Praise | Priscilla Shirer and Alex & Stephen Kendrick | August 22, 2019 | TBN

Praise | Priscilla Shirer and Alex & Stephen Kendrick | August 22, 2019

Watch Praise | Priscilla Shirer and Alex & Stephen Kendrick | August 22, 2019
August 22, 2019
57:46

Clifton Davis Host Priscilla Shirer and Alex & Stephen Kendrick

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Praise | Priscilla Shirer and Alex & Stephen Kendrick | August 22, 2019

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  • MUSIC
  • 00:00:05.240 --> 00:00:08.240
  • - The Announcer: TONIGHT ON
  • 00:00:08.240 --> 00:00:09.160
  • PRAISE,.
  • 00:00:09.160 --> 00:00:10.220
  • FROM NEW YORK CITY
  • 00:00:10.220 --> 00:00:11.290
  • MOTIVATIONAL SPEAKER AND
  • 00:00:11.290 --> 00:00:13.170
  • ACTRESS, PRISCILLA SHIRER.
  • 00:00:13.170 --> 00:00:15.000
  • AND FILMMAKER ALEX AND STEPHEN
  • 00:00:15.000 --> 00:00:16.160
  • KENDRICK.
  • 00:00:17.280 --> 00:00:20.280
  • MUSIC
  • 00:00:20.280 --> 00:00:22.070
  • AND NOW, CLIFTON DAVIS!
  • 00:00:25.010 --> 00:00:28.010
  • - Clifton: HELLO.
  • 00:00:28.010 --> 00:00:29.060
  • (LAUGHTER).
  • 00:00:31.140 --> 00:00:34.140
  • GIVE GOD SOME PRAISE.
  • 00:00:34.140 --> 00:00:36.020
  • [CHEERS & APPLAUSE]
  • 00:00:37.230 --> 00:00:40.230
  • WITHOUT HIS GRACE NONE OF US
  • 00:00:42.100 --> 00:00:45.100
  • WOULD BE HERE.
  • 00:00:45.100 --> 00:00:45.250
  • HE'S BLESSED YOU TO BE AT THE
  • 00:00:45.250 --> 00:00:47.020
  • TBN STUDIO HERE IN NEW YORK CITY
  • 00:00:47.020 --> 00:00:49.280
  • AND YOU'VE COME FOR A BLESSING
  • 00:00:49.280 --> 00:00:51.150
  • AND ONE IS WAITING FOR YOU.
  • 00:00:51.150 --> 00:00:52.250
  • [CHEERS & APPLAUSE]
  • 00:00:55.110 --> 00:00:58.110
  • I ALWAYS LIKE TO COME TO TBN
  • 00:00:58.110 --> 00:00:59.180
  • EXPECTING SOMETHING.
  • 00:00:59.180 --> 00:01:01.270
  • I DON'T MEAN I COME WITH MY HAND
  • 00:01:01.270 --> 00:01:03.020
  • OUT.
  • 00:01:03.020 --> 00:01:05.050
  • BUT I COME WITH MY HEART OPEN.
  • 00:01:05.050 --> 00:01:07.090
  • AND THAT WAY GOD CAN POUR INTO
  • 00:01:07.090 --> 00:01:08.170
  • ME WHATEVER HE WANTS TO POUR
  • 00:01:08.170 --> 00:01:10.090
  • INTO ME.
  • 00:01:10.090 --> 00:01:12.170
  • AND ENLIGHTEN ME IN WHATEVER WAY
  • 00:01:12.170 --> 00:01:13.200
  • HE WOULD LIKE TO.
  • 00:01:13.200 --> 00:01:15.010
  • AND ALWAYS, I FIND A BLESSING.
  • 00:01:15.010 --> 00:01:17.020
  • I HAVE NEVER, NEVER LEFT A TBN
  • 00:01:17.020 --> 00:01:19.290
  • STUDIO WITHOUT MY BLESSING.
  • 00:01:19.290 --> 00:01:22.100
  • [CHEERS & APPLAUSE]
  • 00:01:28.110 --> 00:01:31.110
  • WE HAVE A WONDERFUL PROGRAM
  • 00:01:31.110 --> 00:01:32.250
  • PLANNED FOR YOU TONIGHT.
  • 00:01:32.250 --> 00:01:34.270
  • WE ARE THRILLED ABOUT OUR
  • 00:01:34.270 --> 00:01:35.180
  • GUESTS.
  • 00:01:35.180 --> 00:01:37.050
  • WE ARE GOING TO AWAKEN YOU TO
  • 00:01:37.050 --> 00:01:38.250
  • SOME NEW THINGS HAPPENING.
  • 00:01:38.250 --> 00:01:40.280
  • AND WE'RE PROUD TO HAVE PEOPLE
  • 00:01:40.280 --> 00:01:42.190
  • THAT YOU PROBABLY WILL
  • 00:01:42.190 --> 00:01:43.230
  • RECOGNIZE.
  • 00:01:43.230 --> 00:01:45.270
  • I WANT YOU TO TAKE A LOOK AT
  • 00:01:45.270 --> 00:01:47.000
  • THIS VIDEO AS YOU MEET OUR FIRST
  • 00:01:47.000 --> 00:01:48.190
  • GUEST.
  • 00:01:48.190 --> 00:01:50.220
  • - WORLD RENOWNED "NEW YORK
  • 00:01:50.220 --> 00:01:51.260
  • TIMES" BEST-SELLING CHRISTIAN
  • 00:01:51.260 --> 00:01:53.130
  • AUTHOR AND MOST MOTIVATIONAL
  • 00:01:53.130 --> 00:01:54.210
  • SPEAKER, PRISCILLA SHIRER.
  • 00:01:54.210 --> 00:01:56.080
  • HAS CAPTURED AUDIENCES GLOBALLY
  • 00:01:56.080 --> 00:01:57.210
  • WITH HER INSPIRING MESSAGES.
  • 00:01:57.210 --> 00:01:59.260
  • SHE HAS ALSO BEEN A FEATURED
  • 00:01:59.260 --> 00:02:01.200
  • CONFERENCE SPEAKER FOR MAJOR
  • 00:02:01.200 --> 00:02:03.050
  • CORPORATIONS AND ORGANIZATIONS
  • 00:02:03.050 --> 00:02:04.070
  • WORLDWIDE.
  • 00:02:04.070 --> 00:02:05.250
  • PRISCILLA HAS AUTHORED STUDIES
  • 00:02:05.250 --> 00:02:07.100
  • ON VARIOUS BIBLICAL CHARACTERS
  • 00:02:07.100 --> 00:02:08.160
  • AND TOPICS INCLUDING JONAH, THE
  • 00:02:08.160 --> 00:02:10.030
  • EXODUS, DISCERNING GOD'S VOICE
  • 00:02:10.030 --> 00:02:12.010
  • AND THE ARMOR OF GOD.
  • 00:02:12.010 --> 00:02:14.160
  • SHE'S PUBLISHED NUMEROUS BOOKS,
  • 00:02:14.160 --> 00:02:16.010
  • INCLUDING THREE "NEW YORK TIMES"
  • 00:02:16.010 --> 00:02:17.240
  • BEST SELLERS, THE RESOLUTION FOR
  • 00:02:17.240 --> 00:02:20.040
  • WOMEN, FERVENT AND GOD IS ABLE.
  • 00:02:20.040 --> 00:02:22.060
  • THE POWERFUL BIBLE TEACHER IS
  • 00:02:22.060 --> 00:02:24.100
  • ALSO KNOWN IN THE WORLD OF
  • 00:02:24.100 --> 00:02:25.010
  • ACTING.
  • 00:02:25.010 --> 00:02:26.070
  • STARRING IN THE BOX OFFICE
  • 00:02:26.070 --> 00:02:27.160
  • NUMBER ONE FILM, WAR ROOM.
  • 00:02:27.160 --> 00:02:29.260
  • - CURRENTLY STARRING IN THE NEW
  • 00:02:29.260 --> 00:02:30.210
  • MOVIE, OVERCOMER.
  • 00:02:30.210 --> 00:02:32.120
  • HERE ON PRAISE PRISCILLA SHIRER.
  • 00:02:38.160 --> 00:02:41.160
  • (LAUGHTER).
  • 00:02:41.160 --> 00:02:44.150
  • [APPLAUSE]
  • 00:02:44.150 --> 00:02:45.190
  • - Clifton: THEY BROUGHT YOU OUT
  • 00:02:45.190 --> 00:02:46.140
  • THE OTHER WAY.
  • 00:02:46.140 --> 00:02:46.280
  • (LAUGHTER).
  • 00:02:46.280 --> 00:02:48.280
  • COME ON, GIVE IT UP FOR HER.
  • 00:02:48.280 --> 00:02:49.270
  • [APPLAUSE]
  • 00:02:49.270 --> 00:02:52.100
  • THAT WAS SO CUTE.
  • 00:02:52.100 --> 00:02:53.240
  • (LAUGHTER).
  • 00:02:53.240 --> 00:02:56.050
  • - Priscilla: I SURPRISED YOU!
  • 00:02:56.050 --> 00:02:57.020
  • - Clifton: YES.
  • 00:02:57.020 --> 00:02:58.060
  • (LAUGHTER).
  • 00:02:58.260 --> 00:03:01.280
  • I'VE BEEN HOSTING HERE FOR TEN
  • 00:03:01.280 --> 00:03:02.230
  • YEARS.
  • 00:03:02.230 --> 00:03:03.090
  • - Priscilla: I STUCK UP ON YOU.
  • 00:03:03.090 --> 00:03:04.070
  • - Clifton: NOBODY'S EVER COME
  • 00:03:04.070 --> 00:03:05.010
  • OUT THAT WAY.
  • 00:03:05.010 --> 00:03:05.230
  • SO-- THAT WAS A SURPRISE FOR ME.
  • 00:03:06.030 --> 00:03:09.030
  • WE HAVE SURPRISES FOR THIS
  • 00:03:09.100 --> 00:03:12.100
  • WONDERFUL STUDIO AUDIENCE.
  • 00:03:12.100 --> 00:03:14.050
  • AND FOR OUR TELEVISION AUDIENCE
  • 00:03:14.050 --> 00:03:15.150
  • ALL AROUND THE WORLD.
  • 00:03:15.150 --> 00:03:16.070
  • HELLO PRISCILLA.
  • 00:03:16.070 --> 00:03:17.280
  • - Priscilla: HEY, HOW YOU
  • 00:03:17.280 --> 00:03:18.200
  • DOING?
  • 00:03:18.200 --> 00:03:19.040
  • - Clifton: I'M SO BLESSED.
  • 00:03:19.040 --> 00:03:19.260
  • I'M SO HAPPY.
  • 00:03:19.260 --> 00:03:21.020
  • - Priscilla: YOU LOOK BLESSED.
  • 00:03:21.020 --> 00:03:22.060
  • - Clifton: THANK YOU.
  • 00:03:22.060 --> 00:03:24.100
  • GOD HAS BEEN GOOD TO ME.
  • 00:03:24.100 --> 00:03:26.080
  • I'VE BEEN WORKING HARD, GOOD
  • 00:03:26.080 --> 00:03:28.060
  • HARD WORK KEEPS YOU HEALTHY
  • 00:03:28.060 --> 00:03:29.230
  • MENTALLY AND OTHERWISE.
  • 00:03:29.230 --> 00:03:30.110
  • - Priscilla: IT REALLY DOES.
  • 00:03:30.110 --> 00:03:33.040
  • AND YOU KNOW WHAT I ASKED, I
  • 00:03:33.040 --> 00:03:34.050
  • ASKED HIM BACK STAGE, I SAID, DO
  • 00:03:34.050 --> 00:03:35.090
  • YOU STILL ENJOY WHAT YOU'RE
  • 00:03:35.090 --> 00:03:35.290
  • DOING IN YOUR LIFE AS MUCH NOW
  • 00:03:35.290 --> 00:03:37.000
  • AS YOU DID 25, 30 YEARS AGO AND
  • 00:03:37.000 --> 00:03:39.040
  • YOUR ANSWER WAS--
  • 00:03:39.040 --> 00:03:40.100
  • - Clifton: YES.
  • 00:03:40.100 --> 00:03:42.010
  • - Priscilla: THAT'S A BLESSING
  • 00:03:42.010 --> 00:03:42.270
  • RIGHT THERE, TO STILL BE
  • 00:03:42.270 --> 00:03:44.000
  • ENJOYING YOUR LIFE.
  • 00:03:44.000 --> 00:03:46.200
  • - Clifton: IT WAS A GIFT FROM
  • 00:03:46.200 --> 00:03:48.170
  • GOD TO BECOME AN ACTOR.
  • 00:03:48.170 --> 00:03:51.000
  • I REALLY FEEL LIKE A VOICE TO
  • 00:03:51.000 --> 00:03:53.070
  • SING, A SKILL TO ACT IS ALSO A
  • 00:03:53.070 --> 00:03:55.160
  • GIFT FROM GOD.
  • 00:03:55.160 --> 00:03:57.290
  • AND YOU WANT TO USE IT AS BEST
  • 00:03:57.290 --> 00:04:00.020
  • YOU CAN TO HIS GLORY AND HONOR
  • 00:04:00.020 --> 00:04:00.250
  • AND TO IMPROVE YOURSELF.
  • 00:04:00.270 --> 00:04:03.270
  • AND YOU'VE LEARNED THAT LESSON
  • 00:04:03.270 --> 00:04:06.030
  • IN A WONDERFUL FILM WAR ROOM
  • 00:04:06.030 --> 00:04:08.090
  • WHICH WE LOVED.
  • 00:04:08.090 --> 00:04:09.240
  • MY WIFE AND I, SHE REMINDED ME,
  • 00:04:09.240 --> 00:04:11.260
  • WE SAW IT SEVEN TIMES.
  • 00:04:11.260 --> 00:04:13.280
  • - Priscilla: WHAT?
  • 00:04:13.280 --> 00:04:14.230
  • - Clifton: YEAH, I THINK SHE
  • 00:04:14.230 --> 00:04:16.100
  • SAW IT ABOUT THREE TIMES MORE
  • 00:04:16.100 --> 00:04:17.280
  • THAN ME.
  • 00:04:17.280 --> 00:04:20.000
  • BECAUSE SHE WAS TAKING OTHER
  • 00:04:20.000 --> 00:04:21.170
  • PEOPLE TO SEE IT.
  • 00:04:21.170 --> 00:04:22.030
  • THANK YOU FOR YOUR PERFORMANCE.
  • 00:04:22.030 --> 00:04:24.090
  • - Priscilla: PRAISE THE LORD.
  • 00:04:24.090 --> 00:04:25.030
  • PRAISE THE LORD.
  • 00:04:25.030 --> 00:04:26.050
  • - Clifton: WELL,-- YES, GIVE
  • 00:04:26.050 --> 00:04:27.280
  • HER A ROUND OF APPLAUSE.
  • 00:04:30.030 --> 00:04:33.030
  • YOU ARE AN AUTHOR AND A BIBLE
  • 00:04:36.060 --> 00:04:39.060
  • TEACHER AND A SPEAKER AND A
  • 00:04:39.190 --> 00:04:42.190
  • MOTHER AND YOU DO SO MANY
  • 00:04:42.190 --> 00:04:43.290
  • THINGS, HOW DO YOU BALANCE ALL
  • 00:04:43.290 --> 00:04:45.110
  • THIS?
  • 00:04:45.110 --> 00:04:46.100
  • - Priscilla: (LAUGHTER).
  • 00:04:46.100 --> 00:04:48.000
  • - Clifton: (LAUGHTER).
  • 00:04:50.050 --> 00:04:53.050
  • IT SEEMS AS FEW HAVE ASKED
  • 00:04:53.130 --> 00:04:56.130
  • YOURSELF THAT QUESTION ONCE OR
  • 00:04:56.130 --> 00:04:57.050
  • TWICE.
  • 00:04:57.050 --> 00:04:59.250
  • - Priscilla: LEARN, STILL
  • 00:04:59.250 --> 00:05:00.290
  • ASKING THE QUESTION.
  • 00:05:00.290 --> 00:05:01.170
  • IT IS ONE OF THOSE THINGS
  • 00:05:01.170 --> 00:05:02.090
  • ACTUALLY THAT I THINK GOD GIVES
  • 00:05:02.090 --> 00:05:03.160
  • ALL OF US SOMETHING THAT KEEPS
  • 00:05:03.160 --> 00:05:04.070
  • US HAVING TO COME TO HIM.
  • 00:05:04.070 --> 00:05:04.280
  • HAVING TO BE ON OUR KNEES ASKING
  • 00:05:04.280 --> 00:05:05.250
  • HIM FOR HELP, FOR ASSISTANCE,
  • 00:05:05.250 --> 00:05:07.080
  • FOR GUIDANCE, FOR DIRECTION AND
  • 00:05:07.080 --> 00:05:08.100
  • FOR ANYBODY THAT'S TRYING TO
  • 00:05:08.100 --> 00:05:09.190
  • BALANCE SEVERAL SPHERES OF LIFE
  • 00:05:09.190 --> 00:05:11.220
  • THAT IS ONE OF THE THINGS THAT
  • 00:05:11.220 --> 00:05:13.140
  • KEEPS YOU EVER BEFORE THE LORD.
  • 00:05:13.140 --> 00:05:14.280
  • SO FOR ME AND JERRY, IT IS THE
  • 00:05:14.280 --> 00:05:16.050
  • SAME WAY.
  • 00:05:16.050 --> 00:05:17.090
  • WE HAVE BEEN MARRIED TWENTY
  • 00:05:17.090 --> 00:05:18.160
  • YEARS.
  • 00:05:18.160 --> 00:05:19.210
  • WE ARE RAISING THREE SONS, AND
  • 00:05:19.210 --> 00:05:20.270
  • WE ARE JUST TRYING OUR BEST TO
  • 00:05:20.270 --> 00:05:21.260
  • HONOR GOD WITH HIS PRIORITIES
  • 00:05:21.260 --> 00:05:23.240
  • FOR US IN EACH SEASON.
  • 00:05:23.240 --> 00:05:25.130
  • SO HERE IS WHAT I'VE DISCOVERED.
  • 00:05:25.130 --> 00:05:28.040
  • I THINK BALANCE IS NOT A GREAT
  • 00:05:28.040 --> 00:05:29.190
  • WORD TO USE BECAUSE WHAT THAT
  • 00:05:29.190 --> 00:05:31.220
  • MEANS IS, AND I'VE USED IT FOR
  • 00:05:31.220 --> 00:05:33.070
  • MYSELF AND I'VE HAD TO SHIFT MY
  • 00:05:33.070 --> 00:05:34.040
  • THINKING ON IT, WHAT IT MEANS IS
  • 00:05:34.040 --> 00:05:34.280
  • THAT I'M TAKING ALL THESE
  • 00:05:34.280 --> 00:05:36.070
  • SPHERES OF MY LIFE AND I WANT
  • 00:05:36.070 --> 00:05:37.100
  • THEM TO BE EQUALLY SATISFIED AND
  • 00:05:37.100 --> 00:05:39.040
  • EQUALLY TAKEN CARE OF.
  • 00:05:39.040 --> 00:05:40.270
  • THAT IS A RECIPE FOR CHAOS.
  • 00:05:40.270 --> 00:05:41.260
  • WHAT I'VE DISCOVERED, I'VE HAD
  • 00:05:41.260 --> 00:05:44.190
  • TO PRAY AND SAY LORD, TEACH ME
  • 00:05:44.190 --> 00:05:46.180
  • NOT NECESSARILY BALANCE BUT
  • 00:05:46.180 --> 00:05:47.230
  • ALIGNMENT.
  • 00:05:48.050 --> 00:05:51.050
  • GOD, WOULD SHOW ME FOR THIS
  • 00:05:51.050 --> 00:05:53.140
  • SEASON OF MY LIFE, IT WILL
  • 00:05:53.140 --> 00:05:54.180
  • CHANGE IN ANOTHER ONE, BUT FOR
  • 00:05:54.180 --> 00:05:55.160
  • THIS ONE WOULD YOU GIVE ME
  • 00:05:55.160 --> 00:05:57.120
  • ENOUGH CLARITY BY YOUR SPIRIT TO
  • 00:05:57.120 --> 00:05:59.230
  • KNOW WHAT YOUR PRIORITIES ARE
  • 00:05:59.230 --> 00:06:01.060
  • FOR ME IN THIS SEASON?
  • 00:06:01.060 --> 00:06:02.270
  • AND GIVE ME THE COURAGE TO SAY
  • 00:06:02.270 --> 00:06:04.230
  • NO TO ALL THE ANCILLARY STUFF
  • 00:06:04.230 --> 00:06:06.180
  • THAT MAY BE GOOD STUFF BUT IT IS
  • 00:06:06.180 --> 00:06:08.090
  • NOT YOUR STUFF FOR ME IN THIS
  • 00:06:08.250 --> 00:06:11.250
  • SEASON AND LET ME JUST [CHEERS &
  • 00:06:11.250 --> 00:06:12.220
  • APPLAUSE]
  • 00:06:12.220 --> 00:06:14.250
  • LET ME JUST INVEST.
  • 00:06:14.250 --> 00:06:17.160
  • LET ME JUST INVEST IN THINGS
  • 00:06:17.160 --> 00:06:19.040
  • THAT MATTER IN THIS SEASON AND
  • 00:06:19.040 --> 00:06:20.100
  • PRIORITIZE THOSE THINGS.
  • 00:06:20.100 --> 00:06:21.260
  • SO FOR ME, I HAVE TO MOTHER
  • 00:06:21.260 --> 00:06:23.220
  • THESE BOYS.
  • 00:06:23.220 --> 00:06:25.050
  • I WANT TO BE THERE WITH MY SONS,
  • 00:06:25.050 --> 00:06:27.050
  • I WANT TO STEWARD THEM THROUGH
  • 00:06:27.050 --> 00:06:29.050
  • THIS SEASON OF THEIR LIFE.
  • 00:06:29.050 --> 00:06:30.090
  • THEY ARE IN THEIR TEENAGE YEARS.
  • 00:06:30.090 --> 00:06:31.230
  • I DON'T WANT TO MISS THAT.
  • 00:06:31.230 --> 00:06:33.130
  • OFF MINISTERING TO EVERYBODY
  • 00:06:33.130 --> 00:06:34.200
  • ELSE AND MISS THE GARDEN,
  • 00:06:34.200 --> 00:06:35.190
  • TENDING THE GARDEN UNDERNEATH
  • 00:06:35.190 --> 00:06:36.190
  • THE ROOF OF MY OWN HOUSE.
  • 00:06:36.190 --> 00:06:38.090
  • SO I'M SO GRATEFUL TO THE LORD
  • 00:06:38.090 --> 00:06:39.290
  • FOR GIVING US AN OPPORTUNITY TO
  • 00:06:39.290 --> 00:06:41.110
  • BE IN MINISTRY, BUT MY MAIN
  • 00:06:41.110 --> 00:06:43.250
  • MINISTRY IS TO MY FAMILY.
  • 00:06:43.250 --> 00:06:44.280
  • AND I WANT TO PRIORITIZE THAT.
  • 00:06:44.280 --> 00:06:46.040
  • [APPLAUSE]
  • 00:06:47.100 --> 00:06:50.100
  • - Clifton: I THINK IT IS ABOUT
  • 00:06:50.100 --> 00:06:52.170
  • PRIORITIZING AND KNOWING WHAT'S
  • 00:06:52.170 --> 00:06:54.200
  • IMPORTANT AT THE MOMENT AND
  • 00:06:54.200 --> 00:06:55.190
  • LETTING GOD LEAD IN THAT
  • 00:06:55.190 --> 00:06:56.080
  • DIRECTION.
  • 00:06:56.080 --> 00:06:57.140
  • - Priscilla: WE DON'T DO IT
  • 00:06:57.140 --> 00:06:58.070
  • PERFECTLY BUT.
  • 00:06:58.070 --> 00:07:00.150
  • - Clifton: NONE OF US DO.
  • 00:07:00.150 --> 00:07:01.100
  • SO DON'T FEEL LIKE THE LONE
  • 00:07:01.100 --> 00:07:02.050
  • RANGER.
  • 00:07:02.050 --> 00:07:03.180
  • ARE ARE ALL JUST STRUGGLING.
  • 00:07:04.030 --> 00:07:07.030
  • BUT GOD GIVES GIFTS ALONG THE
  • 00:07:07.030 --> 00:07:08.040
  • WAY.
