Steven Curtis Chapman | TBN

Steven Curtis Chapman

Watch Steven Curtis Chapman
August 21, 2018
27:33

Remember the Music

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Steven Curtis Chapman

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  • -OUR FAITH HAS BEEN STRENGTHENED BY CONTEMPORARY
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  • CHRISTIAN MUSIC! NOW YOU CAN OWN 45 OF THE BEST CHRISTIAN SONGS
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  • OF ALL TIME, SUNG BY 30 OF YOUR FAVORITE ARTISTS; SONGS WE GREW
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  • UP ON ALL TOGETHER ON THE COLLECTION CCM UNITED. FOR ANY
  • 00:00:14.080 --> 00:00:19.080
  • GIFT TO TBN, WE WILL SEND YOU THIS DOUBLE CD. AND FOR A GIFT
  • 00:00:19.090 --> 00:00:23.130
  • OF $55 OR MORE, YOU'LL RECEIVE BOTH THE CD AND THE DVD OF THIS
  • 00:00:23.140 --> 00:00:27.260
  • HISTORIC EVENT. CALL NOW!
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  • [MUSIC]
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  • -OH, MAN. -MAN, HOW
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  • MANY STORIES. -YOU GET FIXED ON SOMETHING AND THERE IS NO
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  • STOPPING YOU. [LAUGHTER] IT'S LIKE THIS IS GOING TO HAPPEN.
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  • -AND I KNOW SOME OTHER PEOPLE LIKE THAT. -WHICH IS GOOD,
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  • YEAH.
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  • [MUSIC]
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  • [MUSIC]
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  • JACI VELASQUEZ: HELLO! MY NAME IS JACI VELASQUEZ
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  • AND I'D LIKE TO WELCOME YOU TO THIS EPISODE OF REMEMBER THE
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  • MUSIC FEATURING STEVEN CURTIS CHAPMAN. SONGWRITER, SINGER,
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  • FATHER, HUSBAND, AUTHOR, ORPHAN CARE ADVOCATE, THESE ARE A FEW
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  • WORDS THAT COME TO MIND WHEN YOU MENTION HIS NAME. STEVEN GREW UP
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  • IN PADUCAH, KENTUCKY IN A MUSICAL FAMILY. HIS DAD TAUGHT
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  • HIM HOW TO PLAY GUITAR, AND FATHER AND SON WOULD REVAMP OLD
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  • HYMNS WHEN HE WAS JUST A BOY. HE SOON STARTED SONGWRITING AND, AS
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  • ONE THING LED TO ANOTHER, HE ENDED UP ON SPARROW RECORDS AS
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  • AN ARTIST. HE WENT ON TO BE HONORED WITH FIVE GRAMMYS AND AN
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  • INCREDIBLE 58 DOVE AWARDS IN HIS PROLIFIC AND STORIED CAREER, SO
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  • FAR. MUSIC HAS ALWAYS BEEN STEVEN'S PASSION, BUT ALONG THE
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  • WAY HE AND HIS WIFE MARY BETH DISCOVERED ANOTHER PASSION AS
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  • WELL, THE GLOBAL NEED FOR ORPHAN CARE. THAT PASSION GAVE BIRTH TO
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  • THEIR MINISTRY CALLED SHOW HOPE THAT HAS HELPED THOUSANDS
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  • OF ORPHANS RECEIVE THE CARE THEY NEED AND OFTEN THEIR FOREVER
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  • HOMES. BUT LET'S GO BACK TO STEVEN'S TEENAGE YEARS. -WHEN I
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  • STARTED WRITING, WHEN I WAS IN HIGH SCHOOL, THE FIRST SONG I
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  • WROTE WAS A SONG REALLY ABOUT MY FAITH. AND IT WAS IN, WITHOUT
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  • KNOWING IT, I ACTUALLY KIND OF WROTE A MISSION STATEMENT WITH
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  • MY VERY FIRST SONG, WHICH WAS ACTUALLY CALLED WELL DONE.
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  • BASICALLY, THE PARABLE WHEN CHRIST RETURNS, I WANT HIM TO BE
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  • ABLE TO SAY WELL DONE GOOD AND FAITHFUL SERVANT. AND THAT WAS
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  • REALLY THE FIRST SONG I WROTE AS A KID IN HIGH SCHOOL. BUT REALLY
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  • WITH SONGWRITING THAT WAS MY ENTRY POINT INTO DOING WHAT I'M
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  • EVEN DOING TODAY. I GOT SONGS RECORDED BY SANDI PATTY. AND THE
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  • IMPERIALS ACTUALLY RECORDED, IT WAS MY FIRST CUT, AND AND I
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  • THOUGHT, GOSH, IF I COULD DO THIS, IF I COULD WRITE SONGS,
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  • JUST POUR OUT, YOU KNOW, MY HEART IN THIS MUSIC, THIS WOULD
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  • BE AMAZING. AND SOMEWHERE IN THE PROCESS OF THAT I CONNECTED WITH
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  • A GUY NAMED GREG NELSON, WHO TOOK SOME OF MY SONGS, RECORDED
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  • THEM WITH SANDI PATTY, AND DIFFERENT ONES, STEVE GREEN. AND
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  • HE AND I SAT ONE DAY AND HE SAID DO YOU, YOU KNOW, WHAT YOU DREAM
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  • OF? WHAT DO YOU DREAM TO DO? AND I SAID, WELL, I LOVE SINGING MY
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  • SONGS. THERE'S A LOT I WRITE THAT NOBODY'S PROBABLY EVER
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  • GOING TO SING. AND HE SAID, WELL, LET ME SEE IF I CAN HELP
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  • YOU WITH THAT. AND HE SAID I'M GONNA CALL A BUDDY OF MINE,
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  • BILLY RAY HEARN. -MY FATHER, BILLY RAY HEARN, LOTS OF
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  • DIFFERENT VARIABLES THAT HE WANTED TO START HIS OWN COMPANY.
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  • SO HE PICKED UP OUR FAMILY IN EARLY 1976 AND HE MOVED US TO
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  • LOS ANGELES, CALIFORNIA FROM WACO, TEXAS AND STARTED SPARROW
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  • RECORDS. AND IT WAS A SMALL FAMILY BUSINESS IN LOS ANGELES.
