Praise | Erwin McManus at Mosaic Conference | August 5, 2019 | TBN

Praise | Erwin McManus at Mosaic Conference | August 5, 2019

Watch Praise | Erwin McManus at Mosaic Conference | August 5, 2019
August 5, 2019
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Erwin McManus at Mosaic Conference in Los Angeles

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Praise | Erwin McManus at Mosaic Conference | August 5, 2019

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  • - ERWIN MCMANUS: IF THERE'S ONE
  • 00:00:00.000 --> 00:00:02.010
  • THING WE NEED RIGHT NOW
  • 00:00:02.010 --> 00:00:03.250
  • MORE THAN PERHAPS WE'VE
  • 00:00:03.250 --> 00:00:04.210
  • EVER NEEDED IT BEFORE
  • 00:00:04.210 --> 00:00:05.080
  • WAS A FUTURE FILLED WITH
  • 00:00:06.120 --> 00:00:09.120
  • HOPE AND PROMISE,
  • 00:00:09.120 --> 00:00:11.000
  • AND SO YOU WERE
  • 00:00:11.000 --> 00:00:13.040
  • IMAGINED TO IMAGINE
  • 00:00:13.040 --> 00:00:14.280
  • AND CREATED TO CREATE.
  • 00:00:14.280 --> 00:00:17.050
  • JUST SAY IT: "I BREATHE,
  • 00:00:19.130 --> 00:00:22.130
  • - MALE ANNOUNCER: TONIGHT ON
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  • "PRAISE," FROM LOS ANGELES AND
  • 00:00:33.250 --> 00:00:36.250
  • THE MOSAIC CONFERENCE, LEAD
  • 00:00:36.250 --> 00:00:38.180
  • PASTOR ERWIN MCMANUS, AND
  • 00:00:38.180 --> 00:00:40.040
  • [MUSIC]
  • 00:01:12.230 --> 00:01:15.230
  • - AARON MCMANUS: HEY, GUYS,
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  • MY NAME IS AARON MCMANUS, AND
  • 00:01:20.260 --> 00:01:21.240
  • I'M HERE AT THE MOSAIC
  • 00:01:21.240 --> 00:01:23.080
  • CONFERENCE AT THE ACE HOTEL,
  • 00:01:23.080 --> 00:01:24.220
  • OPENING DAY,
  • 00:01:24.220 --> 00:01:25.170
  • AND WE'RE HAVING A CONVERSATION
  • 00:01:25.170 --> 00:01:26.160
  • WITH MY DAD, ERWIN MCMANUS,
  • 00:01:26.160 --> 00:01:29.120
  • AND, I MEAN, YOU CLAIM ME
  • 00:01:29.120 --> 00:01:30.240
  • - ERWIN: I ALWAYS CLAIM YOU AS
  • 00:01:33.020 --> 00:01:33.240
  • MY SON.
  • 00:01:33.240 --> 00:01:34.160
  • - AARON: I WANTED TO JUST HAVE
  • 00:01:37.090 --> 00:01:38.040
  • A CONVERSATION ABOUT WHERE THE
  • 00:01:38.040 --> 00:01:39.010
  • CONFERENCE CAME FROM AND THE
  • 00:01:39.010 --> 00:01:39.240
  • HISTORY OF THE CHURCH AND JUST
  • 00:01:39.240 --> 00:01:40.170
  • KIND OF GET THE GROUND FLOOR
  • 00:01:40.170 --> 00:01:42.290
  • FOUNDATION OF MOSAIC AND
  • 00:01:44.110 --> 00:01:47.110
  • EUROPE AND WHERE YOU COME
  • 00:01:47.110 --> 00:01:48.010
  • FROM, AND HOW WE'RE GONNA DO
  • 00:01:48.010 --> 00:01:48.210
  • THIS THING THIS WEEKEND.
  • 00:01:48.210 --> 00:01:50.070
  • - ERWIN: SO OUR HISTORY REALLY
  • 00:01:50.070 --> 00:01:50.290
  • IS WE'VE BEEN AROUND FOR 20
  • 00:01:50.290 --> 00:01:52.130
  • YEARS-PLUS.
  • 00:01:52.130 --> 00:01:53.100
  • WE DON'T REALLY HAVE A SPECIFIC
  • 00:01:53.100 --> 00:01:54.020
  • DATE WE STARTED BECAUSE IT
  • 00:01:54.020 --> 00:01:55.240
  • HAPPENED VERY NATURALLY, VERY
  • 00:01:55.240 --> 00:01:56.150
  • ORGANICALLY.
  • 00:01:56.150 --> 00:01:58.110
  • YOUR MOM AND I WERE PART OF A
  • 00:01:58.110 --> 00:01:59.020
  • CHURCH.
  • 00:01:59.020 --> 00:01:59.280
  • AND WE KNEW THAT THE WAY THE
  • 00:02:02.270 --> 00:02:05.050
  • CHURCH WAS BEING DONE JUST WOULD
  • 00:02:05.050 --> 00:02:05.270
  • NOT REACH LOS ANGELES,
  • 00:02:05.270 --> 00:02:06.210
  • AND IT BECAME A
  • 00:02:06.210 --> 00:02:07.250
  • REAL CHALLENGE FOR ME,
  • 00:02:07.250 --> 00:02:08.220
  • PARTICULARLY, BECAUSE I HAD SO
  • 00:02:08.220 --> 00:02:10.280
  • MANY FRIENDS WHO HAD SERIOUS
  • 00:02:10.280 --> 00:02:13.010
  • QUESTIONS ABOUT GOD, WHO'D NEVER
  • 00:02:13.010 --> 00:02:14.190
  • CONSIDERED JESUS AS A LEGITIMATE
  • 00:02:14.190 --> 00:02:16.160
  • ANSWER TO THE QUESTIONS OF THEIR
  • 00:02:16.160 --> 00:02:18.080
  • LIFE,
  • 00:02:18.080 --> 00:02:19.060
  • AND I KNEW A LOT OF IT WAS
  • 00:02:19.060 --> 00:02:20.210
  • BECAUSE OF THE WAY THE CHURCH
  • 00:02:20.210 --> 00:02:21.280
  • WAS BEING EXPRESSED,
  • 00:02:22.000 --> 00:02:25.000
  • THE WAY THE MESSAGE OF JESUS
  • 00:02:25.000 --> 00:02:25.200
  • WAS BEING COMMUNICATED,
  • 00:02:25.200 --> 00:02:26.140
  • AND SO WE OPENED UP
  • 00:02:26.140 --> 00:02:27.100
  • AN EXPERIENCE,
  • 00:02:27.100 --> 00:02:29.110
  • FIRST IN EAST L.A.,
  • 00:02:29.110 --> 00:02:30.210
  • AND THEN WE MOVED TO THE
  • 00:02:30.210 --> 00:02:31.210
  • NIGHTCLUB THAT PRINCE OWNED,
  • 00:02:31.210 --> 00:02:33.020
  • RIGHT JUST A FEW BLOCKS FROM
  • 00:02:33.020 --> 00:02:34.050
  • HERE AT THE OLD GLAM SLAM,
  • 00:02:34.050 --> 00:02:36.090
  • AND IT WAS THERE, REALLY, THAT
  • 00:02:36.090 --> 00:02:37.050
  • MOSAIC WAS BORN,
  • 00:02:37.050 --> 00:02:37.270
  • AND MOSAIC WAS JUST
  • 00:02:37.270 --> 00:02:40.040
  • A COMMITMENT TO LOS ANGELES,
  • 00:02:40.040 --> 00:02:41.190
  • AND NOT JUST TO L.A.,
  • 00:02:41.190 --> 00:02:43.100
  • BUT TO EVERY CITY IN THE WORLD
  • 00:02:43.100 --> 00:02:45.050
  • WHERE THERE ARE ARTISTS AND
  • 00:02:45.050 --> 00:02:47.150
  • ENTREPRENEURS AND PIONEERS AND
  • 00:02:47.150 --> 00:02:48.060
  • HIGHLY INTUITIVE THINKERS WHO
  • 00:02:48.060 --> 00:02:50.140
  • ARE SEARCHING FOR GOD BUT JUST
  • 00:02:50.140 --> 00:02:52.230
  • CAN'T SEE HIM IN THE WAY THE
  • 00:02:52.230 --> 00:02:55.060
  • TRADITIONAL CHURCH IS EXPRESSED.
  • 00:02:55.060 --> 00:02:56.040
  • SO MOSAIC WAS OUR PASSION FOR
  • 00:02:56.040 --> 00:02:57.070
  • OUR FRIENDS WHO DIDN'T KNOW
  • 00:02:57.070 --> 00:02:58.090
  • JESUS, TO HELP THEM COME TO KNOW
  • 00:02:58.090 --> 00:02:59.140
  • HIM, AND WE TOOK THE NAME
  • 00:02:59.140 --> 00:03:01.070
  • "MOSAIC" BECAUSE IT'S AN ART
  • 00:03:01.070 --> 00:03:02.040
  • FORM OF BROKEN PIECES THAT
  • 00:03:02.040 --> 00:03:04.090
  • CREATE SOMETHING BEAUTIFUL,
  • 00:03:04.090 --> 00:03:05.160
  • ESPECIALLY WHEN LIGHT STRIKES
  • 00:03:05.160 --> 00:03:06.080
  • THROUGH IT.
  • 00:03:06.080 --> 00:03:07.030
  • WE WANTED TO SAY, "THIS IS WHAT
  • 00:03:07.030 --> 00:03:08.110
  • GOD'S GONNA DO.
  • 00:03:08.110 --> 00:03:09.070
  • HE'S GONNA TAKE ALL OF US WHO
  • 00:03:09.070 --> 00:03:10.060
  • ARE BROKEN AND MESSED UP AND IN
  • 00:03:10.060 --> 00:03:11.160
  • IRREGULAR PIECES AND BRING US
  • 00:03:11.160 --> 00:03:13.080
  • TOGETHER TO CREATE SOMETHING
  • 00:03:13.080 --> 00:03:15.100
  • BEAUTIFUL, ESPECIALLY WHEN HIS
  • 00:03:15.100 --> 00:03:16.150
  • LIGHT STRIKES THROUGH US," SO
  • 00:03:16.150 --> 00:03:17.220
  • THAT'S HOW THE CHURCH STARTED.
  • 00:03:17.220 --> 00:03:20.030
  • WHEN I DIDN'T CALL IT
  • 00:03:20.030 --> 00:03:20.200
  • "MOSAIC CHURCH,"
  • 00:03:20.200 --> 00:03:21.130
  • I JUST CALLED IT "MOSAIC,"
  • 00:03:21.130 --> 00:03:23.000
  • I HAD SO MUCH BACKLASH OF PEOPLE
  • 00:03:23.000 --> 00:03:23.220
  • SO UPSET: "ARE YOU EMBARRASSED
  • 00:03:23.220 --> 00:03:24.130
  • ABOUT BEING THE CHURCH?
  • 00:03:24.130 --> 00:03:25.160
  • ARE YOU ASHAMED OF BEING THE
  • 00:03:25.160 --> 00:03:26.080
  • CHURCH?"
  • 00:03:26.080 --> 00:03:27.250
  • I SAID, "LOOK, I DON'T WEAR A
  • 00:03:27.250 --> 00:03:28.210
  • SHIRT THAT SAYS, 'HI, I'M ERWIN
  • 00:03:28.210 --> 00:03:30.050
  • THE HUMAN,' AND I JUST ASSUME
  • 00:03:30.050 --> 00:03:32.130
  • THAT YOU'LL KNOW THAT I'M A
  • 00:03:32.130 --> 00:03:33.190
  • HUMAN WHEN YOU MEET ME."
  • 00:03:33.190 --> 00:03:34.070
  • THE REASON I THINK WE
  • 00:03:34.070 --> 00:03:35.170
  • STARTED ADDING "CHURCH"
  • 00:03:35.170 --> 00:03:36.210
  • TO THE NAMES OF OUR CHURCHES
  • 00:03:36.210 --> 00:03:38.090
  • WAS BECAUSE PEOPLE DIDN'T
  • 00:03:38.090 --> 00:03:39.200
  • KNOW WE WERE CHURCHES BECAUSE
  • 00:03:39.200 --> 00:03:41.110
  • WE LOST THE ESSENCE OF BEING
  • 00:03:41.110 --> 00:03:42.080
  • THE CHURCH.
  • 00:03:42.080 --> 00:03:42.240
  • IF WE ARE ACTUALLY THE CHURCH,
  • 00:03:42.240 --> 00:03:44.040
  • THE WORLD WILL FIGURE THAT OUT.
  • 00:03:44.040 --> 00:03:45.290
  • THEY'LL KNOW IT REALLY, REALLY
  • 00:03:45.290 --> 00:03:46.250
  • QUICKLY.
  • 00:03:46.250 --> 00:03:47.120
  • I WANTED PEOPLE TO LOOK AT
  • 00:03:47.120 --> 00:03:48.290
  • MOSAIC AND GO, "WOW, I DIDN'T
  • 00:03:48.290 --> 00:03:50.100
  • KNOW WHAT TO EXPECT, AND IT'S
  • 00:03:50.100 --> 00:03:52.290
  • THE MOST BEAUTIFUL EXPRESSION OF
  • 00:03:52.290 --> 00:03:54.190
  • THE CHURCH I'VE EVER SEEN."