  • 00:07:08.040 --> 00:07:09.000
  • DOESN'T HE?
  • 00:07:09.000 --> 00:07:09.150
  • - Priscilla: HE DOES.
  • 00:07:09.150 --> 00:07:10.130
  • - Clifton: GUIDANCE AND
  • 00:07:10.130 --> 00:07:12.190
  • PROTECTION AND LEADERSHIP.
  • 00:07:12.190 --> 00:07:13.190
  • TELL US ABOUT GOING BEYOND
  • 00:07:13.190 --> 00:07:15.020
  • MINISTRY.
  • 00:07:15.020 --> 00:07:17.030
  • - Priscilla: YES.
  • 00:07:17.030 --> 00:07:19.000
  • WHEN MY HUSBAND AND I GOT
  • 00:07:19.000 --> 00:07:20.020
  • MARRIED, I WAS ALREADY SORT OF
  • 00:07:20.020 --> 00:07:22.250
  • LEADING SMALL LITTLE BIBLE
  • 00:07:22.250 --> 00:07:23.150
  • STUDIES, PEOPLE CALL AND ASK ME
  • 00:07:23.150 --> 00:07:25.000
  • TO DO A BIBLE STUDY AND I WOULD
  • 00:07:25.000 --> 00:07:26.000
  • SHOW UP AND THERE WOULD BE TEN
  • 00:07:26.000 --> 00:07:27.070
  • WOMEN THERE AND I WOULD DO A
  • 00:07:27.070 --> 00:07:27.280
  • BIBLE STUDY.
  • 00:07:27.280 --> 00:07:28.110
  • I DID THAT FIVE OR SIX YEARS,
  • 00:07:28.110 --> 00:07:29.100
  • NEVER THINKING THAT MINISTRY
  • 00:07:29.100 --> 00:07:30.210
  • WOULD BE A VOCATION FOR ME.
  • 00:07:30.210 --> 00:07:32.040
  • I WENT TO SCHOOL FOR BROADCAST
  • 00:07:32.040 --> 00:07:33.250
  • JOURNALISM.
  • 00:07:33.250 --> 00:07:34.280
  • I THOUGHT I WAS GOING TO BE A
  • 00:07:34.280 --> 00:07:35.270
  • NEWS ANCHOR, SOMETHING LIKE
  • 00:07:35.270 --> 00:07:36.210
  • THAT.
  • 00:07:36.210 --> 00:07:37.130
  • THAT WAS MY PLAN.
  • 00:07:37.130 --> 00:07:39.120
  • PEOPLE KEPT INVITING ME TO DO
  • 00:07:39.120 --> 00:07:40.050
  • THESE LITTLE BIBLE STUDIES, AND
  • 00:07:40.050 --> 00:07:41.110
  • TO MAKE A LONG STORY SHORT, 20
  • 00:07:41.110 --> 00:07:42.110
  • YEARS HAVE COME AND GONE AND
  • 00:07:42.110 --> 00:07:44.200
  • PEOPLE HAVE NOT STOPPED INVITING
  • 00:07:44.200 --> 00:07:46.030
  • ME TO SHARE GOD'S WORD.
  • 00:07:46.030 --> 00:07:47.210
  • I KEEP SHOWING UP AND SHARING
  • 00:07:47.210 --> 00:07:49.120
  • GOD'S WORD IN DIFFERENT SETTINGS
  • 00:07:49.120 --> 00:07:51.260
  • WHETHER THEY ARE SMALLER, LARGER
  • 00:07:51.260 --> 00:07:53.040
  • OR ON THE WRITTEN PAGE AS AN
  • 00:07:53.040 --> 00:07:54.130
  • AUTHOR OR IN FILM.
  • 00:07:54.130 --> 00:07:56.050
  • IT IS ALL STILL MINISTRY.
  • 00:07:56.050 --> 00:07:57.290
  • SO MY HUSBAND SAW THIS HAPPENING
  • 00:07:57.290 --> 00:08:00.110
  • IN THE EARLY YEARS OF OUR
  • 00:08:00.110 --> 00:08:01.260
  • MARRIAGE AND TOGETHER WE FORMED
  • 00:08:01.260 --> 00:08:02.250
  • GOING BEYOND MINISTRIES.
  • 00:08:02.250 --> 00:08:04.000
  • IT IS OUR HOPE THROUGH THAT
  • 00:08:04.000 --> 00:08:05.010
  • MINISTRY, WHATEVER GENRE THE
  • 00:08:05.010 --> 00:08:06.200
  • LORD USES US TO STEWARD IT, THAT
  • 00:08:08.180 --> 00:08:11.180
  • WE WOULD CALL PEOPLE BEYOND
  • 00:08:11.180 --> 00:08:14.000
  • WHEREVER THEY CURRENTLY ARE IN
  • 00:08:14.000 --> 00:08:15.170
  • THEIR RELATIONSHIP WITH THE LORD
  • 00:08:15.170 --> 00:08:17.120
  • BECAUSE THERE ARE ALWAYS DEEPER
  • 00:08:17.120 --> 00:08:19.240
  • DEBTS, THERE ARE ALWAYS HIGHER
  • 00:08:19.240 --> 00:08:21.080
  • HEIGHTS, NO ONE EVER ARRIVES AT
  • 00:08:21.080 --> 00:08:23.040
  • SOME MAGICAL PLACE WHERE YOU
  • 00:08:23.040 --> 00:08:24.130
  • DON'T HAVE TO GET TO KNOW THE
  • 00:08:24.130 --> 00:08:25.110
  • LORD ANYMORE.
  • 00:08:25.110 --> 00:08:27.150
  • WE WANT TO BE A DIVINE AGITATOR
  • 00:08:27.150 --> 00:08:28.290
  • THAT STIRS YOU UP A LITTLE BIT
  • 00:08:28.290 --> 00:08:31.060
  • AND COMPELS YOU TO WANT TO SEEK
  • 00:08:31.060 --> 00:08:33.030
  • GOD MORE FULLY IN YOUR LIFE.
  • 00:08:33.030 --> 00:08:34.240
  • THAT'S WHAT GOING BEYOND
  • 00:08:34.240 --> 00:08:35.120
  • MINISTRY MEANS.
  • 00:08:35.120 --> 00:08:36.050
  • - THAT IS GOING BEYOND
  • 00:08:36.050 --> 00:08:37.290
  • MINISTRY.
  • 00:08:37.290 --> 00:08:39.120
  • THE MINISTRY YOU AND YOUR
  • 00:08:39.120 --> 00:08:40.080
  • HUSBAND FOUNDED.
  • 00:08:41.000 --> 00:08:44.000
  • WE HAVE A VIDEO WE WANT TO SHOW
  • 00:08:44.000 --> 00:08:46.120
  • THE TRAILER FOR THE MOVIE THAT
  • 00:08:46.120 --> 00:08:48.050
  • WE ARE GETTING READY TO TALK
  • 00:08:48.050 --> 00:08:48.270
  • ABOUT.
  • 00:08:48.270 --> 00:08:50.050
  • GIVE US A SECOND.
  • 00:08:50.050 --> 00:08:51.210
  • HEY, EVERYBODY, GET A GLIMPSE OF
  • 00:08:51.210 --> 00:08:52.180
  • THIS.
  • 00:08:58.220 --> 00:09:01.240
  • - YOU NEED TO USE YOUR FIGHTING
  • 00:09:01.240 --> 00:09:04.080
  • IN PRAYER.
  • 00:09:04.080 --> 00:09:06.030
  • - I WANT TO BE A GOOD ENOUGH
  • 00:09:06.030 --> 00:09:07.240
  • FATHER.
  • 00:09:07.240 --> 00:09:09.210
  • - LET'S GO, LET'S GO.
  • 00:09:09.210 --> 00:09:10.270
  • - DO IT!
  • 00:09:13.180 --> 00:09:16.180
  • (BUZZER).
  • 00:09:17.090 --> 00:09:20.090
  • - THE TOWN'S OLDER
  • 00:09:20.090 --> 00:09:21.160
  • MANUFACTURING PLANT IS CLOSING
  • 00:09:21.160 --> 00:09:23.010
  • ITS DOORS.
  • 00:09:23.010 --> 00:09:24.140
  • - MOST OF MY PLAYERS WORKERS
  • 00:09:24.280 --> 00:09:27.280
  • HAVE PARENTS THAT WORK AT THE
  • 00:09:27.280 --> 00:09:28.270
  • PLANT.
  • 00:09:28.270 --> 00:09:29.150
  • THIS AIN'T GOING TO BE PRETTY.
  • 00:09:29.150 --> 00:09:30.100
  • - I'M DOWN THREE COACHES BUT I
  • 00:09:30.100 --> 00:09:31.060
  • DO THINK I HAVE A SOLUTION FOR
  • 00:09:31.060 --> 00:09:31.280
  • CROSS COUNTRY.
  • 00:09:31.280 --> 00:09:32.140
  • - NO.
  • 00:09:32.140 --> 00:09:33.010
  • I DON'T EVEN LIKE RUNNING.
  • 00:09:33.010 --> 00:09:34.170
  • - DON'T DIE, DON'T DIE.
  • 00:09:34.170 --> 00:09:36.010
  • - CROSS COUNTRY IS NOT EVEN A
  • 00:09:36.010 --> 00:09:36.250
  • REAL SPORT.
  • 00:09:36.250 --> 00:09:37.220
  • - WHY WOULD ANYONE WANT TO DO
  • 00:09:37.220 --> 00:09:38.240
  • THIS?
  • 00:09:38.240 --> 00:09:39.220
  • - I'M JUST IMPRESSED THAT YOU
  • 00:09:39.220 --> 00:09:40.160
  • FINISHED.
  • 00:09:40.160 --> 00:09:41.260
  • - YOU ARE MY BEST OPTION.
  • 00:09:41.260 --> 00:09:44.080
  • - YOU ALL HERE FOR TRY OUT?
  • 00:09:44.080 --> 00:09:45.100
  • - NO, SIR.
  • 00:09:45.100 --> 00:09:46.080
  • WE ARE JUST HANGING OUT.
  • 00:09:46.080 --> 00:09:48.040
  • - ARE YOU HERE FOR CROSS
  • 00:09:48.040 --> 00:09:48.250
  • COUNTRY?
  • 00:09:48.250 --> 00:09:49.070
  • - YES, SIR.
  • 00:09:49.070 --> 00:09:51.230
  • - I HAD ONE GIRL SHOW UP.
  • 00:09:51.230 --> 00:09:53.050
  • AND SHE HAS ASTHMA.
  • 00:09:53.050 --> 00:09:54.080
  • - YOU MEAN HANNAH SCOTT.
  • 00:09:54.080 --> 00:09:55.260
  • - DO YOU ENJOY RUNNING?
  • 00:09:55.260 --> 00:09:56.290
  • - IT'S REALLY THE ONLY THING
  • 00:09:56.290 --> 00:09:58.000
  • I'M GOOD AT.
  • 00:09:58.000 --> 00:09:59.130
  • - WHY HAVE A SEASON WITH ONE
  • 00:09:59.130 --> 00:10:00.070
  • RUNNER?
  • 00:10:00.070 --> 00:10:01.060
  • - ONE RUNNER MATTERS.
  • 00:10:01.060 --> 00:10:03.150
  • - THOMAS, DO YOU HAVE TIME FOR
  • 00:10:03.150 --> 00:10:04.120
  • A VISIT?
  • 00:10:04.120 --> 00:10:05.090
  • - COACH?
  • 00:10:05.090 --> 00:10:07.150
  • - YOU CHANGED SPORTS, YOU STILL
  • 00:10:07.150 --> 00:10:08.140
  • HAVE NO TEAM.
  • 00:10:08.140 --> 00:10:10.010
  • - THAT'S SAD EVEN FOR ME.
  • 00:10:10.010 --> 00:10:11.010
  • - I GET IT.
  • 00:10:11.010 --> 00:10:12.080
  • YOU HAVE TO COACH CROSS COUNTRY.
  • 00:10:12.080 --> 00:10:13.190
  • BUT IT IS NOT THE END OF THE
  • 00:10:13.190 --> 00:10:14.110
  • WORLD.
  • 00:10:14.110 --> 00:10:15.210
  • - FOR SOMEONE WHO KNOWS THE
  • 00:10:15.210 --> 00:10:17.120
  • LORD, YOU ACT LIKE SOMEBODY WHO
  • 00:10:17.120 --> 00:10:18.050
  • DOESN'T.
  • 00:10:18.050 --> 00:10:19.240
  • - YOU GIVE SOME VERY
  • 00:10:19.240 --> 00:10:20.280
  • INSPIRATIONAL SPEECHES TO YOUR
  • 00:10:20.280 --> 00:10:22.150
  • PLAYERS ABOUT STEPPING UP UNDER
  • 00:10:22.150 --> 00:10:23.170
  • PRESSURE AND GOING THE EXTRA
  • 00:10:23.170 --> 00:10:24.100
  • MILE.
  • 00:10:24.100 --> 00:10:25.270
  • - HANNAH, GET FASTER.
  • 00:10:25.270 --> 00:10:27.110
  • MUSIC
  • 00:10:28.190 --> 00:10:31.190
  • - YOUR LIFE IS WORTH SO MUCH
  • 00:10:31.190 --> 00:10:32.160
  • MORE THAN THIS.
  • 00:10:32.160 --> 00:10:34.150
  • - TO WHO?
  • 00:10:34.150 --> 00:10:36.240
  • - WHEN YOU FIND YOUR IDENTITY
  • 00:10:36.240 --> 00:10:38.150
  • IN THE ONE WHO CREATED YOU, IT
  • 00:10:38.150 --> 00:10:39.280
  • WILL CHANGE YOUR WHOLE
  • 00:10:39.280 --> 00:10:41.100
  • PERSPECTIVE.
  • 00:10:41.100 --> 00:10:43.080
  • MUSIC
  • 00:10:43.080 --> 00:10:45.210
  • - SOMETHING OR SOMEONE WILL
  • 00:10:45.220 --> 00:10:48.220
  • HAVE FIRST PLACE IN YOUR HEART.
  • 00:10:48.220 --> 00:10:50.040
  • - WHERE IS YOUR TEAM?
  • 00:10:50.040 --> 00:10:50.240
  • - SHE'S RIGHT THERE.
  • 00:10:50.240 --> 00:10:51.130
  • - WHAT DO YOU ALLOW TO DEFINE
  • 00:10:51.130 --> 00:10:52.070
  • YOU?
  • 00:10:52.070 --> 00:10:53.060
  • (SINGING I BELIEVE).
  • 00:11:04.110 --> 00:11:07.110
  • - WHO'S THAT?
  • 00:11:07.110 --> 00:11:07.290
  • - THAT'S HANNAH!
  • 00:11:07.290 --> 00:11:09.020
  • - RUN, HANNAH!
  • 00:11:10.280 --> 00:11:13.280
  • - Clifton: ALL RIGHT.
  • 00:11:13.280 --> 00:11:14.180
  • YEAH.
  • 00:11:16.230 --> 00:11:19.230
  • [APPLAUSE] THAT LOOKS WONDERFUL.
  • 00:11:20.220 --> 00:11:23.220
  • IT'S IN THEATERS NOW.
  • 00:11:23.220 --> 00:11:26.090
  • DO YOURSELF A FAVOR AND GO SEE
  • 00:11:26.090 --> 00:11:27.050
  • OVERCOMER.
  • 00:11:27.050 --> 00:11:29.230
  • - YES.
  • 00:11:29.230 --> 00:11:30.240
  • - Clifton: WOW! WHAT A
  • 00:11:30.240 --> 00:11:33.130
  • WONDERFUL PIECE OF FOOTAGE WE
  • 00:11:33.130 --> 00:11:34.150
  • JUST LOOKED AT?
  • 00:11:34.150 --> 00:11:36.130
  • HOW DID YOU GET INTO ACTING?
  • 00:11:36.130 --> 00:11:38.180
  • YOU ARE WRITING BOOKS, BEING A
  • 00:11:38.180 --> 00:11:41.150
  • MOM ME, YOU HOME SCHOOLED YOUR
  • 00:11:41.150 --> 00:11:42.070
  • BOYS.
  • 00:11:42.070 --> 00:11:44.130
  • HOW DID YOU GET INTO ACTING?
  • 00:11:44.130 --> 00:11:46.040
  • - Priscilla: THE KENDRICK
  • 00:11:46.040 --> 00:11:48.180
  • BROTHERS CALLED ONE DAY AND SAID
  • 00:11:48.180 --> 00:11:50.230
  • TO ME, PRISCILLA, WE HAVE KNOWN
  • 00:11:50.230 --> 00:11:51.160
  • EACH OTHER FROM DIFFERENT
  • 00:11:51.160 --> 00:11:52.270
  • MINISTRY CIRCLES BUT WE'VE NEVER
  • 00:11:52.270 --> 00:11:53.210
  • WORKED TOGETHER ON A FILM OR
  • 00:11:53.210 --> 00:11:54.280
  • ANYTHING BECAUSE I WAS NOT AN
  • 00:11:54.280 --> 00:11:55.270
  • ACTRESS.
  • 00:11:55.270 --> 00:11:57.070
  • THEY CALLED ONE DAY AND SAID WE
  • 00:11:57.070 --> 00:11:58.120
  • ARE CRAFTING A FILM THAT WOULD
  • 00:11:58.120 --> 00:11:59.270
  • LATER BECOME WAR ROOM, AND THEY
  • 00:11:59.270 --> 00:12:01.150
  • SAID THE LEAD CHARACTER IS
  • 00:12:01.150 --> 00:12:02.130
  • ELIZABETH JORDAN.
  • 00:12:02.130 --> 00:12:04.170
  • AN AS WE WRITE HER LINES, WE ARE
  • 00:12:04.170 --> 00:12:06.050
  • THINKING TO OURSELVES, WHAT
  • 00:12:06.050 --> 00:12:07.040
  • WOULD PRISCILLA SHIRER SAY.
  • 00:12:07.040 --> 00:12:07.250
  • THAT'S WHAT WE ARE WRITING.
  • 00:12:07.250 --> 00:12:09.120
  • SO IT OCCURRED TO US NOW THAT WE
  • 00:12:09.120 --> 00:12:10.120
  • ARE FINISHING UP THE SCRIPT THAT
  • 00:12:10.120 --> 00:12:11.050
  • WE SHOULD CALL YOU AND ASK YOU,
  • 00:12:11.050 --> 00:12:12.240
  • WILL YOU JUST DOT FILM?
  • 00:12:12.240 --> 00:12:14.010
  • AND I LAUGHED OUT LOUD AND SAID,
  • 00:12:14.010 --> 00:12:16.060
  • NO, I'M NOT DOING THAT FILM.
  • 00:12:16.060 --> 00:12:18.190
  • YOU KNOW I'M NOT AN ACTRESS,
  • 00:12:18.190 --> 00:12:20.220
  • RIGHT?
  • 00:12:20.220 --> 00:12:21.080
  • I ACTUALLY SENT THEM A TEXT
  • 00:12:21.080 --> 00:12:22.210
  • MESSAGE OF ACTRESSES THAT I
  • 00:12:22.210 --> 00:12:24.110
  • ADMIRE THAT COULD PULL OFF THAT
  • 00:12:24.110 --> 00:12:27.060
  • ROLE THAT KNOW WHAT THEY ARE
  • 00:12:27.060 --> 00:12:29.090
  • DOING.
  • 00:12:29.090 --> 00:12:31.140
  • I DIDN'T WANT TO GO OFF ON A
  • 00:12:31.140 --> 00:12:32.100
  • TANGENT IN MY LIFE AND NOT STAY
  • 00:12:32.100 --> 00:12:34.230
  • TRUE TO JUST AT ASSIGNMENT GOD
  • 00:12:34.230 --> 00:12:36.290
  • HAS FOR ME.
  • 00:12:36.290 --> 00:12:38.050
  • THEY SAID PRISCILLA, JUST READ
  • 00:12:38.050 --> 00:12:38.270
  • THE SCRIPT AND PRAY ABOUT IT
  • 00:12:38.270 --> 00:12:39.170
  • BEFORE YOU SAY NO.
  • 00:12:39.170 --> 00:12:40.030
  • BECAUSE I THINK IF YOU DO, YOU
  • 00:12:40.030 --> 00:12:41.210
  • WILL SEE THAT IT IS NOT JUST A
  • 00:12:41.210 --> 00:12:42.230
  • MOVIE.
  • 00:12:42.230 --> 00:12:43.260
  • IT IS MINISTRY.
  • 00:12:43.260 --> 00:12:45.060
  • WHEN I READ THE SCRIPT, I READ
  • 00:12:45.060 --> 00:12:47.290
  • WHAT PEOPLE WHO SAW WAR ROOM SAW
  • 00:12:47.290 --> 00:12:49.080
  • AND THAT IS THAT IT IS NOT JUST
  • 00:12:49.080 --> 00:12:50.010
  • ENTERTAINMENT.
  • 00:12:50.010 --> 00:12:51.120
  • IT'S A MOVIE THAT DREW PEOPLE TO
  • 00:12:51.120 --> 00:12:53.090
  • JESUS, IT DREW THEM BACK TO
  • 00:12:53.090 --> 00:12:54.250
  • THEIR KNEES AND PRAYER AND
  • 00:12:54.250 --> 00:12:56.170
  • HELPED THEM PRIORITIZE PRAYER
  • 00:12:56.170 --> 00:12:57.270
  • AGAIN IN THEIR LIFE.
  • 00:12:57.270 --> 00:12:59.050
  • AND AND STRATEGIC INTENTIONAL
  • 00:12:59.050 --> 00:13:00.160
  • PRAYER AT THAT.
  • 00:13:00.160 --> 00:13:02.070
  • WHAT WAR ROOM DID FOR PRAYER, I
  • 00:13:02.070 --> 00:13:03.270
  • BELIEVE OVERCOMER IS GOING TO DO
  • 00:13:03.270 --> 00:13:05.100
  • FOR IDENTITY.
  • 00:13:05.100 --> 00:13:07.000
  • IT WILL COMPEL PEOPLE TO TAKE
  • 00:13:07.000 --> 00:13:10.000
  • THEIR SIGNIFICANCE AWAY FROM
  • 00:13:10.000 --> 00:13:11.040
  • ILLEGITIMATE ATTACHMENTS THAT I
  • 00:13:11.040 --> 00:13:12.220
  • AM NOT MY SUCCESS.
  • 00:13:12.220 --> 00:13:15.030
  • THAT I AM NOT MY TITLE.
  • 00:13:15.030 --> 00:13:16.100
  • I AM NOT WHAT YOU THINK ABOUT
  • 00:13:16.100 --> 00:13:17.050
  • ME.
  • 00:13:17.050 --> 00:13:18.210
  • THAT YOU DON'T HAVE TO APPROVE
  • 00:13:18.210 --> 00:13:19.130
  • OF ME.
  • 00:13:19.130 --> 00:13:20.070
  • I DON'T HAVE TO HAVE A WHOLE
  • 00:13:20.070 --> 00:13:20.280
  • BUNCH OF INSTAGRAM FOLLOWERS TO
  • 00:13:20.280 --> 00:13:22.070
  • BE SIGNIFICANT.
  • 00:13:22.070 --> 00:13:24.160
  • THAT I AM WHO GOD SAYS I AM.
  • 00:13:24.160 --> 00:13:25.290
  • WHETHER YOU APPROVE OF ME OR
  • 00:13:25.290 --> 00:13:27.090
  • NOT.
  • 00:13:27.090 --> 00:13:29.090
  • THAT IS WHAT IT'S ABOUT.
  • 00:13:29.090 --> 00:13:30.090
  • [APPLAUSE]
  • 00:13:33.150 --> 00:13:36.150
  • - Clifton: WHY WAS IT IMPORTANT
  • 00:13:36.150 --> 00:13:37.100
  • FOR YOU TO DO THIS FILM,
  • 00:13:37.100 --> 00:13:39.200
  • OVERCOMER?