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  • AND HE JUST REALLY WANTED TO SIGN AND WORK WITH ARTISTS THAT
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  • HE BELIEVED LIVED A LIFE OFF THE STAGE CONSISTENT WITH WHAT THEY
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  • WERE SPEAKING ABOUT AND SINGING ABOUT ON THE STAGE. I THINK
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  • THAT'S WHY STEVEN WAS REALLY SIGNED TO SPARROW IS BECAUSE WE
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  • SAW, IMMEDIATELY, IN HIM A YOUNG MAN WHO REALLY BELIEVED IN WHAT
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  • HE WAS DOING AND FELT CALLED TO WHAT HE WAS DOING. AND HIS LIFE
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  • OFF THE STAGE WAS CONSISTENT WITH WHAT HE SANG ABOUT ON THE
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  • STAGE. -BILL AND BILLY RAY CAME TO A SHOWCASE. AND MY
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  • REMEMBRANCE OF THAT WAS I SAT DOWN AT A PIANO, AND I WASN'T
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  • REALLY A PIANO PLAYER BUT I HAD WRITTEN SONGS ON THE PIANO, AND
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  • I HADN'T PLAYED A LOT IN FRONT OF PEOPLE ON THE PIANO AND I
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  • SORT OF FROZE AND THE PIANO ACTION WAS LIKE CONCRETE. AND I
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  • REMEMBER I'M JUST, I'M DYING, IT'S OVER, THERE YOU GO,
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  • BEGINNING AND END. MY CAREER STARTED AND ENDED RIGHT HERE AT
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  • GMA WEEK. SOMEHOW, THANKFULLY, THESE GUYS SAW THROUGH THE
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  • PITIFUL PERFORMANCE AND THE SHAKY VOICE. AND I THINK IT WAS
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  • THE SONG. I MEAN, THAT'S WHAT THESE GUYS SAID EVEN FROM THE
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  • BEGINNING, YOU KNOW, THERE WAS A CONNECTION THAT THEY HEARD IN
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  • THE SONGS, AND THOUGHT WE WANT TO BE A PART OF HELPING GET
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  • THESE TO THE PEOPLE. I REMEMBER SITTING WITH PETER THE FIRST
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  • TIME WITH HE AND HIS WIFE AND MY WIFE, MARY BETH, AND I WAS, I
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  • MEAN, I'M STILL, YOU KNOW, YOU CAN GET THE BOY OUT OF PADUCAH,
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  • YOU CAN'T GET ALL THE PADUCAH OUT OF THE BOY. I WAS REAL
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  • PADUCAH THEN. I MEAN, MY WORDS WERE A LOT SLOWER, AND A LOT
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  • MORE SYLLABLES. AND WE SAT AND PETER WAS FRESH, YOU KNOW, FROM
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  • WEST COAST SURFER GUY, AND SO WE HAD THIS THING WHERE, AS PETER
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  • SAID, WE KIND OF NEEDED A TRANSLATOR, YOU KNOW, THE TWO OF
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  • US TRYING TO TALK. BUT WHAT, OBVIOUSLY, WAS THERE WAS THE
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  • HEART CONNECT THAT PETER TALKED ABOUT. AND THAT'S WHAT I SENSED
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  • IN HIM, IN BILLY RAY AND BILL. GOT TO KNOW THESE GUYS AND WAS
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  • REALLY JUST BLOWN AWAY. I MEAN, IT WAS TRULY A GOD THING TO
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  • CONNECT US TOGETHER IN THE WAY THAT HE DID. AND THESE GUYS TO
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  • HELP BUILD A PLATFORM THAT I'D BE ABLE TO SHARE MUSIC FROM FOR
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  • A LOT OF YEARS IN WAYS I NEVER IMAGINED.
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  • [MUSIC]
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  • YEAH
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  • STARTED OUT THIS MORNING IN THE USUAL WAY
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  • CHASING THOUGHTS INSIDE MY HEAD
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  • OF ALL I HAD TO DO TODAY
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  • ANOTHER TIME AROUND THE CIRCLE
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  • TRYING TO MAKE IT BETTER THAN THE LAST
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  • I OPENED UP THE BIBLE
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  • AND I READ ABOUT YOU AND ME
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  • SAID WE'D ALL BEEN PRISONERS
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  • AND GOD'S GRACE WOULD SET US ALL FREE
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  • SOMEWHERE BETWEEN THE PAGES
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  • IT HIT ME LIKE A LIGHTNING BOLT
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  • I SAW A BIG FRONTIER IN FRONT OF ME
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  • AND I HEARD SOMEBODY SAY COME ON, LET'S GO
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  • SADDLE UP YOUR HORSES
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  • WE'VE GOT A TRAIL TO BLAZE
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  • OH, OH, OH THROUGH THE WILD BLUE YONDER
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  • OF GOD'S AMAZING GRACE
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  • LET'S FOLLOW OUR LEADER
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  • INTO THE GLORIOUS UNKNOWN
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  • INTO THE LIFE LIKE NO OTHER
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  • WOAH, WOAH,
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  • THIS IS YOUR GREAT ADVENTURE
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  • YEAH, YEAH
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  • INTO THE GREATEST JOURNEY
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  • THAT THE HUMAN HEART WILL EVER SEE
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  • THE LOVE OF GOD IS GONNA TAKE US
  • 00:07:22.030 --> 00:07:24.230
  • FAR BEYOND THE WILDEST DREAMS
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  • YEAH, YEAH
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  • SADDLE UP YOUR HORSES
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  • WE'VE GOT A TRAIL TO BLAZE
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  • OH, OH, OH
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  • INTO THE WILD BLUE YONDER
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  • OF GOD'S AMAZING GRACE
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  • LET'S FOLLOW OUR LEADER
  • 00:07:44.060 --> 00:07:46.210
  • INTO THE GLORIOUS UNKNOWN
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  • THIS IS A LIFE LIKE NO OTHER
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  • WOAH, WOAH
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  • THIS IS THE GREAT ADVENTURE
  • 00:07:57.090 --> 00:08:01.220
  • YEAH, YEAH
  • 00:08:01.230 --> 00:08:04.150
  • THIS IS THE GREAT ADVENTURE
  • 00:08:04.160 --> 00:08:10.220
  • YEAH SADDLE UP YOUR HORSES
  • 00:08:10.230 --> 00:08:15.070
  • [MUSIC]
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  • -MORE THAN 30 OF THE BEST-SELLING CCM ARTISTS OF ALL
  • 00:08:23.030 --> 00:08:25.230
  • TIME IN ONE HISTORIC NIGHT; 45 OF THE GREATEST SONGS IN
  • 00:08:25.240 --> 00:08:31.020
  • CHRISTIAN MUSIC HISTORY JUST FOR YOU ON CD AND DVD.
  • 00:08:31.030 --> 00:08:35.140
  • [MUSIC]
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  • [MUSIC]
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  • REMEMBER WHEN YOU FIRST HEARD THIS SONG?