  • 00:03:54.190 --> 00:03:57.160
  • BUT, YOU SEE,
  • 00:03:57.160 --> 00:03:58.120
  • I DIDN'T ADD "CHURCH"
  • 00:03:58.120 --> 00:03:59.180
  • BECAUSE I WANTED IT TO BE A
  • 00:03:59.180 --> 00:04:00.100
  • PLACE FOR PEOPLE WHO WERE NOT
  • 00:04:00.100 --> 00:04:01.040
  • LOOKING FOR A CHURCH BUT WERE
  • 00:04:01.040 --> 00:04:02.020
  • LOOKING FOR GOD, AND PEOPLE
  • 00:04:02.020 --> 00:04:03.160
  • WOULD COME FROM ALL OVER THE
  • 00:04:03.160 --> 00:04:04.100
  • WORLD, WEEK AFTER WEEK, AND TRY
  • 00:04:04.100 --> 00:04:05.220
  • TO LEARN FROM MOSAIC AND TRY TO
  • 00:04:05.220 --> 00:04:06.200
  • FIGURE OUT WHAT WAS HAPPENING
  • 00:04:06.200 --> 00:04:07.200
  • HERE AND TRY TO TAKE THE THINGS
  • 00:04:07.200 --> 00:04:08.290
  • THAT WE'VE EXPERIENCED AND WE'VE
  • 00:04:08.290 --> 00:04:10.200
  • LEARNED AND TAKE IT BACK TO
  • 00:04:10.200 --> 00:04:11.230
  • WHEREVER THEY ARE IN THE WORLD,
  • 00:04:11.230 --> 00:04:13.140
  • BUT WE WERE NOT REALLY GIVING
  • 00:04:13.140 --> 00:04:14.180
  • PEOPLE AN OPPORTUNITY TO ACCESS
  • 00:04:14.180 --> 00:04:15.170
  • THAT, AND YOU AND MARIAH SAID,
  • 00:04:15.170 --> 00:04:18.080
  • "LOOK, DAD, WE WANT TO DO
  • 00:04:18.080 --> 00:04:20.020
  • SOMETHING THAT CONNECTS US TO
  • 00:04:20.020 --> 00:04:21.240
  • THE BROADER CHURCH AROUND THE
  • 00:04:21.240 --> 00:04:22.150
  • WORLD, AND WE WANNA INVITE
  • 00:04:22.150 --> 00:04:23.220
  • PEOPLE TO COME HERE TO
  • 00:04:23.220 --> 00:04:24.160
  • EXPERIENCE WHAT WE'RE
  • 00:04:25.140 --> 00:04:28.140
  • EXPERIENCING," AND SO, YOU KNOW,
  • 00:04:28.140 --> 00:04:29.250
  • I WAS LIKE, "ALL RIGHT, LET'S
  • 00:04:29.250 --> 00:04:30.270
  • JUST DO THIS THING."
  • 00:04:30.270 --> 00:04:33.050
  • THERE'S SO MANY CONFERENCES
  • 00:04:33.050 --> 00:04:33.250
  • OUT THERE.
  • 00:04:33.250 --> 00:04:34.060
  • I DIDN'T WANNA DO THE SAME
  • 00:04:34.060 --> 00:04:34.250
  • THING,
  • 00:04:34.250 --> 00:04:35.130
  • AND I THINK THAT ONE OF
  • 00:04:35.130 --> 00:04:36.230
  • THE CHALLENGES, OF COURSE, IS
  • 00:04:36.230 --> 00:04:38.060
  • THAT, IF YOU'RE LOOKING FOR EASY
  • 00:04:38.060 --> 00:04:39.140
  • ANSWERS OF HOW TO DO CHURCH,
  • 00:04:39.140 --> 00:04:40.290
  • THIS IS THE WRONG CONFERENCE,
  • 00:04:40.290 --> 00:04:42.290
  • AND IF YOU WANNA DEAL WITH,
  • 00:04:42.290 --> 00:04:45.030
  • LIKE, THE BIG QUESTIONS OF WHY
  • 00:04:45.030 --> 00:04:46.270
  • WE DO CHURCH AND WHAT DOES THE
  • 00:04:46.270 --> 00:04:49.270
  • FUTURE OF THE CHURCH LOOK LIKE
  • 00:04:49.270 --> 00:04:50.220
  • AND, YOU KNOW, HOW DO WE ENGAGE
  • 00:04:50.220 --> 00:04:51.140
  • THE EMERGING CULTURES IN THE
  • 00:04:51.140 --> 00:04:53.100
  • WORLD AND, YOU KNOW, HOW DO WE
  • 00:04:53.100 --> 00:04:54.260
  • CREATE THE FUTURE THAT WE CAN
  • 00:04:54.260 --> 00:04:57.210
  • ONLY RIGHT NOW IMAGINE, THEN
  • 00:04:57.290 --> 00:05:01.010
  • THIS IS THE RIGHT KIND OF
  • 00:05:01.010 --> 00:05:01.230
  • I THINK A HUGE PART OF THE
  • 00:05:03.280 --> 00:05:04.170
  • UNIQUENESS OF MOSAIC WAS, WHEN
  • 00:05:04.170 --> 00:05:05.150
  • WE STARTED MOSAIC, WE SAID, "WE
  • 00:05:05.150 --> 00:05:06.140
  • WANNA BE THE RESEARCH AND
  • 00:05:06.140 --> 00:05:08.140
  • DEVELOPMENT ARM OF THE KINGDOM
  • 00:05:08.140 --> 00:05:09.070
  • OF GOD.
  • 00:05:09.070 --> 00:05:10.050
  • WE WANNA BE THE R & D DEPARTMENT
  • 00:05:10.050 --> 00:05:11.110
  • WE WANNA BE THE PLACE THAT TAKES
  • 00:05:13.230 --> 00:05:14.150
  • THE BIG RISKS, THAT TAKES THE
  • 00:05:14.150 --> 00:05:15.060
  • HIGH RISKS THAT PROCESS INTO THE
  • 00:05:15.060 --> 00:05:15.280
  • FUTURE BECAUSE SOMEWHERE THE
  • 00:05:15.280 --> 00:05:17.210
  • CHURCH HAS TO BEGIN TO CREATE,
  • 00:05:17.210 --> 00:05:18.180
  • TO INVENT, TO RISK, TO EXPLORE,
  • 00:05:18.180 --> 00:05:21.000
  • AND WE WANNA TAKE THAT LEARNING
  • 00:05:21.000 --> 00:05:23.240
  • AND SHARE IT WITH THE WORLD."
  • 00:05:23.240 --> 00:05:26.090
  • WHEN I SEE THE PEOPLE COMING
  • 00:05:26.090 --> 00:05:28.240
  • FROM, LIKE, MALAYSIA AND COMING
  • 00:05:28.240 --> 00:05:31.140
  • FROM ECUADOR AND COMING FROM
  • 00:05:31.140 --> 00:05:32.210
  • BRAZIL AND COMING FROM EUROPE
  • 00:05:32.210 --> 00:05:34.060
  • AND COMING FROM AFRICA, AND
  • 00:05:34.060 --> 00:05:36.190
  • THEY'RE JUST COMING FROM ALL
  • 00:05:36.190 --> 00:05:38.070
  • OVER THE WORLD, AND I KNOW THESE
  • 00:05:38.070 --> 00:05:39.170
  • ARE THE PIONEERS.
  • 00:05:39.200 --> 00:05:42.200
  • THEY'RE THE ENTREPRENEURS.
  • 00:05:42.200 --> 00:05:43.090
  • THEY'RE THE INNOVATORS.
  • 00:05:43.090 --> 00:05:44.100
  • THEY'RE THE ONES WHO WILL HAVE
  • 00:05:44.100 --> 00:05:45.170
  • THIS INCREDIBLE ABILITY TO THINK
  • 00:05:45.170 --> 00:05:46.210
  • OUTSIDE OF THE BOX, AND WHEN YOU
  • 00:05:46.210 --> 00:05:47.280
  • GET OVER A THOUSAND INNOVATORS
  • 00:05:47.290 --> 00:05:50.290
  • AND PIONEERS AND CREATORS IN A
  • 00:05:50.290 --> 00:05:53.110
  • ROOM, BEAUTIFUL THINGS START TO
  • 00:05:53.110 --> 00:05:55.060
  • HAPPEN, SO IT'S REALLY NOT JUST
  • 00:05:55.060 --> 00:05:57.030
  • WHAT HAPPENS ON THE PLATFORM.
  • 00:05:57.030 --> 00:05:58.160
  • IT'S WHAT HAPPENS IN THE ROOM,
  • 00:05:58.160 --> 00:06:00.050
  • WHAT HAPPENS ON THE STREETS,
  • 00:06:00.050 --> 00:06:01.030
  • WHAT HAPPENS IN THE RESTAURANTS
  • 00:06:01.030 --> 00:06:02.170
  • THAT, FOR ME, IS SO EXCITING.
  • 00:06:02.170 --> 00:06:03.100
  • I JUST LOVE MEETING THE PEOPLE
  • 00:06:03.100 --> 00:06:04.270
  • WHO COME.
  • 00:06:04.270 --> 00:06:07.070
  • I AM ALWAYS INSPIRED BY THEM.
  • 00:06:07.070 --> 00:06:08.160
  • THERE ARE SOME THINGS SO
  • 00:06:08.160 --> 00:06:09.230
  • IMPORTANT TO GOD,
  • 00:06:09.230 --> 00:06:11.140
  • HE GAVE IT TO JOEL, AND SO
  • 00:06:11.140 --> 00:06:12.230
  • IMPORTANT TO GOD HE GAVE IT
  • 00:06:12.230 --> 00:06:14.010
  • TO PETER, AND SO IMPORTANT TO
  • 00:06:14.010 --> 00:06:15.050
  • GOD THAT HE GAVE IT TO LUKE, AND
  • 00:06:15.050 --> 00:06:16.160
  • SO IMPORTANT TO GOD THAT HE
  • 00:06:16.160 --> 00:06:18.040
  • PASSED IT ON TO US THAT, WHEN
  • 00:06:18.040 --> 00:06:19.040
  • THE SPIRIT OF GOD IS POURED OUT
  • 00:06:19.040 --> 00:06:21.290
  • ON HIS PEOPLE, THAT WE WOULD
  • 00:06:21.290 --> 00:06:23.110
  • BECOME DREAMERS AND VISIONARIES,
  • 00:06:23.110 --> 00:06:25.030
  • THAT "YOUNG MEN WOULD HAVE
  • 00:06:25.030 --> 00:06:27.030
  • VISIONS, OLD MEN WOULD DREAM
  • 00:06:27.030 --> 00:06:28.150
  • DREAMS," AND I THINK WHAT'S
  • 00:06:28.150 --> 00:06:30.070
  • HAPPENED IS THE CHURCH HAS
  • 00:06:30.070 --> 00:06:31.140
  • BECOME A MOVEMENT LED BY
  • 00:06:31.140 --> 00:06:32.130
  • MANAGERS AND ADMINISTRATORS.
  • 00:06:32.130 --> 00:06:34.070
  • IT'S ALMOST BEEN LED BY PEOPLE
  • 00:06:34.070 --> 00:06:36.120
  • WHO ARE IN CHARGE OF RISK
  • 00:06:36.120 --> 00:06:37.100
  • ASSESSMENT.
  • 00:06:37.100 --> 00:06:39.150
  • SOMETIMES IT BASKS WHERE
  • 00:06:39.150 --> 00:06:40.030
  • PASTORS AND TEACHERS-- AND,
  • 00:06:40.030 --> 00:06:42.250
  • REALLY, THE MOVEMENT OF JESUS IS
  • 00:06:42.250 --> 00:06:44.120
  • SUPPOSED TO BE A MOVEMENT OF
  • 00:06:44.120 --> 00:06:45.020
  • VISIONARIES AND DREAMERS, AND
  • 00:06:45.020 --> 00:06:45.260
  • WE'RE TRYING TO REKINDLE THAT,
  • 00:06:45.260 --> 00:06:47.010
  • THAT THE CHURCH WOULD BECOME THE
  • 00:06:47.010 --> 00:06:48.170
  • EPICENTER OF HUMAN CREATIVITY,
  • 00:06:48.170 --> 00:06:49.280
  • IMAGINATION, BUT I HOPE THAT THE
  • 00:06:50.120 --> 00:06:53.120
  • TBN AUDIENCE WOULD USE THIS AS
  • 00:06:53.120 --> 00:06:54.110
  • AN OPPORTUNITY TO INVITE THEIR
  • 00:06:54.110 --> 00:06:55.280
  • FRIENDS WHO WOULD NEVER WATCH
  • 00:06:55.280 --> 00:06:56.190
  • TBN, WHO WOULDN'T EVEN CONSIDER
  • 00:06:56.190 --> 00:06:58.210
  • GOING ONTO ANY KIND OF CHRISTIAN
  • 00:06:58.210 --> 00:07:00.220
  • OR FAITH KIND OF NETWORK AND
  • 00:07:00.220 --> 00:07:03.110
  • SAY, "HEY, MAYBE YOU SHOULD GIVE
  • 00:07:03.110 --> 00:07:04.210
  • THIS A SHOT.