  • 00:13:39.200 --> 00:13:41.090
  • - Priscilla: ONE OF THE REASONS
  • 00:13:41.090 --> 00:13:43.170
  • I ENJOY BEING PART OF THIS SORT
  • 00:13:43.170 --> 00:13:46.110
  • OF RESURGENCE AND RESURRECTION
  • 00:13:46.110 --> 00:13:47.030
  • OF WHAT IT MEANS TO BE A
  • 00:13:47.030 --> 00:13:48.220
  • FAITH-BASED FILM IS BECAUSE WE
  • 00:13:48.220 --> 00:13:49.140
  • LIVE IN A DAY AND AGE WHERE
  • 00:13:49.140 --> 00:13:50.220
  • THERE IS TECHNICAL EXCELLENCE
  • 00:13:50.220 --> 00:13:51.160
  • LIKE NEVER BEFORE IN THESE
  • 00:13:51.160 --> 00:13:52.150
  • FILMS.
  • 00:13:52.150 --> 00:13:53.110
  • IN OTHER WORDS, THE STORY IS
  • 00:13:53.110 --> 00:13:54.170
  • GOING TO LOOK GOOD ON SCREEN,
  • 00:13:54.170 --> 00:13:56.070
  • THE STORYLINE ITSELF IS NOT
  • 00:13:56.070 --> 00:13:58.170
  • GOING TO BE CORNY OR CHEESY SO
  • 00:13:58.170 --> 00:14:00.090
  • BELIEVERS ARE EMBARRASSED TO GO
  • 00:14:00.090 --> 00:14:01.160
  • TO THIS FAITH-BASED FILM.
  • 00:14:01.160 --> 00:14:03.220
  • WE LIVE IN A TIME IT IS
  • 00:14:03.220 --> 00:14:04.200
  • RESPECTED, FAITH-BASED FILMS ARE
  • 00:14:04.200 --> 00:14:06.160
  • RESPECTED IN A WAY THEY HAVE
  • 00:14:06.160 --> 00:14:08.070
  • NEVER BEEN RESPECTED BEFORE.
  • 00:14:08.070 --> 00:14:09.150
  • AND WHAT HAPPENS IS, SOMEONE
  • 00:14:09.150 --> 00:14:11.070
  • THAT MAY NEVER READ A BOOK OR
  • 00:14:11.070 --> 00:14:12.270
  • BIBLE STUDY THAT I'VE WRITTEN OR
  • 00:14:12.270 --> 00:14:14.090
  • MAY NEVER COME TO A TBN TAPING
  • 00:14:14.090 --> 00:14:15.100
  • OR COME TO A CHURCH FOR A
  • 00:14:15.100 --> 00:14:17.280
  • CONFERENCE THEY WILL GO TO A
  • 00:14:17.280 --> 00:14:19.030
  • MOVIE THEATER.
  • 00:14:19.030 --> 00:14:19.280
  • AND THEY WILL JUST COME FOR GOOD
  • 00:14:19.280 --> 00:14:21.060
  • HOT BUTTERY SALTY POPCORN.
  • 00:14:21.060 --> 00:14:22.250
  • AND A SODA AND SOME
  • 00:14:22.250 --> 00:14:23.200
  • ENTERTAINMENT BUT THEY DON'T
  • 00:14:23.200 --> 00:14:25.080
  • EVEN KNOW THAT IT'S REALLY GOING
  • 00:14:25.080 --> 00:14:26.180
  • TO BE THE HOLY SPIRIT ROLLING
  • 00:14:26.180 --> 00:14:27.250
  • OUT THE RED CARPET FOR HIM TO
  • 00:14:27.250 --> 00:14:29.120
  • INTRODUCE HIMSELF TO THEM.
  • 00:14:29.120 --> 00:14:31.160
  • SO THAT'S WHY I DO IT.
  • 00:14:31.160 --> 00:14:33.180
  • I DO IT BECAUSE IT IS AN
  • 00:14:33.180 --> 00:14:36.080
  • OPPORTUNITY TO SPREAD THE GOSPEL
  • 00:14:36.080 --> 00:14:37.260
  • FURTHER AND WIDER THAN I EVER
  • 00:14:37.260 --> 00:14:39.160
  • COULD ON MY OWN.
  • 00:14:39.160 --> 00:14:41.020
  • SO I'M GRATEFUL TO THE KENDRICK
  • 00:14:41.020 --> 00:14:42.260
  • BROTHERS AND OTHERS LIKE THEM
  • 00:14:42.260 --> 00:14:44.110
  • THAT ARE WRITING UNAPOLOGETIC
  • 00:14:44.110 --> 00:14:45.290
  • GOSPEL FILMS, NOT JUST
  • 00:14:45.290 --> 00:14:47.190
  • INSPIRATIONAL BUT UNAPOLOGETIC
  • 00:14:47.190 --> 00:14:49.180
  • GOSPEL.
  • 00:14:49.210 --> 00:14:52.210
  • I LOVE THAT.
  • 00:14:52.210 --> 00:14:53.070
  • [APPLAUSE]
  • 00:14:53.170 --> 00:14:56.170
  • - Clifton: WERE YOU CRITICAL OF
  • 00:14:56.170 --> 00:14:58.220
  • YOURSELF AS AN ACTRESS WHEN YOU
  • 00:14:58.220 --> 00:15:00.130
  • FIRST SAW YOURSELF?
  • 00:15:00.130 --> 00:15:01.180
  • - Priscilla: ABSOLUTELY.
  • 00:15:01.180 --> 00:15:03.180
  • I'M SURE YOU KNOW THAT FEELING
  • 00:15:03.180 --> 00:15:04.170
  • WHERE YOU LOOK AT YOURSELF AND
  • 00:15:04.170 --> 00:15:05.100
  • YOU SAY, I WOULD HAVE DONE THAT
  • 00:15:05.100 --> 00:15:06.100
  • SO MUCH DIFFERENTLY IF I COULD
  • 00:15:06.100 --> 00:15:07.180
  • DO THAT OVER.
  • 00:15:07.180 --> 00:15:09.220
  • IT IS WHAT IT IS AND YOU DO YOUR
  • 00:15:09.220 --> 00:15:11.120
  • BEST, YOU ENTRUST IT TO THE LORD
  • 00:15:11.120 --> 00:15:13.010
  • AND SAY LORD, DO WHATEVER YOU
  • 00:15:13.010 --> 00:15:13.230
  • WOULD LIKE TO DO WITH THAT.
  • 00:15:13.230 --> 00:15:15.150
  • - Clifton: I THINK IT IS
  • 00:15:16.030 --> 00:15:19.030
  • WONDERFUL YOU SAID NO AND GOD
  • 00:15:19.030 --> 00:15:19.240
  • SAYS YES.
  • 00:15:19.240 --> 00:15:20.280
  • AND YOU HAVE TO GO ALONG WITH
  • 00:15:20.280 --> 00:15:21.210
  • THE PROGRAM.
  • 00:15:21.210 --> 00:15:22.110
  • - Priscilla: THAT'S RIGHT.
  • 00:15:22.110 --> 00:15:23.190
  • AND I'M GRATEFUL TO HIM THAT HE
  • 00:15:23.190 --> 00:15:24.290
  • DIDN'T LET MY OWN FEAR AND
  • 00:15:24.290 --> 00:15:27.270
  • INSECURITY AND LACK OF
  • 00:15:27.270 --> 00:15:29.250
  • EXPERIENCE-- SEE, IF LEFT TO ME,
  • 00:15:29.250 --> 00:15:32.090
  • I WOULD HAVE MISSED OUT ON THE
  • 00:15:32.090 --> 00:15:34.030
  • GIFT OF BEING A PART OF WHAT WAR
  • 00:15:34.030 --> 00:15:35.010
  • ROOM CONTRIBUTED TO THE KINGDOM
  • 00:15:35.010 --> 00:15:35.280
  • OF GOD.
  • 00:15:35.280 --> 00:15:36.130
  • WAR ROOM WOULD HAVE GONE ON WITH
  • 00:15:36.130 --> 00:15:39.010
  • OR WITHOUT ME.
  • 00:15:39.010 --> 00:15:39.280
  • BUT I WOULD BE THE ONE THAT
  • 00:15:39.280 --> 00:15:41.130
  • MISSED OUT ON THE OPPORTUNITY TO
  • 00:15:41.130 --> 00:15:42.070
  • BE A PART OF IT.
  • 00:15:42.070 --> 00:15:44.160
  • THAT IS WHY I THINK THE ENEMY
  • 00:15:44.160 --> 00:15:45.100
  • WANTS TO RIDDLE US WITH FEAR AND
  • 00:15:45.100 --> 00:15:46.270
  • INSECURITY AND ANXIETY AND
  • 00:15:46.270 --> 00:15:48.090
  • FEELINGS OF INCOMPETENCE.
  • 00:15:48.090 --> 00:15:50.050
  • BECAUSE AS LONG AS WE ARE
  • 00:15:50.050 --> 00:15:53.050
  • PARALYZED IN FEAR AND INSECURITY
  • 00:15:53.050 --> 00:15:54.000
  • WE DON'T GET TO BE A PART OF
  • 00:15:54.000 --> 00:15:54.240
  • WHAT GOD'S DOING.
  • 00:15:54.240 --> 00:15:56.130
  • HIS WILL WILL STILL BE
  • 00:15:56.130 --> 00:15:57.080
  • ACCOMPLISHED.
  • 00:15:57.080 --> 00:15:59.040
  • WE JUST WON'T KNOW WHAT IT'S
  • 00:15:59.040 --> 00:15:59.250
  • LIKE TO SEE GOD USE US.
  • 00:15:59.250 --> 00:16:01.240
  • AND SEE US BE A PART OF GOD'S
  • 00:16:01.240 --> 00:16:02.200
  • STORY.
  • 00:16:02.200 --> 00:16:03.270
  • I'M GRATEFUL TO HIM.
  • 00:16:03.270 --> 00:16:05.090
  • [APPLAUSE]
  • 00:16:06.070 --> 00:16:09.070
  • - Clifton: YOU KNOW, THE APPLE
  • 00:16:09.070 --> 00:16:12.060
  • DOES NOT FALL FAR FROM THE TREE.
  • 00:16:12.060 --> 00:16:14.160
  • LADIES AND GENTLEMEN, HER DADDY
  • 00:16:14.160 --> 00:16:15.080
  • IS TONY EVANS.
  • 00:16:15.080 --> 00:16:16.270
  • [APPLAUSE]
  • 00:16:16.270 --> 00:16:19.150
  • DOCTOR TONY EVANS WHO HAS BEEN
  • 00:16:19.150 --> 00:16:21.030
  • MINISTERING TO ALL OF US, IF YOU
  • 00:16:21.030 --> 00:16:23.270
  • HAVE BEEN A CHRISTIAN FOR
  • 00:16:23.270 --> 00:16:24.160
  • AWHILE.
  • 00:16:24.160 --> 00:16:26.240
  • I KNOW YOU KNOW ABOUT HIM, A
  • 00:16:26.240 --> 00:16:28.030
  • WONDERFUL MINISTRY HE HAS HAD
  • 00:16:28.030 --> 00:16:29.110
  • FOR MANY, MANY YEARS.
  • 00:16:29.110 --> 00:16:31.020
  • - Priscilla: HE IS A GOOD
  • 00:16:31.020 --> 00:16:31.290
  • DADDY, TOO.
  • 00:16:31.290 --> 00:16:32.140
  • GOOD DADDY.
  • 00:16:32.170 --> 00:16:35.170
  • - Clifton: HE IS A WONDERFUL
  • 00:16:35.170 --> 00:16:36.100
  • PERSON.
  • 00:16:36.100 --> 00:16:38.080
  • I'M PROUD TO HAVE MET HIM.
  • 00:16:38.180 --> 00:16:41.180
  • I'VE GOT TO SAY, YOU'VE WORKED
  • 00:16:43.100 --> 00:16:46.100
  • WITH TWO GUYS WHO HAVE PRODUCED
  • 00:16:46.130 --> 00:16:49.130
  • WAR ROOM AND OTHER FILMS AND I'M
  • 00:16:49.130 --> 00:16:50.220
  • EXCITED THAT THEY ARE ABOUT TO
  • 00:16:50.220 --> 00:16:53.000
  • COME OUT HERE ON THIS STAGE AS
  • 00:16:53.000 --> 00:16:53.220
  • WELL.
  • 00:16:53.220 --> 00:16:56.200
  • FIRST, I WANT YOU TO SEE A
  • 00:16:56.200 --> 00:16:57.150
  • LITTLE BIT ABOUT THE KENDRICK
  • 00:16:57.150 --> 00:16:58.130
  • BROTHERS.
  • 00:16:58.130 --> 00:16:59.210
  • - AS FILMMAKERS, BROTHERS ALEX
  • 00:16:59.210 --> 00:17:01.120
  • AND STEPHEN KENDRICK ARE
  • 00:17:01.120 --> 00:17:02.230
  • DEDICATED TO SERVING
  • 00:17:02.230 --> 00:17:04.120
  • JESUS CHRIST AND MAKING HIM
  • 00:17:04.120 --> 00:17:06.110
  • KNOWN AROUND THE WORLD.
  • 00:17:06.110 --> 00:17:08.170
  • WRITING, PRODUCING AND DIRECTING
  • 00:17:08.170 --> 00:17:10.020
  • FILMS SUCH AS THE BOX OFFICE
  • 00:17:10.020 --> 00:17:11.130
  • NUMBER ONE HIT, WAR ROOM AND
  • 00:17:11.130 --> 00:17:13.120
  • "FACING THE GIANTS," THEY HAVE A
  • 00:17:13.120 --> 00:17:15.100
  • PASSION TO TELL STORIES OF HOPE
  • 00:17:15.100 --> 00:17:16.090
  • AND REDEMPTION.
  • 00:17:16.090 --> 00:17:17.230
  • BY PRAYER FULLY BLENDING
  • 00:17:17.230 --> 00:17:19.040
  • ENGAGING STORIES WITH DOCTRINAL
  • 00:17:19.040 --> 00:17:20.100
  • INTEGRITY, THEY SEEK TO
  • 00:17:20.100 --> 00:17:22.170
  • ENCOURAGE AND INSPIRE VIEWERS.
  • 00:17:22.170 --> 00:17:23.290
  • THEY ARE BOTH GRADUATES OF
  • 00:17:23.290 --> 00:17:24.210
  • KENNESAW STATE UNIVERSITY AND
  • 00:17:24.210 --> 00:17:25.240
  • ATTENDED SEMINARY.
  • 00:17:25.240 --> 00:17:28.010
  • THEY SPEAK TO CHURCHES,
  • 00:17:28.010 --> 00:17:30.050
  • UNIVERSITIES, CONFERENCES AND
  • 00:17:30.050 --> 00:17:31.020
  • BUSINESSES ALL ACROSS THE
  • 00:17:31.020 --> 00:17:32.010
  • NATION.
  • 00:17:32.010 --> 00:17:33.130
  • HERE TODAY TO TALK ABOUT THEIR
  • 00:17:33.130 --> 00:17:34.220
  • NEW MOVIE OVERCOMER, ALEX AND
  • 00:17:34.220 --> 00:17:35.220
  • STEPHEN KENDRICK.
  • 00:17:35.280 --> 00:17:38.280
  • [APPLAUSE]
  • 00:17:41.000 --> 00:17:44.000
  • - Clifton: GOD BLESS YOU.
  • 00:17:44.000 --> 00:17:45.010
  • [CHEERS & APPLAUSE]
  • 00:17:55.070 --> 00:17:58.070
  • - Priscilla: MY BROTHERS,.
  • 00:17:58.150 --> 00:18:01.170
  • - Clifton: THOSE CHEERS ARE FOR
  • 00:18:01.170 --> 00:18:02.290
  • YOUR COURAGE AND CHRIST.
  • 00:18:02.290 --> 00:18:04.070
  • AND THE FACT THAT YOU'VE MADE
  • 00:18:05.030 --> 00:18:08.030
  • MOVIES THAT ALL OF US HAVE
  • 00:18:08.030 --> 00:18:08.240
  • LOVED, AMEN?
  • 00:18:08.240 --> 00:18:09.090
  • [APPLAUSE]
  • 00:18:11.130 --> 00:18:14.130
  • YOU GUYS MAY HAVE SEEMED LIKE
  • 00:18:14.130 --> 00:18:15.290
  • OVERNIGHT SUCCESSES TO A VAST
  • 00:18:16.020 --> 00:18:19.020
  • PORTION OF OUR AUDIENCE BUT IT
  • 00:18:19.020 --> 00:18:20.200
  • DID NOT HAPPEN OVERNIGHT.
  • 00:18:20.200 --> 00:18:23.030
  • TELL US HOW YOU GOT STARTED IN
  • 00:18:23.030 --> 00:18:23.250
  • FAITH-BASED FILMS.
  • 00:18:23.250 --> 00:18:26.010
  • - WE HAD A PRAYING MAMA AND A
  • 00:18:26.010 --> 00:18:27.070
  • PRAYING DADDY.
  • 00:18:27.070 --> 00:18:28.000
  • [APPLAUSE]
  • 00:18:28.000 --> 00:18:28.290
  • - Clifton: ALL RIGHT.
  • 00:18:31.150 --> 00:18:34.150
  • - WE WANTED TO MAKE SILLY
  • 00:18:34.150 --> 00:18:35.150
  • MOVIES GROWING UP.
  • 00:18:35.150 --> 00:18:37.200
  • ALABAMA JONES INSTEAD OF INDIANA
  • 00:18:37.200 --> 00:18:38.160
  • JONES.
  • 00:18:38.160 --> 00:18:40.240
  • INSTEAD OF JAMES BOND, STEPHEN
  • 00:18:40.240 --> 00:18:42.030
  • WAS SAVINGS BOND.
  • 00:18:42.030 --> 00:18:45.000
  • (LAUGHTER).
  • 00:18:45.000 --> 00:18:45.290
  • SO WE WERE MAKING MOVIES WITH
  • 00:18:45.290 --> 00:18:47.030
  • OUR NEIGHBORHOOD KIDS, OUR
  • 00:18:47.030 --> 00:18:48.160
  • PARENTS PRAYED THAT GOD WOULD
  • 00:18:48.160 --> 00:18:50.080
  • CAPTURE OUR HEARTS AT AN EARLY
  • 00:18:50.080 --> 00:18:51.040
  • AGE.
  • 00:18:51.040 --> 00:18:52.110
  • WHICH IS A WISE PRAYER FOR ANY
  • 00:18:52.110 --> 00:18:54.050
  • PARENT TO PRAY.
  • 00:18:54.050 --> 00:18:55.270
  • AND IN HIGH SCHOOL, THE LORD
  • 00:18:55.270 --> 00:18:57.200
  • BEGAN TO DO THAT AND TURN OUR
  • 00:18:57.200 --> 00:18:59.080
  • FOCUS FROM JUST WANTING TO DO
  • 00:18:59.110 --> 00:19:02.130
  • MOVIES BECAUSE WE ENJOYED THEM
  • 00:19:02.130 --> 00:19:03.090
  • TO DOING ENJOYABLE MOVIES THAT
  • 00:19:03.090 --> 00:19:04.030
  • HELPED US AND OTHER PEOPLE GROW
  • 00:19:04.030 --> 00:19:05.030
  • SPIRITUALLY.
  • 00:19:05.030 --> 00:19:06.110
  • WE ARE VERY, VERY GRATEFUL FOR
  • 00:19:06.110 --> 00:19:07.280
  • THEIR PRAYERS.
  • 00:19:07.280 --> 00:19:08.150
  • - Clifton: AWESOME.
  • 00:19:08.150 --> 00:19:10.250
  • I SAW WHERE YOU ARE ACTING IN
  • 00:19:10.250 --> 00:19:12.040
  • THIS FILM.
  • 00:19:12.040 --> 00:19:14.150
  • YOU ARE PLAYING THE COASM.
  • 00:19:14.150 --> 00:19:15.060
  • WHAT IS THAT LIKE?
  • 00:19:15.060 --> 00:19:15.290
  • HOW DO YOU TAKE ONE HAT OFF AND
  • 00:19:15.290 --> 00:19:16.230
  • PUT ON ANOTHER FROM PRODUCER OR
  • 00:19:16.230 --> 00:19:18.050
  • WRITER TO ACTOR?
  • 00:19:18.260 --> 00:19:21.260
  • - WE DO ONE AT A TIME.
  • 00:19:21.260 --> 00:19:24.120
  • WE HAD SUCH A GOOD TEAM
  • 00:19:24.120 --> 00:19:26.110
  • INCLUDING PRISCILLA SHIRER.
  • 00:19:27.020 --> 00:19:30.020
  • YOU JUST GO THROUGH A SEASON OF
  • 00:19:30.020 --> 00:19:30.240
  • PRAYING AND WRITING THE SCRIPT
  • 00:19:30.240 --> 00:19:32.190
  • FIRST.
  • 00:19:32.190 --> 00:19:33.190
  • I'M ONLY WORRIED ABOUT WRITING
  • 00:19:33.190 --> 00:19:34.110
  • AT THAT POINT.
  • 00:19:34.110 --> 00:19:35.150
  • THEN WHEN WE GET INTO
  • 00:19:35.150 --> 00:19:37.270
  • PRODUCTION, WE WILL DO
  • 00:19:37.270 --> 00:19:38.260
  • REHEARSALS, YOU WORK WITH
  • 00:19:38.260 --> 00:19:40.100
  • CINEMATOGRAPHER, OTHER ACTORS,
  • 00:19:40.100 --> 00:19:41.100
  • YOU REMEMBER AND GET THE SCENE
  • 00:19:42.000 --> 00:19:45.000
  • JUST RIGHT AND PICK ALL THE
  • 00:19:45.140 --> 00:19:48.140
  • CAMERA ANGLES.
  • 00:19:48.140 --> 00:19:49.020
  • AND THAT IS THE DIRECTING PART.
  • 00:19:49.020 --> 00:19:52.010
  • WHEN EVERYTHING IS SET AND WE
  • 00:19:52.010 --> 00:19:53.070
  • REHEARSED AND ARE READY TO GO, I
  • 00:19:53.070 --> 00:19:54.000
  • CAN PUT ON MY ACTOR HAT AND JUST
  • 00:19:54.000 --> 00:19:54.230
  • WORRY ABOUT ACTING FOR THE
  • 00:19:54.230 --> 00:19:55.130
  • SCENE, IF YOU BREAK IT DOWN IN
  • 00:19:55.130 --> 00:19:56.050
  • LITTLE PIECES, YOU CAN
  • 00:19:56.050 --> 00:19:56.230
  • ACCOMPLISH A LOT.
  • 00:19:56.230 --> 00:19:58.000
  • - Clifton: YOU GUYS, STEPHEN,
  • 00:19:58.000 --> 00:19:59.100
  • HAVE PURPOSE IN YOUR
  • 00:19:59.100 --> 00:20:00.000
  • PRODUCTIONS.
  • 00:20:00.000 --> 00:20:02.160
  • THERE'S ALWAYS A REASON BEHIND
  • 00:20:02.160 --> 00:20:03.200
  • YOUR PRODUCING A FILM.
  • 00:20:03.200 --> 00:20:05.120
  • HOW DO YOU FIND THAT PURPOSE?
  • 00:20:05.120 --> 00:20:07.200
  • HOW DO YOU IDENTIFY IT?
  • 00:20:07.200 --> 00:20:09.260
  • AND HOW DOES GOD LEAD YOU IN
  • 00:20:09.260 --> 00:20:11.190
  • THAT WAY?
  • 00:20:11.190 --> 00:20:12.290
  • - THE NUMBER ONE THING ABOUT US
  • 00:20:12.290 --> 00:20:14.000
  • IS JESUS CHRIST AND HIM BEING
  • 00:20:14.000 --> 00:20:16.100
  • LORD OVER EVERY AREA OF OUR
  • 00:20:16.100 --> 00:20:17.100
  • LIVES.
  • 00:20:17.100 --> 00:20:18.100
  • [APPLAUSE]
  • 00:20:18.200 --> 00:20:21.200
  • - Clifton: AMEN.
  • 00:20:22.170 --> 00:20:25.170
  • - SCRIPTURE TALKS ABOUT HE IS
  • 00:20:25.170 --> 00:20:26.140
  • THE PEARL OF GREAT PRICE.
  • 00:20:26.140 --> 00:20:27.260
  • HE IS THE TREASURE FOUND IN A
  • 00:20:27.260 --> 00:20:28.220
  • FIELD.
  • 00:20:28.220 --> 00:20:29.280
  • HE IS THE JOY OF LIFE.