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  • [MUSIC]
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  • SONGS WE ALL
  • 00:09:01.070 --> 00:09:02.160
  • GREW UP ON IN ONE COLLECTION CCM UNITED. FOR YOUR GIFT TO
  • 00:09:02.170 --> 00:09:06.210
  • TBN OF ANY AMOUNT, YOU'LL RECEIVE THE CDS OF THIS
  • 00:09:06.220 --> 00:09:09.240
  • ONCE-IN-A-LIFETIME CONCERT. FOR A GIFT OF $55 OR MORE, WE'LL
  • 00:09:09.250 --> 00:09:13.290
  • SEND YOU THE CDS AND THE DVD. CALL NOW.
  • 00:09:14.000 --> 00:09:18.030
  • [MUSIC]
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  • JACI VELASQUEZ: WELCOME BACK! THE SUCCESS THAT THE ALBUM THE
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  • GREAT ADVENTURE BROUGHT STEVEN CURTIS CHAPMAN DIDN'T COME
  • 00:09:27.080 --> 00:09:30.050
  • EASILY, BUT SPARROW RECORD EXECUTIVES, BILLY RAY HEARN,
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  • BILL HEARN, AND A & R EXECUTIVE, PETER YORK, NEVER STOPPED
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  • BELIEVING IN STEVEN. STEVEN'S FIRST TWO ALBUMS DIDN'T SELL A
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  • WHOLE LOT OF RECORDS. IN TODAY'S DAY AND AGE THERE WOULD HAVE
  • 00:09:41.130 --> 00:09:45.010
  • BEEN BIG MEETINGS; DO WE KEEP THIS ARTIST? IS IT WORKING?
  • 00:09:45.020 --> 00:09:49.050
  • WE'RE NOT SELLING ENOUGH RECORDS TO KEEP GOING. BUT STEVEN'S
  • 00:09:49.060 --> 00:09:52.290
  • SONGWRITING ABILITY, PERSONALITY, HARD WORK ETHIC,
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  • AND AMBITION MADE IT UNANIMOUS AT SPARROW TO KEEP COMMITTED TO
  • 00:09:57.040 --> 00:10:00.230
  • HIM. THEY KNEW GOD HAD CALLED STEVEN TO DO THIS. BILL HEARN
  • 00:10:00.240 --> 00:10:05.060
  • WAS GOING TO THE CBA BIG BOOKSELLERS CONVENTION IN DALLAS
  • 00:10:05.070 --> 00:10:09.270
  • TO LAUNCH THE GREAT ADVENTURE. AND ON A PLANE RIDE TO LOS
  • 00:10:09.280 --> 00:10:12.260
  • ANGELES TOLD STEVEN'S BOOKING AGENT, JOHN HUEY, LET'S JUST
  • 00:10:12.270 --> 00:10:16.270
  • BLOW THIS THING OUT. THIS GUY'S READY TO TAKE OFF AND SALES ARE
  • 00:10:16.280 --> 00:10:20.260
  • STARTING TO BUILD. WE BELIEVE IN HIS TALENT. LET'S BOOK REUNION
  • 00:10:20.270 --> 00:10:25.090
  • ARENA IN DALLAS, PUT 2.500 BOOKSELLERS IN THERE AND TRY TO
  • 00:10:25.100 --> 00:10:29.230
  • SELL THE REST. I KNOW IT'S CRAZY, BUT IT'LL BE A HUGE
  • 00:10:29.240 --> 00:10:34.030
  • STATEMENT TO PEOPLE. NO ONE WILL BELIEVE THAT WE CAN YOU DO THIS.
  • 00:10:34.040 --> 00:10:38.150
  • -YOU KNOW, SO WE DID IT. WE SAID WE'RE JUST GONNA GO FOR IT.
  • 00:10:38.160 --> 00:10:40.260
  • AND IT REALLY JUST WAS PART OF OUR BELIEF IN STEVEN. AND WE
  • 00:10:40.270 --> 00:10:44.260
  • JUST KNEW, YOU KNOW, THE SUCCESS THAT GOD WANTED HIM TO HAVE. AND
  • 00:10:44.270 --> 00:10:48.250
  • SO MY FONDEST MEMORY WAS STANDING ON THE SIDE OF THAT
  • 00:10:48.260 --> 00:10:53.120
  • STAGE, BECAUSE I WALKED OUT BEHIND THE CURTAIN RIGHT WHEN A
  • 00:10:53.130 --> 00:10:56.190
  • CURTAIN OPENED, AND IT WAS THE FIRST, YOU KNOW, NOTE OF SADDLE
  • 00:10:56.200 --> 00:11:00.230
  • UP YOUR HORSES. AND I LITERALLY BROKE DOWN AND STARTED CRYING. I
  • 00:11:00.240 --> 00:11:04.060
  • MEAN, I'M GETTING EMOTIONAL ABOUT IT NOW. -RIGHT. -MOST
  • 00:11:04.070 --> 00:11:06.280
  • PEOPLE DON'T THINK I'M AN EMOTIONAL GUY, BUT I CRIED. I
  • 00:11:06.290 --> 00:11:12.190
  • MEAN, BECAUSE IT WAS LIKE, OKAY, THAT'S ONE OF THOSE GOD MOMENTS
  • 00:11:12.200 --> 00:11:16.090
  • THAT, OKAY, ALL THAT WORK, ALL THAT LEADING UP TO, AND AS A GUY
  • 00:11:16.100 --> 00:11:22.150
  • IN THE MUSIC BUSINESS YOU KIND OF KNOW WHEN THOSE THINGS
  • 00:11:22.160 --> 00:11:24.230
  • HAPPEN. YOU GO, OKAY, CLICK, THAT'S IT, HERE WE GO, THIS IS
  • 00:11:24.240 --> 00:11:28.240
  • GOING TO BE A MASSIVE EXPLOSION. AND SURE ENOUGH IT WAS; MILLIONS
  • 00:11:28.250 --> 00:11:32.110
  • OF RECORDS FROM THAT POINT FORWARD; CONCERTS, WORLDWIDE
  • 00:11:32.120 --> 00:11:35.190
  • SUCCESS, REACHING SO MANY PEOPLE WITH THE GOSPEL THROUGH MUSIC.