  • 00:07:04.210 --> 00:07:07.010
  • MAYBE THIS WOULD REALLY CONNECT
  • 00:07:07.010 --> 00:07:07.230
  • WITH YOU."
  • 00:07:07.230 --> 00:07:08.040
  • WHEN I FIRST DID TBN JUST
  • 00:07:08.040 --> 00:07:08.230
  • FOR A FEW MOMENTS, I ENDED UP
  • 00:07:08.230 --> 00:07:09.260
  • GETTING A LETTER FROM A PHD AT
  • 00:07:09.260 --> 00:07:11.040
  • A UNIVERSITY, SAYING, "I'M AN
  • 00:07:11.040 --> 00:07:12.210
  • ATHEIST.
  • 00:07:12.210 --> 00:07:13.120
  • I HAPPENED TO BE STUMBLING ON
  • 00:07:13.120 --> 00:07:14.250
  • THE CHANNEL.
  • 00:07:14.250 --> 00:07:15.200
  • I LISTENED TO YOU, AND IT WAS
  • 00:07:15.200 --> 00:07:17.040
  • THE FIRST TIME I EVER CONSIDERED
  • 00:07:17.040 --> 00:07:18.210
  • THE POSSIBILITY OF GOD."
  • 00:07:18.210 --> 00:07:20.170
  • THAT'S WHAT I'M HOPING.
  • 00:07:20.170 --> 00:07:21.050
  • I'M HOPING THAT PEOPLE WILL BE
  • 00:07:21.050 --> 00:07:22.060
  • WATCHING THIS.
  • 00:07:22.060 --> 00:07:22.240
  • SOME OF THEM WILL STUMBLE ON,
  • 00:07:22.240 --> 00:07:24.130
  • BUT I HOPE A LOT MORE THEN WILL
  • 00:07:24.130 --> 00:07:25.190
  • BE INVITED IN BY THEIR FRIENDS
  • 00:07:25.190 --> 00:07:27.120
  • AND SAY, "I THINK THIS MIGHT BE
  • 00:07:27.120 --> 00:07:29.060
  • WHAT YOU'RE SEARCHING FOR."
  • 00:07:29.060 --> 00:07:29.260
  • AND JUST REMEMBER,
  • 00:07:29.260 --> 00:07:30.170
  • THE PROMISE THAT WE DO
  • 00:07:30.170 --> 00:07:31.220
  • HAVE IS THAT GOD ALWAYS TELLS
  • 00:07:31.220 --> 00:07:33.020
  • US THAT WE HAVE A FUTURE AND
  • 00:07:33.020 --> 00:07:34.090
  • A HOPE, AND SO THE FUTURE OF
  • 00:07:34.090 --> 00:07:35.290
  • THE FUTURE IS HOPE, AND THAT,
  • 00:07:35.290 --> 00:07:37.110
  • FOR ME, IS REALLY, REALLY
  • 00:07:37.110 --> 00:07:39.040
  • - FEMALE: COME ON.
  • 00:07:57.050 --> 00:08:00.070
  • AGAINST ALL HOPE,
  • 00:08:00.070 --> 00:08:01.040
  • I WILL BELIEVE
  • 00:08:02.190 --> 00:08:05.190
  • THROUGH RAGING WARS,
  • 00:08:05.190 --> 00:08:08.100
  • YOU FIGHT FOR PEACE
  • 00:08:08.100 --> 00:08:10.030
  • - BROOK FIGUEROA: SING,
  • 00:08:10.030 --> 00:08:11.040
  • YOU HAVE ALWAYS MADE A WAY
  • 00:08:16.030 --> 00:08:19.030
  • A PATH OF BEAUTY, YOU CREATE,
  • 00:08:22.150 --> 00:08:25.150
  • AND I KNOW YOUR LOVE IS STROG
  • 00:08:25.150 --> 00:08:27.190
  • ENOUGH TO MEET ME WHERE I AM
  • 00:08:30.110 --> 00:08:33.110
  • HALLELUJAH,
  • 00:08:33.110 --> 00:08:36.050
  • YOU WILL NEVER LET ME DOWN
  • 00:08:36.200 --> 00:08:39.200
  • HALLELUJAH,
  • 00:08:39.200 --> 00:08:42.170
  • YOU WILL NEVER LET ME DOWN
  • 00:08:43.050 --> 00:08:46.050
  • YOUR HOPE RUNS THROUGH MY
  • 00:08:46.050 --> 00:08:47.280
  • VEINS
  • 00:08:47.280 --> 00:08:49.180
  • YOUR LOVE, IT PAVES A WAY
  • 00:08:49.180 --> 00:08:52.070
  • HALLELUJAH,
  • 00:08:53.040 --> 00:08:56.040
  • OH, HALLELUJAH
  • 00:09:02.110 --> 00:09:05.110
  • HALLELUJAH
  • 00:09:10.140 --> 00:09:13.140
  • WHAT LIES AHEAD,
  • 00:09:13.140 --> 00:09:14.220
  • I CANNOT SEE,
  • 00:09:15.100 --> 00:09:18.100
  • BUT I KNOW YOUR VOICE WILL
  • 00:09:18.100 --> 00:09:20.060
  • CARRY ME
  • 00:09:24.080 --> 00:09:27.080
  • NOTHING CAN PULL ME FROM
  • 00:09:27.080 --> 00:09:28.140
  • YOUR HANDS
  • 00:09:31.050 --> 00:09:34.050
  • NO POWER AGAINST YOUR HOPE
  • 00:09:34.050 --> 00:09:34.280
  • WILL STAND
  • 00:09:34.280 --> 00:09:37.270
  • AND I KNOW YOUR LOVE IS STROG
  • 00:09:39.140 --> 00:09:42.140
  • ENOUGH
  • 00:09:42.140 --> 00:09:43.010
  • TO MEET ME WHERE I AM
  • 00:09:44.180 --> 00:09:47.180
  • HALLELUJAH, YOU WILL NEVER LT
  • 00:09:47.180 --> 00:09:49.280
  • ME DOWN
  • 00:09:51.080 --> 00:09:54.080
  • HALLELUJAH,
  • 00:09:54.080 --> 00:09:56.140
  • YOU WILL NEVER LET
  • 00:09:56.140 --> 00:09:59.010
  • ME DOWN
  • 00:09:59.010 --> 00:10:00.180
  • YOUR HOPE RUNS THROUGH MY
  • 00:10:00.180 --> 00:10:01.280
  • VEINS
  • 00:10:01.280 --> 00:10:04.000
  • YOUR LOVE, IT PAVES A WAY
  • 00:10:05.000 --> 00:10:08.000
  • HALLELUJAH,
  • 00:10:08.000 --> 00:10:10.280
  • TAKE HOLD, WE WANNA LIVE IN
  • 00:10:20.090 --> 00:10:21.050
  • YOUR LOVE
  • 00:10:22.010 --> 00:10:25.010
  • - BROOKE: "LET YOUR HOPE--"
  • 00:10:25.010 --> 00:10:26.110
  • [MUSIC]
  • 00:10:26.110 --> 00:10:27.070
  • LET YOUR HOPE BE THE STRENGTH
  • 00:10:27.070 --> 00:10:29.120
  • IN US
  • 00:10:30.130 --> 00:10:33.130
  • WE'LL TAKE HOLD,
  • 00:10:33.130 --> 00:10:35.060
  • WE WANT TO LIVE IN YOUR LOVE
  • 00:10:39.020 --> 00:10:42.020
  • HALLELUJAH
  • 00:10:42.020 --> 00:10:44.100
  • - BROOKE: COME ON, SING IT
  • 00:10:44.100 --> 00:10:45.050
  • OUT.
  • 00:10:45.050 --> 00:10:46.080
  • [MUSIC]
  • 00:10:46.080 --> 00:10:46.250
  • YOU WILL NEVER LET ME DOWN
  • 00:10:46.250 --> 00:10:47.210
  • OH, HALLELUJAH,
  • 00:10:47.290 --> 00:10:50.290
  • YOU WILL NEVER LET ME DOWN
  • 00:10:51.130 --> 00:10:54.130
  • YOUR HOPE RUNS THROUGH MY
  • 00:10:54.130 --> 00:10:56.060
  • VEINS
  • 00:10:56.060 --> 00:10:57.260
  • YOUR LOVE, IT PAVES A WAY
  • 00:10:57.290 --> 00:11:01.010
  • HALLELUJAH,
  • 00:11:01.020 --> 00:11:04.020
  • HALLELUJAH
  • 00:11:04.270 --> 00:11:07.270
  • HALLELUJAH,
  • 00:11:08.160 --> 00:11:11.160
  • YOU WILL NEVER LET
  • 00:11:11.160 --> 00:11:12.270
  • ME DOWN
  • 00:11:12.270 --> 00:11:15.180
  • HALLELUJAH,
  • 00:11:15.180 --> 00:11:18.090
  • YOU WILL NEVER LET
  • 00:11:18.090 --> 00:11:19.000
  • ME DOWN
  • 00:11:19.000 --> 00:11:21.290
  • YOUR HOPE RUNS THROUGH MY
  • 00:11:21.290 --> 00:11:23.100
  • VEINS
  • 00:11:23.100 --> 00:11:25.020
  • YOUR LOVE, IT PAVES A WAY
  • 00:11:26.040 --> 00:11:29.040
  • HALLELUJAH,
  • 00:11:29.140 --> 00:11:32.140
  • OH, HALLELUJAH,
  • 00:11:32.140 --> 00:11:35.110
  • - BROOKE: LET'S SING THAT OUT
  • 00:11:45.180 --> 00:11:46.090
  • AGAIN TONIGHT.
  • 00:11:46.090 --> 00:11:47.040
  • SING "HALLELUJAH."
  • 00:11:47.040 --> 00:11:48.240
  • [MUSIC]
  • 00:11:48.240 --> 00:11:50.100
  • HALLELUJAH,
  • 00:11:51.100 --> 00:11:54.100
  • YOU WILL NEVER LET
  • 00:11:54.100 --> 00:11:54.280
  • ME DOWN
  • 00:11:54.280 --> 00:11:57.150
  • - BROOKE: COME ON.
  • 00:11:57.150 --> 00:11:58.030
  • HALLELUJAH,
  • 00:11:58.030 --> 00:11:59.140
  • YOU WILL NEVER LET
  • 00:11:59.140 --> 00:12:01.010
  • ME DOWN
  • 00:12:01.010 --> 00:12:03.190
  • YOUR HOPE RUNS THROUGH MY
  • 00:12:03.190 --> 00:12:04.240
  • VEINS
  • 00:12:04.240 --> 00:12:07.100
  • YOUR LOVE, IT PAVES A WAY
  • 00:12:08.060 --> 00:12:11.060
  • HALLELUJAH,
  • 00:12:11.060 --> 00:12:14.010
  • OH, HALLELUJAH
  • 00:12:15.000 --> 00:12:18.000
  • HALLELUJAH,
  • 00:12:18.120 --> 00:12:21.120
  • YOU WILL NEVER LET
  • 00:12:21.120 --> 00:12:23.100
  • ME DOWN
  • 00:12:23.100 --> 00:12:25.160
  • HALLELUJAH,
  • 00:12:25.160 --> 00:12:28.060
  • MY GOD, YOU WILL
  • 00:12:28.060 --> 00:12:29.220
  • NEVER LET ME DOWN
  • 00:12:29.220 --> 00:12:32.060
  • YOUR HOPE RUNS THROUGH MY
  • 00:12:32.060 --> 00:12:33.260
  • VEINS
  • 00:12:33.260 --> 00:12:35.270
  • YOUR LOVE, IT PAVES A WAY FOR
  • 00:12:35.270 --> 00:12:38.270
  • ME
  • 00:12:39.050 --> 00:12:42.050
  • HALLELUJAH,
  • 00:12:42.050 --> 00:12:44.110
  • HALLELUJAH
  • 00:12:53.170 --> 00:12:54.230
  • NEVER LET ME DOWN
  • 00:12:54.230 --> 00:12:55.220
  • [CHEERS AND APPLAUSE]
  • 00:12:55.250 --> 00:12:58.250
  • OH, MY GOD, YOU WILL NEVER LT
  • 00:13:02.150 --> 00:13:04.090
  • ME DOWN
  • 00:13:05.000 --> 00:13:08.000
  • HIS MAJESTY REIGNS
  • 00:13:14.070 --> 00:13:17.070
  • HIS PROMISES ECHO ETERNITY'S
  • 00:13:17.070 --> 00:13:19.030
  • WE PRAISE HIM
  • 00:13:25.000 --> 00:13:26.280
  • WITH PROMISE ENGRAVED,
  • 00:13:29.160 --> 00:13:32.160
  • MY SAVIOR HAS WRITTEN
  • 00:13:32.160 --> 00:13:33.210
  • MY NAME
  • 00:13:33.210 --> 00:13:36.140
  • WE PRAISE HIM
  • 00:13:38.060 --> 00:13:41.060
  • HIS MAJESTY REIGNS
  • 00:13:41.060 --> 00:13:43.220
  • HIS PROMISES ECHO ETERNITY'S
  • 00:13:44.290 --> 00:13:47.290
  • CLAIM
  • 00:13:47.290 --> 00:13:50.150
  • WE PRAISE HIM
  • 00:13:50.280 --> 00:13:53.280
  • WITH PROMISE ENGRAVED,
  • 00:13:57.030 --> 00:14:00.050
  • MY SAVIOR HAS WRITTEN MY NAME
  • 00:14:01.010 --> 00:14:04.010
  • - CARLOS PIMENTEL: OH, WE
  • 00:14:04.010 --> 00:14:04.220
  • PRAISE HIM.