  • 00:20:29.280 --> 00:20:32.020
  • SO REGARDLESS OF WHAT'S GOING ON
  • 00:20:32.020 --> 00:20:33.250
  • IN OUR LIVES, OUR CAREERS OR
  • 00:20:33.250 --> 00:20:35.080
  • FILMS, WE GET UP AND WE SPEND
  • 00:20:35.080 --> 00:20:37.190
  • TIME WITH THE LORD IN THE
  • 00:20:37.190 --> 00:20:39.100
  • MORNING AND WE TRY TO FIND OUR
  • 00:20:39.100 --> 00:20:40.120
  • LOVE AND JOY AND PEACE THROUGH
  • 00:20:40.120 --> 00:20:41.130
  • HIS HOLY SPIRIT NOT THROUGH OUR
  • 00:20:41.130 --> 00:20:42.190
  • CIRCUMSTANCES.
  • 00:20:42.190 --> 00:20:44.040
  • THAT IS THE CORE FOR WHAT WE ARE
  • 00:20:44.040 --> 00:20:45.030
  • DOING.
  • 00:20:45.030 --> 00:20:46.130
  • AFTER TWENTY YEARS IN CHURCH
  • 00:20:46.130 --> 00:20:48.050
  • MINISTRY OUR HEART STILL BEATS
  • 00:20:48.050 --> 00:20:49.090
  • FOR THE NATIONS AND FOR THE
  • 00:20:49.090 --> 00:20:51.060
  • GREAT COMMISSION AND FILMMAKING,
  • 00:20:51.060 --> 00:20:52.180
  • WE REALIZED WAS A WAY FOR US TO
  • 00:20:52.180 --> 00:20:53.220
  • TAKE THE GOSPEL TO THE NATIONS
  • 00:20:53.220 --> 00:20:54.290
  • AND TO BE ABLE TO MINISTER TO
  • 00:20:54.290 --> 00:20:56.150
  • THE BODY OF CHRIST IN PLACES WE
  • 00:20:56.150 --> 00:20:57.170
  • CAN'T GO.
  • 00:20:57.170 --> 00:21:00.070
  • SO THERE ARE COMMUNIST
  • 00:21:00.070 --> 00:21:00.290
  • COUNTRIES, THERE ARE MUSLIM
  • 00:21:00.290 --> 00:21:02.190
  • COUNTRIES, THERE ARE PRISONS,
  • 00:21:02.190 --> 00:21:04.070
  • ALL KINDS OF PLACES WE WILL
  • 00:21:04.070 --> 00:21:05.220
  • NEVER BE ABLE TO REACH OUT TO
  • 00:21:05.220 --> 00:21:07.060
  • SOMEBODY AND SHARE THE GOSPEL
  • 00:21:07.060 --> 00:21:08.190
  • WITH THAT THE MOVIES WILL GO TO
  • 00:21:08.190 --> 00:21:09.230
  • THOSE PLACES AND WE ARE GRATEFUL
  • 00:21:09.230 --> 00:21:10.280
  • THAT THE TRUTH OF THE GOSPEL IS
  • 00:21:10.280 --> 00:21:12.250
  • APPLICABLE AND POWERFUL ANYWHERE
  • 00:21:12.250 --> 00:21:14.020
  • AND ANY PLACE IN ANY NATION.
  • 00:21:14.020 --> 00:21:16.110
  • - Clifton: AMEN.
  • 00:21:16.110 --> 00:21:17.100
  • [APPLAUSE]
  • 00:21:22.090 --> 00:21:25.090
  • SO, PRISCILLA, WHAT WAS YOUR
  • 00:21:25.090 --> 00:21:26.150
  • EXPERIENCE LIKE WORKING WITH
  • 00:21:26.150 --> 00:21:27.150
  • THESE--
  • 00:21:27.150 --> 00:21:30.150
  • - WHITE GUYS.
  • 00:21:30.150 --> 00:21:31.130
  • - Clifton: MOGULS.
  • 00:21:31.130 --> 00:21:32.060
  • (LAUGHTER).
  • 00:21:32.060 --> 00:21:33.190
  • - Clifton: WHITE GUYS.
  • 00:21:33.190 --> 00:21:34.160
  • [APPLAUSE]
  • 00:21:34.160 --> 00:21:35.240
  • ASIAN GUYS, HEY, I'M ABOUT
  • 00:21:35.240 --> 00:21:37.210
  • FILMMAKERS.
  • 00:21:37.210 --> 00:21:39.240
  • YOU KNOW WHAT I'M SAYING?
  • 00:21:39.240 --> 00:21:40.250
  • IT'S ABOUT, DO YOU HAVE A GOOD
  • 00:21:40.250 --> 00:21:41.250
  • FILM.
  • 00:21:41.250 --> 00:21:43.260
  • I DON'T CARE ABOUT THAT OTHER
  • 00:21:43.260 --> 00:21:44.170
  • STUFF.
  • 00:21:44.170 --> 00:21:46.080
  • WHAT WAS YOUR EXPERIENCE LIKE
  • 00:21:46.080 --> 00:21:47.110
  • WORKING WITH THESE FILMMAKERS?
  • 00:21:47.200 --> 00:21:50.200
  • - Priscilla: THESE MEN ARE MY
  • 00:21:50.200 --> 00:21:51.140
  • BROTHERS.
  • 00:21:51.140 --> 00:21:52.280
  • ON SO MANY LEVELS.
  • 00:21:52.280 --> 00:21:54.100
  • WORKING WITH THEM IS HILARIOUS,
  • 00:21:54.100 --> 00:21:56.250
  • IT IS EXHAUSTING.
  • 00:21:56.250 --> 00:21:57.260
  • WE WORK HARD.
  • 00:21:57.260 --> 00:21:58.280
  • IT IS 13 HOUR FILMING DAYS MOST
  • 00:21:58.280 --> 00:22:00.050
  • EVERY SINGLE DAY.
  • 00:22:00.200 --> 00:22:03.200
  • BUT IT IS ALSO CHRIST-CENTERED.
  • 00:22:03.200 --> 00:22:04.260
  • THAT IS SOMETHING I REALIZE A
  • 00:22:04.260 --> 00:22:07.000
  • LOT OF PEOPLE DON'T KNOW ABOUT
  • 00:22:07.000 --> 00:22:09.030
  • THE KENDRICK BROTHERS, THEY WILL
  • 00:22:09.030 --> 00:22:09.270
  • NOT JUST PRAY THROUGH THE
  • 00:22:09.270 --> 00:22:11.210
  • WRITING PROCESS AND THEN PRAY AT
  • 00:22:11.210 --> 00:22:13.000
  • THE BEGINNING OF THE PROJECT OR
  • 00:22:13.000 --> 00:22:14.110
  • PRAY ONCE IN AWHILE THROUGHOUT
  • 00:22:14.110 --> 00:22:16.060
  • THE PRODUCTION, EVERY SINGLE
  • 00:22:16.060 --> 00:22:18.060
  • MORNING STARTED WITH DEVOTIONS
  • 00:22:18.060 --> 00:22:18.280
  • AND PRAYER FOR THE CAST AND
  • 00:22:18.280 --> 00:22:19.240
  • CREW.
  • 00:22:19.240 --> 00:22:20.110
  • IT DIDN'T MATTER--
  • 00:22:20.110 --> 00:22:21.120
  • [APPLAUSE]
  • 00:22:21.120 --> 00:22:22.270
  • IT IS A BIG DEAL.
  • 00:22:22.270 --> 00:22:23.120
  • IT DID NOT MATTER IF YOU WERE A
  • 00:22:23.120 --> 00:22:25.140
  • CAST MEMBER.
  • 00:22:25.140 --> 00:22:27.000
  • IT DID NOT MATTER IF YOU WERE ON
  • 00:22:27.000 --> 00:22:27.220
  • THE CREW.
  • 00:22:27.220 --> 00:22:28.060
  • IT DID NOT MATTER IF YOU HUNG
  • 00:22:28.060 --> 00:22:29.120
  • LIGHTS OR WERE MAKE UP OR ART
  • 00:22:29.120 --> 00:22:30.080
  • DIRECTOR.
  • 00:22:30.080 --> 00:22:30.220
  • IT DID NOT MATTER WHO YOU WERE
  • 00:22:30.220 --> 00:22:31.140
  • OR WHAT YOU WERE DOING.
  • 00:22:31.140 --> 00:22:32.070
  • EVERYBODY STARTED THE DAY BEFORE
  • 00:22:32.070 --> 00:22:33.220
  • THE LORD, SURRENDERING THE
  • 00:22:33.220 --> 00:22:35.080
  • ENTIRE DAY TO HIM.
  • 00:22:35.080 --> 00:22:37.150
  • AND THEN THERE WERE CERTAIN
  • 00:22:37.150 --> 00:22:38.050
  • SCENES IF THEY FELT LIKE IT WAS
  • 00:22:38.050 --> 00:22:40.120
  • A PIVOTAL SCENE THAT THIS COULD
  • 00:22:40.120 --> 00:22:42.060
  • BE A SCENE WHERE SOMEONE IN THE
  • 00:22:42.060 --> 00:22:44.290
  • THEATER ACCEPTS CHRIST, OR THE
  • 00:22:44.290 --> 00:22:47.060
  • TRAJECTORY OF THEIR LIFE IS
  • 00:22:47.060 --> 00:22:48.070
  • CHANGED, WE PAUSE IN THE MIDDLE
  • 00:22:48.070 --> 00:22:49.180
  • OF THE DAY AND ALEC AND STEPHEN
  • 00:22:49.180 --> 00:22:50.270
  • WOULD CALL EVERYBODY IN AROUND
  • 00:22:50.270 --> 00:22:52.090
  • THAT SCENE SO WE COULD PRAY
  • 00:22:52.090 --> 00:22:53.210
  • GOD'S FAVOR WOULD BE IN
  • 00:22:53.210 --> 00:22:54.260
  • PARTICULAR ON THAT SCENE.
  • 00:22:54.260 --> 00:22:55.270
  • SO,--
  • 00:22:55.270 --> 00:22:57.080
  • [APPLAUSE]
  • 00:22:57.080 --> 00:22:57.280
  • - Clifton: THAT'S WONDERFUL.
  • 00:22:57.280 --> 00:23:00.080
  • - Priscilla: I THINK IT'S A BIG
  • 00:23:00.080 --> 00:23:02.200
  • DEAL, NOT ONLY DID WE HAVE A TON
  • 00:23:02.200 --> 00:23:04.140
  • OF FUN, TONS OF LAUGHS.
  • 00:23:04.140 --> 00:23:06.200
  • WATCHING THEM WORK TOGETHER IS
  • 00:23:06.200 --> 00:23:07.190
  • HYSTERICAL.
  • 00:23:07.190 --> 00:23:08.100
  • STEPHEN IS LIKE BOUNCING OF THE
  • 00:23:08.100 --> 00:23:09.130
  • WALLS AND ALEX IS LIKE, I'M
  • 00:23:09.130 --> 00:23:10.190
  • TRYING TO GET THINGS DONE.
  • 00:23:10.190 --> 00:23:11.240
  • (LAUGHTER).
  • 00:23:11.240 --> 00:23:13.280
  • AND NOT ONLY IS IT SPIRITUAL, I
  • 00:23:13.280 --> 00:23:15.290
  • GOT TO HAVE MY BOYS ON SET BOTH
  • 00:23:15.290 --> 00:23:17.170
  • FOR WAR ROOM AND FOR OVERCOMER.
  • 00:23:17.170 --> 00:23:18.280
  • THAT IS THE GEM OF IT FOR ME
  • 00:23:18.280 --> 00:23:20.290
  • THAT ME AND JERRY COULD HAVE OUR
  • 00:23:20.290 --> 00:23:22.010
  • SONS AROUND MEN WHO ARE TEACHING
  • 00:23:22.010 --> 00:23:24.280
  • THEM BY EXAMPLE WHAT IT'S LIKE
  • 00:23:24.280 --> 00:23:26.170
  • TO BRING YOUR FAITH INTO YOUR
  • 00:23:26.170 --> 00:23:28.190
  • CRAFT, THAT IT IS NOT TWO
  • 00:23:28.190 --> 00:23:30.210
  • DIFFERENT THINGS, YOU CAN BE
  • 00:23:30.210 --> 00:23:32.070
  • EXCELLENT IN YOUR SKILL AND ALSO
  • 00:23:32.070 --> 00:23:34.010
  • BE UNAPOLOGETICALLY CHRISTIAN.
  • 00:23:34.010 --> 00:23:36.160
  • I LOVE THAT ABOUT THESE MEN.
  • 00:23:36.160 --> 00:23:37.230
  • [APPLAUSE]
  • 00:23:39.200 --> 00:23:42.200
  • - Clifton: I HAVE TO TESTIFY
  • 00:23:42.200 --> 00:23:44.260
  • THAT IT IS POWERFUL FOR ME TO
  • 00:23:44.260 --> 00:23:45.190
  • SEE THIS HAPPENING.
  • 00:23:45.190 --> 00:23:47.290
  • I'VE BEEN IN THE BUSINESS OVER
  • 00:23:47.290 --> 00:23:49.220
  • 50 YEARS.
  • 00:23:49.220 --> 00:23:50.190
  • (LAUGHTER).
  • 00:23:50.190 --> 00:23:53.120
  • AND I JUST GO AHEAD AND CONFESS,
  • 00:23:53.120 --> 00:23:54.190
  • YEAH, I'VE BEEN DOING THIS MORE
  • 00:23:54.190 --> 00:23:55.170
  • THAN 50 YEARS.
  • 00:23:55.170 --> 00:23:57.170
  • THE WONDERFUL THING IS, I
  • 00:23:57.170 --> 00:23:59.110
  • PRAYED, I TURNED DOWN THINGS
  • 00:23:59.110 --> 00:24:01.210
  • BECAUSE I JUST COULD NOT SAY IT.
  • 00:24:02.020 --> 00:24:05.020
  • I LOOKED FOR MORE CHRISTIAN
  • 00:24:05.020 --> 00:24:06.190
  • PROJECTS.
  • 00:24:06.280 --> 00:24:09.280
  • I PRAYED ABOUT IT SO MUCH.
  • 00:24:09.280 --> 00:24:11.240
  • I ASKED FOR GOD TO OPEN A DOOR
  • 00:24:11.240 --> 00:24:13.240
  • AND GIVE ME THOSE ROLES I DON'T
  • 00:24:14.040 --> 00:24:17.040
  • HAVE TO BE ASHAMED TO DO AND GOD
  • 00:24:17.040 --> 00:24:19.180
  • HAS BEEN SO GOOD.
  • 00:24:19.180 --> 00:24:21.120
  • I'VE BEEN BLESSED.
  • 00:24:21.120 --> 00:24:22.060
  • [APPLAUSE]
  • 00:24:22.060 --> 00:24:24.270
  • TELL US ABOUT SOME OF THE OTHER
  • 00:24:24.270 --> 00:24:25.250
  • MOVIES YOU'VE MADE, STEPHEN.
  • 00:24:25.250 --> 00:24:27.250
  • - OUR FIRST ONE WAS FLYWHEEL,
  • 00:24:27.250 --> 00:24:30.090
  • WHICH WAS $20.000 AND A WHOLE
  • 00:24:30.090 --> 00:24:31.190
  • LOT OF IGNORANCE.
  • 00:24:31.190 --> 00:24:34.020
  • BUT WE HAD A PRAYING CHURCH THAT
  • 00:24:34.020 --> 00:24:35.060
  • WAS HELPING US THROUGH THE
  • 00:24:35.060 --> 00:24:35.250
  • PROCESS.
  • 00:24:35.250 --> 00:24:36.260
  • WE DIDN'T KNOW WHAT A CALL SHEET
  • 00:24:36.260 --> 00:24:37.260
  • WAS OR PRODUCTION SCHEDULE WAS,
  • 00:24:37.260 --> 00:24:39.030
  • LOCATIONS MANAGER.
  • 00:24:39.030 --> 00:24:40.130
  • IT WAS JUST A BUNCH OF
  • 00:24:40.130 --> 00:24:42.120
  • VOLUNTEERS FROM OUR LOCAL CHURCH
  • 00:24:42.120 --> 00:24:43.220
  • WE SAID WHEN ARE YOU AVAILABLE
  • 00:24:43.220 --> 00:24:44.240
  • ON YOUR LUNCHTIME THAT YOU CAN
  • 00:24:44.240 --> 00:24:45.180
  • HELP US FOR A FEW MINUTES?
  • 00:24:45.180 --> 00:24:46.190
  • AND SO THE LORD TOOK THOSE
  • 00:24:46.190 --> 00:24:49.090
  • LOAVES AND FISH AND OVER A
  • 00:24:49.090 --> 00:24:51.280
  • MILLION DVDS WERE SOLD AND ENDED
  • 00:24:51.280 --> 00:24:53.130
  • UP GOING INTERNATIONAL.
  • 00:24:53.130 --> 00:24:54.180
  • WE WERE SURPRISED BECAUSE IT WAS
  • 00:24:54.210 --> 00:24:57.210
  • A PROJECT FOR OUR LOCAL
  • 00:24:57.210 --> 00:24:58.170
  • COMMUNITY.
  • 00:24:58.170 --> 00:24:59.270
  • THAT LED INTO "FACING THE
  • 00:24:59.270 --> 00:25:01.010
  • GIANTS."
  • 00:25:01.010 --> 00:25:01.210
  • - "FACING THE GIANTS" WAS OUR
  • 00:25:01.210 --> 00:25:03.030
  • FIRST THEATRICAL RELEASE.
  • 00:25:03.030 --> 00:25:04.220
  • A SMALL BUDGET MOVIE.
  • 00:25:04.220 --> 00:25:05.220
  • [APPLAUSE]
  • 00:25:07.260 --> 00:25:10.260
  • AND WHEN WE DID "FACING THE
  • 00:25:10.260 --> 00:25:12.020
  • GIANTS," WE WERE HOPING TO GET
  • 00:25:12.020 --> 00:25:14.170
  • IT IN MAYBE 15, 20 THEATERS IN
  • 00:25:14.170 --> 00:25:16.080
  • GEORGIA WHERE WE FILMED IT AND
  • 00:25:16.080 --> 00:25:17.280
  • THE LORD HAD BIGGER PLANS AND HE
  • 00:25:17.280 --> 00:25:20.200
  • WENT BEFORE US, IT WAS
  • 00:25:20.200 --> 00:25:22.170
  • INTERESTING TO ME WHEN I LOOK
  • 00:25:22.170 --> 00:25:23.280
  • BACK.
  • 00:25:23.280 --> 00:25:25.290
  • HINDSIGHT IS 2020 AND REALIZED
  • 00:25:25.290 --> 00:25:28.080
  • WHAT WOULD WE WANT MORE THAN THE
  • 00:25:28.080 --> 00:25:29.010
  • FAVOR OF GOD?
  • 00:25:29.010 --> 00:25:30.030
  • NOTHING.
  • 00:25:30.030 --> 00:25:31.000
  • NOTHING.
  • 00:25:31.000 --> 00:25:32.110
  • SO, NO AMOUNT OF MONEY, NO
  • 00:25:32.110 --> 00:25:34.050
  • AMOUNT OF STAR POWER CAN TAKE
  • 00:25:34.050 --> 00:25:35.240
  • THE PLACE OF THE FAVOR OF GOD.
  • 00:25:35.240 --> 00:25:37.140
  • SO WHY WOULDN'T WE SEEK THAT
  • 00:25:37.140 --> 00:25:38.290
  • ABOVE EVERYTHING?
  • 00:25:38.290 --> 00:25:41.020
  • WE PRAYED FOR THAT.
  • 00:25:41.020 --> 00:25:41.200
  • GOD WOULD YOU GUIDE US IN EVERY
  • 00:25:41.200 --> 00:25:43.070
  • STEP OF THIS JOURNEY, WOULD YOU
  • 00:25:43.070 --> 00:25:44.130
  • DO WHAT ONLY YOU CAN DO?
  • 00:25:44.130 --> 00:25:45.230
  • WE CAN MAKE A MOVIE BUT WE
  • 00:25:45.230 --> 00:25:46.160
  • CANNOT CHANGE THE HEART.
  • 00:25:46.160 --> 00:25:47.160
  • THE LORD CAN CHANGE THE HEART.
  • 00:25:47.160 --> 00:25:49.100
  • WE DID "FACING THE GIANTS" AND
  • 00:25:49.100 --> 00:25:50.060
  • WE PRAYED THE LORD OPENED THE
  • 00:25:50.060 --> 00:25:52.080
  • DOOR AND SONY CALLED US AND SAID
  • 00:25:52.080 --> 00:25:55.020
  • WE HAVE SEEN YOUR LITTLE MOVIE.
  • 00:25:55.020 --> 00:25:56.010
  • WE THINK IT SHOULD BE IN
  • 00:25:56.100 --> 00:25:59.100
  • THEATERS, THEY PUT IT IN 400
  • 00:25:59.100 --> 00:26:00.030
  • THEATERS IN 2006.
  • 00:26:00.030 --> 00:26:00.190
  • THAT LED TO FIREPROOF.
  • 00:26:00.250 --> 00:26:03.250
  • WE DID FIREPROOF A COUPLE YEARS
  • 00:26:03.250 --> 00:26:04.170
  • LATER.
  • 00:26:04.170 --> 00:26:05.050
  • [APPLAUSE]
  • 00:26:06.200 --> 00:26:09.200
  • FIREPROOF DID OVER 30 MILLION
  • 00:26:09.200 --> 00:26:11.120
  • AND KIRK CAMERON HELPED US WITH
  • 00:26:11.120 --> 00:26:12.040
  • THAT.
  • 00:26:12.040 --> 00:26:13.110
  • HE IS SUCH A GREAT BROTHER IN
  • 00:26:13.110 --> 00:26:14.070
  • CHRIST AND ENCOURAGER AND LIKE
  • 00:26:14.070 --> 00:26:16.240
  • YOU WANTS TO HONOR GOD WITH HIS
  • 00:26:16.240 --> 00:26:17.220
  • ABILITY TO ACT.
  • 00:26:17.220 --> 00:26:18.060
  • AND THEN COURAGEOUS AFTER THAT.
  • 00:26:18.060 --> 00:26:20.090
  • AND WAR ROOM.
  • 00:26:20.090 --> 00:26:21.120
  • [APPLAUSE]
  • 00:26:21.120 --> 00:26:24.100
  • WE ARE VERY GRATEFUL TO GO
  • 00:26:24.100 --> 00:26:26.120
  • THROUGH A SEASON OF PRAYER FOR
  • 00:26:26.120 --> 00:26:27.080
  • THE LORD TO SAY THIS IS THE NEXT
  • 00:26:27.080 --> 00:26:28.190
  • DIRECTION, FOR THIS ONE IT WAS
  • 00:26:28.190 --> 00:26:29.250
  • IDENTITY IN CHRIST.
  • 00:26:29.250 --> 00:26:31.220
  • TO REMIND THE CHURCH WHO THEY
  • 00:26:31.220 --> 00:26:33.030
  • ARE IN CHRIST, BECAUSE WE HAVE
  • 00:26:33.030 --> 00:26:34.280
  • TO BE SALT AND LIGHT.
  • 00:26:34.280 --> 00:26:35.270
  • IF WE STOP BEING SALT AND LIGHT,
  • 00:26:35.270 --> 00:26:36.260
  • WHAT'S THE DIFFERENCE?
  • 00:26:36.260 --> 00:26:38.140
  • SO TO REMIND US TO BE SALT AND
  • 00:26:38.140 --> 00:26:40.000
  • LIGHT, TO KNOW OUR IDENTITY AND
  • 00:26:40.000 --> 00:26:41.130
  • TO TELL AN ENGAGING AND
  • 00:26:41.130 --> 00:26:43.170
  • ENTERTAINING MOVIE.
  • 00:26:43.170 --> 00:26:44.180
  • SO WHEN PEOPLE LEAVE THE THEATER
  • 00:26:44.180 --> 00:26:46.040
  • FROM WATCHING OVERCOMER, THEY
  • 00:26:46.040 --> 00:26:47.230
  • ARE ASKING THEMSELVES THE RIGHT
  • 00:26:47.230 --> 00:26:48.150
  • QUESTIONS, WHAT HAVE I ALLOWED
  • 00:26:48.150 --> 00:26:49.100
  • TO DEFINE ME?
  • 00:26:49.100 --> 00:26:51.050
  • IT IS NOT YOUR FEELINGS.