  • 00:11:35.200 --> 00:11:40.150
  • THAT WAS MY MOMENT SADDLE UP YOUR HORSES WITH OVER 7.000
  • 00:11:40.160 --> 00:11:44.180
  • PEOPLE IN REUNION ARENA JUST GOING CRAZY ON THE FIRST NOTE OF
  • 00:11:44.190 --> 00:11:47.160
  • THAT SONG. -I THINK, FOR ME, REALLY THE MEMORIES THAT ARE
  • 00:11:47.170 --> 00:11:51.170
  • MOST SPECIAL ABOUT THESE TWO GUYS AND OUR RELATIONSHIP ARE
  • 00:11:51.180 --> 00:11:56.230
  • THE HOURS SPENT SITTING IN PETER'S OFFICE AND PLAYING HIM
  • 00:11:56.240 --> 00:12:03.030
  • NEW MUSIC. AND USUALLY, YOU KNOW, CRYING THROUGH ABOUT HALF
  • 00:12:03.040 --> 00:12:08.000
  • OF THEM, BECAUSE,YOU KNOW, IT'S STILL REALLY FRESH. AND JUST
  • 00:12:08.010 --> 00:12:10.270
  • KIND OF TALKING THROUGH, YOU KNOW, WHAT'S GOING ON, WHAT THE
  • 00:12:10.280 --> 00:12:14.160
  • PLANS ARE, WHAT'S STIRRING IN MY HEART. I MEAN, BECAUSE THAT'S
  • 00:12:14.170 --> 00:12:17.070
  • WHAT HAS, THAT'S WHAT THESE GUYS HAVE ALWAYS BEEN CONCERNED ABOUT
  • 00:12:17.080 --> 00:12:20.200
  • WITH THEIR ARTISTS AND WITH ME.YOU KNOW, WHAT'S GOING ON IN
  • 00:12:20.210 --> 00:12:25.090
  • YOUR HEART, YOU KNOW. YEAH, HERE'S THE MUSICAL TRENDS,
  • 00:12:25.100 --> 00:12:27.120
  • HERE'S WHAT'S HAPPENING IN MUSIC. YOU KNOW, HERE ARE THE
  • 00:12:27.130 --> 00:12:29.140
  • PRODUCERS, HERE ARE THE THINGS, HERE'S ALL THAT, BUT ULTIMATELY,
  • 00:12:29.150 --> 00:12:31.220
  • WHAT'S STIRRING IN YOUR HEART WHAT? WHAT DO YOU FEEL LIKE
  • 00:12:31.230 --> 00:12:34.260
  • GOD'S SAYING? OUR JOB IS TO SERVE THAT AND ENCOURAGE THAT
  • 00:12:34.270 --> 00:12:38.050
  • AND CHALLENGE THAT. AND WE'RE GONNA TRY TO HELP PUT, YOU KNOW,
  • 00:12:38.060 --> 00:12:42.220
  • HELP STEER YOU THROUGH, YOU KNOW, THE OTHER PERIPHERALS OF
  • 00:12:42.230 --> 00:12:46.150
  • THAT, BUT THE HEART BEAT OF IT IS, YOU KNOW, WHAT'S GOD SAYING
  • 00:12:46.160 --> 00:12:50.280
  • THROUGH YOU? I'D WRITE, YOU KNOW, 40 IDEAS AND COME IN,
  • 00:12:50.290 --> 00:12:55.240
  • BLESS PETER'S HEART, HE'D SIT THERE AND TRY TO HELP ME MAKE
  • 00:12:55.250 --> 00:13:00.100
  • SENSE, YOU KNOW, OF ALL THESE RANDOM IDEAS FLOATING AROUND IN
  • 00:13:00.110 --> 00:13:03.160
  • THE AIR .AND HE'D GRAB AHOLD OF THEM AND GO, MAN, THAT ONE,
  • 00:13:03.170 --> 00:13:08.100
  • YEAH, THERE'S, SOMETHING THERE. YOU KNOW, STAY ON THAT. -HOW
  • 00:13:08.110 --> 00:13:09.270
  • MANY, LIKE, ON AVERAGE, HOW MANY SONGS, EVEN HIM BEFORE THE
  • 00:13:09.280 --> 00:13:12.090
  • STUDIO, HOW MANY VERSIONS OF SPEECHLESS? [LAUGHTER] HOW
  • 00:13:12.100 --> 00:13:16.040
  • MANY VERSIONS OF SPEECHLESS DID YOU WRITE? [CHUCKLES] -OH,
  • 00:13:16.050 --> 00:13:18.230
  • GOSH. -PETER YORCK WAS LIKE, YEAH, BRO, THAT'S GOOD. YEAH
  • 00:13:18.240 --> 00:13:21.130
  • ,THAT WAS GOOD. YEAH, LOVE THAT ONE. -YEAH, THAT ONE'S GOOD,
  • 00:13:21.140 --> 00:13:24.100
  • TOO. -I WOULD SAY THAT'S ONE THING. THE OTHER THING THAT
  • 00:13:24.110 --> 00:13:27.030
  • COMES TO MIND IS JUST, IS HIS RELENTLESS NATURE TO MAKE
  • 00:13:27.040 --> 00:13:31.170
  • WHATEVER HE DID THE BEST THAT IT COULD BE. AND WE WOULD LAUGH
  • 00:13:31.180 --> 00:13:35.240
  • OFTEN. HE WOULD TALK ABOUT DOING 40 SONGS, GETTING READY FOR A
  • 00:13:35.250 --> 00:13:38.190
  • RECORD, WRITING 40 SONGS AND EACH ONE OF THOSE SONGS TENDED
  • 00:13:38.200 --> 00:13:41.100
  • TO HAVE TWO OR THREE OR FOUR VERSIONS. AND SO WHEN YOU KIND
  • 00:13:41.110 --> 00:13:45.070
  • OF DO THE MATH IT BECAME EVEN MORE THAN THAT. BUT HIS DESIRE
  • 00:13:45.080 --> 00:13:49.080
  • TO ALWAYS STRUGGLE TO FIND THE BEST THAT HE COULD OFFER, I
  • 00:13:49.090 --> 00:13:53.190
  • DON'T THINK THAT EVER COMES UP SHORT FOR AN ARTIST. IT
  • 00:13:53.200 --> 00:13:57.000
  • CERTAINLY HASN'T COME UP SHORT FOR HIM. AND I'M JUST SO PROUD
  • 00:13:57.010 --> 00:14:00.050
  • OF THOSE WORKS. I'M SO PROUD OF THOSE SONGS, AND SO PROUD OF THE
  • 00:14:00.060 --> 00:14:02.220
  • STORY THAT HE'S GENERATED OVER THESE YEARS, AND THE EXAMPLE
  • 00:14:02.230 --> 00:14:06.060
  • HE'S PROVIDED TO THE CHURCH. IT'S FANTASTIC!