  • 00:14:04.220 --> 00:14:05.170
  • WE PRAISE HIM
  • 00:14:05.170 --> 00:14:07.160
  • HIS MAJESTY REIGNS
  • 00:14:07.230 --> 00:14:10.230
  • HIS PROMISES ECHO ETERNITY'S
  • 00:14:11.070 --> 00:14:14.070
  • CLAIM
  • 00:14:15.010 --> 00:14:18.010
  • WE PRAISE HIM
  • 00:14:18.070 --> 00:14:21.070
  • WITH PROMISE ENGRAVED,
  • 00:14:22.010 --> 00:14:25.010
  • MY SAVIOR HAS WRITTEN
  • 00:14:25.180 --> 00:14:28.180
  • MY NAME
  • 00:14:28.180 --> 00:14:31.120
  • - CARLOS: COME ON, WE PRAISE
  • 00:14:31.120 --> 00:14:32.030
  • HIM.
  • 00:14:32.030 --> 00:14:33.010
  • [MUSIC]
  • 00:14:33.010 --> 00:14:33.290
  • WE PRAISE HIM
  • 00:14:33.290 --> 00:14:35.240
  • WE PRAISE HIM
  • 00:14:39.080 --> 00:14:42.080
  • - CARLOS: LIFT OUR VOICES,
  • 00:14:42.080 --> 00:14:42.280
  • COME ON.
  • 00:14:42.280 --> 00:14:44.020
  • [MUSIC]
  • 00:14:44.020 --> 00:14:44.280
  • WE PRAISE HIM
  • 00:14:45.290 --> 00:14:48.290
  • HIS MAJESTY REIGNS
  • 00:14:49.020 --> 00:14:52.020
  • HIS PROMISES ECHO ETERNITY'S
  • 00:14:52.250 --> 00:14:55.250
  • CLAIM
  • 00:14:56.000 --> 00:14:59.000
  • WE PRAISE HIM
  • 00:14:59.160 --> 00:15:02.180
  • WITH PROMISE ENGRAVED,
  • 00:15:03.130 --> 00:15:06.130
  • MY SAVIOR HAS WRITTEN MY NAME
  • 00:15:09.250 --> 00:15:12.250
  • WE PRAISE HIM
  • 00:15:13.180 --> 00:15:16.180
  • HIS MAJESTY REIGNS
  • 00:15:17.010 --> 00:15:20.010
  • HIS PROMISES ECHO ETERNITY'S
  • 00:15:20.130 --> 00:15:23.130
  • CLAIM
  • 00:15:23.170 --> 00:15:26.170
  • WE PRAISE HIM
  • 00:15:27.090 --> 00:15:30.090
  • WITH PROMISE ENGRAVED,
  • 00:15:30.270 --> 00:15:33.270
  • MY SAVIOR HAS WRITTEN MY NAME
  • 00:15:37.060 --> 00:15:40.060
  • WE PRAISE HIM
  • 00:15:40.260 --> 00:15:43.260
  • OH, WE PRAISE HIM
  • 00:15:47.080 --> 00:15:50.080
  • OH, PRAISE HIM, OH
  • 00:15:51.170 --> 00:15:54.170
  • WE PRAISE HIM
  • 00:15:56.120 --> 00:15:59.120
  • [MUSIC]
  • 00:16:19.270 --> 00:16:21.240
  • - ERWIN: SO OUR THEME FOR THE
  • 00:16:26.060 --> 00:16:26.270
  • MOSAIC CONFERENCE IS "THE
  • 00:16:26.270 --> 00:16:29.010
  • FUTURE OF," AND WE'RE GONNA BE
  • 00:16:29.010 --> 00:16:31.120
  • LOOKING AT DIFFERENT ASPECTS OF
  • 00:16:31.120 --> 00:16:32.140
  • THE FUTURE AS WE NOT ONLY TRAVEL
  • 00:16:32.140 --> 00:16:34.280
  • INTO THE FUTURE BUT CREATE IT AS
  • 00:16:34.280 --> 00:16:37.190
  • THERE ARE SOME THINGS THAT
  • 00:16:40.150 --> 00:16:41.140
  • DISTINGUISH MOSAIC IN MANY WAYS.
  • 00:16:41.140 --> 00:16:42.250
  • THERE ARE CERTAIN WAYS OF SEEING
  • 00:16:42.250 --> 00:16:43.270
  • THE WORLD AND ENGAGING IN
  • 00:16:43.270 --> 00:16:45.150
  • REALITY AND UNDERSTANDING WHO WE
  • 00:16:45.150 --> 00:16:46.290
  • ARE AS HUMAN BEINGS.
  • 00:16:46.290 --> 00:16:48.200
  • SO WHAT I WANTED TO DO TONIGHT
  • 00:16:48.200 --> 00:16:51.000
  • IS I WANNA TAKE THE THEME, "THE
  • 00:16:51.000 --> 00:16:53.050
  • FUTURE OF," AND FOCUS ON THE
  • 00:16:53.050 --> 00:16:53.280
  • FUTURE OF HUMANITY 'CAUSE IF
  • 00:16:53.280 --> 00:16:55.290
  • THERE'S ONE THING WE NEED RIGHT
  • 00:16:55.290 --> 00:16:58.270
  • NOW MORE THAN PERHAPS WE'VE EVER
  • 00:16:58.270 --> 00:17:00.290
  • WAS A FUTURE FILLED WITH HOPE
  • 00:17:05.130 --> 00:17:06.100
  • AND PROMISE, A FUTURE THAT
  • 00:17:06.100 --> 00:17:08.140
  • ELEVATES WHO WE ARE AND INSPIRES
  • 00:17:08.140 --> 00:17:11.120
  • US TO ONCE AGAIN BECOME WHO GOD
  • 00:17:11.120 --> 00:17:12.230
  • CREATED US TO BE.
  • 00:17:12.230 --> 00:17:13.250
  • I THINK, FOR ME, THIS QUESTION
  • 00:17:13.270 --> 00:17:16.270
  • HAS BEEN SO CENTRAL THROUGHOUT
  • 00:17:16.270 --> 00:17:19.220
  • MY ENTIRE LIFE, THE QUESTION OF
  • 00:17:19.220 --> 00:17:21.010
  • WHAT IT MEANS TO BE HUMAN, WHAT
  • 00:17:21.010 --> 00:17:22.250
  • IT MEANS TO BE THE SPECIES THAT
  • 00:17:22.250 --> 00:17:25.230
  • WE ARE AND WHERE ARE WE GOING,
  • 00:17:25.230 --> 00:17:27.290
  • AND IT'S INTERESTING TO ME,
  • 00:17:27.290 --> 00:17:29.090
  • WHENEVER WE START TALKING ABOUT
  • 00:17:29.090 --> 00:17:30.110
  • HUMAN EVOLUTION AND THE FUTURE
  • 00:17:30.110 --> 00:17:31.260
  • OF HUMANITY, WHENEVER I'M IN
  • 00:17:31.260 --> 00:17:33.140
  • DIFFERENT ENVIRONMENTS, PEOPLE
  • 00:17:33.140 --> 00:17:34.130
  • IMMEDIATELY START ASKING ME
  • 00:17:34.130 --> 00:17:35.130
  • ABOUT ARTIFICIAL INTELLIGENCE,
  • 00:17:35.130 --> 00:17:37.100
  • ABOUT ROBOTS, 'CAUSE ONE DAY
  • 00:17:37.100 --> 00:17:38.190
  • WE'RE GONNA BE REPLACED BY
  • 00:17:38.190 --> 00:17:39.080
  • ROBOTS, AND ONE OF THE GREAT
  • 00:17:39.100 --> 00:17:42.100
  • CONCERNS-- IN FACT, I WAS AT ONE
  • 00:17:42.100 --> 00:17:43.150
  • OF THE CONFERENCES AT TED, AND
  • 00:17:43.150 --> 00:17:45.160
  • THAT SESSION WAS CALLED "OUR
  • 00:17:49.040 --> 00:17:50.060
  • ROBOTIC OVERLORDS."
  • 00:17:50.060 --> 00:17:52.020
  • THAT'S KIND OF OMINOUS,
  • 00:17:52.020 --> 00:17:53.080
  • ISN'T IT?
  • 00:17:53.080 --> 00:17:54.230
  • AND THAT ENTIRE SESSION WAS
  • 00:17:54.230 --> 00:17:56.050
  • FOCUSED ON ARTIFICIAL
  • 00:17:56.050 --> 00:17:56.270
  • INTELLIGENCE AND THE REALIZATION
  • 00:17:56.270 --> 00:17:58.220
  • THAT WE'RE DEVELOPING SUCH
  • 00:17:58.220 --> 00:18:00.270
  • ADVANCED ALGORITHMS THAT
  • 00:18:00.270 --> 00:18:03.100
  • COMPUTERS NOW SEEM TO BE ABLE TO
  • 00:18:03.100 --> 00:18:05.070
  • AND WE'RE NOT FAR AWAY FROM THE
  • 00:18:09.030 --> 00:18:09.250
  • DAY WHERE IT WILL AT LEAST
  • 00:18:09.250 --> 00:18:11.120
  • APPEAR THAT ARTIFICIAL
  • 00:18:11.120 --> 00:18:12.190
  • INTELLIGENCE HAS AN EQUIVALENT
  • 00:18:12.190 --> 00:18:14.050
  • TO HUMAN CONSCIOUSNESS, AND SO
  • 00:18:14.050 --> 00:18:15.190
  • THE QUESTION HAS BEEN, "WELL,
  • 00:18:15.190 --> 00:18:17.020
  • WHEN DO ROBOTS BECOME HUMANS?"
  • 00:18:17.020 --> 00:18:20.010
  • BUT I THINK THAT'S ACTUALLY THE
  • 00:18:20.010 --> 00:18:21.260
  • WRONG QUESTION.
  • 00:18:21.260 --> 00:18:22.160
  • THE QUESTION ISN'T "WHEN DO
  • 00:18:22.160 --> 00:18:23.180
  • ROBOTS BECOME HUMANS?"
  • 00:18:23.180 --> 00:18:25.100
  • BUT "HOW CAN WE HUMANS REGAIN
  • 00:18:25.100 --> 00:18:27.210
  • OUR HUMANITY?"
  • 00:18:27.210 --> 00:18:28.190
  • WELL, ONE OF THE OVERWHELMING
  • 00:18:29.070 --> 00:18:32.070
  • CONCERNS FROM THE SCIENTIFIC
  • 00:18:32.070 --> 00:18:33.290
  • COMMUNITY WAS THAT, AS THEY KEEP
  • 00:18:33.290 --> 00:18:35.040
  • DEVELOPING ALGORITHMS THAT MAKE
  • 00:18:35.040 --> 00:18:36.240
  • ARTIFICIAL INTELLIGENCE MORE
  • 00:18:36.240 --> 00:18:39.110
  • COMPLEX AND MORE EXTRAORDINARY,
  • 00:18:39.110 --> 00:18:41.030
  • THEY CAN'T SEEM TO FIND AN
  • 00:18:41.030 --> 00:18:43.000
  • ALGORITHM THAT WILL KEEP ROBOTS
  • 00:18:43.000 --> 00:18:43.240
  • FROM KILLING US.
  • 00:18:44.240 --> 00:18:47.240
  • THAT IS A PROBLEM.
  • 00:18:47.240 --> 00:18:49.070
  • [LAUGHTER]
  • 00:18:49.070 --> 00:18:51.230
  • WE CAN'T SEEM TO FIND AN
  • 00:18:51.230 --> 00:18:52.170
  • ALGORITHM THAT WILL KEEP ROBOTS
  • 00:18:52.170 --> 00:18:54.060
  • FROM FUNCTIONING IN WHAT WOULD
  • 00:18:54.060 --> 00:18:56.220
  • BE DESCRIBED IN SOME UNUSUAL WAY
  • 00:18:56.220 --> 00:18:58.040
  • AS ACTING AS IF THEY'RE EVIL, IN
  • 00:18:58.040 --> 00:19:00.280
  • OTHER WORDS, TURNING ON US, AND
  • 00:19:00.280 --> 00:19:02.190
  • ONE OF THE DILEMMAS IN THIS IS
  • 00:19:02.230 --> 00:19:05.230
  • THAT SINCE WE'RE CREATING THE
  • 00:19:05.230 --> 00:19:07.120
  • ROBOTS, IT'S IMPOSSIBLE TO
  • 00:19:07.120 --> 00:19:09.210
  • CREATE AN ALGORITHM FOR ROBOTS
  • 00:19:09.210 --> 00:19:12.060
  • THAT WE HAVE NOT BEEN ABLE TO
  • 00:19:12.060 --> 00:19:13.170
  • CREATE FOR OURSELVES.