  • 00:26:51.050 --> 00:26:53.000
  • THOSE CAN CHANGE.
  • 00:26:53.000 --> 00:26:54.080
  • IT IS NOT YOUR JOB, THAT CAN
  • 00:26:54.080 --> 00:26:54.290
  • CHANGE.
  • 00:26:54.290 --> 00:26:56.010
  • AS PRISCILLA SAID EARLIER.
  • 00:26:56.010 --> 00:26:57.150
  • THE ONLY FOUNDATION THAT WE CAN
  • 00:26:57.150 --> 00:26:58.270
  • TRULY ANCHOR IN IS THE
  • 00:26:58.270 --> 00:27:00.270
  • UNCHANGING CHARACTER OF
  • 00:27:00.270 --> 00:27:01.170
  • JESUS CHRIST.
  • 00:27:01.170 --> 00:27:02.260
  • HE CREATED US.
  • 00:27:02.260 --> 00:27:04.160
  • HE KNOWS US BETTER THAN WE KNOW
  • 00:27:04.160 --> 00:27:05.080
  • OURSELVES.
  • 00:27:05.080 --> 00:27:05.230
  • LOVES US MORE THAN WE LOVE EACH
  • 00:27:05.230 --> 00:27:07.210
  • OTHER AND HAS THE AUTHORITY TO
  • 00:27:07.210 --> 00:27:08.280
  • TELL US WHO WE ARE.
  • 00:27:08.280 --> 00:27:10.200
  • SO IF HE HAS THE AUTHORITY, WHY
  • 00:27:10.200 --> 00:27:12.040
  • WOULD I LISTEN TO ANYTHING ELSE
  • 00:27:12.040 --> 00:27:13.260
  • TELL ME WHO I AM?
  • 00:27:14.200 --> 00:27:17.200
  • - Clifton: ALL RIGHT.
  • 00:27:17.200 --> 00:27:18.210
  • [APPLAUSE]
  • 00:27:19.000 --> 00:27:22.000
  • WE WILL TALK MORE ABOUT IDENTITY
  • 00:27:22.000 --> 00:27:23.180
  • IN CHRIST IN OUR PERSONAL IDEA
  • 00:27:23.180 --> 00:27:25.280
  • OF OUR IDENTITY AND TALK ABOUT
  • 00:27:25.280 --> 00:27:28.100
  • MENTOR SHIFT FROM A CHRISTIAN
  • 00:27:28.100 --> 00:27:30.100
  • PERSPECTIVE.
  • 00:27:30.100 --> 00:27:31.060
  • BUT FIRST I WANT OUR AUDIENCE TO
  • 00:27:31.060 --> 00:27:32.220
  • LOOK AT A LITTLE MORE OF YOUR
  • 00:27:32.220 --> 00:27:34.250
  • FILM.
  • 00:27:39.080 --> 00:27:42.080
  • - ARE YOU HERE FOR CROSS
  • 00:27:42.080 --> 00:27:42.290
  • COUNTRY?
  • 00:27:42.290 --> 00:27:43.120
  • - YES, SIR.
  • 00:27:43.120 --> 00:27:45.040
  • - DO YOU KNOW ANYBODY ELSE
  • 00:27:45.040 --> 00:27:45.270
  • COMING TO TRY OUT?
  • 00:27:45.270 --> 00:27:47.010
  • - NO, SIR.
  • 00:27:47.030 --> 00:27:50.030
  • - OKAY.
  • 00:27:50.030 --> 00:27:50.200
  • TELL ME YOUR NAME?
  • 00:27:50.200 --> 00:27:51.160
  • - HANNAH SCOTT.
  • 00:27:51.160 --> 00:27:52.230
  • - HI, HANNAH, I'M COACH
  • 00:27:52.230 --> 00:27:53.210
  • HARRISON.
  • 00:27:54.060 --> 00:27:57.060
  • HERE IS A FORM.
  • 00:27:57.060 --> 00:28:00.030
  • YOU ARE A SOPHOMORE, YOU RAN AT
  • 00:28:00.030 --> 00:28:02.150
  • FRANKLIN HOWE LAST YEAR.
  • 00:28:02.150 --> 00:28:03.180
  • - YES, SIR.
  • 00:28:03.180 --> 00:28:05.180
  • - BORN ON VALENTINE'S DAY
  • 00:28:05.180 --> 00:28:06.170
  • (PUFFING SOUND OF INHALER).
  • 00:28:08.190 --> 00:28:11.190
  • I'M SORRY, HANNAH IS THAT--
  • 00:28:11.190 --> 00:28:13.090
  • - IT'S FOR MY ASTHMA.
  • 00:28:13.090 --> 00:28:15.180
  • - YOU HAVE ASTHMA?
  • 00:28:15.180 --> 00:28:16.250
  • - YES, SIR.
  • 00:28:17.040 --> 00:28:20.040
  • - OKAY.
  • 00:28:20.040 --> 00:28:23.010
  • - OLIVIA, THERE IS NO CROSS
  • 00:28:23.010 --> 00:28:25.000
  • COUNTRY PROGRAM.
  • 00:28:25.000 --> 00:28:26.120
  • - WHAT DO YOU MEAN THERE'S NO
  • 00:28:26.120 --> 00:28:27.070
  • PROGRAM?
  • 00:28:27.070 --> 00:28:28.070
  • - I HAD ONE GIRL SHOW UP AND
  • 00:28:28.070 --> 00:28:29.010
  • SHE HAS ASTHMA.
  • 00:28:29.010 --> 00:28:29.240
  • - YOU MEAN HANNAH SCOTT.
  • 00:28:29.240 --> 00:28:30.150
  • - YES.
  • 00:28:30.150 --> 00:28:32.240
  • - DOES SHE WANT TO RUN?
  • 00:28:32.240 --> 00:28:33.290
  • - YES, BUT WE CAN'T ALLOW THAT.
  • 00:28:33.290 --> 00:28:35.180
  • HOW CAN SHE COMPETE?
  • 00:28:35.180 --> 00:28:36.140
  • - HER GRANDMOTHER ALREADY GAVE
  • 00:28:36.140 --> 00:28:37.110
  • ME A DOCTOR'S NOTE.
  • 00:28:37.110 --> 00:28:38.050
  • SHE RAN AT FRANKLIN LAST YEAR.
  • 00:28:38.050 --> 00:28:40.090
  • SHE HAS TO KEEP HER INHALER WITH
  • 00:28:40.090 --> 00:28:41.120
  • HER.
  • 00:28:41.120 --> 00:28:42.030
  • - OKAY, BUT WE STILL DON'T HAVE
  • 00:28:42.030 --> 00:28:43.070
  • A TEAM, SO WHAT DOES IT MATTER?
  • 00:28:43.070 --> 00:28:44.110
  • - I THOUGHT THAT ONE RUNNER
  • 00:28:44.110 --> 00:28:45.040
  • COULD STILL MEDAL WITHOUT A
  • 00:28:45.040 --> 00:28:45.270
  • TEAM.
  • 00:28:45.270 --> 00:28:46.280
  • - TECHNICALLY, BUT WHY HAVE A
  • 00:28:46.280 --> 00:28:49.030
  • SEASON WITH ONE RUNNER?
  • 00:28:49.030 --> 00:28:50.270
  • - BECAUSE, ONE RUNNER MATTERS,
  • 00:28:50.270 --> 00:28:53.250
  • JOHN, YOU ARE A GOOD COACH AND
  • 00:28:53.250 --> 00:28:55.250
  • YOU ARE A GOOD TEACHER.
  • 00:28:55.250 --> 00:28:57.130
  • IF SHE WANTS TO TRY OUT, THEN
  • 00:28:57.130 --> 00:28:58.050
  • LET HER.
  • 00:28:58.100 --> 00:29:01.120
  • - OKAY.
  • 00:29:04.130 --> 00:29:07.130
  • [APPLAUSE]
  • 00:29:07.130 --> 00:29:10.090
  • - Clifton: THAT'S GOOD.
  • 00:29:10.120 --> 00:29:13.120
  • I GATHER FROM THAT CLIP A NUMBER
  • 00:29:13.120 --> 00:29:15.080
  • OF THINGS, FIRST OF ALL, YOU ARE
  • 00:29:15.080 --> 00:29:17.140
  • THE PRINCIPAL OF THE SCHOOL.
  • 00:29:17.140 --> 00:29:18.050
  • - Priscilla: YES.
  • 00:29:18.050 --> 00:29:19.100
  • - Clifton: ALL RIGHT.
  • 00:29:19.100 --> 00:29:21.110
  • YOU HAVE A WORKING RELATIONSHIP.
  • 00:29:21.110 --> 00:29:22.190
  • - SHE TELLS ME WHAT TO DO.
  • 00:29:22.190 --> 00:29:23.120
  • (LAUGHTER).
  • 00:29:23.120 --> 00:29:25.100
  • - Clifton: YOU DISCOVER THIS
  • 00:29:25.100 --> 00:29:27.060
  • WONDERFUL YOUNG LADY WHO HAS
  • 00:29:27.060 --> 00:29:29.180
  • SKILLS OBVIOUSLY, BUT WHO HAS
  • 00:29:29.180 --> 00:29:30.100
  • ASTHMA.
  • 00:29:30.100 --> 00:29:31.250
  • I DON'T WANT YOU TO GIVE AWAY
  • 00:29:31.250 --> 00:29:33.110
  • ANY OF THE FILM, HOW DID YOU
  • 00:29:34.140 --> 00:29:37.140
  • COME ABOUT THIS IDEA WITH THIS
  • 00:29:37.140 --> 00:29:38.290
  • PRINCIPAL CHARACTER HANNAH?
  • 00:29:38.290 --> 00:29:41.020
  • - YOU KNOW, HANNAH IS A
  • 00:29:41.020 --> 00:29:42.060
  • REPRESENTATION OF A LOT OF OUR
  • 00:29:42.060 --> 00:29:43.050
  • YOUTH TODAY.
  • 00:29:43.050 --> 00:29:45.050
  • THEY DON'T KNOW THEIR PLACE IN
  • 00:29:45.050 --> 00:29:46.140
  • THE WORD AND THEY ARE LOOKING
  • 00:29:46.140 --> 00:29:47.120
  • FOR SOME SENSE OF SIGNIFICANCE
  • 00:29:47.120 --> 00:29:48.200
  • FROM THEIR PEERS OR THEIR
  • 00:29:48.200 --> 00:29:50.060
  • SITUATION OR MAYBE AN ATHLETIC
  • 00:29:50.060 --> 00:29:50.280
  • ABILITY.
  • 00:29:50.280 --> 00:29:52.150
  • IN THIS MOVIE HANNAH DOES NOT
  • 00:29:52.150 --> 00:29:53.290
  • HAVE HER PARENTS IN THE PICTURE.
  • 00:29:53.290 --> 00:29:55.130
  • AND SO BEING RAISED BY HER
  • 00:29:55.130 --> 00:29:56.030
  • GRANDMOTHER.
  • 00:29:56.030 --> 00:29:58.100
  • SHE IS STRUGGLING FOR, WHERE DO
  • 00:29:58.100 --> 00:29:59.280
  • YOU BELONG?
  • 00:30:00.050 --> 00:30:03.050
  • AND THE ONLY THING SHE FEELS SHE
  • 00:30:03.050 --> 00:30:04.140
  • CAN DO WELL IS RUN, EXCEPT FOR
  • 00:30:04.140 --> 00:30:05.100
  • THE FACT SHE HAS ASTHMA.
  • 00:30:05.100 --> 00:30:06.090
  • ISN'T THAT LIKE HOW A LOT OF US
  • 00:30:06.090 --> 00:30:07.180
  • FEEL IN LIFE SOMETIMES?
  • 00:30:07.180 --> 00:30:08.130
  • THE COACH HAS HIS BASKETBALL
  • 00:30:08.170 --> 00:30:11.170
  • TEAM STRIPPED FROM HIM WHEN THE
  • 00:30:11.170 --> 00:30:13.040
  • LOCAL FACTORY IN TOWN CLOSES
  • 00:30:13.040 --> 00:30:14.240
  • DOWN, MOVES AWAY A LOT OF
  • 00:30:14.240 --> 00:30:15.200
  • FAMILIES LEAVE.
  • 00:30:15.200 --> 00:30:17.090
  • HE LOSES HIS BEST PLAYERS, HAS
  • 00:30:17.090 --> 00:30:18.040
  • TO COACH CROSS COUNTRY NOW AND
  • 00:30:18.040 --> 00:30:19.280
  • HE HAS ONE RUNNER.
  • 00:30:19.280 --> 00:30:22.020
  • HOW FRUSTRATING FOR ANY MAN WHO
  • 00:30:22.290 --> 00:30:25.290
  • DOES NOT SEE A PATH TO SUCCESS
  • 00:30:25.290 --> 00:30:26.210
  • IN HIS LIFE?
  • 00:30:26.210 --> 00:30:27.220
  • AND HE FEELS LIKE WHAT IS MY
  • 00:30:27.220 --> 00:30:28.140
  • SIGNIFICANCE WHEN I CAN'T FIND
  • 00:30:28.140 --> 00:30:29.060
  • SUCCESS.
  • 00:30:29.060 --> 00:30:30.100
  • - Clifton: HIS IDENTITY IS
  • 00:30:30.100 --> 00:30:31.030
  • CHALLENGED.
  • 00:30:31.030 --> 00:30:31.180
  • - THAT IS RIGHT.
  • 00:30:31.180 --> 00:30:32.200
  • MOST MEN IF YOU STRIP AWAY THEIR
  • 00:30:32.200 --> 00:30:33.170
  • JOB OR STRIP AWAY SUCCESS, THEY
  • 00:30:33.170 --> 00:30:34.290
  • FLOUNDER, WHO AM I NOW WHEN I
  • 00:30:34.290 --> 00:30:36.100
  • DON'T HAVE MY TITLE, MY JOB, MY
  • 00:30:36.100 --> 00:30:37.250
  • MONEY?
  • 00:30:37.250 --> 00:30:38.150
  • WHATEVER, WE CANNOT PUT OUR
  • 00:30:38.150 --> 00:30:40.150
  • IDENTITY IN THOSE THINGS.
  • 00:30:40.150 --> 00:30:41.270
  • THOSE THINGS CAN CHANGE, FOR
  • 00:30:41.270 --> 00:30:43.060
  • HANNAH, SHE IS THINKING, DOES
  • 00:30:43.060 --> 00:30:44.250
  • ANYBODY EVEN LOVE ME?
  • 00:30:44.250 --> 00:30:45.270
  • DO I EVEN MATTER?
  • 00:30:45.270 --> 00:30:46.290
  • SO YOU FOLLOW THESE TWO ON THIS
  • 00:30:46.290 --> 00:30:49.040
  • TRAJECTORY THROUGH THE MOVIE AND
  • 00:30:49.040 --> 00:30:50.250
  • HOPEFULLY EVERYONE WILL IDENTIFY
  • 00:30:50.250 --> 00:30:51.280
  • WITH THEM AT SOME POINT.
  • 00:30:51.280 --> 00:30:53.160
  • WE INTRODUCE A THIRD VERY
  • 00:30:53.160 --> 00:30:54.240
  • INTERESTING CHARACTER IN THE
  • 00:30:54.240 --> 00:30:55.140
  • HOSPITAL.
  • 00:30:55.140 --> 00:30:56.030
  • HE HAS BEEN STRIPPED OF HIS
  • 00:30:56.030 --> 00:30:56.270
  • HEALTH.
  • 00:30:56.270 --> 00:30:58.030
  • BUT HE HAS A VERY WISE
  • 00:30:58.030 --> 00:30:58.210
  • PERSPECTIVE.
  • 00:30:58.210 --> 00:31:00.020
  • AS YOU FOLLOW THESE THREE, THE
  • 00:31:00.020 --> 00:31:01.080
  • TRIANGLE OF CHARACTERS THROUGH
  • 00:31:01.080 --> 00:31:02.170
  • THE MOVIE, YOU BEGIN TO SEE HOW
  • 00:31:02.170 --> 00:31:03.290
  • IDENTITY IS STRUGGLED WITH
  • 00:31:03.290 --> 00:31:05.100
  • VARIOUS LEVELS BUT WHAT GOD HAS
  • 00:31:05.100 --> 00:31:06.290
  • TO SAY TO EACH OF US
  • 00:31:06.290 --> 00:31:08.010
  • INDIVIDUALLY AND WE LOVE THE
  • 00:31:08.010 --> 00:31:09.050
  • FACT THAT AT THE END OF THE
  • 00:31:09.050 --> 00:31:10.260
  • MOVIE THEY INTERTWINE IN A WAY
  • 00:31:10.260 --> 00:31:12.100
  • WHERE I HOPE YOUR HEART SWELLS
  • 00:31:12.100 --> 00:31:14.030
  • AT THE END OF THE FILM AND YOU
  • 00:31:14.030 --> 00:31:15.180
  • REALIZE I AM LOVED, I'M CHOSEN,
  • 00:31:15.180 --> 00:31:17.250
  • I'M REDEEMED, I'M JUSTIFIED, I'M
  • 00:31:17.250 --> 00:31:19.210
  • SAVED IN JESUS CHRIST, HE IS
  • 00:31:19.210 --> 00:31:21.240
  • WHAT MATTERS MOST.
  • 00:31:21.240 --> 00:31:24.120
  • - Clifton: AMEN. A GOOD FILM
  • 00:31:27.040 --> 00:31:30.040
  • STORY IS ONE THAT IS COMPELLING
  • 00:31:30.040 --> 00:31:32.140
  • AND ENGAGING ALL THE WAY THROUGH
  • 00:31:32.230 --> 00:31:35.230
  • THAT HAS UPS AND DOWNS AND
  • 00:31:35.230 --> 00:31:37.170
  • TWISTS AND TURNS AND CHARACTERS
  • 00:31:37.170 --> 00:31:38.240
  • THAT YOU FALL IN LOVE WITH AND
  • 00:31:38.240 --> 00:31:41.170
  • OTHERS THAT YOU HATE.
  • 00:31:41.270 --> 00:31:44.270
  • WE, DO WE HAVE THAT SORT OF
  • 00:31:46.020 --> 00:31:49.020
  • THING IN THE OVERCOMER?
  • 00:31:49.020 --> 00:31:49.240
  • - ABSOLUTELY.
  • 00:31:49.240 --> 00:31:51.140
  • IF PEOPLE LIKED FIREPROOF,
  • 00:31:51.140 --> 00:31:52.150
  • COURAGEOUS, WAR ROOM, THEY WILL
  • 00:31:52.150 --> 00:31:53.100
  • LOVE THIS FILM.
  • 00:31:53.100 --> 00:31:53.290
  • IT HAS SOMETHING FOR ALL AGES,
  • 00:31:53.290 --> 00:31:55.280
  • IT IS A FAMILY FRIENDLY MOVIE.
  • 00:31:55.280 --> 00:31:57.060
  • THERE IS AN ELEMENTARY SCHOOL
  • 00:31:57.060 --> 00:31:58.150
  • CHARACTER THAT'S FUNNY.
  • 00:31:58.150 --> 00:32:00.020
  • THERE ARE MULTIPLE TEENAGERS IN
  • 00:32:00.020 --> 00:32:00.280
  • THE FILM.
  • 00:32:00.280 --> 00:32:01.280
  • YOU ARE FOLLOWING THIS MARRIED
  • 00:32:01.280 --> 00:32:02.260
  • COUPLE AS THEY WRESTLE WITH
  • 00:32:02.260 --> 00:32:04.110
  • IDENTITY AS A COUPLE.
  • 00:32:04.110 --> 00:32:05.200
  • YOU HAVE THE GRANDMOTHER'S
  • 00:32:05.200 --> 00:32:06.250
  • INVOLVEMENT IN HANNAH'S LIFE.
  • 00:32:06.250 --> 00:32:07.280
  • AS YOU ARE GOING THROUGH THE
  • 00:32:07.280 --> 00:32:09.090
  • FILM YOU WILL LAUGH A LOT
  • 00:32:09.090 --> 00:32:10.100
  • WATCHING OVERCOMER.
  • 00:32:10.100 --> 00:32:11.140
  • THERE ARE VERY TEARJERKER HEART
  • 00:32:11.140 --> 00:32:13.230
  • WRENCHING MOMENTS THAT HAPPEN IN
  • 00:32:13.230 --> 00:32:15.060
  • THE FILM.
  • 00:32:15.060 --> 00:32:16.210
  • SOME UNEXPECTED TWISTS AND
  • 00:32:16.210 --> 00:32:17.110
  • TURNS.
  • 00:32:17.110 --> 00:32:18.110
  • I LOVE WHAT ALEX DID.
  • 00:32:18.110 --> 00:32:19.270
  • THERE IS SOMETHING THAT HAPPENS
  • 00:32:19.270 --> 00:32:20.190
  • AT THE END OF THIS FILM THAT
  • 00:32:20.190 --> 00:32:22.090
  • PEOPLE DO NOT SEE COMING.
  • 00:32:22.090 --> 00:32:23.160
  • WHEN WE TOLD THE STORY TO THE
  • 00:32:23.160 --> 00:32:24.140
  • SONY TEAM, THEY SAID, I DID NOT
  • 00:32:24.140 --> 00:32:25.100
  • SEE THAT COMING AT ALL.
  • 00:32:25.100 --> 00:32:27.250
  • SO, BUT IT REALLY IS A PICTURE
  • 00:32:27.250 --> 00:32:29.140
  • OF OUR RELATIONSHIP WITH OUR
  • 00:32:29.140 --> 00:32:30.190
  • HEAVENLY FATHER.
  • 00:32:30.190 --> 00:32:31.190
  • WE TELL PEOPLE, DISCOVERY A
  • 00:32:31.190 --> 00:32:33.250
  • FATHER'S LOVE IS WHAT GOD HAS
  • 00:32:33.250 --> 00:32:35.050
  • PUT INSIDE ALL OF US.
  • 00:32:35.050 --> 00:32:36.190
  • WE WANT THAT ON EARTH BUT MORE
  • 00:32:36.190 --> 00:32:37.270
  • IMPORTANTLY, WE NEED IT FROM OUR
  • 00:32:37.270 --> 00:32:39.040
  • HEAVENLY FATHER.
  • 00:32:39.040 --> 00:32:40.230
  • AND THAT PICTURE IS SEEN IN THIS
  • 00:32:40.230 --> 00:32:42.180
  • FILM.
  • 00:32:42.180 --> 00:32:44.120
  • THE LAST TWENTY MINUTES OF THIS
  • 00:32:44.120 --> 00:32:45.040
  • MOVIE IS A NAIL BITER, EDGE OF
  • 00:32:45.040 --> 00:32:46.080
  • THE SEAT, INSPIRATIONAL SPORTS
  • 00:32:46.080 --> 00:32:47.210
  • STORY.
  • 00:32:47.210 --> 00:32:49.060
  • WE HAVE BEEN SHOWING THIS FILM
  • 00:32:49.060 --> 00:32:51.030
  • ACROSS THE NATION, YOU WILL SEE
  • 00:32:51.030 --> 00:32:52.100
  • IT IN THEATERS.
  • 00:32:52.100 --> 00:32:53.270
  • PEOPLE ARE STANDING UP AT THE
  • 00:32:53.270 --> 00:32:55.080
  • END OF THE FILM.
  • 00:32:55.080 --> 00:32:57.050
  • THEY ARE CHEERING DURING THE
  • 00:32:57.050 --> 00:32:57.290
  • STATE CHAMPIONSHIP RACE AS IF IT
  • 00:32:57.290 --> 00:32:59.020
  • IS THEIR OWN DAUGHTER IN THIS
  • 00:32:59.020 --> 00:32:59.240
  • RACE.
  • 00:32:59.240 --> 00:33:00.160
  • BUT THERE ARE TWISTS AND TURNS
  • 00:33:00.160 --> 00:33:02.010
  • THAT HAPPEN AT THE END OF THE
  • 00:33:02.010 --> 00:33:03.080
  • FILM.
  • 00:33:03.080 --> 00:33:03.230
  • WE WANT PEOPLE TO LEAVE FEELING
  • 00:33:03.230 --> 00:33:06.030
  • THE LOVE OF THEIR HEAVENLY
  • 00:33:06.030 --> 00:33:07.060
  • FATHER, WANTING TO DIVE INTO THE
  • 00:33:07.060 --> 00:33:09.020
  • BOOK OF EPHESIANS WHICH IS THE
  • 00:33:09.020 --> 00:33:10.140
  • THEOLOGICAL FOUNDATION FOR THIS
  • 00:33:10.140 --> 00:33:12.070
  • MOVIE.
