:54.130
  • WHERE DEATH
  • 00:45:54.130 --> 00:45:57.090
  • CAN NEVER ENTER.
  • 00:45:58.140 --> 00:46:01.160
  • NO LONELY GRAVES
  • 00:46:02.120 --> 00:46:05.120
  • ON THE HILLS OF GOD.
  • 00:46:06.230 --> 00:46:09.230
  • I'LL WALK BY WATERS
  • 00:46:11.050 --> 00:46:14.050
  • CLEAR AND PEACEFUL
  • 00:46:14.160 --> 00:46:17.160
  • WHERE WICKED MEN
  • 00:46:18.210 --> 00:46:21.210
  • SHALL NEVER TROD.
  • 00:46:22.290 --> 00:46:25.290
  • - ON THE SUNNY BANKS
  • 00:46:26.220 --> 00:46:29.220
  • OF SWEET DELIVERANCE,
  • 00:46:30.270 --> 00:46:33.270
  • HAPPY FREEDOM LAND,
  • 00:46:34.250 --> 00:46:37.250
  • MY IMMORTAL HOME.
  • 00:46:39.070 --> 00:46:42.070
  • I'M A-GOIN' THERE TO LIVE
  • 00:46:44.110 --> 00:46:47.110
  • WHEN LIFE IS OVER.
  • 00:46:47.110 --> 00:46:50.110
  • - ON THE SUNNY BANKS
  • 00:46:50.110 --> 00:46:52.040
  • - ON THE SUNNY BANKS
  • 00:46:52.040 --> 00:46:54.010
  • - OF MY HOME SWEET HOME.
  • 00:46:55.160 --> 00:46:58.160
  • - THERE'S A VALLEY GREEN
  • 00:46:59.170 --> 00:47:02.190
  • WHERE THE WARM WINDS WHISPER
  • 00:47:03.270 --> 00:47:06.270
  • AND THE MASTER SMILES
  • 00:47:07.150 --> 00:47:10.150
  • AS THE CHILDREN PLAY.
  • 00:47:11.230 --> 00:47:14.230
  • ALL SORROWS GONE
  • 00:47:15.180 --> 00:47:18.180
  • AND OUR BURDENS LIFTED,
  • 00:47:19.220 --> 00:47:22.220
  • FOR GOD HIMSELF
  • 00:47:23.240 --> 00:47:26.240
  • WIPES THE TEARS AWAY.
  • 00:47:27.290 --> 00:47:30.290
  • - ON THE SUNNY BANKS
  • 00:47:31.290 --> 00:47:34.290
  • OF SWEET DELIVERANCE,
  • 00:47:36.000 --> 00:47:39.000
  • HAPPY FREEDOM LAND,
  • 00:47:40.010 --> 00:47:43.010
  • MY IMMORTAL HOME.
  • 00:47:44.070 --> 00:47:47.070
  • I'M A-GOIN' THERE TO LIVE
  • 00:47:49.130 --> 00:47:52.130
  • WHEN LIFE IS OVER.
  • 00:47:52.210 --> 00:47:55.210
  • - ON THE SUNNY BANKS
  • 00:47:55.210 --> 00:47:57.140
  • - ON THE SUNNY BANKS
  • 00:47:57.140 --> 00:47:59.130
  • - OF MY HOME SWEET HOME.
  • 00:48:00.220 --> 00:48:03.220
  • ON THE SUNNY BANKS
  • 00:48:04.180 --> 00:48:07.180
  • OF SWEET DELIVERANCE,
  • 00:48:08.180 --> 00:48:11.180
  • HAPPY FREEDOM LAND,
  • 00:48:12.210 --> 00:48:15.210
  • MY IMMORTAL HOME.
  • 00:48:16.240 --> 00:48:19.240
  • I'M A-GOIN' THERE TO LIVE
  • 00:48:22.030 --> 00:48:25.030
  • WHEN LIFE IS OVER.
  • 00:48:25.080 --> 00:48:28.080
  • - ON THE SUNNY BANKS
  • 00:48:28.080 --> 00:48:29.260
  • - ON THE SUNNY BANKS
  • 00:48:29.260 --> 00:48:32.000
  • - OF MY HOME SWEET HOME.
  • 00:48:36.240 --> 00:48:39.240
  • - Bill Gaither: HOW DID YOU
  • 00:48:52.090 --> 00:48:53.090
  • FEEL WHEN YOU FIRST HEARD SANDI
  • 00:48:53.090 --> 00:48:54.180
  • SINGWE SHALL BEHOLD HIM?
  • 00:48:54.180 --> 00:48:56.000
  • - WHEN I HEARD HER DO THAT
  • 00:48:56.000 --> 00:48:57.050
  • AND HEARD THAT VOICE SOARING,
  • 00:48:57.050 --> 00:49:00.030
  • I SIMPLY WAS--I FELT LIKE I WAS
  • 00:49:00.030 --> 00:49:02.190
  • BEING PICKED UP IN THE AIR,
  • 00:49:02.190 --> 00:49:04.150
  • YOU KNOW?
  • 00:49:04.150 --> 00:49:05.160
  • I DIDN'T WANT ANYBODY AROUND ME.
  • 00:49:05.160 --> 00:49:06.290
  • I JUST WANT TO HEAR IT
  • 00:49:06.290 --> 00:49:08.030
  • OVER AND OVER AND OVER.
  • 00:49:08.030 --> 00:49:09.170
  • - Bill Gaither: IT'S A GREAT
  • 00:49:09.170 --> 00:49:10.120
  • SONG.