  • 00:19:13.170 --> 00:19:14.110
  • WE CAN'T EVEN FIGURE OUT HOW NOT
  • 00:19:14.110 --> 00:19:16.170
  • TO KILL EACH OTHER.
  • 00:19:16.170 --> 00:19:18.110
  • WE CANNOT FIGURE OUT HOW TO LIVE
  • 00:19:18.110 --> 00:19:20.120
  • TOGETHER.
  • 00:19:20.120 --> 00:19:21.130
  • WE CANNOT YET FIGURE OUT HOW TO
  • 00:19:21.130 --> 00:19:22.280
  • BE MOST BEAUTIFULLY AND
  • 00:19:22.280 --> 00:19:25.010
  • WONDERFULLY HUMAN.
  • 00:19:25.010 --> 00:19:26.140
  • HOW IN THE WORLD DO WE THINK WE
  • 00:19:26.140 --> 00:19:27.190
  • CAN ACTUALLY PUT INSIDE OF
  • 00:19:27.190 --> 00:19:29.100
  • ARTIFICIAL INTELLIGENCE WHAT WE
  • 00:19:29.100 --> 00:19:31.000
  • CAN'T SEEM TO FIND WITHIN OUR
  • 00:19:31.000 --> 00:19:32.190
  • OWN INTELLIGENCE?
  • 00:19:32.190 --> 00:19:34.200
  • SO I WANNA TALK TO US ABOUT THE
  • 00:19:35.090 --> 00:19:38.090
  • FUTURE OF US, THE FUTURE OF
  • 00:19:38.090 --> 00:19:40.200
  • HUMANITY.
  • 00:19:41.230 --> 00:19:44.230
  • IT'S ALWAYS FASCINATING TO ME
  • 00:19:44.230 --> 00:19:46.020
  • WHEN THE SCRIPTURES UNWRAP AN
  • 00:19:46.020 --> 00:19:48.250
  • IMAGE THAT DOESN'T ACTUALLY
  • 00:19:48.250 --> 00:19:49.230
  • MATCH WHAT WE THINK SHOULD
  • 00:19:49.230 --> 00:19:51.050
  • HAPPEN.
  • 00:19:51.050 --> 00:19:53.030
  • AND SO, SOMETIMES, YOU EVER
  • 00:19:53.030 --> 00:19:54.200
  • NOTICE THAT SOMETIMES YOU'LL
  • 00:19:54.200 --> 00:19:56.110
  • READ THE SCRIPTURES, AND YOU'LL
  • 00:19:56.110 --> 00:19:57.030
  • REINTERPRET THE SCRIPTURES TO
  • 00:19:57.030 --> 00:19:59.060
  • MATCH WHAT YOU THINK IT SHOULD
  • 00:19:59.060 --> 00:19:59.270
  • SAY?
  • 00:19:59.270 --> 00:20:01.060
  • AND SO YOU JUST GO RIGHT PAST
  • 00:20:01.060 --> 00:20:02.000
  • IT.
  • 00:20:02.000 --> 00:20:02.290
  • THERE'S TWO PARTICULAR PLACES IN
  • 00:20:02.290 --> 00:20:04.130
  • THE BOOK OF EZEKIEL THAT REALLY
  • 00:20:04.130 --> 00:20:06.280
  • STRIKE ME THAT I THINK ARE
  • 00:20:06.280 --> 00:20:08.230
  • REALLY THE BASIS OF WHAT I WANNA
  • 00:20:08.230 --> 00:20:10.270
  • TALK TO YOU ABOUT FOR A FEW
  • 00:20:10.270 --> 00:20:11.230
  • MOMENTS.
  • 00:20:11.230 --> 00:20:13.120
  • GOD IS SPEAKING THROUGH EZEKIEL,
  • 00:20:17.130 --> 00:20:18.050
  • AND HE SAYS, "I WILL GIVE THEM
  • 00:20:18.050 --> 00:20:19.050
  • AN UNDIVIDED HEART AND PUT A NEW
  • 00:20:19.050 --> 00:20:20.250
  • SPIRIT IN THEM, AND I WILL
  • 00:20:20.250 --> 00:20:23.010
  • REMOVE FROM THEM THEIR HEART OF
  • 00:20:23.010 --> 00:20:25.120
  • STONE AND GIVE THEM A HEART OF
  • 00:20:25.120 --> 00:20:27.290
  • FLESH."
  • 00:20:27.290 --> 00:20:30.190
  • I LOVE THE FIRST PART OF THAT,
  • 00:20:30.190 --> 00:20:32.030
  • BEING GIVEN AN UNDIVIDED HEART,
  • 00:20:32.030 --> 00:20:32.270
  • A HEART THAT IS NOT BROKEN,
  • 00:20:33.060 --> 00:20:36.060
  • A HEART THAT'S NOT FRAGMENTED.
  • 00:20:36.060 --> 00:20:37.100
  • HOW MANY OF US UNDERSTAND THAT
  • 00:20:37.100 --> 00:20:39.030
  • YOU ARE THE CARRIER OF A BROKEN
  • 00:20:39.030 --> 00:20:41.060
  • HEART, OF A HEART THAT'S BEEN
  • 00:20:41.060 --> 00:20:42.220
  • BROKEN TO PIECES?
  • 00:20:43.160 --> 00:20:46.160
  • SO HERE ARE THE PROMISES: "I'M
  • 00:20:46.160 --> 00:20:48.190
  • GONNA GIVE THEM A WHOLE HEART,
  • 00:20:48.190 --> 00:20:49.230
  • AND I'M GONNA PUT A NEW SPIRIT
  • 00:20:49.230 --> 00:20:50.230
  • IN THEM," BUT WHAT'S CONFUSING
  • 00:20:50.230 --> 00:20:52.100
  • TO ME IS THE IMAGERY, "AND I
  • 00:20:52.100 --> 00:20:53.070
  • WILL REMOVE FROM THEM THEIR
  • 00:20:53.070 --> 00:20:54.020
  • HEART OF STONE AND GIVE THEM A
  • 00:20:54.020 --> 00:20:57.020
  • THAT DOESN'T MAKE ANY SENSE TO
  • 00:20:59.090 --> 00:21:00.070
  • ME BECAUSE I HAVE A HEART OF
  • 00:21:00.070 --> 00:21:01.120
  • FLESH.
  • 00:21:01.120 --> 00:21:02.180
  • I DON'T HAVE A HEART OF STONE,
  • 00:21:02.180 --> 00:21:04.160
  • SO I DON'T WANT A HEART OF FLESH
  • 00:21:04.160 --> 00:21:06.010
  • 'CAUSE MY HEART OF FLESH FEELS
  • 00:21:06.010 --> 00:21:06.230
  • LIKE A HEART OF STONE.
  • 00:21:06.230 --> 00:21:08.240
  • AND THEN, AGAIN, IN EZEKIEL
  • 00:21:08.240 --> 00:21:09.260
  • 36:26, JUST IN CASE WE THOUGHT
  • 00:21:09.260 --> 00:21:11.040
  • MAYBE THE IMAGERY WAS AN
  • 00:21:11.040 --> 00:21:12.260
  • HE SAYS IT AGAIN.
  • 00:21:15.240 --> 00:21:16.290
  • HE SAYS, "I WILL GIVE YOU A NEW
  • 00:21:16.290 --> 00:21:17.210
  • HEART."
  • 00:21:17.210 --> 00:21:18.130
  • I'M EXCITED ABOUT THAT.
  • 00:21:18.130 --> 00:21:19.170
  • ANYBODY HAVE A SENSE THAT
  • 00:21:19.170 --> 00:21:20.200
  • HUMANITY NEEDS A NEW HEART, THAT
  • 00:21:20.200 --> 00:21:22.000
  • MAYBE EVEN YOU AND I NEED A NEW
  • 00:21:22.000 --> 00:21:24.080
  • HEART?
  • 00:21:24.080 --> 00:21:26.060
  • HE SAYS, "I WILL GIVE THEM--
  • 00:21:26.060 --> 00:21:27.200
  • I WILL GIVE YOU A NEW HEART AND
  • 00:21:27.200 --> 00:21:29.050
  • PUT A NEW SPIRIT IN YOU,
  • 00:21:29.050 --> 00:21:30.220
  • AND I WILL REMOVE FROM YOU--"
  • 00:21:30.220 --> 00:21:33.030
  • HERE IT IS--
  • 00:21:33.030 --> 00:21:33.200
  • "YOUR HEART OF STONE--"
  • 00:21:33.200 --> 00:21:34.200
  • NO-- "AND GIVE YOU A HEART OF
  • 00:21:34.200 --> 00:21:35.220
  • FLESH."
  • 00:21:35.220 --> 00:21:37.230
  • I WANNA BE REALLY HONEST.
  • 00:21:37.230 --> 00:21:40.170
  • I DON'T WANT A HEART OF FLESH.
  • 00:21:40.170 --> 00:21:42.040
  • I WANT A HEART MADE OF QUANTUM
  • 00:21:46.080 --> 00:21:47.060
  • LIQUID, WHICH SCIENTISTS BELIEVE
  • 00:21:47.060 --> 00:21:49.150
  • IS WHAT THE BLACK HOLES ARE
  • 00:21:49.150 --> 00:21:50.160
  • FILLED WITH.
  • 00:21:50.270 --> 00:21:53.270
  • I WANT A QUANTUM-LIQUID HEART OR
  • 00:21:53.270 --> 00:21:55.000
  • AT LEAST A NUCLEAR-FUSION HEART.
  • 00:21:56.060 --> 00:21:59.060
  • I WANT THE HEART THAT IRON MAN
  • 00:21:59.060 --> 00:21:59.270
  • HAS.
  • 00:21:59.270 --> 00:22:00.280
  • I WANT TONY STARK'S HEART.
  • 00:22:00.280 --> 00:22:02.090
  • [LAUGHTER]
  • 00:22:02.090 --> 00:22:04.230
  • I DON'T WANT A HEART OF FLESH.
  • 00:22:04.230 --> 00:22:05.270
  • I'VE LIVED MY LIFE WITH A HEART
  • 00:22:05.270 --> 00:22:07.020
  • OF FLESH.
  • 00:22:07.020 --> 00:22:08.020
  • SEE, PART OF THE PROBLEM
  • 00:22:08.020 --> 00:22:09.060
  • SOMETIMES IS THAT WE WANT GOD TO
  • 00:22:09.060 --> 00:22:10.190
  • UPGRADE US, BUT WE DON'T REALIZE
  • 00:22:10.190 --> 00:22:13.100
  • THAT THE UPGRADE IS ACTUALLY A
  • 00:22:13.100 --> 00:22:14.280
  • REVERSAL OF THE DOWNGRADE.
  • 00:22:14.280 --> 00:22:17.220
  • SEE, WHEN IT SAYS THAT HE TAKES
  • 00:22:17.220 --> 00:22:19.160
  • AWAY OUR HEART OF STONE AND
  • 00:22:19.160 --> 00:22:20.160
  • GIVES US A HEART OF FLESH, THAT
  • 00:22:20.160 --> 00:22:21.190
  • DOESN'T SOUND THAT EXCITING
  • 00:22:21.190 --> 00:22:22.230
  • BECAUSE WE ALL THINK WE HAVE A
  • 00:22:22.230 --> 00:22:24.010
  • HEART OF FLESH BECAUSE A HEART
  • 00:22:24.010 --> 00:22:25.250
  • OF FLESH IS A DESCRIPTION OF A
  • 00:22:25.250 --> 00:22:26.220
  • HUMAN HEART.
  • 00:22:26.220 --> 00:22:29.070
  • I DON'T WANT A HUMAN HEART.
  • 00:22:29.070 --> 00:22:30.180
  • I WANT A SUPER-HUMAN HEART.
  • 00:22:30.180 --> 00:22:33.010
  • I WANT A DIVINE HEART.
  • 00:22:33.010 --> 00:22:34.200
  • I WANT A COSMIC HEART.
  • 00:22:34.200 --> 00:22:36.260
  • I JUST DON'T WANT THE KIND OF
  • 00:22:38.290 --> 00:22:40.150
  • HEART THAT I HAVE 'CAUSE
  • 00:22:40.150 --> 00:22:41.270
  • HUMANITY IS SOMETHING DIFFERENT
  • 00:22:41.270 --> 00:22:42.190
  • THAN WHAT IT HAS.