  • 00:33:12.070 --> 00:33:13.130
  • [APPLAUSE]
  • 00:33:14.150 --> 00:33:17.150
  • AND DISCOVERING WHAT GOD'S WORD
  • 00:33:17.150 --> 00:33:18.070
  • SAYS ABOUT WHO THEY ARE IN
  • 00:33:18.070 --> 00:33:18.270
  • CHRIST.
  • 00:33:18.270 --> 00:33:21.070
  • - CAN I SAY SOMETHING ABOUT
  • 00:33:21.070 --> 00:33:21.290
  • THAT?
  • 00:33:21.290 --> 00:33:23.190
  • WHEN WE WERE WORKING ON THIS
  • 00:33:23.190 --> 00:33:25.190
  • MOVIE, I WOULD HAVE SAID, I KNOW
  • 00:33:25.190 --> 00:33:27.140
  • WHO I AM HAD YOU ASKED ME.
  • 00:33:27.140 --> 00:33:28.140
  • BUT MY OWN SENSE OF IDENTITY IS
  • 00:33:28.140 --> 00:33:30.170
  • STRONGER AT THIS POINT HAVING
  • 00:33:30.170 --> 00:33:32.110
  • WORKED ON THIS MOVIE FOR THE
  • 00:33:32.110 --> 00:33:33.270
  • LAST YEAR AND A HALF THAN IT HAS
  • 00:33:33.270 --> 00:33:34.220
  • EVER BEEN.
  • 00:33:34.220 --> 00:33:35.080
  • I HAD TO ASK MYSELF, IF THIS
  • 00:33:35.080 --> 00:33:37.060
  • MOVIE DOES NOT DO WELL, DO I
  • 00:33:37.060 --> 00:33:38.180
  • KNOW WHO I AM?
  • 00:33:38.180 --> 00:33:40.010
  • IF I NEVER MAKE ANOTHER MOVIE AT
  • 00:33:40.010 --> 00:33:41.100
  • ALL, DO I KNOW WHO I AM?
  • 00:33:41.100 --> 00:33:42.190
  • BECAUSE AGAIN, I HAD TO REORDER
  • 00:33:42.190 --> 00:33:45.040
  • SOME THING IN MY LIFE.
  • 00:33:45.040 --> 00:33:46.210
  • I'M NOT A FILMMAKER FIRST OR A
  • 00:33:46.210 --> 00:33:47.270
  • HUSBAND AND FATHER FIRST.
  • 00:33:47.270 --> 00:33:49.180
  • I'M A CHILD OF GOD FIRST.
  • 00:33:49.180 --> 00:33:51.160
  • THAT IS MY FOUNDATION.
  • 00:33:51.160 --> 00:33:52.070
  • [APPLAUSE]
  • 00:33:52.070 --> 00:33:54.150
  • AND THEN, I'M A HUSBAND, I'M A
  • 00:33:54.150 --> 00:33:55.210
  • FATHER AND THEN ON UP THE SCALE
  • 00:33:56.120 --> 00:33:59.120
  • I'M A FILMMAKER.
  • 00:33:59.120 --> 00:34:00.130
  • IF THIS IS KNOCKED OFF THE TOP,
  • 00:34:00.130 --> 00:34:02.080
  • MY FOUNDATION IS STILL INTACT.
  • 00:34:02.080 --> 00:34:03.180
  • SO, FOR OUR AUDIENCE, FOR OUR
  • 00:34:03.180 --> 00:34:06.050
  • VIEWERS, IF YOUR FOUNDATION OF
  • 00:34:06.050 --> 00:34:08.150
  • OUR IDENTITY NEEDS TO BE
  • 00:34:08.150 --> 00:34:09.130
  • REORDERED WHERE JESUS CHRIST YOU
  • 00:34:09.130 --> 00:34:10.290
  • BEING A CHILD OF GOD IS THE MAIN
  • 00:34:10.290 --> 00:34:12.180
  • THING, THAT DOES NOT CHANGE WHEN
  • 00:34:12.180 --> 00:34:14.100
  • YOU ARE IN CHRIST.
  • 00:34:14.100 --> 00:34:15.010
  • YOUR JOB MAY CHANGE, YOUR
  • 00:34:15.010 --> 00:34:17.080
  • FEELINGS MAY CHANGE, YOUR MONEY
  • 00:34:17.080 --> 00:34:19.070
  • MAY CHANGE, BUT AGAIN, THAT
  • 00:34:19.070 --> 00:34:21.170
  • SHOULD NOT DETERMINE WHO YOU
  • 00:34:21.170 --> 00:34:22.070
  • ARE.
  • 00:34:22.070 --> 00:34:23.280
  • WHEN YOU ARE ANCHORED IN HIS
  • 00:34:23.280 --> 00:34:24.260
  • UNCHANGING CHARACTER, THEN YOU
  • 00:34:24.260 --> 00:34:26.100
  • KNOW WHO YOU ARE.
  • 00:34:26.100 --> 00:34:27.160
  • REGARDLESS OF YOUR
  • 00:34:27.160 --> 00:34:29.040
  • CIRCUMSTANCES.
  • 00:34:29.040 --> 00:34:29.240
  • - Priscilla: COME ON.
  • 00:34:29.240 --> 00:34:30.180
  • - Clifton: GOOD MINISTRY.
  • 00:34:30.180 --> 00:34:31.280
  • [APPLAUSE]
  • 00:34:37.020 --> 00:34:40.020
  • - Clifton: PRISCILLA, HOW DO
  • 00:34:40.020 --> 00:34:42.060
  • YOU THINK THIS FILM WILL TOUCH
  • 00:34:42.060 --> 00:34:44.090
  • OTHER YOUNG PEOPLE AS THEY SEE
  • 00:34:44.090 --> 00:34:45.160
  • THE EXPERIENCE OF HANNAH AND AS
  • 00:34:45.160 --> 00:34:48.040
  • A MOTHER AND AS A FILMMAKER AND
  • 00:34:48.040 --> 00:34:50.150
  • AUTHOR, HOW DO YOU THINK IT WILL
  • 00:34:50.150 --> 00:34:52.150
  • IMPACT THEIR LIVES?
  • 00:34:52.150 --> 00:34:54.030
  • - Priscilla: I THINK IT WILL
  • 00:34:54.030 --> 00:34:55.020
  • IMPACT THEM GREATLY BECAUSE THEY
  • 00:34:55.020 --> 00:34:56.010
  • ARE LIVING AT A TIME OF IDENTITY
  • 00:34:56.010 --> 00:34:57.080
  • CRISIS.
  • 00:34:57.080 --> 00:34:59.010
  • EVERYTHING THAT GOD HAS ALREADY
  • 00:34:59.010 --> 00:35:01.180
  • DEFINED EVERYBODY ELSE IS TRYING
  • 00:35:01.180 --> 00:35:02.200
  • TO REDEFINE.
  • 00:35:02.200 --> 00:35:04.090
  • THAT IS A TESTAMENT TO THE FACT
  • 00:35:04.090 --> 00:35:05.060
  • THAT AS A CULTURE, WE HAVE MOVED
  • 00:35:05.060 --> 00:35:06.160
  • GOD AND HIS TRUTH OUT OF THE
  • 00:35:06.180 --> 00:35:09.180
  • CENTERPIECE OF SOCIETY.
  • 00:35:09.180 --> 00:35:12.090
  • IT USED TO BE EVEN IF PEOPLE
  • 00:35:12.090 --> 00:35:13.010
  • WEREN'T CHRISTIANS, THEY
  • 00:35:13.010 --> 00:35:14.100
  • RESPECTED CHRISTIAN VALUES, THEY
  • 00:35:14.100 --> 00:35:15.130
  • AT LEAST APPRECIATED THE MORAL
  • 00:35:15.130 --> 00:35:17.150
  • CODE OF THE SCRIPTURES.
  • 00:35:17.150 --> 00:35:19.200
  • THAT IS NOT TRUE ANYMORE.
  • 00:35:19.200 --> 00:35:20.200
  • WE LIVE IN A POST-MODERN
  • 00:35:20.200 --> 00:35:21.160
  • COUNTRY.
  • 00:35:21.160 --> 00:35:22.100
  • MY SONS ARE GROWING UP IN A POST
  • 00:35:22.100 --> 00:35:23.290
  • CHRISTIAN CULTURE.
  • 00:35:23.290 --> 00:35:25.220
  • A POST CHRISTIAN CULTURE WHICH
  • 00:35:25.220 --> 00:35:27.190
  • MEANS UNLESS THERE ARE IN THE
  • 00:35:27.190 --> 00:35:30.040
  • FORM OF THE ARTS, IN FILM, IN
  • 00:35:30.040 --> 00:35:31.260
  • THE BOOKS THEY ARE READING AND
  • 00:35:31.260 --> 00:35:32.220
  • THE WAY WE ARE AS PARENTS
  • 00:35:32.220 --> 00:35:34.270
  • STEWARDING THEM AS THEY HAVE
  • 00:35:34.270 --> 00:35:37.050
  • BEEN ENTRUSTED TO US AS
  • 00:35:37.050 --> 00:35:38.110
  • CHILDREN, UNLESS WE ARE
  • 00:35:38.110 --> 00:35:39.190
  • INCORPORATING THAT INTO THEIR
  • 00:35:39.190 --> 00:35:40.130
  • LIFE, THEY ARE GOING TO GROW UP
  • 00:35:40.130 --> 00:35:41.220
  • IN A CULTURE WHERE GOD IS NOT
  • 00:35:41.220 --> 00:35:43.040
  • REVERED.
  • 00:35:43.040 --> 00:35:44.040
  • HE IS NOT RESPECTED, HE IS NOT
  • 00:35:44.040 --> 00:35:44.260
  • EVEN INCLUDED.
  • 00:35:44.260 --> 00:35:46.190
  • SO A MOVIE LIKE THIS ONE WHERE
  • 00:35:46.190 --> 00:35:48.030
  • THEY CAN SEE THEMSELVES IN A
  • 00:35:48.030 --> 00:35:48.230
  • REGULAR HIGH SCHOOL TEENAGE GIRL
  • 00:35:48.230 --> 00:35:50.160
  • THAT REALLY IS STRUGGLING JUST
  • 00:35:50.160 --> 00:35:52.270
  • LIKE THEY ARE AND SEE THAT JUST
  • 00:35:52.270 --> 00:35:54.220
  • LIKE THERE IS HOPE FOR HANNAH,
  • 00:35:54.220 --> 00:35:56.120
  • JUST LIKE THE TRAJECTORY OF HER
  • 00:35:56.120 --> 00:35:57.110
  • LIFE AND HER PERSPECTIVE CAN BE
  • 00:35:57.110 --> 00:35:59.000
  • CHANGED AND TRANSFORMED, THEIRS
  • 00:35:59.000 --> 00:36:00.140
  • CAN TOO IF THEY CHOOSE A
  • 00:36:00.140 --> 00:36:02.100
  • RELATIONSHIP WITH GOD THROUGH
  • 00:36:02.100 --> 00:36:04.000
  • JESUS CHRIST.
  • 00:36:04.000 --> 00:36:05.120
  • AND NUMBER TWO, TO TAKE
  • 00:36:05.120 --> 00:36:07.080
  • SERIOUSLY HOW THAT REIDENTIFIES
  • 00:36:07.080 --> 00:36:10.020
  • THEM TO BE BORN AGAIN INTO THE
  • 00:36:10.020 --> 00:36:11.250
  • FAMILY OF GOD.
  • 00:36:11.250 --> 00:36:13.050
  • IT CAN CHANGE THE COURSE OF YOUR
  • 00:36:13.050 --> 00:36:14.020
  • LIFE.
  • 00:36:14.020 --> 00:36:14.290
  • [APPLAUSE]
  • 00:36:14.290 --> 00:36:17.260
  • - RIGHT.
  • 00:36:20.210 --> 00:36:23.210
  • - Clifton: THAT IDEA OF WHO WE
  • 00:36:23.210 --> 00:36:24.280
  • ARE IN CHRIST, IT DEMANDS THAT
  • 00:36:27.090 --> 00:36:30.090
  • WE IDENTIFY FIRST WITH CHRIST.
  • 00:36:31.150 --> 00:36:34.150
  • YOU CAN'T BE SOMEBODY WHO YOU
  • 00:36:35.010 --> 00:36:38.010
  • DON'T KNOW WHAT THE RELATIONSHIP
  • 00:36:38.010 --> 00:36:41.010
  • IS.
  • 00:36:41.010 --> 00:36:43.000
  • SO WE ARE CALLED BY VIRTUE OF
  • 00:36:45.270 --> 00:36:48.270
  • THIS REALITY TO INTRODUCE THESE
  • 00:36:49.050 --> 00:36:52.050
  • YOUNG PEOPLE TO JESUS.
  • 00:36:53.000 --> 00:36:56.000
  • AND STIMULATE A RELATIONSHIP
  • 00:36:56.000 --> 00:36:57.180
  • WITH HIM SO THEY CAN UNDERSTAND
  • 00:36:57.180 --> 00:36:59.090
  • HOW WONDERFULLY THEY ARE LOVED,
  • 00:36:59.260 --> 00:37:02.280
  • HOW COMPLETELY THEY ARE LOVED BY
  • 00:37:02.280 --> 00:37:05.230
  • GOD AND HOW THEY HAVE HIS DNA IN
  • 00:37:07.200 --> 00:37:10.200
  • THEM IF THEY ACCEPT JESUS CHRIST
  • 00:37:10.200 --> 00:37:11.280
  • AS THEIR SAVIOR.
  • 00:37:11.280 --> 00:37:12.240
  • - THEY ARE MADE IN THE IMAGE OF
  • 00:37:12.240 --> 00:37:13.230
  • GOD.
  • 00:37:13.230 --> 00:37:16.200
  • - WE WANT TO SEE A LITTLE MORE
  • 00:37:16.200 --> 00:37:17.190
  • OF THE FILM RIGHT ABOUT NOW.
  • 00:37:17.190 --> 00:37:18.160
  • SO TAKE A LOOK AT THIS.
  • 00:37:18.220 --> 00:37:21.220
  • - GARY IS LEAVING.
  • 00:37:21.220 --> 00:37:23.200
  • - WHY IS GARY LEAVING?
  • 00:37:23.200 --> 00:37:25.050
  • - HE TOOK A JOB IN TEXAS.
  • 00:37:25.050 --> 00:37:27.050
  • NOW I'M DOWN THREE COACHES AND
  • 00:37:27.050 --> 00:37:28.140
  • TWO TEACHERS AND SCHOOL STARTS
  • 00:37:28.140 --> 00:37:29.060
  • NEXT WEEK.
  • 00:37:29.060 --> 00:37:31.080
  • AT THIS POINT I DON'T THINK I
  • 00:37:31.080 --> 00:37:32.000
  • CAN SAVE FOOTBALL BUT I DO THINK
  • 00:37:32.000 --> 00:37:32.290
  • I HAVE A SOLUTION FOR CROSS
  • 00:37:32.290 --> 00:37:33.200
  • COUNTRY.
  • 00:37:33.200 --> 00:37:35.030
  • - WHO? NO.
  • 00:37:37.170 --> 00:37:40.170
  • - I BELIEVE YOU COULD DO IT.
  • 00:37:40.170 --> 00:37:42.030
  • - OLIVIA, I'M NOT A CROSS
  • 00:37:42.030 --> 00:37:43.000
  • COUNTRY COACH.
  • 00:37:43.000 --> 00:37:44.170
  • I DON'T EVEN LIKE RUNNING.
  • 00:37:44.170 --> 00:37:46.090
  • ANNIE BOUGHT ME A TREADMILL
  • 00:37:46.090 --> 00:37:47.070
  • THREE YEARS AGO AND I NEVER USE
  • 00:37:47.070 --> 00:37:48.070
  • IT.
  • 00:37:48.070 --> 00:37:49.020
  • - I DON'T WANT TO HAVE TO
  • 00:37:49.020 --> 00:37:50.040
  • CANCEL ANOTHER PROGRAM.
  • 00:37:50.040 --> 00:37:51.230
  • YOU ARE MY BEST OPTION.
  • 00:37:51.230 --> 00:37:53.260
  • - CROSS COUNTRY IS NOT EVEN A
  • 00:37:53.260 --> 00:37:54.200
  • REAL SPORT.
  • 00:37:54.200 --> 00:37:56.000
  • - THAT'S NOT FAIR.
  • 00:37:56.000 --> 00:37:57.110
  • COME ON NOW.
  • 00:37:57.110 --> 00:37:58.240
  • I'VE NEVER SEEN YOUR BASKETBALL
  • 00:37:58.240 --> 00:37:59.170
  • PLAYERS THROWING UP AFTER A
  • 00:37:59.170 --> 00:38:00.130
  • GAME.
  • 00:38:00.130 --> 00:38:01.090
  • - EXACTLY.
  • 00:38:01.090 --> 00:38:02.130
  • I DON'T WANT TO SEE THAT.
  • 00:38:02.130 --> 00:38:03.060
  • NO ONE WANTS TO SEE THAT AND IT
  • 00:38:03.060 --> 00:38:05.090
  • OVERLAPS WITH BASKETBALL.
  • 00:38:05.090 --> 00:38:06.230
  • - NOT THAT MUCH.
  • 00:38:06.230 --> 00:38:09.040
  • JOHN, I HAVE HEARD YOU GIVE SOME
  • 00:38:09.040 --> 00:38:10.190
  • VERY INSPIRATIONAL SPEECHES TO
  • 00:38:10.190 --> 00:38:11.230
  • YOUR PLAYERS ABOUT STEPPING UP
  • 00:38:11.230 --> 00:38:13.100
  • UNDER PRESSURE AND GOING THE
  • 00:38:13.100 --> 00:38:14.140
  • EXTRA MILE.
  • 00:38:14.140 --> 00:38:16.080
  • THAT IS EXACTLY WHAT I NEED FROM
  • 00:38:16.080 --> 00:38:17.010
  • OUR STAFF RIGHT NOW.
  • 00:38:17.110 --> 00:38:20.110
  • [APPLAUSE]
  • 00:38:20.270 --> 00:38:23.270
  • - Clifton: GO SEE THIS MOVIE.
  • 00:38:23.270 --> 00:38:26.110
  • YOU HAVE GOT TO GET TO YOUR
  • 00:38:26.110 --> 00:38:27.210
  • THEATER.
  • 00:38:27.210 --> 00:38:29.010
  • YOUR LOCAL THEATER WHERE IT IS
  • 00:38:29.010 --> 00:38:30.130
  • PLAYING AND GO SEE OVERCOMER.
  • 00:38:30.130 --> 00:38:33.130
  • YOU WILL NOT BE DISAPPOINTED.
  • 00:38:33.130 --> 00:38:36.020
  • TELL US PRISCILLA ABOUT YOUR
  • 00:38:36.020 --> 00:38:38.200
  • CHARACTER, OLIVIA BROOKS IN THE
  • 00:38:38.200 --> 00:38:39.290
  • FILM.
  • 00:38:39.290 --> 00:38:41.230
  • - OLIVIA BROOKS IS THE
  • 00:38:41.230 --> 00:38:43.130
  • PRINCIPAL WHERE HANNAH GOES TO
  • 00:38:43.130 --> 00:38:44.050
  • SCHOOL.
  • 00:38:44.050 --> 00:38:45.050
  • THIS YOUNG GIRL WE HAVE BEEN
  • 00:38:45.050 --> 00:38:46.010
  • TALKING ABOUT AND THE THING I
  • 00:38:46.010 --> 00:38:47.140
  • LIKED ABOUT THE CHARACTER THE
  • 00:38:47.140 --> 00:38:48.170
  • WAY SHE WAS WRITTEN, SHE IS ALL
  • 00:38:48.170 --> 00:38:50.030
  • POLISHED AND PROFESSIONAL.
  • 00:38:50.030 --> 00:38:51.070
  • SHE CARES VERY MUCH ABOUT THE
  • 00:38:51.070 --> 00:38:52.250
  • TECHNICALITIES OF HER JOB.
  • 00:38:52.250 --> 00:38:55.070
  • SHE WANTS IT TO BE DONE WELL.
  • 00:38:55.070 --> 00:38:57.200
  • BUT, SHE KEEPS ON TAKING OFF
  • 00:38:57.200 --> 00:38:59.000
  • THAT PROFESSIONAL VENEER AND
  • 00:38:59.000 --> 00:39:00.050
  • HAVING HEART TO HEART
  • 00:39:00.050 --> 00:39:01.160
  • CONVERSATIONS WITH THESE
  • 00:39:01.160 --> 00:39:03.050
  • STUDENTS, EVERY OPEN DOOR SHE
  • 00:39:03.050 --> 00:39:04.040
  • CAN GET TO SORT OF READ BETWEEN
  • 00:39:04.040 --> 00:39:06.050
  • THE LINES OF WHAT THEY ARE
  • 00:39:06.050 --> 00:39:06.290
  • SAYING AND JUST PEER INTO THEIR
  • 00:39:06.290 --> 00:39:08.080
  • HEART AND OFFER ENCOURAGEMENT OR
  • 00:39:08.080 --> 00:39:09.150
  • COMFORT SHE DOES THAT.
  • 00:39:09.150 --> 00:39:12.100
  • I LOVE THAT BECAUSE IT IS A
  • 00:39:12.100 --> 00:39:13.170
  • PICTURE TO ALL OF US AS ADULTS
  • 00:39:13.170 --> 00:39:15.140
  • THAT NO MATTER HOW PROFESSIONAL
  • 00:39:15.140 --> 00:39:17.030
  • THE SETTING WE MAY WORK IN,
  • 00:39:17.030 --> 00:39:18.150
  • THERE IS ALWAYS AN OPPORTUNITY
  • 00:39:18.150 --> 00:39:19.220
  • TO PRAY AND SAY LORD, AS I TALK
  • 00:39:19.220 --> 00:39:21.070
  • TO MY CO-WORKER, AS I DEAL WITH
  • 00:39:21.070 --> 00:39:23.040
  • MY BOSS OR MY CLIENT OR MY
  • 00:39:23.040 --> 00:39:25.000
  • STUDENT I'M TEACHING OR THE
  • 00:39:25.000 --> 00:39:27.100
  • PATIENT I'M SEEING AS A DOCTOR,
  • 00:39:27.100 --> 00:39:29.100
  • WOULD YOU HELP ME TO READ
  • 00:39:29.100 --> 00:39:30.290
  • BETWEEN THE LINES OF WHAT THEY
  • 00:39:30.290 --> 00:39:31.280
  • ARE SAYING?
  • 00:39:31.280 --> 00:39:32.290
  • BY YOUR SPIRIT WOULD YOU GIVE ME
  • 00:39:32.290 --> 00:39:33.270
  • EYES TO SEE IF THERE IS
  • 00:39:33.270 --> 00:39:35.080
  • OPPORTUNITY TO IN THIS FILM YOU
  • 00:39:35.080 --> 00:39:36.160
  • SEE MY CHARACTER LITERALLY LEAD
  • 00:39:36.160 --> 00:39:38.250
  • HANNAH IN THE SINNER'S PRAYER.
  • 00:39:38.250 --> 00:39:40.280
  • WE DON'T WATER IT DOWN.
  • 00:39:40.280 --> 00:39:43.160
  • IT IS WHAT IT IS.
  • 00:39:43.160 --> 00:39:44.260
  • JESUS IS STILL THE ONLY WAY.
  • 00:39:44.260 --> 00:39:46.250
  • THAT IS WHAT IT IS.
  • 00:39:46.250 --> 00:39:47.150
  • [APPLAUSE]
  • 00:39:47.150 --> 00:39:50.120
  • THERE IS AN OPPORTUNITY THERE.
  • 00:39:50.120 --> 00:39:51.040
  • [APPLAUSE]
  • 00:39:51.150 --> 00:39:54.150
  • THERE IS AN OPPORTUNITY THAT ALL
  • 00:39:54.150 --> 00:39:55.140
  • OF US HAVE EVEN IF WE ARE NOT IN
  • 00:39:55.140 --> 00:39:57.140
  • VOCATIONAL MINISTRY.