  • 00:14:06.070 --> 00:14:08.030
  • [MUSIC]
  • 00:14:08.040 --> 00:14:08.290
  • TOMORROW MORNING IF YOU WAKE UP
  • 00:14:09.000 --> 00:14:12.090
  • AND THE SUN DOES NOT APPEAR
  • 00:14:12.100 --> 00:14:14.210
  • [APPLAUSE]
  • 00:14:14.220 --> 00:14:16.280
  • I, I, I, I, I, I WILL BE HERE
  • 00:14:16.290 --> 00:14:22.030
  • [MUSIC]
  • 00:14:22.040 --> 00:14:26.090
  • IF IN THE DARK WE LOSE SIGHT OF LOVE
  • 00:14:26.100 --> 00:14:29.160
  • HOLD MY HAND HAVE NO FEAR
  • 00:14:29.170 --> 00:14:34.060
  • CAUSE I, I, I, I, I, I WILL BE HERE
  • 00:14:34.070 --> 00:14:39.170
  • [MUSIC]
  • 00:14:39.180 --> 00:14:42.120
  • I WILL BE HERE
  • 00:14:42.130 --> 00:14:45.010
  • WHEN YOU FEEL LIKE BEING QUIET
  • 00:14:45.020 --> 00:14:49.150
  • WHEN YOU NEED TO SPEAK YOUR MIND
  • 00:14:49.160 --> 00:14:53.070
  • I WILL LISTEN
  • 00:14:53.080 --> 00:14:55.150
  • AND I WILL BE HERE
  • 00:14:55.160 --> 00:14:58.050
  • WHEN THE LAUGHTER TURNS TO CRYING
  • 00:14:58.060 --> 00:15:02.160
  • THROUGH THE WINNING, LOSING, TRYIN'
  • 00:15:02.170 --> 00:15:06.130
  • WE'LL BE TOGETHER
  • 00:15:06.140 --> 00:15:09.280
  • OH, OH
  • 00:15:09.290 --> 00:15:13.000
  • I WILL BE TRUE TO THE PROMISE I HAVE MADE
  • 00:15:13.010 --> 00:15:21.010
  • TO YOU AND TO THE ONE
  • 00:15:21.020 --> 00:15:24.180
  • WHO GAVE YOU TO ME
  • 00:15:24.190 --> 00:15:28.170
  • [MUSIC]
  • 00:15:28.180 --> 00:15:34.120
  • JUST AS SURE AS THE SEASONS WERE MADE FOR CHANGE
  • 00:15:34.130 --> 00:15:38.260
  • OUR LIFETIMES WERE MADE FOR THESE YEARS
  • 00:15:38.270 --> 00:15:43.040
  • SO I, I, I, I, I, I, I, WILL BE HERE
  • 00:15:43.050 --> 00:15:51.130
  • WE'LL BE TOGETHER
  • 00:15:51.140 --> 00:15:55.220
  • OH, YES, WE WILL
  • 00:15:55.230 --> 00:15:58.100
  • CAUSE I WILL BE HERE
  • 00:15:58.110 --> 00:16:02.270
  • I WILL BE HERE
  • 00:16:02.280 --> 00:16:07.270
  • [MUSIC]
  • 00:16:07.280 --> 00:16:19.220
  • -MORE THAN 30 OF
  • 00:16:19.230 --> 00:16:20.230
  • THE BEST-SELLING CCM ARTISTS OF ALL TIME IN ONE
  • 00:16:20.240 --> 00:16:23.170
  • HISTORIC NIGHT; 45 OF THE GREATEST SONGS IN CHRISTIAN
  • 00:16:23.180 --> 00:16:28.000
  • MUSIC HISTORY JUST FOR YOU ON CD AND DVD.
  • 00:16:28.010 --> 00:16:32.080
  • [MUSIC]
  • 00:16:32.090 --> 00:16:42.100
  • [MUSIC]
  • 00:16:42.100 --> 00:16:47.280
  • REMEMBER WHEN YOU FIRST HEARD THIS SONG?
  • 00:16:47.290 --> 00:16:49.200
  • [MUSIC]
  • 00:16:49.210 --> 00:16:57.270
  • SONGS WE ALL GREW UP ON
  • 00:16:57.280 --> 00:16:59.110
  • IN ONE COLLECTION CCM UNITED. FOR YOUR GIFT TO TBN OF ANY
  • 00:16:59.120 --> 00:17:04.060
  • AMOUNT, YOU'LL RECEIVE THE CDS OF THIS ONCE-IN-A-LIFETIME
  • 00:17:04.070 --> 00:17:07.150
  • CONCERT. FOR A GIFT OF $55 OR MORE, WE'LL SEND YOU THE CDS AND
  • 00:17:07.160 --> 00:17:11.280
  • THE DVD. CALL NOW.
  • 00:17:11.290 --> 00:17:15.090
  • [MUSIC]
  • 00:17:15.100 --> 00:17:21.200
  • JACI VELASQUEZ: STEVEN CURTIS CHAPMAN
  • 00:17:21.210 --> 00:17:22.190
  • SPENT MANY LONG HOURS IN THE STUDIO WITH HIS
  • 00:17:22.200 --> 00:17:24.120
  • FRIENDS, PRODUCER BROWN BANISTER AND ENGINEER STEVE BISHIR. STEVE
  • 00:17:24.130 --> 00:17:28.240
  • WOULD COME IN AND WANT TO PLAY HAMMER DULCIMER OR PIANO OR
  • 00:17:28.250 --> 00:17:33.090
  • ANOTHER INSTRUMENT THAT HE WASN'T TERRIBLY FAMILIAR WITH
  • 00:17:33.100 --> 00:17:36.130
  • PLAYING. STEVEN HAD NO IDEA WHERE THE NOTES WERE SO THEY
  • 00:17:36.140 --> 00:17:39.260
  • WENT AROUND THE STUDIO AND FOUND GREASE PENCILS. STEVEN WOULD
  • 00:17:39.270 --> 00:17:44.000
  • THEN FIND THE NOTES THAT HE WANTED TO PLAY AND THEN THEY
  • 00:17:44.010 --> 00:17:46.200
  • WOULD DUCT TAPE THE NOTES HE WASN'T ALLOWED TO PLAY IN THE
  • 00:17:46.210 --> 00:17:50.030
  • SONG. THE GUY'S ALWAYS TRIED TO OUTLAST EACH OTHER IN THE STUDIO
  • 00:17:50.040 --> 00:17:54.110
  • AND MADE A GAME OUT OF WHO WOULD BE THE FIRST TO GO DOWN. WHO
  • 00:17:54.120 --> 00:17:58.270
  • WOULD CALL IT A DAY AND CRY UNCLE AFTER RECORDING FOR HOURS
  • 00:17:58.280 --> 00:18:01.190
  • ON END? ONE TIME STEVEN SANG FOR 20 HOURS STRAIGHT AND THEN
  • 00:18:01.200 --> 00:18:05.220
  • RESTED BY SWITCHING TO SINGING BACKGROUND VOCALS. THEY HAD A
  • 00:18:05.230 --> 00:18:09.040
  • LOT OF FUN, MADE A LOT OF MEMORIES, AND LAUGHED A LOT.