  • 00:22:42.190 --> 00:22:45.120
  • IF YOU LOOK AT THE HUMAN
  • 00:22:45.120 --> 00:22:46.120
  • SITUATION, IT SEEMS LIKE EVERY
  • 00:22:46.120 --> 00:22:47.030
  • MORNING WE WAKE UP, AND ONE MORE
  • 00:22:47.030 --> 00:22:48.010
  • PERSON HAS GOTTEN UP AND KILLED
  • 00:22:48.010 --> 00:22:48.260
  • EVERY DAY WE HEAR ANOTHER STORY
  • 00:22:55.030 --> 00:22:55.250
  • OF SOMEONE WALKING INTO SOME
  • 00:22:55.250 --> 00:22:57.200
  • PLACE WHERE PEOPLE IN JUST THE
  • 00:22:57.220 --> 00:23:00.240
  • ACTIVITY OF EVERYDAY LIFE FIND
  • 00:23:00.240 --> 00:23:02.090
  • THEMSELVES A VICTIM OF VIOLENCE.
  • 00:23:02.200 --> 00:23:05.200
  • WHY IN THE WORLD WOULD WE WANT
  • 00:23:05.200 --> 00:23:07.270
  • THAT KIND OF HEART AGAIN?
  • 00:23:07.270 --> 00:23:09.210
  • I THINK A PART OF OUR DILEMMA IS
  • 00:23:09.210 --> 00:23:10.220
  • THAT, WHEN WE KEEP LOOKING FOR A
  • 00:23:10.220 --> 00:23:12.090
  • NEW HUMANITY, WE KEEP HOPING
  • 00:23:12.090 --> 00:23:13.120
  • WE'RE GOING TO EVOLVE TO
  • 00:23:13.120 --> 00:23:14.060
  • SOMETHING THAT IS SUPERHUMAN OR
  • 00:23:14.060 --> 00:23:16.120
  • BEYOND HUMAN, BUT THE REALITY IS
  • 00:23:16.290 --> 00:23:19.290
  • THAT GOD IS TRYING TO MAKE US
  • 00:23:19.290 --> 00:23:22.040
  • HUMAN AGAIN.
  • 00:23:22.040 --> 00:23:24.100
  • SEE, WHAT EZEKIEL IS ACTUALLY
  • 00:23:24.100 --> 00:23:27.070
  • DESCRIBING IS THAT WE HAVE LOST
  • 00:23:27.070 --> 00:23:29.210
  • OUR HUMANITY.
  • 00:23:29.210 --> 00:23:30.100
  • WE'VE BECOME LESS THAN WHAT GOD
  • 00:23:30.100 --> 00:23:31.020
  • INTENDED FOR US, THAT HIS
  • 00:23:31.020 --> 00:23:33.040
  • INTENTION FOR US HAS BEEN LOST,
  • 00:23:33.040 --> 00:23:34.240
  • AND GOD IS WORKING A REVERSAL OF
  • 00:23:34.240 --> 00:23:37.200
  • THE DOWNGRADE WHICH FEELS LIKE
  • 00:23:37.200 --> 00:23:38.220
  • AN UPGRADE.
  • 00:23:38.220 --> 00:23:40.230
  • YOU KNOW THE GIFT GOD WANTS TO
  • 00:23:40.230 --> 00:23:41.200
  • GIVE US?
  • 00:23:41.200 --> 00:23:42.090
  • HE WANTS TO MAKE US HUMAN AGAIN.
  • 00:23:42.090 --> 00:23:45.030
  • THE FUTURE OF HUMANITY IS TO
  • 00:23:45.030 --> 00:23:47.000
  • BECOME HUMAN ONCE MORE.
  • 00:23:47.260 --> 00:23:50.260
  • I REMEMBER, YEARS AGO, THERE WAS
  • 00:23:50.260 --> 00:23:53.200
  • A YOUNG FILMMAKER IN
  • 00:23:53.200 --> 00:23:54.060
  • LOS ANGELES,
  • 00:23:54.060 --> 00:23:54.290
  • AND HE BROUGHT ME THIS
  • 00:23:54.290 --> 00:23:56.070
  • SHORT FILM HE HAD MADE, AND HE
  • 00:23:56.070 --> 00:23:57.150
  • ASKED ME TO EVALUATE IT.
  • 00:23:57.150 --> 00:23:58.290
  • IT'S ALWAYS HARD WHEN PEOPLE DO
  • 00:23:58.290 --> 00:24:00.200
  • IT AFTER THEY FINISH THE FILM.
  • 00:24:00.200 --> 00:24:02.070
  • [LAUGHTER]
  • 00:24:02.070 --> 00:24:03.170
  • AND THE STORY WAS OF AN ANGEL
  • 00:24:03.170 --> 00:24:04.280
  • WHO HAD FALLEN FROM GRACE AND
  • 00:24:05.180 --> 00:24:08.180
  • BECAME HUMAN, AND THE STORY OF
  • 00:24:09.030 --> 00:24:12.030
  • THAT ANGEL, NOW THAT THEY WERE
  • 00:24:12.030 --> 00:24:13.280
  • HUMAN, TRYING TO WORK OUT THEIR
  • 00:24:13.280 --> 00:24:15.130
  • NEW HUMANITY.
  • 00:24:15.130 --> 00:24:18.070
  • I SAID, "THE PROBLEM WITH YOUR
  • 00:24:18.070 --> 00:24:19.270
  • FILM IS THAT IT'S COMPLETELY
  • 00:24:19.270 --> 00:24:20.170
  • WRONG.
  • 00:24:20.170 --> 00:24:22.080
  • IT GOES COMPLETELY COUNTER TO
  • 00:24:22.080 --> 00:24:23.210
  • EVERYTHING GOD SAYS ABOUT
  • 00:24:23.210 --> 00:24:24.160
  • HUMANITY."
  • 00:24:24.160 --> 00:24:25.060
  • HE SAYS, "WHAT'RE YOU
  • 00:24:25.060 --> 00:24:26.270
  • TALKING ABOUT?"
  • 00:24:26.270 --> 00:24:27.240
  • I SAID, "BEING HUMAN IS NOT A
  • 00:24:27.240 --> 00:24:29.050
  • PUNISHMENT.
  • 00:24:29.050 --> 00:24:31.130
  • IT'S ACTUALLY A GIFT.
  • 00:24:31.130 --> 00:24:34.020
  • ANGELS DON'T DOWNGRADE TO BECOME
  • 00:24:34.020 --> 00:24:35.160
  • HUMAN."
  • 00:24:35.160 --> 00:24:36.260
  • WE ARE CREATED IN THE
  • 00:24:36.260 --> 00:24:39.000
  • IMAGE AND LIKENESS OF GOD.
  • 00:24:39.000 --> 00:24:40.170
  • YOU ARE THE UPGRADE.
  • 00:24:40.170 --> 00:24:42.020
  • [CHEERS AND APPLAUSE]
  • 00:24:44.180 --> 00:24:47.180
  • AND THEN, AS I UNDERSTAND THAT,
  • 00:24:47.180 --> 00:24:48.240
  • THEN THINGS BEGIN TO MAKE SENSE
  • 00:24:48.240 --> 00:24:50.080
  • TO ME 'CAUSE HAVE YOU EVER
  • 00:24:50.080 --> 00:24:52.280
  • NOTICED THAT WE'RE THE ONLY
  • 00:24:52.280 --> 00:24:54.010
  • SPECIES THAT DOESN'T KNOW TO BE
  • 00:24:54.010 --> 00:24:55.050
  • THE SPECIES?
  • 00:24:55.050 --> 00:24:56.170
  • [LAUGHTER]
  • 00:24:56.170 --> 00:24:58.240
  • THAT'S CALLED "THERAPY."
  • 00:24:58.240 --> 00:24:59.220
  • [LAUGHTER]
  • 00:24:59.220 --> 00:25:01.070
  • THE ONLY REASON YOU'RE IN
  • 00:25:01.070 --> 00:25:02.020
  • THERAPY IS BECAUSE YOU'RE A
  • 00:25:02.020 --> 00:25:03.150
  • HUMAN THAT DOESN'T KNOW HOW TO
  • 00:25:03.150 --> 00:25:04.290
  • BE HUMAN, AND IN MY MIND, THERE
  • 00:25:05.080 --> 00:25:08.080
  • ARE OTHER SPECIES THAT SHOULD BE
  • 00:25:08.080 --> 00:25:10.100
  • IN THERAPY, LIKE PLATYPUSES.
  • 00:25:10.160 --> 00:25:13.160
  • [LAUGHTER]
  • 00:25:13.160 --> 00:25:14.170
  • WHAT ARE THEY?
  • 00:25:14.170 --> 00:25:15.080
  • REPTILES?
  • 00:25:15.080 --> 00:25:15.230
  • MAMMALS?
  • 00:25:15.230 --> 00:25:17.160
  • OR COBRAS-- LIKE, "EVERY TIME
  • 00:25:18.040 --> 00:25:21.040
  • SOMEONE GETS CLOSE TO ME,
  • 00:25:21.040 --> 00:25:22.110
  • I BITE THEM.
  • 00:25:22.110 --> 00:25:23.180
  • I POISON EVERY RELATIONSHIP."
  • 00:25:23.180 --> 00:25:24.150
  • I MEAN, COBRAS SHOULD BE IN
  • 00:25:24.150 --> 00:25:25.090
  • THERAPY.
  • 00:25:25.090 --> 00:25:26.130
  • ZEBRAS SHOULD BE IN THERAPY:
  • 00:25:26.130 --> 00:25:27.030
  • "AM I WHITE?
  • 00:25:27.030 --> 00:25:28.220
  • AM I BLACK?
  • 00:25:28.220 --> 00:25:29.090
  • AM I WHITE?
  • 00:25:29.090 --> 00:25:29.240
  • AM I BLACK?
  • 00:25:29.240 --> 00:25:30.070
  • WHAT AM I?"
  • 00:25:30.070 --> 00:25:30.270
  • [LAUGHTER]
  • 00:25:32.190 --> 00:25:35.190
  • BUT THERE'S NO OTHER SPECIES ON
  • 00:25:35.190 --> 00:25:36.110
  • THIS PLANET THAT'S IN THERAPY,
  • 00:25:36.110 --> 00:25:37.050
  • BUT HUMANS ARE.
  • 00:25:37.050 --> 00:25:39.170
  • YOU KNOW WHY?
  • 00:25:39.170 --> 00:25:40.010
  • BECAUSE EVERYTHING GOD CREATES
  • 00:25:40.010 --> 00:25:41.170
  • HAS INTENTION, BUT WE'RE THE
  • 00:25:41.170 --> 00:25:44.000
  • ONLY SPECIES ON THE PLANET THAT
  • 00:25:44.000 --> 00:25:45.120
  • CAN LIVE WITHOUT OUR INTENTION.
  • 00:25:45.120 --> 00:25:48.120
  • SEE, EVERYTHING IN THE UNIVERSE
  • 00:25:48.120 --> 00:25:50.060
  • HAS INTENTION.
  • 00:25:50.060 --> 00:25:52.010
  • THE ENTIRE UNIVERSE IN ITS
  • 00:25:52.010 --> 00:25:53.110
  • COMPLEXITY, EVER EXPANDING, HAS
  • 00:25:53.110 --> 00:25:55.160
  • AN INTENTION IT FULFILLS.
  • 00:25:55.160 --> 00:25:57.080
  • THE SOLAR SYSTEM HAS INTENTION.
  • 00:25:57.080 --> 00:25:58.170
  • THE SUN HAS INTENTION.
  • 00:25:58.170 --> 00:26:00.250
  • EVERY PLANET IN THE SOLAR SYSTEM
  • 00:26:00.250 --> 00:26:03.040
  • HAS INTENTION, AND WHAT'S
  • 00:26:03.040 --> 00:26:04.260
  • AMAZING IS EVERYTHING IN THIS
  • 00:26:04.260 --> 00:26:06.000
  • PLANET HAS INTENTION, AND AS WE
  • 00:26:06.000 --> 00:26:07.110
  • UNDERSTAND THE ENVIRONMENT MORE
  • 00:26:07.110 --> 00:26:08.230
  • AND MORE, WE REALIZE THAT
  • 00:26:08.230 --> 00:26:10.060
  • THERE'S NO SPECIES THAT'S
  • 00:26:11.040 --> 00:26:14.040
  • INCIDENTAL, THAT EVERYTHING IS
  • 00:26:14.040 --> 00:26:14.250
  • INTERCONNECTED, EVERYTHING THAT
  • 00:26:14.250 --> 00:26:15.170
  • MATTERS, AND SOMEHOW EVERYTHING
  • 00:26:15.170 --> 00:26:17.020
  • IN CREATION HAS INTENTION.
  • 00:26:18.150 --> 00:26:21.150
  • AND SO EVERYTHING THAT GOD
  • 00:26:21.150 --> 00:26:23.100
  • CREATES DOES NATURALLY WHAT IT'S
  • 00:26:23.100 --> 00:26:24.150
  • SUPPOSED TO DO.
  • 00:26:24.150 --> 00:26:25.260
  • SILKWORMS JUST KEEP
  • 00:26:25.260 --> 00:26:26.230
  • CREATING SILK.
  • 00:26:26.230 --> 00:26:27.090
  • ISN'T THAT AMAZING?