  • 00:49:10.120 --> 00:49:11.220
  • [sweeping instrumental music]
  • 00:49:11.220 --> 00:49:12.220
  • 00:49:13.020 --> 00:49:16.020
  • - THE SKY SHALL UNFOLD,
  • 00:49:25.180 --> 00:49:28.180
  • PREPARING HIS ENTRANCE.
  • 00:49:37.040 --> 00:49:40.040
  • THE STARS SHALL APPLAUD HIM
  • 00:49:48.250 --> 00:49:51.250
  • WITH THUNDERS OF PRAISE.
  • 00:49:59.090 --> 00:50:02.090
  • THE SWEET LIGHT
  • 00:50:02.090 --> 00:50:05.030
  • IN HIS EYES SHALL...
  • 00:50:13.230 --> 00:50:16.230
  • SHALL ENHANCE
  • 00:50:16.230 --> 00:50:18.090
  • THOSE AWAITING,
  • 00:50:24.060 --> 00:50:27.060
  • AND WE SHALL BEHOLD HIM
  • 00:50:36.010 --> 00:50:39.010
  • THEN FACE-TO-FACE.
  • 00:50:47.240 --> 00:50:50.240
  • WE SHALL BEHOLD HIM.
  • 00:51:00.200 --> 00:51:03.200
  • YES, WE SHALL BEHOLD HIM
  • 00:51:11.120 --> 00:51:14.120
  • FACE-TO-FACE
  • 00:51:17.090 --> 00:51:20.090
  • IN ALL OF HIS GLORY.
  • 00:51:27.040 --> 00:51:30.040
  • WE SHALL BEHOLD HIM.
  • 00:51:37.250 --> 00:51:40.250
  • WE SHALL BEHOLD HIM
  • 00:51:47.280 --> 00:51:50.280
  • FACE-TO-FACE,
  • 00:51:57.160 --> 00:52:00.180
  • OUR SAVIOR AND LORD.
  • 00:52:07.260 --> 00:52:10.260
  • AND THE ANGELS
  • 00:52:14.020 --> 00:52:17.020
  • SHALL SOUND
  • 00:52:18.260 --> 00:52:21.260
  • THE SHOUT OF HIS COMING.
  • 00:52:28.170 --> 00:52:31.170
  • AND THE SLEEPING
  • 00:52:31.170 --> 00:52:33.260
  • SHALL RISE FROM--
  • 00:52:37.010 --> 00:52:40.010
  • FROM THEIR SLUMBERING PLACE.
  • 00:52:47.290 --> 00:52:50.290
  • AND THOSE WHO REMAIN SHALL--
  • 00:52:57.050 --> 00:53:00.070
  • WE SHALL BE CHANGED
  • 00:53:00.070 --> 00:53:02.180
  • IN A MOMENT,
  • 00:53:06.150 --> 00:53:09.150
  • AND WE SHALL BEHOLD HIM
  • 00:53:15.270 --> 00:53:18.270
  • THEN FACE-TO-FACE.
  • 00:53:25.040 --> 00:53:28.040
  • WE SHALL BEHOLD HIM.
  • 00:53:34.140 --> 00:53:37.140
  • OH, YES,
  • 00:53:37.140 --> 00:53:38.180
  • WE SHALL BEHOLD HIM
  • 00:53:43.280 --> 00:53:46.280
  • FACE-TO-FACE
  • 00:53:48.240 --> 00:53:51.240
  • IN ALL OF HIS GLORY.
  • 00:53:57.290 --> 00:54:01.010
  • WE SHALL BEHOLD HIM.
  • 00:54:07.090 --> 00:54:10.090
  • YES, WE SHALL BEHOLD HIM.
  • 00:54:16.260 --> 00:54:19.260
  • FACE-TO-FACE,
  • 00:54:24.070 --> 00:54:27.070
  • MY SAVIOR AND LORD.
  • 00:54:33.120 --> 00:54:36.120
  • AND WE SHALL BEHOLD HIM,
  • 00:54:41.280 --> 00:54:44.280
  • OUR SAVIOR AND LORD.
  • 00:54:56.040 --> 00:54:59.040
  • SAVIOR
  • 00:55:01.070 --> 00:55:04.070
  • AND LORD.
  • 00:55:08.240 --> 00:55:11.240
  • - ONE MORE TIME!
  • 00:55:23.120 --> 00:55:26.120
  • Captioning provided by
  • 00:55:33.250 --> 00:55:34.250
  • Captioning byCaptionMax
  • 00:55:38.050 --> 00:55:39.050
  • - TO VIEW THE CROSS
  • 00:55:48.150 --> 00:55:51.150
  • WHERE JESUS DIED FOR ME.
  • 00:55:57.090 --> 00:56:00.110
  • HOW MARVELOUS THE GRACE
  • 00:56:05.010 --> 00:56:08.010
  • THAT CAUGHT MY FALLING SOUL.
  • 00:56:14.080 --> 00:56:17.080
  • HE LOOKED BEYOND MY FAULT
  • 00:56:22.090 --> 00:56:25.090
  • HE LOOKED BEYOND MY FAULT
  • 00:56:25.090 --> 00:57:08.110
  • How they linger
  • 00:57:08.120 --> 00:57:15.130
  • How they ever flood my soul
  • 00:57:15.140 --> 00:57:17.020
  • Thank you for joining Bill and Gloria Gaither...
  • 00:57:17.030 --> 00:57:19.170
  • ... and their Homecoming Friends for "Precious Memories."
  • 00:57:19.180 --> 00:57:22.190
  • Be sure to watch program as these legendary gospel artists...
  • 00:57:22.200 --> 00:57:26.020
  • ... share more of your favorite songs.
  • 00:57:26.030 --> 00:57:29.040