  • 00:39:57.140 --> 00:39:58.130
  • YOU CAN BE THE PRINCIPAL AT YOUR
  • 00:39:58.130 --> 00:39:59.240
  • HIGH SCHOOL AND JUST, IF THERE
  • 00:39:59.240 --> 00:40:01.050
  • IS AN OPPORTUNITY TO PEER INTO A
  • 00:40:01.050 --> 00:40:03.050
  • STUDENT'S LIFE AND OFFER THEM
  • 00:40:03.050 --> 00:40:04.220
  • SOME ENCOURAGEMENT, TAKE THAT
  • 00:40:04.220 --> 00:40:05.270
  • OPPORTUNITY.
  • 00:40:05.270 --> 00:40:08.180
  • - Clifton: PRAISE THE LORD.
  • 00:40:08.180 --> 00:40:09.250
  • TELL US ABOUT COACH JOHN, ALEX.
  • 00:40:11.180 --> 00:40:14.180
  • - COACH JOHN, LIKE MANY MEN, HE
  • 00:40:14.180 --> 00:40:15.230
  • HAS HIS TRAJECTORY SET.
  • 00:40:15.230 --> 00:40:17.090
  • HE IS AIMING FOR ANOTHER STATE
  • 00:40:17.090 --> 00:40:19.010
  • CHAMPIONSHIP.
  • 00:40:19.010 --> 00:40:21.050
  • HE PUTS HIS IDENTITY IN THAT.
  • 00:40:21.050 --> 00:40:21.280
  • WHEN THE FACTORY CLOSES DOWN
  • 00:40:21.280 --> 00:40:23.180
  • FAMILIES MOVE AWAY.
  • 00:40:23.180 --> 00:40:25.050
  • HE GOES, WHERE ARE MY PLAYERS?
  • 00:40:25.050 --> 00:40:26.290
  • AND ON TOP OF THAT, HE IS DAD
  • 00:40:26.290 --> 00:40:29.260
  • AND HE WANTS TO BE A GOOD DAD.
  • 00:40:29.260 --> 00:40:30.280
  • HIS SON IS A SENIOR AND HE WAS
  • 00:40:30.280 --> 00:40:33.010
  • HOPING COLLEGE SCOUTS WOULD COME
  • 00:40:33.010 --> 00:40:34.290
  • WATCH HIS SON PLACE BASKETBALL
  • 00:40:34.290 --> 00:40:36.060
  • IN HOPES OF A SCHOLARSHIP.
  • 00:40:36.090 --> 00:40:39.090
  • WHEN THERE IS NO BASKETBALL TEAM
  • 00:40:39.090 --> 00:40:40.070
  • NO SCOUTS WILL COME LOOK AT HIS
  • 00:40:40.070 --> 00:40:41.000
  • SON.
  • 00:40:41.000 --> 00:40:42.040
  • HE IS FRUSTRATED AS THE FACTORY
  • 00:40:42.040 --> 00:40:43.050
  • CLOSING DOWN.
  • 00:40:43.050 --> 00:40:44.110
  • HE FRUSTRATED AT LOSING HIS
  • 00:40:44.110 --> 00:40:45.050
  • PLAYERS, HE IS FRUSTRATED HE
  • 00:40:45.050 --> 00:40:46.020
  • CAN'T WIN.
  • 00:40:46.020 --> 00:40:46.250
  • HE CAN'T PROVIDE HIS SON A
  • 00:40:46.250 --> 00:40:47.260
  • SCHOLARSHIP AND NOW HAS TO COACH
  • 00:40:47.260 --> 00:40:49.090
  • A SPORT HE DOES NOT LIKE AND HE
  • 00:40:49.090 --> 00:40:50.240
  • HAS ONE RUNNER AND SHE HAS
  • 00:40:50.240 --> 00:40:52.040
  • ASTHMA.
  • 00:40:52.040 --> 00:40:52.270
  • (LAUGHTER).
  • 00:40:52.270 --> 00:40:54.260
  • IT CANNOT GET ANY WORSE THAN
  • 00:40:54.260 --> 00:40:55.160
  • THIS.
  • 00:40:55.160 --> 00:40:57.250
  • SO WE PUT JOHN IN A SITUATION HE
  • 00:40:57.250 --> 00:40:59.220
  • HAS TO BE FACED WITH WHO ARE YOU
  • 00:40:59.220 --> 00:41:02.080
  • WHEN YOU CAN'T FIND WHAT YOU
  • 00:41:02.080 --> 00:41:04.050
  • DEFINE AS SUCCESS?
  • 00:41:04.050 --> 00:41:06.040
  • PAUL TALKED ABOUT I CAN BE
  • 00:41:06.040 --> 00:41:09.040
  • CONTENT IN WHATEVER CIRCUMSTANCE
  • 00:41:09.040 --> 00:41:10.040
  • I'M IN.
  • 00:41:10.040 --> 00:41:12.130
  • THAT IS WISDOM TO KNOW HOW TO
  • 00:41:12.130 --> 00:41:13.220
  • LOOK AT LIFE THAT WAY AND TO SAY
  • 00:41:13.220 --> 00:41:14.290
  • GOD, BECAUSE OF WHO YOU ARE I
  • 00:41:14.290 --> 00:41:16.210
  • CAN FIND CONTENTMENT NOT BECAUSE
  • 00:41:16.210 --> 00:41:18.120
  • OF MY CIRCUMSTANCES BUT BECAUSE
  • 00:41:18.120 --> 00:41:19.240
  • OF WHO YOU ARE.
  • 00:41:19.240 --> 00:41:21.200
  • HE LEARNS TO DO THAT BY THE END
  • 00:41:21.200 --> 00:41:22.150
  • OF THE MOVIE.
  • 00:41:22.150 --> 00:41:23.100
  • IT IS THE WAY HE LEARNS TO DO
  • 00:41:23.100 --> 00:41:25.030
  • THAT I CAN'T WAIT FOR PEOPLE TO
  • 00:41:25.030 --> 00:41:25.260
  • SEE.
  • 00:41:25.260 --> 00:41:26.260
  • - Clifton: AWESOME.
  • 00:41:26.260 --> 00:41:28.280
  • THERE IS ALSO ANOTHER THEME IN
  • 00:41:28.280 --> 00:41:30.090
  • THE FILM, A MARRIAGE THEME.
  • 00:41:30.090 --> 00:41:32.220
  • - JOHN AND AMY ARE CHRISTIANS.
  • 00:41:32.220 --> 00:41:35.070
  • THEY SUPPORT EACH OTHER.
  • 00:41:35.070 --> 00:41:37.020
  • SHE TEACHES AT THE SCHOOL.
  • 00:41:37.020 --> 00:41:38.250
  • WHAT I LOVE, WHEN HE IS WEAK SHE
  • 00:41:38.250 --> 00:41:41.010
  • STEPS UP AND IS STRONG.
  • 00:41:41.010 --> 00:41:42.140
  • WHEN HE IS FALLING APART
  • 00:41:42.140 --> 00:41:44.150
  • WRESTLING WITH HIS IDENTITY, SHE
  • 00:41:44.150 --> 00:41:45.250
  • IS INTERCEDING ON HIS BEHALF.
  • 00:41:45.250 --> 00:41:48.040
  • EVEN WHEN THEIR MARRIAGE IS
  • 00:41:48.040 --> 00:41:50.170
  • STRUGGLING, WE TRY TO SHOW, WHAT
  • 00:41:50.170 --> 00:41:51.130
  • REAL COUPLES WILL FIGHT ABOUT.
  • 00:41:51.130 --> 00:41:53.060
  • REAL SITUATIONS.
  • 00:41:53.060 --> 00:41:55.230
  • YOU SEE HER, THERE IS A
  • 00:41:55.230 --> 00:41:57.110
  • BRILLIANT SCENE WHERE SHE STEPS
  • 00:41:57.110 --> 00:41:58.210
  • IN.
  • 00:41:58.210 --> 00:42:01.040
  • SHE CAN PLAY THE REBUKE CARD
  • 00:42:01.040 --> 00:42:03.000
  • WITH HIM.
  • 00:42:03.000 --> 00:42:04.120
  • HE IS NOT ACTING LIKE CHRIST IN
  • 00:42:04.120 --> 00:42:05.060
  • HIS LEADERSHIP ROLE IN THE
  • 00:42:05.060 --> 00:42:06.110
  • MARRIAGE.
  • 00:42:06.110 --> 00:42:08.010
  • SHE DECIDES TO SHOW GRACE AND
  • 00:42:08.010 --> 00:42:09.050
  • PLAY THE LOVE CARD.
  • 00:42:09.050 --> 00:42:11.090
  • THE GOODNESS AND THE CHRIST
  • 00:42:11.090 --> 00:42:12.020
  • LIKENESS SHE DEMONSTRATES IN THE
  • 00:42:12.020 --> 00:42:14.080
  • SCENE JUST BREAKS THROUGH THE
  • 00:42:14.080 --> 00:42:15.240
  • HARDNESS.
  • 00:42:15.240 --> 00:42:17.190
  • YOU SEE THE LORD STEP IN AND YOU
  • 00:42:17.190 --> 00:42:19.030
  • WATCH HOW THE KIDS ARE WATCHING
  • 00:42:19.030 --> 00:42:21.090
  • THEIR PARENTS WORK THROUGH
  • 00:42:21.090 --> 00:42:22.000
  • ISSUES.
  • 00:42:22.000 --> 00:42:24.090
  • THERE ARE A LOT OF PARENTS FIGHT
  • 00:42:24.090 --> 00:42:25.020
  • IN THEIR ROOM TOGETHER AND THE
  • 00:42:25.020 --> 00:42:27.250
  • KIDS DON'T LEARN HOW TO
  • 00:42:27.250 --> 00:42:28.230
  • RECONCILE OR FORGIVE BECAUSE
  • 00:42:28.230 --> 00:42:29.250
  • THEIR PARENTS ARE NOT MODELING
  • 00:42:29.250 --> 00:42:30.250
  • IT.
  • 00:42:30.250 --> 00:42:32.020
  • WE TRY TO SHOW IT IN THIS FILM.
  • 00:42:32.020 --> 00:42:33.180
  • - Clifton: THAT'S WONDERFUL.
  • 00:42:33.180 --> 00:42:34.220
  • IT IS IMPORTANT FOR US TO MENTOR
  • 00:42:34.220 --> 00:42:35.150
  • YOUNG PEOPLE.
  • 00:42:43.270 --> 00:42:46.270
  • MONEMENTOR YOUNG PEOPLE.
  • 00:42:55.000 --> 00:42:58.000
  • (LAUGHTER).
  • 00:42:58.000 --> 00:42:58.120
  • - MY OLDEST WE DROP OFF AT
  • 00:43:01.250 --> 00:43:04.250
  • COLLEGE.
  • 00:43:04.250 --> 00:43:05.050
  • THEY ARE READY AND RELOVE THEM
  • 00:43:05.050 --> 00:43:07.120
  • AND TRUST THEM MY WIFE
  • 00:43:07.120 --> 00:43:09.230
  • BOO-HOOKED ALL TBOO-HOOKED ALL .
  • 00:43:15.190 --> 00:43:18.190
  • - YOU ASKED THE QUESTION OF
  • 00:43:18.190 --> 00:43:21.130
  • MENTORSHIP.
  • 00:43:21.130 --> 00:43:21.250
  • IT IS SEEN THROUGHOUT THE FILM.
  • 00:43:21.250 --> 00:43:23.230
  • THERE IS A COACH STRUGGLING A
  • 00:43:23.230 --> 00:43:26.170
  • MAN IN A HOSPITAL BED MENTORING
  • 00:43:26.170 --> 00:43:29.090
  • THE COACH.
  • 00:43:29.090 --> 00:43:30.280
  • HE SHARED WITH HANNAH WHAT HE IS
  • 00:43:32.050 --> 00:43:35.050
  • LEARNING, HANNAH POURED INTO
  • 00:43:35.050 --> 00:43:37.010
  • WHAT GOD IS TEACHING HER.
  • 00:43:37.010 --> 00:43:39.000
  • WE ARE BELIEVERS IN THAT AS
  • 00:43:39.000 --> 00:43:42.000
  • FILMMAKERS.
  • 00:43:42.000 --> 00:43:42.120
  • WE BELIEVE IN INVESTING IN THE
  • 00:43:42.280 --> 00:43:45.280
  • NEXTGENRATION.
  • 00:43:45.280 --> 00:43:46.130
  • WE HAVE TWENTY INTERNS COMING ON
  • 00:43:49.220 --> 00:43:52.220
  • OUR SET.
  • 00:43:52.220 --> 00:43:53.090
  • AND HOW TO MAKE CHRIST LORD OVER
  • 00:43:53.090 --> 00:43:55.290
  • THEIR SET.
  • 00:43:55.290 --> 00:43:56.190
  • IT IS EXCITING TO SEE IT HEEN BD
  • 00:43:57.270 --> 00:44:00.290
  • THE SCENES AND ON THE SCREEN.
  • 00:44:00.290 --> 00:44:03.040
  • - HOW DOES THE FILM ADDRESS
  • 00:44:03.120 --> 00:44:06.120
  • DISCIPLESHIP.
  • 00:44:06.120 --> 00:44:07.000
  • - IT IS CRUCIAL IN REAL LIFE WE
  • 00:44:07.210 --> 00:44:10.210
  • HAVE TO DO THAT IN THE MOVIE.
  • 00:44:10.210 --> 00:44:13.150
  • THE FATHER IS DISCIPLING, HE IS
  • 00:44:13.150 --> 00:44:16.060
  • RUBBING OFF ON HIS SONS, I HAVE
  • 00:44:16.060 --> 00:44:18.180
  • TWO SONS IN THE MOVIE.
  • 00:44:18.180 --> 00:44:20.280
  • I'M INFLUENCING THEM BY HIS
  • 00:44:21.200 --> 00:44:24.200
  • DECISION.
  • 00:44:24.200 --> 00:44:25.010
  • THEY SEE THE STRUGGLE.
  • 00:44:25.180 --> 00:44:28.180
  • HE DEPENDS ON THE LORD.
  • 00:44:28.180 --> 00:44:30.060
  • WE SEE THE KIDS PERSPECTIVE AS
  • 00:44:30.060 --> 00:44:32.080
  • THEY CATCH THE PARENTS LEARNING
  • 00:44:32.080 --> 00:44:34.120
  • THEMSELVES.
  • 00:44:34.120 --> 00:44:35.240
  • NONE OF US HAVE PERFECT PARENTS.
  • 00:44:35.270 --> 00:44:38.270
  • WE CAN LEARN TO LOVE AND MODEL
  • 00:44:38.270 --> 00:44:41.150
  • GOODNESS TO OUR CHILDREN AND HOW
  • 00:44:41.150 --> 00:44:43.110
  • TO DEPEND ON THE LORD AND SEEK
  • 00:44:43.110 --> 00:44:44.290
  • THE LORD.
  • 00:44:44.290 --> 00:44:45.180
  • THAT IS DISPLAYED IN OVERCOMER.
  • 00:44:45.200 --> 00:44:48.200
  • WHEN IT COMES TO DISCIPLESHIP
  • 00:44:48.200 --> 00:44:50.170
  • WHEN WE MAKE THE MOVIE WITH
  • 00:44:50.170 --> 00:44:53.120
  • PHYSICAL ASSISTANCE ON SET AND
  • 00:44:53.120 --> 00:44:55.060
  • IN THE PLOT OF THE MOVIE YOU SEE
  • 00:44:55.060 --> 00:44:57.140
  • THAT.
  • 00:44:57.140 --> 00:44:57.250
  • WE HAVE ANOTHER CLIP WE WOULD
  • 00:44:57.250 --> 00:44:59.160
  • LIKE YOU TO SEE.
  • 00:44:59.160 --> 00:45:00.210
  • CHECK IT OUT.
  • 00:45:13.270 --> 00:45:16.270
  • - CHEERING.
  • 00:45:16.270 --> 00:45:17.170
  • - THEY HAVE TWO BOYS PLAYING IN
  • 00:45:18.030 --> 00:45:21.030
  • COLLEGE.
  • 00:45:23.010 --> 00:45:26.010
  • - HEY,.
  • 00:45:26.010 --> 00:45:26.130
  • - WHAT DO YOU THINK OF YOUR BIG
  • 00:45:26.130 --> 00:45:29.060
  • BROTHER?
  • 00:45:29.060 --> 00:45:29.160
  • - HE IS A GOOD BIG BROTHER.
  • 00:45:29.160 --> 00:45:32.020
  • - HOW IT TRY OUT?
  • 00:45:32.020 --> 00:45:34.010
  • - I GATHERED EVERYONE TOGETHER
  • 00:45:34.010 --> 00:45:36.060
  • AND SAID THANKS FOR COMING OUT.
  • 00:45:36.110 --> 00:45:39.110
  • - NO.
  • 00:45:39.110 --> 00:45:40.090
  • ONE PERSON.
  • 00:45:40.090 --> 00:45:42.240
  • - HANNAH SCOTT, SOPHOMORE.
  • 00:45:43.030 --> 00:45:46.030
  • SHE HAS ASTHMA.
  • 00:45:46.090 --> 00:45:49.090
  • - I HAVE HER IN SCIENCE.
  • 00:45:58.250 --> 00:46:01.270
  • [APPLAUSE]
  • 00:46:01.270 --> 00:46:03.040
  • - GO SEE OVERCOMER.
  • 00:46:03.040 --> 00:46:04.220
  • YOU'VE GOT TO SEE THIS MOVIE.
  • 00:46:05.110 --> 00:46:08.110
  • PRISCILLA, WHY IS MENTORSHIP SO
  • 00:46:08.110 --> 00:46:10.000
  • IMPORTANT TO YOU?
  • 00:46:10.000 --> 00:46:11.120
  • - IT IS IMPORTANT TO ME BECAUSE
  • 00:46:11.120 --> 00:46:12.290
  • WHEN I LOOK BACK IN ANDIMP DIFFT
  • 00:46:13.270 --> 00:46:16.270
  • PHASES OF MY LIFE HAD IT NOT
  • 00:46:16.270 --> 00:46:18.240
  • BEEN FOR A WOMAN WHO STEPPED
  • 00:46:18.240 --> 00:46:21.190
  • INTO MY LIFE OLDER AND WISER
  • 00:46:21.190 --> 00:46:23.050
  • THAT STEPPED IN, I DID NOT SEE
  • 00:46:23.050 --> 00:46:25.240
  • IT AS A HINGE THEN, IT WAS A
  • 00:46:25.290 --> 00:46:28.290
  • WOMAN WHO HOPED HER LIFE OR
  • 00:46:28.290 --> 00:46:31.100
  • SPOKE WHIC WISDOM TO ME.
  • 00:46:31.100 --> 00:46:33.170
  • WHEN I LOOK BACK ON IT NOWRK HAD
  • 00:46:35.070 --> 00:46:38.070
  • IT NOT BEEN FROM THE TENDERNESS
  • 00:46:38.070 --> 00:46:40.100
  • FROM AN OLDER WOMAN TO A YOUNGER
  • 00:46:40.100 --> 00:46:42.150
  • WOMAN I WOULD NOT BE WHERE I AM
  • 00:46:42.150 --> 00:46:44.140
  • TODAY.
  • 00:46:44.140 --> 00:46:44.230
  • I SEE IT AS CRITICAL.
  • 00:46:44.230 --> 00:46:47.020
  • IT WAS INFLUENTIAL IN MY
  • 00:46:48.080 --> 00:46:51.080
  • TRAJECTORY.
  • 00:46:51.080 --> 00:46:51.200
  • THE LORD USED THESE WOMEN TO
  • 00:46:51.200 --> 00:46:54.010
  • STEER ME IN THAT DIRECTION.
  • 00:46:54.010 --> 00:46:56.030
  • IT MATTERS WHEN SOMEONE WALKS
  • 00:46:56.030 --> 00:46:58.190
  • THE ROAD A LITTLE LONGER TAKES
  • 00:46:58.190 --> 00:47:01.100
  • TIME TO INVEST IN SOMEBODY ELSE.
  • 00:47:01.100 --> 00:47:03.200
  • - IT IS SIGNIFICANT BECAUSE IT
  • 00:47:03.200 --> 00:47:06.100
  • IMPACTED YOU.
  • 00:47:06.100 --> 00:47:07.280
  • - ABSOLUTELY.
  • 00:47:07.280 --> 00:47:10.090
  • [APPLAUSE]
  • 00:47:10.090 --> 00:47:10.200
  • - HOW WOULD YOU GENTLEMEN
  • 00:47:10.200 --> 00:47:12.270
  • ENCOURAGE SOMEONE TO MENTOR?
  • 00:47:12.270 --> 00:47:15.080
  • - I THINK FIRST YOU NEED TO GET
  • 00:47:15.080 --> 00:47:16.240
  • IN THE WORD.
  • 00:47:16.240 --> 00:47:18.000
  • JESUS SAID IN JOHN EIGHT.
  • 00:47:18.000 --> 00:47:19.250
  • IF YOU CONTINUE IN MY WORD YOU
  • 00:47:19.250 --> 00:47:22.050
  • WILL BE MY DISCIPLES INDEED.
  • 00:47:22.050 --> 00:47:24.230
  • THE CALL TO THE GREAT COMMISSION
  • 00:47:24.230 --> 00:47:26.040
  • IS A CALL TO MENTORSHIP.
  • 00:47:26.270 --> 00:47:29.270
  • THE GOSPEL AND HIS WORD AND TO
  • 00:47:29.270 --> 00:47:32.070
  • LEAD PEOPLE TO THE LIVING WATER
  • 00:47:32.070 --> 00:47:33.170
  • WHICH IS CHRIST.
  • 00:47:33.170 --> 00:47:34.140
  • AS YOU ARE WALKING WITH THE LORD
  • 00:47:34.140 --> 00:47:36.170
  • YOURSELF, TO BE ABLE TO TURN
  • 00:47:36.170 --> 00:47:37.280
  • BACK AND SEE THE PEOPLE GOD
  • 00:47:37.280 --> 00:47:39.140
  • PLACED IN YOUR LIFE AND SAY
  • 00:47:39.140 --> 00:47:41.130
  • FOLLOW ME AS I FOLLOW CHRIST
  • 00:47:41.130 --> 00:47:43.000
  • BEINGS LET ME SHOW YOU MESS
  • 00:47:43.000 --> 00:47:44.210
  • TAKMISTAKE IMADE AND THING I HAT
  • 00:47:46.190 --> 00:47:49.190
  • AND HOW I APPLIED IT TO MY LIFE.
  • 00:47:49.190 --> 00:47:52.110
  • IT IS HUGE WE FOLLOW THAT
  • 00:47:53.060 --> 00:47:56.060
  • EXAMPLE.
  • 00:47:56.060 --> 00:47:56.180
  • OUR JOY NEEDS TO SHIFT FROM OUR
  • 00:47:56.180 --> 00:47:59.030
  • SUCCESS TO SEEING OTHER PEOPLE
  • 00:47:59.030 --> 00:48:01.180
  • SUCCEED TO GROW IN THEIR WALK
  • 00:48:01.180 --> 00:48:02.290
  • WITH THE LORD.
  • 00:48:02.290 --> 00:48:04.020
  • TO CELEBRATE HOW THEY ARE
  • 00:48:04.020 --> 00:48:05.190
  • BEENIBEENBECOMING MORE LIKE CHRT
  • 00:48:08.010 --> 00:48:11.010
  • EVERYDAY.
  • 00:48:11.010 --> 00:48:11.120
  • PEOPLE WALKING WITH JESUS
  • 00:48:11.120 --> 00:48:12.170
  • LEADING THEIR FAMILIES AND OTHER
  • 00:48:12.170 --> 00:48:13.260
  • PEOPLE TO CHRIST AS WELL.
  • 00:48:13.260 --> 00:48:15.140
  • - THAT IS WONDERFUL.
  • 00:48:15.140 --> 00:48:17.190
  • IN THE BOOK OF EPHESIANS THERE
  • 00:48:17.190 --> 00:48:19.180
  • ARE MANY LESSONS THAT TIE INTO
  • 00:48:19.180 --> 00:48:22.060
  • THIS FILM.
  • 00:48:22.060 --> 00:48:23.050
  • SHARE ONE OR TWO WITH US.