  • 00:26:27.090 --> 00:26:29.000
  • THEY ARE WORMS THAT CREATE SILK.
  • 00:26:29.000 --> 00:26:30.080
  • I FIND THAT TO BE AMAZING, AND A
  • 00:26:30.080 --> 00:26:32.180
  • SILKWORM CAN NEVER GET UP ONE
  • 00:26:32.180 --> 00:26:33.290
  • DAY AND SAY, "YOU KNOW,
  • 00:26:33.290 --> 00:26:36.070
  • I'M KIND OF DONE WITH SILK.
  • 00:26:36.070 --> 00:26:36.270
  • IT'S SO LAST YEAR."
  • 00:26:36.270 --> 00:26:39.070
  • [LAUGHTER]
  • 00:26:39.070 --> 00:26:39.260
  • "I'M GOING POLYESTER."
  • 00:26:39.260 --> 00:26:41.000
  • I MEAN, THERE'S NO WAY
  • 00:26:41.000 --> 00:26:41.170
  • A SILKWORM CAN EVER LEAVE
  • 00:26:41.170 --> 00:26:42.250
  • ITS INTENTION.
  • 00:26:42.250 --> 00:26:44.160
  • HONEYBEES ARE ALWAYS GOING TO
  • 00:26:44.160 --> 00:26:47.110
  • MAKE HONEY.
  • 00:26:47.110 --> 00:26:49.180
  • THERE'S NO DAY A BEE CAN GET UP
  • 00:26:49.180 --> 00:26:51.180
  • AND SAY, "YOU KNOW, I DON'T
  • 00:26:51.180 --> 00:26:52.090
  • WANNA DO HONEY.
  • 00:26:52.090 --> 00:26:53.150
  • I WANNA DO PEANUT BUTTER."
  • 00:26:53.150 --> 00:26:54.170
  • [LAUGHTER]
  • 00:26:54.170 --> 00:26:56.120
  • "I'M GONNA COME AT IT FROM A
  • 00:26:56.120 --> 00:26:57.100
  • DIFFERENT ANGLE."
  • 00:26:57.100 --> 00:26:58.020
  • THERE'S NOTHING ELSE IN
  • 00:26:58.160 --> 00:27:01.180
  • CREATION THAT CAN ACTUALLY
  • 00:27:01.180 --> 00:27:03.100
  • CHANGE ITS INTENTION,
  • 00:27:03.100 --> 00:27:06.100
  • BUT HUMANS HAVE THIS UNIQUE
  • 00:27:06.100 --> 00:27:07.210
  • CAPACITY TO LIVE BENEATH
  • 00:27:07.210 --> 00:27:08.130
  • THEIR INTENTION.
  • 00:27:08.130 --> 00:27:10.010
  • EVEN WHEN PEOPLE DO NOT BELIEVE
  • 00:27:10.010 --> 00:27:11.190
  • IN GOD, THEY HAVE A SENSE OF
  • 00:27:11.190 --> 00:27:13.180
  • THAT INTENTION.
  • 00:27:13.180 --> 00:27:15.190
  • OUR LANGUAGE BETRAYS US.
  • 00:27:15.190 --> 00:27:17.020
  • I REMEMBER, A FEW YEARS AGO, I
  • 00:27:17.020 --> 00:27:18.170
  • DID THIS CONFERENCE FOR THE
  • 00:27:18.170 --> 00:27:19.290
  • NATIONAL HOME BUILDERS
  • 00:27:19.290 --> 00:27:20.250
  • ASSOCIATION, AND THE THEME AT
  • 00:27:20.250 --> 00:27:23.080
  • THE NATIONAL HOME BUILDERS
  • 00:27:23.080 --> 00:27:24.130
  • ASSOCIATION WAS "RETHINKING THE
  • 00:27:24.130 --> 00:27:26.050
  • I SAID, "WELL, THAT'S
  • 00:27:30.040 --> 00:27:31.230
  • FASCINATING TO ME BECAUSE, IF
  • 00:27:31.230 --> 00:27:33.250
  • COMMUNITY IS AN ACT OF NATURE,
  • 00:27:33.250 --> 00:27:35.090
  • WE DON'T NEED TO RETHINK IT.
  • 00:27:35.090 --> 00:27:38.080
  • WE'LL JUST DO IT NATURALLY."
  • 00:27:38.080 --> 00:27:40.280
  • THERE ARE NO GLOBAL CONVENTIONS
  • 00:27:40.280 --> 00:27:43.040
  • ON "RETHINKING THE COLONY
  • 00:27:43.040 --> 00:27:44.090
  • AS AN ANT."
  • 00:27:44.090 --> 00:27:46.120
  • [LAUGHTER]
  • 00:27:46.120 --> 00:27:47.060
  • THERE ARE NO BEES THAT GET
  • 00:27:47.060 --> 00:27:48.250
  • "RETHINKING THE HIVE: IS IT
  • 00:27:51.190 --> 00:27:52.180
  • ERGONOMIC?"
  • 00:27:52.180 --> 00:27:54.090
  • [LAUGHTER]
  • 00:27:54.090 --> 00:27:54.200
  • THERE ARE NO TERMITES COMING
  • 00:27:54.200 --> 00:27:55.120
  • TOGETHER, SAYING, "ENOUGH IS
  • 00:27:55.120 --> 00:27:56.020
  • ENOUGH."
  • 00:27:57.070 --> 00:28:00.090
  • [LAUGHTER]
  • 00:28:00.090 --> 00:28:01.010
  • BUT HUMANS COME TOGETHER TO
  • 00:28:01.010 --> 00:28:02.020
  • RETHINK THE NATURE OF COMMUNITY
  • 00:28:02.020 --> 00:28:03.020
  • BECAUSE WE DON'T EVEN KNOW HOW
  • 00:28:03.020 --> 00:28:03.230
  • TO DO COMMUNITY NATURALLY, AND
  • 00:28:03.230 --> 00:28:04.270
  • SO WE LIVE IN CITIES WHERE
  • 00:28:04.270 --> 00:28:06.170
  • MILLIONS AND MILLIONS OF PEOPLE
  • 00:28:06.170 --> 00:28:07.090
  • ARE PRESSED TOGETHER, AND
  • 00:28:07.090 --> 00:28:09.010
  • EVERYONE IS DESPERATELY ALONE.
  • 00:28:09.010 --> 00:28:10.100
  • HOW IS IT POSSIBLE THAT WE HAVE
  • 00:28:10.100 --> 00:28:12.190
  • PLANNED COMMUNITIES, AND PEOPLE
  • 00:28:12.190 --> 00:28:14.030
  • LIVE IN PLANNED COMMUNITIES AND
  • 00:28:14.030 --> 00:28:16.050
  • DON'T KNOW ANYONE IN THEIR
  • 00:28:16.050 --> 00:28:18.000
  • COMMUNITIES?
  • 00:28:18.000 --> 00:28:20.070
  • AND SO WE USE THE LANGUAGE, BUT
  • 00:28:20.070 --> 00:28:21.290
  • WE DON'T HAVE THE REALITY
  • 00:28:21.290 --> 00:28:23.090
  • BECAUSE, SOMEHOW, WE'VE
  • 00:28:23.090 --> 00:28:24.080
  • DISCONNECTED TO THE NATURE OF
  • 00:28:24.080 --> 00:28:26.070
  • THAT.
  • 00:28:26.070 --> 00:28:28.120
  • ONE TIME, KIM AND I WERE
  • 00:28:28.120 --> 00:28:29.200
  • TRAVELING THROUGH THE MIDWEST,
  • 00:28:29.200 --> 00:28:31.190
  • SOMEWHERE IN THE MIDDLE OF THE
  • 00:28:31.190 --> 00:28:33.200
  • COUNTRY WHERE THERE'S NO OCEAN,
  • 00:28:33.200 --> 00:28:34.120
  • AND IT WAS A LONG DRIVE.
  • 00:28:34.120 --> 00:28:36.110
  • IT WAS REALLY QUIET, AND I BROKE
  • 00:28:36.110 --> 00:28:37.270
  • THE SILENCE, AND I JUST-- I
  • 00:28:37.270 --> 00:28:39.150
  • SHOULDN'T HAVE BROKE THE
  • 00:28:39.150 --> 00:28:40.210
  • SILENCE, BUT I DID, AND I SAID,
  • 00:28:40.210 --> 00:28:41.280
  • "LOOK AT ALL OF THIS UNDEVELOPED
  • 00:28:41.280 --> 00:28:43.060
  • LAND."
  • 00:28:43.060 --> 00:28:45.060
  • THERE'S JUST MILES AND MILES
  • 00:28:45.060 --> 00:28:46.230
  • AND MILES AND MILES OF TREES.
  • 00:28:47.040 --> 00:28:50.040
  • I SAID, "LOOK AT ALL THIS
  • 00:28:50.040 --> 00:28:51.030
  • UNDEVELOPED LAND," AND KIM
  • 00:28:51.030 --> 00:28:52.140
  • RESPONDED IN A WAY I KNEW SHE
  • 00:28:52.140 --> 00:28:55.010
  • WAS UNHAPPY.
  • 00:28:55.010 --> 00:28:56.290
  • SHE GOES, "THIS IS NOT
  • 00:28:56.290 --> 00:28:59.280
  • UNDEVELOPED LAND.
  • 00:28:59.280 --> 00:29:00.190
  • THOSE ARE TREES.
  • 00:29:00.190 --> 00:29:02.130
  • THOSE ARE TREES.
  • 00:29:02.130 --> 00:29:03.190
  • GOD CREATED TREES, ERWIN."
  • 00:29:03.190 --> 00:29:05.090
  • [LAUGHTER]
  • 00:29:05.200 --> 00:29:08.200
  • I SAID, "I KNOW."
  • 00:29:10.020 --> 00:29:13.020
  • I SAID, "BUT IF THERE'S
  • 00:29:13.240 --> 00:29:16.240
  • NO GOD, IT'S ALL NATURE."
  • 00:29:16.240 --> 00:29:19.140
  • ISN'T IT ODD THAT WE
  • 00:29:19.140 --> 00:29:20.030
  • THINK OF CITIES AS NOT NATURE?
  • 00:29:20.030 --> 00:29:21.280
  • ANYBODY TAKE TRIPS OUT TO
  • 00:29:21.280 --> 00:29:22.280
  • NATURE?
  • 00:29:22.280 --> 00:29:25.020
  • HOW CAN YOU TAKE A TRIP OUT TO
  • 00:29:25.020 --> 00:29:27.120
  • NATURE IF YOU'RE JUST AN
  • 00:29:27.120 --> 00:29:28.060
  • ADVANCED FORM OF AN ANT?
  • 00:29:28.060 --> 00:29:30.160
  • THEN THE CITY IS JUST OUR
  • 00:29:30.160 --> 00:29:32.100
  • COLONY, AND IT'S STILL NATURE,
  • 00:29:32.100 --> 00:29:34.160
  • YET, SOMEHOW, WE HAVE A SENSE
  • 00:29:34.160 --> 00:29:36.030
  • THAT WHAT WE CREATE IS
  • 00:29:36.030 --> 00:29:38.080
  • DISCONNECTED FROM NATURE BECAUSE
  • 00:29:38.080 --> 00:29:40.110
  • WE KNOW, SOMEHOW, WE HUMANS HAVE
  • 00:29:40.110 --> 00:29:42.100
  • STEPPED OUTSIDE OF OUR
  • 00:29:42.100 --> 00:29:43.270
  • INTENTION.
  • 00:29:43.270 --> 00:29:46.010
  • EVEN THE LANGUAGE OF SAYING
  • 00:29:46.010 --> 00:29:47.090
  • SOMETHING IS "INHUMANE,"
  • 00:29:47.090 --> 00:29:49.030
  • WE KNOW WHEN SOMETHING
  • 00:29:49.030 --> 00:29:49.200
  • IS INHUMANE.
  • 00:29:49.200 --> 00:29:51.100
  • YOU DON'T EVEN HAVE TO BELIEVE
  • 00:29:51.100 --> 00:29:52.010
  • IN GOD TO KNOW A HUMAN ACT CAN
  • 00:29:52.010 --> 00:29:53.010
  • BE INHUMANE, BUT ISN'T IT
  • 00:29:53.010 --> 00:29:54.250
  • ABSURD?
  • 00:29:54.250 --> 00:29:55.100
  • ISN'T IT ABSURD TO THINK THAT A
  • 00:29:55.100 --> 00:29:56.190
  • HUMAN ACT COULD BE INHUMANE?
  • 00:29:56.190 --> 00:29:59.100
  • HAVE YOU EVER SEEN A KILLER
  • 00:29:59.100 --> 00:30:02.000
  • WHALE EAT A SEAL?
  • 00:30:02.000 --> 00:30:03.210
  • THEY PLAY WITH IT AT FIRST.