  • 00:18:09.050 --> 00:18:13.220
  • -AND I REMEMBER BECAUSE IT WAS ALWAYS, ALL THE YEARS WE WERE
  • 00:18:13.230 --> 00:18:17.230
  • TOGETHER, IT WAS ALWAYS A CONTEST TO SEE WHO WOULD BE THE
  • 00:18:17.240 --> 00:18:20.220
  • FIRST TO GO DOWN. BECAUSE WE WERE ALWAYS TRYING TO DO IT
  • 00:18:20.230 --> 00:18:23.130
  • OUTLASTING EACH OTHER. IT WAS, LIKE, -YEAH. -NO I GOT ONE
  • 00:18:23.140 --> 00:18:27.060
  • MORE IN ME. YOU KNOW? AND BROWN NEVER, ALRIGHT, I GOT ONE MORE
  • 00:18:27.070 --> 00:18:31.000
  • IN ME. AND IT'S LIKE YOU'RE KIND OF LOOKIN' THROUGH THE WINDOW,
  • 00:18:31.010 --> 00:18:33.250
  • IS HE GETTING, AM I GETTIN' IT, IS HE STARTING TO FADE? NO, I
  • 00:18:33.260 --> 00:18:36.200
  • GOT ONE MORE IN ME. [LAUGHTER] -SO TRUE. -BUT THAT ONE WE
  • 00:18:36.210 --> 00:18:41.090
  • WERE SINGING THE VOCAL TO O COME, O COME EMMANUEL AND IT'S,
  • 00:18:41.100 --> 00:18:44.180
  • PROBABLY I COULD USE SOME COUNSELING OR THERAPY TO HELP ME
  • 00:18:44.190 --> 00:18:48.110
  • WORK THROUGH THIS, -OH, OH! -BECAUSE MY EYE STARTS
  • 00:18:48.120 --> 00:18:50.230
  • TWITCHING WHENEVER I HEAR IT -GOSH! -BECAUSE AT THE END OF
  • 00:18:50.240 --> 00:18:53.230
  • IT, IT'S THAT, [SOUNDS OUT NOTES] O ISRAEL REJOICE -AND IT
  • 00:18:53.240 --> 00:19:02.140
  • WAS JUST LIKE IT HAD TO BE, I COULDN'T YELL IT, CUZ, YOU KNOW,
  • 00:19:02.150 --> 00:19:05.180
  • IT WAS IN MY YELLING RANGE, HAD TO BE TENDER, BUT FALSETTO
  • 00:19:05.190 --> 00:19:10.080
  • DIDN'T FEEL RIGHT. AND SO IT WAS AT LEAST A HUNDRED ATTEMPTS,
  • 00:19:10.090 --> 00:19:15.030
  • BECAUSE WE HAD NO AUTO-TUNE, WE HAD NO, -NOTHING TO LEAN ON.
  • 00:19:15.040 --> 00:19:18.140
  • -YOU KNOW, NO PRO-TOOLS. WE HAD NOTHING. YOU HAD TO ACTUALLY
  • 00:19:18.150 --> 00:19:20.210
  • SING IT FOR REAL. -BACK IN THE DAY. -AND PUNCH IT IN. AND I
  • 00:19:20.220 --> 00:19:23.160
  • JUST REMEMBER THAT BECAUSE IT WAS BURNED IN MY MEMORY, AND I
  • 00:19:23.170 --> 00:19:26.050
  • SANG THAT AND I SANG THAT. IT WAS LIK, NO, THAT'S NOT, I THINK
  • 00:19:26.060 --> 00:19:28.240
  • I CAN DO ANOTHER. AND ACTUALLY IT'S ONE OF MY FEW, THE CROWNING
  • 00:19:28.250 --> 00:19:32.090
  • ACHIEVEMENT -DID YOU WIN? -THAT BROWN PASSED OUT,
  • 00:19:32.100 --> 00:19:34.280
  • [LAUGHTER] -HE FINALLY, HE FINALLY, I LOOKED IN, -I NOW
  • 00:19:34.290 --> 00:19:39.020
  • KNOW, -HE WAS ON THE COUCH ASLEEP AND STEVE, -ALRIGHT,
  • 00:19:39.030 --> 00:19:42.220
  • LET'S TRY IT AGAIN. TRY IT AGAIN. I WILL NOT GO DOWN. -I
  • 00:19:42.230 --> 00:19:46.200
  • TOTALLY REMEMBER THAT. -AND I FINALLY GOT IT! [LAUGHTER]
  • 00:19:46.210 --> 00:19:49.250
  • -YEP. -THAT WAS INCREDIBLE. -YEAH. -YOUR PERSEVERANCE IS
  • 00:19:49.260 --> 00:19:53.080
  • UNBELIEVABLE. -OH, MAN. NO, IT'S STUPID. BUT IT COMES BACK
  • 00:19:53.090 --> 00:19:56.280
  • TO ME NOW EVERY TIME I HEAR THAT AND I GET TO THAT NOTE AT THE
  • 00:19:56.290 --> 00:19:59.230
  • END, I'M DRIVING MY CAR, WHATEVER, I'M ALWAYS, LIKE, HUM,
  • 00:19:59.240 --> 00:20:01.190
  • MY THROAT STARTS TIGHTENING UP CAUSE I REMEMBER IT. [LAUGHTER]
  • 00:20:01.200 --> 00:20:06.000
  • -AND ONE OF THE FUN, GREAT THINGS ABOUT MY JOB IS GETTING
  • 00:20:06.010 --> 00:20:09.090
  • TO WATCH ARTISTS LIKE STEVEN, WHO IS A CONSUMMATE WRITER AND,
  • 00:20:09.100 --> 00:20:13.270
  • YOU KNOW, WE'D COME TO KIND OF A HALT, I THINK IT WAS LET US
  • 00:20:13.280 --> 00:20:17.190
  • PRAY. LET US PRAY AND NO BRIDGE. -OH, YEAH, YEAH. -SO
  • 00:20:17.200 --> 00:20:22.130
  • HE GOES OUT ON THE BACK PATIO. I'M JUST OUT THERE, LIKE,
  • 00:20:22.140 --> 00:20:24.200
  • SITTING, JUST THE BIGGEST FAN, YOU KNOW, [LAUGHTER] HE'S LIKE,
  • 00:20:24.210 --> 00:20:27.280
  • YOU KNOW, JUST GOING TO TOWN, TRYING TO FIGURE, YOU KNOW,
  • 00:20:27.290 --> 00:20:30.230
  • WHICH TURNED OUT TO BE A HUGE SONG. BUT JUST YOU GO IN THE
  • 00:20:30.240 --> 00:20:34.190
  • STUDIO AND YOU DON'T HAVE LIKE THIS MAJOR PIECE OF WHAT THE
  • 00:20:34.200 --> 00:20:37.120
  • SONG WILL BECOME. -YEAH. -YOU KNOW? -YEAH. -OR HOW IT WILL
  • 00:20:37.130 --> 00:20:40.020
  • SOUND. -WELL, THE FIRST DAY IT WAS SEVERAL RECORDS THAT WE DID
  • 00:20:40.030 --> 00:20:45.130
  • WITH YOU AND IT HAPPENED ALMOST EVERY TIME. WE'D TRACK THE FIRST
  • 00:20:45.140 --> 00:20:48.020
  • SONG. THE NEXT DAY WE'D TRACK THE SECOND SONG. THE THIRD DAY
  • 00:20:48.030 --> 00:20:52.060
  • THE REWRITE OF THE FIRST SONG WOULD COME IN. [LAUGHTER] -YES!