  • 00:48:23.050 --> 00:48:25.050
  • - WE WOULD SAY THIS ABOUT
  • 00:48:25.050 --> 00:48:26.200
  • EPHESIANS IT IS MADE UP OF # SIX
  • 00:48:30.110 --> 00:48:33.110
  • CHAPTERS.
  • 00:48:33.110 --> 00:48:33.220
  • IT TELLS YOU WHAT TO BELIEVE.
  • 00:48:33.220 --> 00:48:35.140
  • THE NEXT THREE CHAPTERS TELL YOU
  • 00:48:35.140 --> 00:48:37.020
  • HOW TO LIVE IT OUT.
  • 00:48:37.020 --> 00:48:38.260
  • IT TALKS ABOUT SPIRITUAL ARMOR.
  • 00:48:38.260 --> 00:48:41.030
  • IT TALKS ABOUT MARITAL
  • 00:48:41.030 --> 00:48:42.210
  • RELATIONSHIP HOW YOU TREAT ONE
  • 00:48:42.210 --> 00:48:44.030
  • ANOTHER.
  • 00:48:44.030 --> 00:48:44.130
  • THE FIRST THING BASICALLY PAUL
  • 00:48:44.130 --> 00:48:46.120
  • IS REMINDING THE CHURCH WHO YOU
  • 00:48:46.120 --> 00:48:47.230
  • ARE IN CHRIST.
  • 00:48:47.230 --> 00:48:48.280
  • IF YOU DON'T HAVE A GRASP OF WHO
  • 00:48:48.280 --> 00:48:50.240
  • YOU ARE, IT IS GOING TO IMPACT
  • 00:48:50.240 --> 00:48:53.020
  • YOUR BEHAVIOR.
  • 00:48:53.020 --> 00:48:55.050
  • WHAT YOU THINK OF GOD AND
  • 00:48:55.050 --> 00:48:57.030
  • YOURSELF WILL LEAD TO YOUR SENSE
  • 00:48:57.030 --> 00:48:58.120
  • OF IDENTITY AND WHATEVER YOU
  • 00:48:58.120 --> 00:48:59.230
  • BELIEVE ABOUT YOUR SENSE OF
  • 00:48:59.230 --> 00:49:01.030
  • IDENTITY WILL IMPACT YOUR
  • 00:49:01.030 --> 00:49:03.070
  • BEHAVIOR.
  • 00:49:03.070 --> 00:49:03.180
  • WHAT DO I BELIEVE I AM IN
  • 00:49:03.180 --> 00:49:05.090
  • CHRIST?
  • 00:49:05.090 --> 00:49:05.210
  • IN THE FIRST TWO, THREE CHAPTERS
  • 00:49:05.210 --> 00:49:08.020
  • HE TALKS ABOUT BECAUSE IN CHRIST
  • 00:49:08.020 --> 00:49:11.000
  • YOU ARE LOVED, ADOPTED, CHOSEN,
  • 00:49:12.000 --> 00:49:15.000
  • REDEEMED, JUSTIFIED, SAVED,
  • 00:49:15.000 --> 00:49:16.050
  • BECAUSE YOU ARE ALL THOSE THING
  • 00:49:16.050 --> 00:49:17.270
  • YOU CAN BUILD ON THAT TO DO WHAT
  • 00:49:17.270 --> 00:49:20.000
  • GOD CALLED YOU TO DO IN
  • 00:49:20.000 --> 00:49:22.070
  • EPHESIANS FOUR, FIVE, SIX.
  • 00:49:22.070 --> 00:49:24.100
  • EPHESIANS IS A WONDERFUL BOOK TO
  • 00:49:24.100 --> 00:49:26.040
  • DIVE INTO AND WRITE DOWN
  • 00:49:26.040 --> 00:49:27.260
  • EVERYTHING IT SAYS YOU ARE IN
  • 00:49:27.260 --> 00:49:29.110
  • CHRIST.
  • 00:49:29.110 --> 00:49:29.210
  • WHEN YOU DO THAT AND EMBRACE
  • 00:49:29.210 --> 00:49:31.110
  • WHAT GOD SAYS, ONE MORE THING
  • 00:49:31.110 --> 00:49:33.160
  • ABOUT IDENTITY.
  • 00:49:33.160 --> 00:49:34.100
  • THIS IS HOW THE ENEMY, IF THE
  • 00:49:34.100 --> 00:49:36.060
  • ENEMY GETS YOU TO BELIEVE YOU
  • 00:49:36.060 --> 00:49:37.150
  • ARE SOMEBODY YOU ARE NOT, YOU
  • 00:49:37.150 --> 00:49:40.090
  • WON'T LIVE OUT YOUR TRUE
  • 00:49:40.130 --> 00:49:43.130
  • IDENTITY.
  • 00:49:43.130 --> 00:49:43.280
  • WHAT DID SATAN DO TO JESUS WHEN
  • 00:49:43.280 --> 00:49:45.290
  • HE SAID THIS IS MY BELOVED SON
  • 00:49:46.080 --> 00:49:49.080
  • IN WHOM I'M WELL-PLEASED?
  • 00:49:49.080 --> 00:49:51.080
  • HOW DID SATAN TEMPT JESUS?
  • 00:49:51.080 --> 00:49:54.070
  • IF YOU ARE THE SON OF GOD YOU
  • 00:49:54.070 --> 00:49:56.080
  • WILL DO THIS OR THAT.
  • 00:49:56.080 --> 00:49:57.160
  • ARE YOU REALLY?
  • 00:49:57.160 --> 00:49:59.040
  • JESUS KNEW WHO HE WAS.
  • 00:49:59.040 --> 00:50:00.210
  • HE SAID I'M NOT FALLING FOR
  • 00:50:00.210 --> 00:50:02.130
  • THAT.
  • 00:50:02.130 --> 00:50:02.250
  • I'M FIGHTING BACK WITH THE WORD
  • 00:50:02.250 --> 00:50:03.280
  • OF GOD AND I'M 'EM BRAZ EMBRACID
  • 00:50:05.200 --> 00:50:08.200
  • SAID I AM.
  • 00:50:08.200 --> 00:50:09.110
  • WHAT DO YOU THINK HE DOES TO YOU
  • 00:50:09.110 --> 00:50:12.010
  • AND ME?
  • 00:50:12.010 --> 00:50:12.250
  • HE GOES AFTER OUR IDENTITY.
  • 00:50:12.250 --> 00:50:15.100
  • SO, DO NOT LET THE DEVIL TELL
  • 00:50:16.050 --> 00:50:19.050
  • YOU WHEN YOU ARE IN CHRIST THAT
  • 00:50:19.050 --> 00:50:21.040
  • YOU ARE UNLOVED, THAT YOU ARE
  • 00:50:21.040 --> 00:50:24.010
  • NOT JUSTIFIED AND REDEEMED AND
  • 00:50:24.030 --> 00:50:27.030
  • CHOSEN BY GOD.
  • 00:50:27.030 --> 00:50:28.200
  • YOU KNOW JESUS CHRIST AS LORD
  • 00:50:28.200 --> 00:50:30.030
  • AND SAVIOR, YOU ARE IN, YOU ARE
  • 00:50:30.030 --> 00:50:32.120
  • CHOSEN.
  • 00:50:32.120 --> 00:50:32.220
  • YOU HAVE TO EMBRACE AND WALK IN
  • 00:50:32.220 --> 00:50:34.200
  • THAT AND DO NOT LET
  • 00:50:34.200 --> 00:50:36.170
  • CIRCUMSTANCES OR YOUR FEELINGS
  • 00:50:36.170 --> 00:50:38.230
  • SHIFT BACK AND FORTH, CONTROL
  • 00:50:38.230 --> 00:50:39.290
  • WHO YOU THINK YOU ARE.
  • 00:50:39.290 --> 00:50:41.040
  • IF YOU ARE IN CHRIST YOU ARE
  • 00:50:41.070 --> 00:50:44.070
  • LOVED.
  • 00:50:44.070 --> 00:50:44.160
  • THAT IS OVER.
  • 00:50:45.040 --> 00:50:48.040
  • - Priscilla: I WANT TO SAY
  • 00:50:48.040 --> 00:50:50.080
  • THIS.
  • 00:50:50.080 --> 00:50:51.030
  • PRACTICALLY, I WANT TO TELL YOU
  • 00:50:51.030 --> 00:50:52.230
  • PRACTICALLY WHAT THAT LOOKS LIKE
  • 00:50:52.230 --> 00:50:54.050
  • FOR ME.
  • 00:50:54.050 --> 00:50:54.290
  • WHAT THAT MEANS IS WHEN I'M
  • 00:50:54.290 --> 00:50:56.230
  • ABOUT TO MAKE A DECISION, I
  • 00:50:56.230 --> 00:50:59.230
  • PAUSE LONG ENOUGH TO SAY, IS
  • 00:50:59.230 --> 00:51:02.010
  • THIS DECISION ROOTED IN
  • 00:51:02.010 --> 00:51:03.150
  • INSECURITY AND FEAR?
  • 00:51:03.150 --> 00:51:04.240
  • AM I ABOUT TO POST THAT INSERT
  • 00:51:05.160 --> 00:51:08.160
  • MYSELF IN THAT?
  • 00:51:08.160 --> 00:51:09.190
  • AM I ABOUT TO CHOOSE THAT OR
  • 00:51:09.190 --> 00:51:11.220
  • ACCEPT THAT INVITATION BECAUSE
  • 00:51:11.220 --> 00:51:13.240
  • I'M ANXIOUS ABOUT SOMETHING?
  • 00:51:13.240 --> 00:51:15.120
  • BECAUSE I FEEL INADEQUATE?
  • 00:51:15.120 --> 00:51:17.080
  • BECAUSE I WANT THEIR APPROVAL?
  • 00:51:17.080 --> 00:51:19.020
  • IF I FIND WHEN I LOOK IN THE
  • 00:51:19.020 --> 00:51:20.290
  • MIRROR AT MYSELF, I SAY GOD,
  • 00:51:20.290 --> 00:51:23.170
  • GIVE ME BY YOUR SPIRIT THE
  • 00:51:23.170 --> 00:51:25.200
  • RESTRAINT NOT TO LET MYSELF KEEP
  • 00:51:25.290 --> 00:51:28.290
  • ACTING OUT OF THOSE LIES, I
  • 00:51:28.290 --> 00:51:31.140
  • REMIND MYSELF IF I'M CHOSEN AND
  • 00:51:31.140 --> 00:51:34.020
  • ACCEPTED AND SIGNIFICANT IN
  • 00:51:34.020 --> 00:51:35.130
  • CHRIST WHAT DECISION WILL I MAKE
  • 00:51:35.130 --> 00:51:37.060
  • OUT OF THAT PLACE OF TRUTH
  • 00:51:37.060 --> 00:51:39.060
  • INSTEAD OF MAKING IT OUT OF A
  • 00:51:39.130 --> 00:51:42.130
  • LIE IT MEANS YOU START BEHAVING
  • 00:51:42.130 --> 00:51:45.060
  • IN AWAY ALIGNING WITH THE TRUTH.
  • 00:51:46.030 --> 00:51:49.030
  • LET THE FEELINGS CATCH UP WHAT
  • 00:51:49.030 --> 00:51:51.220
  • GOD TOLD.
  • 00:51:51.220 --> 00:51:52.110
  • YOU WILL LIVE YOUR LIFE IN
  • 00:51:52.110 --> 00:51:53.290
  • ALIGNMENT WITH THE TRUTH AS
  • 00:51:53.290 --> 00:51:55.290
  • PRACTICALLY AS YOU WALK BY THE
  • 00:51:55.290 --> 00:51:57.160
  • SPIRIT OF GOD SK IT MEA GOD, ITY
  • 00:51:59.030 --> 00:52:02.050
  • THE SPIRIT AND NOT BY THE FLESH.
  • 00:52:07.060 --> 00:52:10.060
  • [APPLAUSE]
  • 00:52:10.060 --> 00:52:10.180
  • - Clifton: I WANT YOU TO SEE
  • 00:52:13.070 --> 00:52:16.070
  • ONE MORE TRAILER.
  • 00:52:16.070 --> 00:52:18.240
  • - LORD CALLED US TO BATTLE.
  • 00:52:19.040 --> 00:52:22.040
  • YOU NEED TO DO YOUR PART.
  • 00:52:23.160 --> 00:52:26.160
  • - I WANT TO BE A GOOD ENOUGH
  • 00:52:28.060 --> 00:52:31.060
  • FATHER.
  • 00:52:31.060 --> 00:52:31.160
  • MUSIC
  • 00:52:43.090 --> 00:52:46.090
  • - WHEN YOU FIND YOUR IDENTITY
  • 00:52:46.090 --> 00:52:49.020
  • IN THE ONE WHO CREATED YOU, IT
  • 00:52:54.080 --> 00:52:57.080
  • WILL CHANGE YOUR WHOLE
  • 00:52:57.080 --> 00:52:59.210
  • PERSPECTIVE.
  • 00:53:08.070 --> 00:53:11.070
  • MUSIC
  • 00:53:33.020 --> 00:53:36.020
  • YOUR IDENTITY WILL BE TIED TO
  • 00:53:36.020 --> 00:53:38.120
  • WHATEVER YOU GIVE YOUR HEART TO.
  • 00:53:39.220 --> 00:53:42.220
  • [APPLAUSE]
  • 00:53:42.220 --> 00:53:43.040
  • - IN THEATERS RIGHT NOW.
  • 00:53:43.040 --> 00:53:45.060
  • OVERCOMER.
  • 00:53:45.060 --> 00:53:45.180
  • GO SEE IT.
  • 00:53:49.130 --> 00:53:52.130
  • [APPLAUSE]
  • 00:53:52.130 --> 00:53:52.240
  • WHY DO YOU FEEL THIS WILL
  • 00:53:52.240 --> 00:53:54.160
  • GENERATE WITH AUDIENCES OF ALL
  • 00:53:54.160 --> 00:53:56.200
  • AGES?
  • 00:53:56.200 --> 00:53:57.150
  • - IDENTITY IS UNIVERSAL ISSUE.
  • 00:53:57.150 --> 00:53:59.160
  • WE ARE BORN NOT KNOWING WHO WE
  • 00:53:59.160 --> 00:54:01.250
  • ARE.
  • 00:54:01.250 --> 00:54:02.030
  • WE LET OUR PARENTS, TEACHERS,
  • 00:54:02.070 --> 00:54:05.070
  • FRIENDS, FAILURES, WHAT HAPPENED
  • 00:54:05.070 --> 00:54:07.010
  • TO US DETERMINE WHO WE ARE
  • 00:54:07.010 --> 00:54:08.110
  • WHETHER THAT IS THE TRUTH OR A
  • 00:54:08.110 --> 00:54:10.100
  • LIE.
  • 00:54:10.100 --> 00:54:10.190
  • IT IS INTERESTING PAUL PRAYED IN
  • 00:54:10.190 --> 00:54:13.010
  • EPHESIANS TO EPIC PRAYERS.
  • 00:54:14.110 --> 00:54:17.110
  • TO BELIEVERS WHO DID NOT KNOW
  • 00:54:17.110 --> 00:54:19.030
  • THEIR IDENTITY IN CHRIST.
  • 00:54:19.030 --> 00:54:20.150
  • HE PRAYS GOD THROUGH HIS SPIRIT
  • 00:54:20.150 --> 00:54:23.060
  • WILL REVEAL TO THEIR HEART WHO
  • 00:54:23.060 --> 00:54:24.210
  • THEY ARE IN HIM.
  • 00:54:24.210 --> 00:54:26.250
  • TO THE HEIGHT OF HIS LOVE FOR
  • 00:54:26.250 --> 00:54:29.170
  • THEM.
  • 00:54:29.170 --> 00:54:29.260
  • THE REST OF THE BOOK IN LIGHT OF
  • 00:54:29.260 --> 00:54:32.030
  • THIS YOU HAVE BEEN FORGIVEN SO
  • 00:54:32.030 --> 00:54:34.090
  • YOU CAN FORGIVE.
  • 00:54:34.090 --> 00:54:35.170
  • YOU CAN WALK IN LOVE.
  • 00:54:35.170 --> 00:54:37.130
  • BECAUSE OF WHO ARE YOU YOU CAN
  • 00:54:37.130 --> 00:54:39.040
  • BE STRONG.
  • 00:54:39.040 --> 00:54:41.030
  • WHEN YOU ARE TEMPTED REMEMBER
  • 00:54:43.100 --> 00:54:46.100
  • WHO YOU ARE.
  • 00:54:46.100 --> 00:54:47.080
  • BE STRONG IN THE LORD AND THE
  • 00:54:47.080 --> 00:54:48.280
  • POWER OF HIS MIGHT AT THE TIME.
  • 00:54:48.280 --> 00:54:50.220
  • - PRAISE THE LORD.
  • 00:54:50.220 --> 00:54:51.150
  • PRAISE THE LORD.
  • 00:54:56.050 --> 00:54:59.050
  • [APPLAUSE]
  • 00:54:59.050 --> 00:54:59.220
  • - Clifton: FINAL THOUGHTS,
  • 00:54:59.220 --> 00:55:00.210
  • FIRST OF ALL, THANK YOU FOR
  • 00:55:00.210 --> 00:55:02.130
  • SHARING THIS WONDERFUL FILM.
  • 00:55:02.130 --> 00:55:03.290
  • THANK YOU FOR BEING A PART OF
  • 00:55:04.120 --> 00:55:07.120
  • THIS PRISCILLA AND THIS
  • 00:55:07.120 --> 00:55:08.250
  • WONDERFUL DISCUSSION ABOUT THE
  • 00:55:08.250 --> 00:55:10.160
  • ISSUES THAT THIS FILM TOUCHES
  • 00:55:10.160 --> 00:55:13.100
  • ON.
  • 00:55:13.100 --> 00:55:13.180
  • WHAT WOULD YOU SAY TO THOSE WHO
  • 00:55:13.180 --> 00:55:15.240
  • ARE GOING TO SEE THE FILM?
  • 00:55:15.240 --> 00:55:18.050
  • WHAT WOULD YOU LIKE THEM TO COME
  • 00:55:18.050 --> 00:55:20.040
  • AWAY WITH?
  • 00:55:20.040 --> 00:55:21.230
  • - WOW!, SO FIRST THEY WILL BE
  • 00:55:21.230 --> 00:55:24.050
  • ENTERTAINED.
  • 00:55:24.050 --> 00:55:24.170
  • THEY WILL SEE A FILM WE BELIEVE
  • 00:55:24.170 --> 00:55:26.080
  • WILL INSPIRE AND CHALLENGE THEM.
  • 00:55:26.080 --> 00:55:28.230
  • LIKELY THEY WILL TEAR UP AND
  • 00:55:28.230 --> 00:55:31.120
  • THEY WILL LAUGH.
  • 00:55:31.130 --> 00:55:34.130
  • THEY WILL BE ON THEIR FEET.
  • 00:55:35.020 --> 00:55:38.020
  • WE ARE RAMPING IT UP AT THE END
  • 00:55:38.140 --> 00:55:41.140
  • TO A THRILLING ENDING.
  • 00:55:41.140 --> 00:55:43.080
  • WE WANT TO GIVE QUESTIONS TO ASK
  • 00:55:43.080 --> 00:55:45.170
  • WHEN THEY LEAVE.
  • 00:55:45.170 --> 00:55:46.120
  • WHAT HAVE I ALLOWED TO DEFINE ME
  • 00:55:46.120 --> 00:55:48.260
  • IN HOPES IF THEY DON'T KNOW
  • 00:55:48.260 --> 00:55:50.230
  • CHRIST THEY WILL REALIZE I NEEDS
  • 00:55:50.230 --> 00:55:53.020
  • A RELATIONSHIP WITH THE ONE WHO
  • 00:55:53.020 --> 00:55:55.040
  • CREATED ME.
  • 00:55:55.040 --> 00:55:56.040
  • KNOWS ME, LOVES ME HAS THE
  • 00:55:56.040 --> 00:55:58.130
  • AUTHORITY TO TELL ME WHO I AM.
  • 00:55:58.130 --> 00:56:00.030
  • IF THEY KNOW CHRIST, THE ELEMENT
  • 00:56:00.220 --> 00:56:03.220
  • ELEMENTS OF THEIR IDENTITY ARE
  • 00:56:03.220 --> 00:56:04.290
  • IN THE RIGHT ORDER NOT MOM FIRST
  • 00:56:04.290 --> 00:56:07.120
  • OR CARETAKER FIRST OR EMPLOYEE
  • 00:56:07.120 --> 00:56:10.020
  • FIRST, IT IS CHILD'S OF GOD
  • 00:56:10.020 --> 00:56:13.020
  • FIRST.
  • 00:56:13.020 --> 00:56:13.120
  • THAT IS THE ANCHOR.
  • 00:56:13.120 --> 00:56:15.070
  • EVERYTHING ELSE IS BUILT IN THE
  • 00:56:15.070 --> 00:56:17.000
  • RIGHT ORDER ON TOP OF THAT.
  • 00:56:17.000 --> 00:56:19.160
  • IF THINGS CHANGE YOUR FOUNDATION
  • 00:56:19.160 --> 00:56:22.040
  • IS SET.
  • 00:56:22.040 --> 00:56:22.230
  • IF WE DO THAT WE HAVE DONE OUR
  • 00:56:22.230 --> 00:56:25.080
  • JOB.
  • 00:56:25.080 --> 00:56:25.160
  • - WE HAVE A MINUTE LEFT.
  • 00:56:25.160 --> 00:56:26.290
  • WOULD YOU PRAY FOR US AND WITH
  • 00:56:27.050 --> 00:56:30.050
  • US?
  • 00:56:30.050 --> 00:56:30.180
  • - FATHER, IN JESUS' NAME, LORD,
  • 00:56:30.180 --> 00:56:32.040
  • WE LOVE YOU AND WE LIFT UP THE
  • 00:56:32.040 --> 00:56:34.060
  • NAME OF JESUS ABOVE EVERY NAME.
  • 00:56:34.060 --> 00:56:36.250
  • WE ASK, FATHER, YOU USE THIS
  • 00:56:36.250 --> 00:56:38.230
  • FILM AND USE WHAT WE SHARED,
  • 00:56:39.020 --> 00:56:42.020
  • LORD, TO PENETRATE IN THE HEARTS
  • 00:56:42.020 --> 00:56:43.240
  • OF PEOPLE THAT DON'T KNOW YOU
  • 00:56:43.240 --> 00:56:46.080
  • BELIEVE THE SIMPLE MESSAGE GOD
  • 00:56:47.060 --> 00:56:50.060
  • SO LOVED YOU HE SENT JESUS.
  • 00:56:50.060 --> 00:56:52.040
  • IF THEY TURN TO CHRIST THEY CAN
  • 00:56:52.040 --> 00:56:53.230
  • BE FORGIVEN AND BECOME A CHILD
  • 00:56:53.230 --> 00:56:55.020
  • OF GOD.
  • 00:56:55.020 --> 00:56:56.110
  • WE USE THIS FILM AND SHARED
  • 00:56:56.110 --> 00:56:58.080
  • TODAY TO BRING GLORY TO YOUR
  • 00:56:58.080 --> 00:57:00.020
  • NAME WE PRAY THIS IN JESUS
  • 00:57:00.020 --> 00:57:01.280
  • MIGHTY NAME, AMEN.
  • 00:57:02.020 --> 00:57:05.020
  • - AMEN.
  • 00:57:05.020 --> 00:57:05.140
  • GIVE IT UP FOR STEPHEN AND ALEX
  • 00:57:08.030 --> 00:57:11.030
  • KENDRICK, PRISCILLA SHIRER.
  • 00:57:11.050 --> 00:57:14.050
  • [APPLAUSE]
  • 00:57:14.050 --> 00:57:14.170
  • WHAT A WONDERFUL BROADCAST.
  • 00:57:14.170 --> 00:57:16.080
  • THANK YOU FOR JOINING US.
  • 00:57:16.080 --> 00:57:17.270
  • THANK YOU, I HOPE YOU GOT THE
  • 00:57:17.270 --> 00:57:20.070
  • BLESSING GOD PLANNED FOR YOU.
  • 00:57:20.140 --> 00:57:23.140
  • GOD LOVES YOU AND SO DO WE.
  • 00:57:23.140 --> 00:57:26.060
  • THIS IS TBN, AND THIS IS PRAISE.
  • 00:57:26.060 --> 00:57:28.080
  • GOD BLESS YOU.
  • 00:57:30.090 --> 00:57:33.090