  • 00:20:52.070 --> 00:20:55.110
  • YES! -YEAH, THAT HAPPENED A TIME, OR TWO, OR THREE. -I'VE
  • 00:20:55.120 --> 00:21:01.080
  • NEVER WORKED WITH ANOTHER ARTIST WHERE THAT CONSISTENTLY
  • 00:21:01.090 --> 00:21:04.070
  • HAPPENED. -I NEVER EVEN DREAMED THAT BIG. I COULDN'T DREAM THAT
  • 00:21:04.080 --> 00:21:08.180
  • BIG AS A KID FROM PADUCAH, KENTUCKY AND THIS ISN'T SOME
  • 00:21:08.190 --> 00:21:12.000
  • KIND OF, YOU KNOW, TRYING TO SOUND HUMBLE, IT NEVER EVEN
  • 00:21:12.010 --> 00:21:16.150
  • ENTERED MY MIND. IT'S BEEN, IT HAS BEEN HARD WORK. IT'S BEEN A
  • 00:21:16.160 --> 00:21:21.030
  • LOT OF TEARS. IT'S BEEN A LOT OF THREE STEPS FORWARD, SOMETIMES
  • 00:21:21.040 --> 00:21:23.240
  • 40 STEPS BACK. THERE'S BEEN PAIN. THERE'S BEEN GRIEF.
  • 00:21:23.250 --> 00:21:26.210
  • THERE'S BEEN, BUT, YOU KNOW, I EVEN SAID YESTERDAY THE
  • 00:21:26.220 --> 00:21:29.220
  • PLATFORM, IF ALL OF IT, I'VE OFTEN THOUGHT, WAS TO HAVE THE
  • 00:21:29.230 --> 00:21:32.200
  • PLATFORM, YOU KNOW, TO BE A PART OF HELPING SEE THOUSANDS OF
  • 00:21:32.210 --> 00:21:37.000
  • ORPHANS COME INTO FAMILIES, TO HAVE AN ETERNAL HOME IN HEAVEN
  • 00:21:37.010 --> 00:21:40.240
  • BECAUSE SOMEHOW I HAD A PLATFORM THAT THESE GUYS HELPED BUILD FOR
  • 00:21:40.250 --> 00:21:46.030
  • ME TO STAND ON TO SHARE THE MESSAGES, IT'S INCREDIBLY
  • 00:21:46.040 --> 00:21:50.280
  • HUMBLING AND I'M JUST SO, SO GRATEFUL. -THANK YOU SO MUCH
  • 00:21:50.290 --> 00:21:55.130
  • FOR JOINING US. WE HOPE YOU'VE BEEN INSPIRED AND EDIFIED BY
  • 00:21:55.140 --> 00:21:58.210
  • HEARING ABOUT PART OF THE INCREDIBLE JOURNEY, AN
  • 00:21:58.220 --> 00:22:01.130
  • INCREDIBLE LIFE OF STEVEN CURTIS CHAPMAN. STEVEN IS NO STRANGER
  • 00:22:01.140 --> 00:22:06.100
  • TO HEARTACHE AND FEELS HONORED THAT GOD CALLED HIM AND MARY
  • 00:22:06.110 --> 00:22:09.030
  • BETH TO HELP ORPHANS AROUND THE WORLD, TO BE USED FOR THE SAKE
  • 00:22:09.040 --> 00:22:12.160
  • OF THE CALL. PLEASE JOIN US NEXT TIME FOR MORE AMAZING STORIES
  • 00:22:12.170 --> 00:22:16.110
  • ABOUT YOUR FAVORITE LEGENDARY CCM ARTISTS. GOD BLESS YOU AND
  • 00:22:16.120 --> 00:22:20.120
  • WE'LL SEE YOU SOON.
  • 00:22:20.130 --> 00:22:21.210
  • [MUSIC]
  • 00:22:21.220 --> 00:22:22.180
  • MERCY CALLED THEM BY NAME
  • 00:22:22.190 --> 00:22:24.240
  • AND THEY ANSWERED
  • 00:22:24.250 --> 00:22:26.280
  • WE WILL ABANDON IT ALL
  • 00:22:26.290 --> 00:22:33.140
  • FOR THE SAKE OF THE CALL
  • 00:22:33.150 --> 00:22:36.110
  • NO OTHER REASON AT ALL
  • 00:22:36.120 --> 00:22:43.040
  • BUT THE SAKE OF THE CALL
  • 00:22:43.050 --> 00:22:46.060
  • WHOLLY DEVOTED TO LIVE AND TO DIE
  • 00:22:46.070 --> 00:22:54.030
  • FOR THE SAKE OF THE CALL
  • 00:22:54.040 --> 00:22:58.100
  • [MUSIC]
  • 00:22:58.110 --> 00:23:08.150
  • DRAWN LIKE THE RIVERS ARE DRAWN TO THE SEA
  • 00:23:08.160 --> 00:23:14.210
  • OH, THERE'S NO TURNING BACK
  • 00:23:14.220 --> 00:23:17.210
  • FOR THE WATER CANNOT HELP BUT FLOW
  • 00:23:17.220 --> 00:23:24.210
  • AND ONCE WE HEAR THE SAVIOR'S CALL
  • 00:23:24.220 --> 00:23:28.130
  • WE'LL FOLLOW WHEREVER HE LEADS
  • 00:23:28.140 --> 00:23:31.290
  • BECAUSE OF THE LOVE HE HAS SHOWN
  • 00:23:32.000 --> 00:23:37.060
  • AND BECAUSE HE HAS CALLED US TO GO
  • 00:23:37.070 --> 00:23:42.150
  • WE WILL ANSWER
  • 00:23:42.160 --> 00:23:44.210
  • WE WILL ABANDON IT ALL
  • 00:23:44.220 --> 00:23:51.020
  • FOR THE SAKE OF THE CALL
  • 00:23:51.030 --> 00:23:53.280
  • NO OTHER REASON AT ALL
  • 00:23:53.290 --> 00:24:00.230
  • BUT THE SAKE OF THE CALL
  • 00:24:00.240 --> 00:24:03.200
  • WHOLLY DEVOTED
  • 00:24:03.210 --> 00:24:08.040
  • TO LIVE AND TO DIE
  • 00:24:08.050 --> 00:24:13.210
  • NOT FOR THE SAKE OF A GREATER CAUSE
  • 00:24:13.220 --> 00:24:18.170
  • NOT FOR A DREAM OR A PROMISE
  • 00:24:18.180 --> 00:24:23.070
  • BUT SIMPLY BECAUSE IT IS JESUS WHO CALLS
  • 00:24:23.080 --> 00:24:28.020
  • AND IF WE BELIEVE WE'LL OBEY
  • 00:24:28.030 --> 00:24:34.000
  • AND ANSWER
  • 00:24:34.010 --> 00:24:35.160
  • WE WILL ANSWER
  • 00:24:35.170 --> 00:24:38.020
  • [MUSIC]
  • 00:24:38.030 --> 00:24:46.000
  • FOR THE SAKE OF THE CALL
  • 00:24:46.010 --> 00:24:55.070
  • WE WILL ANSWER
  • 00:24:55.080 --> 00:24:57.150
  • AND WILL ABANDON IT ALL
  • 00:24:57.160 --> 00:25:04.080
  • FOR THE SAKE OF THE CALL
  • 00:25:04.090 --> 00:25:06.240
  • NO OTHER REASON AT ALL
  • 00:25:06.250 --> 00:25:13.250
  • BUT THE SAKE OF THE CALL
  • 00:25:13.260 --> 00:25:16.150
  • WHOLLY DEVOTED
  • 00:25:16.160 --> 00:25:20.190
  • TO LIVE AND TO DIE
  • 00:25:20.200 --> 00:25:24.250
  • FOR THE SAKE OF THE CALL
  • 00:25:24.260 --> 00:25:29.250
  • FOR THE SAKE OF THE CALL
  • 00:25:29.260 --> 00:25:33.270
  • [MUSIC]
  • 00:25:33.280 --> 00:25:39.270
  • FOR THE SAKE OF THE CALL
  • 00:25:39.280 --> 00:25:45.090
  • -WE HAVE LOST EVERYTHING
  • 00:25:45.100 --> 00:25:47.200
  • BUT WE GAINED CHRIST! AND THAT GAVE US A JOY.
  • 00:25:47.210 --> 00:25:52.060
  • [MUSIC]
  • 00:25:52.070 --> 00:26:03.040
  • -MANY CONSIDER IT THE GREATEST EVENING IN THE HISTORY
  • 00:26:03.050 --> 00:26:05.260
  • OF CONTEMPORARY CHRISTIAN MUSIC. NEVER HAVE THIS MANY GREAT
  • 00:26:05.270 --> 00:26:10.050
  • PERFORMANCES FROM THE BEST-SELLING CHRISTIAN ARTISTS
  • 00:26:10.060 --> 00:26:13.280
  • OF ALL TIME APPEARED ON A SINGLE STAGE PERFORMING THEIR MOST
  • 00:26:13.290 --> 00:26:17.010
  • LOVED SONGS AND ALL TO HONOR OUR LORD JESUS CHRIST. NOW THIS
  • 00:26:17.020 --> 00:26:22.280
  • EXTRAORDINARY DOVE AWARD-WINNING COLLECTION IS AVAILABLE
  • 00:26:22.290 --> 00:26:26.220
  • EXCLUSIVELY TO THE VIEWERS OF THE TRINITY BROADCASTING NETWORK
  • 00:26:26.230 --> 00:26:29.260
  • DURING THIS SPECIAL PRESENTATION. ALL 45 SONGS FROM
  • 00:26:29.270 --> 00:26:35.150
  • 30 OF YOUR MOST BELOVED ARTISTS ARE AVAILABLE TO YOU ON 2 AUDIO
  • 00:26:35.160 --> 00:26:40.050
  • CDS AND ON THIS STUNNING 130 MINUTE DVD PRESENTATION. SIMPLY
  • 00:26:40.060 --> 00:26:46.110
  • CALL 1-800-636-2767 OR GO ONLINE TO TBN.ORG/REMEMBER. THE AUDIO
  • 00:26:46.120 --> 00:26:56.000
  • CDS ARE OUR GIFT TO YOU AS YOU GIVE YOUR BEST GIFT TO TBN AND
  • 00:26:56.010 --> 00:27:01.120
  • ITS GLOBAL OUTREACHES. THE MUSIC CDS PLUS THE VIDEO DVD ARE BOTH
  • 00:27:01.130 --> 00:27:06.140
  • YOURS AS YOU SHARE A GIFT OF $55 OR MORE. AND FINALLY, RECEIVE 2
  • 00:27:06.150 --> 00:27:12.070
  • SETS OF BOTH; 1 FOR YOU AND 1 FOR A FRIEND WITH YOUR GIFT OF
  • 00:27:12.080 --> 00:27:17.060
  • $100 OR MORE TO HELP TAKE THE MESSAGE OF HOPE AND GRACE AROUND
  • 00:27:17.070 --> 00:27:21.110
  • THE WORLD. CALL 800-636-2767 OR GO ONLINE AND REQUEST YOURS
  • 00:27:21.120 --> 00:27:29.000
  • TODAY.
  • 00:27:29.010 --> 00:27:32.020