  • 00:30:03.210 --> 00:30:05.010
  • I MEAN, THE KILLER WHALE COMES
  • 00:30:05.010 --> 00:30:07.060
  • UP TO THE SEAL, CATCHES IT BUT
  • 00:30:07.060 --> 00:30:09.050
  • DOESN'T KILL IT, THROWS IT IN
  • 00:30:09.050 --> 00:30:09.260
  • THE AIR, AND IT JUST COMES
  • 00:30:09.260 --> 00:30:12.070
  • SPIRALING DOWN AND STARTS
  • 00:30:12.070 --> 00:30:13.220
  • SWIMMING AWAY, AND THE KILLER
  • 00:30:13.220 --> 00:30:15.020
  • WHALE JUST FOLLOWS IT, PUTS IT
  • 00:30:15.020 --> 00:30:16.090
  • IN ITS MOUTH, THROWS IT IN THE
  • 00:30:16.090 --> 00:30:18.170
  • AIR.
  • 00:30:18.170 --> 00:30:19.040
  • THEY'RE PLAYING.
  • 00:30:19.040 --> 00:30:20.150
  • THE SEAL DOESN'T WANT TO PLAY,
  • 00:30:20.150 --> 00:30:22.200
  • BUT THEY ARE PLAYING, AND THE
  • 00:30:22.200 --> 00:30:24.030
  • SEAL STARTS SWIMMING AWAY, AND
  • 00:30:24.030 --> 00:30:26.120
  • THEN, EVENTUALLY, WHEN THE SEAL
  • 00:30:26.120 --> 00:30:27.290
  • IS SO EXHAUSTED, THE WHALE EATS
  • 00:30:27.290 --> 00:30:29.120
  • IT, AND WE DON'T THINK TO
  • 00:30:29.120 --> 00:30:31.180
  • OURSELVES,
  • 00:30:31.180 --> 00:30:33.170
  • "THAT'S IN-ANIMAL."
  • 00:30:33.240 --> 00:30:36.240
  • WE THINK THAT'S WHAT KILLER
  • 00:30:36.240 --> 00:30:37.140
  • WHALES DO.
  • 00:30:37.140 --> 00:30:38.190
  • WHEN WE SEE TIGERS HUNTING DOWN
  • 00:30:38.190 --> 00:30:40.290
  • AN ANTELOPE, EATING IT WHILE
  • 00:30:40.290 --> 00:30:42.200
  • IT'S STILL THROBBING--
  • 00:30:42.200 --> 00:30:44.030
  • AM I CLEAR ENOUGH?
  • 00:30:44.030 --> 00:30:44.250
  • IS IT DESCRIPTIVE ENOUGH?
  • 00:30:44.250 --> 00:30:45.170
  • SEE, HAVE YOU EVER TAKEN ANY
  • 00:30:45.170 --> 00:30:47.070
  • TIME TO WATCH
  • 00:30:47.070 --> 00:30:48.040
  • "NATIONAL GEOGRAPHIC"?
  • 00:30:48.040 --> 00:30:49.000
  • DON'T DO IT.
  • 00:30:49.000 --> 00:30:49.140
  • IT'S WAY TOO VIOLENT.
  • 00:30:49.140 --> 00:30:50.060
  • [LAUGHTER]
  • 00:30:50.060 --> 00:30:52.290
  • AND, YET WE DON'T WATCH ANYTHING
  • 00:30:52.290 --> 00:30:53.280
  • IN NATURE AND THINK TO
  • 00:30:53.280 --> 00:30:54.160
  • OURSELVES,
  • 00:30:54.160 --> 00:30:55.130
  • "THAT IS UNNATURAL,"
  • 00:30:55.130 --> 00:30:56.000
  • BUT WE HUMANS, WE KNOW THAT,
  • 00:30:56.110 --> 00:30:59.110
  • WHEN WE ARE AT OUR WORST SELVES,
  • 00:30:59.110 --> 00:31:01.010
  • THAT WE ARE ACTUALLY EXPRESSING
  • 00:31:01.010 --> 00:31:03.010
  • INHUMANITY.
  • 00:31:03.010 --> 00:31:04.280
  • SEE, THERE ARE SHADOWS THAT KEEP
  • 00:31:05.210 --> 00:31:08.210
  • HAUNTING US, AND GOD SAYS, "I'M
  • 00:31:08.260 --> 00:31:11.260
  • GONNA TAKE OUT YOUR HEART OF
  • 00:31:11.260 --> 00:31:13.000
  • STONE AND GIVE YOU A HEART OF
  • 00:31:13.000 --> 00:31:14.200
  • FLESH 'CAUSE I'M GONNA MAKE YOU
  • 00:31:14.200 --> 00:31:15.160
  • HUMAN AGAIN."
  • 00:31:16.030 --> 00:31:19.030
  • SEE, THE INTENTION OF THE
  • 00:31:19.030 --> 00:31:19.270
  • CHURCH, OF THOSE OF US WHO
  • 00:31:19.270 --> 00:31:22.120
  • ARE FOLLOWERS OF JESUS CHRIST,
  • 00:31:22.120 --> 00:31:24.040
  • IT'S NOT TO TRY TO MAKE
  • 00:31:24.040 --> 00:31:26.050
  • THE WORLD MORAL.
  • 00:31:26.050 --> 00:31:28.100
  • IT'S TO TRY TO MAKE THE
  • 00:31:28.100 --> 00:31:30.000
  • WORLD HUMAN.
  • 00:31:30.000 --> 00:31:32.280
  • SEE, OUR MISSION IS TO RECLAIM
  • 00:31:32.280 --> 00:31:33.260
  • OUR HUMANITY AND TO REMEMBER
  • 00:31:33.260 --> 00:31:36.130
  • WHAT IT MEANS TO BE HUMAN AGAIN.
  • 00:31:38.280 --> 00:31:41.280
  • AND SOMETIMES WE KEEP
  • 00:31:41.280 --> 00:31:43.230
  • FORGETTING BECAUSE WE'RE SO
  • 00:31:43.230 --> 00:31:44.200
  • BROKEN, THAT BROKEN STARTS
  • 00:31:44.200 --> 00:31:45.130
  • LOOKING NORMAL.
  • 00:31:48.200 --> 00:31:51.200
  • WHEN I STARTED THINKING OF THE
  • 00:31:51.200 --> 00:31:52.180
  • THEME OF THE FUTURE OF HUMANITY,
  • 00:31:52.180 --> 00:31:53.190
  • I REMEMBER, WHEN I WAS IN FOURTH
  • 00:31:53.190 --> 00:31:54.250
  • GRADE, I CONVINCED MYSELF I WAS
  • 00:31:54.250 --> 00:31:56.020
  • FROM ANOTHER PLANET, THAT I WAS
  • 00:31:56.020 --> 00:31:57.220
  • FROM AN ALIEN SPECIES THAT THEY
  • 00:31:57.220 --> 00:32:00.240
  • DROPPED ME HERE ON EARTH TO TRY
  • 00:32:00.240 --> 00:32:03.060
  • TO SEE IF WE COULD ASSIMILATE
  • 00:32:03.060 --> 00:32:04.160
  • WITH THE HUMAN SPECIES, AND I
  • 00:32:04.160 --> 00:32:05.180
  • WOULD RUN AWAY FROM HOME AND RUN
  • 00:32:05.200 --> 00:32:08.200
  • OUT INTO OPEN FIELDS AND SCREAM
  • 00:32:08.200 --> 00:32:10.070
  • AT THE STARS IN THE MIDDLE OF
  • 00:32:10.070 --> 00:32:12.190
  • THE NIGHT AND SAY, "TAKE ME
  • 00:32:12.190 --> 00:32:13.150
  • BACK.
  • 00:32:13.150 --> 00:32:14.030
  • IT'S NOT WORKING."
  • 00:32:14.030 --> 00:32:14.270
  • [LAUGHTER]
  • 00:32:14.270 --> 00:32:16.280
  • SO, AS YOU CAN IMAGINE, I ENDED
  • 00:32:16.280 --> 00:32:18.000
  • UP IN A PSYCHIATRIC CHAIR BY THE
  • 00:32:18.000 --> 00:32:19.080
  • TIME I WAS 12 YEARS OLD.
  • 00:32:19.080 --> 00:32:20.170
  • HOW DOES A 12-YEAR-OLD KID END
  • 00:32:20.170 --> 00:32:23.140
  • UP IN A PSYCHIATRIC CHAIR?
  • 00:32:23.140 --> 00:32:26.040
  • HOW DOES A 12-YEAR-OLD KID END
  • 00:32:26.040 --> 00:32:27.230
  • UP HAVING YEAR AFTER YEAR AFTER
  • 00:32:27.230 --> 00:32:29.280
  • YEAR OF NIGHTMARES?
  • 00:32:29.280 --> 00:32:32.170
  • HOW DOES A 12-YEAR-OLD KID FEEL
  • 00:32:32.170 --> 00:32:33.260
  • SO DESPERATE HE CAN'T GET OUT OF
  • 00:32:33.260 --> 00:32:36.230
  • BED IN THE MORNING, AND HE CAN'T
  • 00:32:36.230 --> 00:32:37.240
  • GO TO SLEEP AT NIGHT?
  • 00:32:37.240 --> 00:32:38.140
  • HOW DOES A 12-YEAR-OLD KID FEEL
  • 00:32:38.140 --> 00:32:39.130
  • LIKE HE'S SUFFOCATING TO DEATH
  • 00:32:40.140 --> 00:32:43.140
  • AND CAN'T FIND A REASON TO LIVE?
  • 00:32:43.140 --> 00:32:44.190
  • HOW DOES A 12-YEAR-OLD KID END
  • 00:32:44.190 --> 00:32:45.100
  • UP IN A PSYCHIATRIC CHAIR,
  • 00:32:45.100 --> 00:32:46.010
  • TRYIN' TO FIGURE OUT WHAT IT
  • 00:32:46.010 --> 00:32:47.010
  • MEANS TO BE HUMAN, HOPING
  • 00:32:47.010 --> 00:32:48.110
  • AGAINST HOPE THAT THE ONLY
  • 00:32:48.110 --> 00:32:50.190
  • EXPLANATION FOR HIS LIFE IS THAT
  • 00:32:50.190 --> 00:32:52.100
  • SOME ALIEN SPECIES DROPPED HIM
  • 00:32:52.100 --> 00:32:53.260
  • IN ON A BAD EXPERIMENTá?
  • 00:32:53.260 --> 00:32:55.150
  • IT'S BECAUSE WE DON'T KNOW TO BE
  • 00:32:55.270 --> 00:32:58.270
  • US 'CAUSE WE'RE BROKEN, AND WE
  • 00:32:58.270 --> 00:33:01.100
  • CAN'T EXPLAIN THE BROKENNESS,
  • 00:33:02.000 --> 00:33:05.000
  • BUT WE JUST SENSE IT.
  • 00:33:05.000 --> 00:33:05.230
  • WE FEEL IT.
  • 00:33:05.230 --> 00:33:07.020
  • IT HAUNTS US, AND IT TORMENTS
  • 00:33:07.020 --> 00:33:08.250
  • US, AND IT KEEPS DEFINING US,
  • 00:33:08.250 --> 00:33:10.130
  • AND IF WE'RE NOT CAREFUL, ALL OF
  • 00:33:10.130 --> 00:33:12.020
  • HUMAN HISTORY WILL BE WRITTEN
  • 00:33:12.020 --> 00:33:14.020
  • OUT OF OUR HEARTS OF STONE AND
  • 00:33:14.020 --> 00:33:15.270
  • NOT OUR HEARTS OF FLESH.
  • 00:33:15.270 --> 00:33:18.080
  • SEE, THE HUMAN HEART WAS NEVER
  • 00:33:18.270 --> 00:33:21.270
  • INTENDED TO BE A CONTAINER FOR
  • 00:33:21.270 --> 00:33:23.070
  • HATE.
  • 00:33:23.070 --> 00:33:25.230
  • THE HUMAN HEART WAS NEVER
  • 00:33:25.230 --> 00:33:26.120
  • INTENDED TO BE A CONTAINER FOR
  • 00:33:26.120 --> 00:33:27.130
  • VIOLENCE.
  • 00:33:27.130 --> 00:33:28.090
  • THE HUMAN HEART WAS NEVER
  • 00:33:28.090 --> 00:33:29.140
  • INTENDED TO BE A CONTAINER FOR
  • 00:33:29.140 --> 00:33:30.060
  • DESPAIR.
  • 00:33:30.060 --> 00:33:32.080
  • THE HUMAN HEART WAS NEVER
  • 00:33:32.080 --> 00:33:32.290
  • INTENDED TO BE A CONTAINER FOR
  • 00:33:32.290 --> 00:33:34.090
  • FEAR.
  • 00:33:34.090 --> 00:33:35.120
  • THE HUMAN HEART WAS NEVER
  • 00:33:35.120 --> 00:33:37.020
  • INTENDED TO BE A CONTAINER FOR
  • 00:33:37.020 --> 00:33:38.040
  • BITTERNESS OR JEALOUSY OR ENVY,
  • 00:33:39.110 --> 00:33:42.110
  • OR ARROGANCE, BUT THE VERY
  • 00:33:42.110 --> 00:33:43.120
  • THINGS THAT WE'VE ALLOWED TO
  • 00:33:43.120 --> 00:33:44.210
  • POUR INTO THE VERY ESSENCE OF
  • 00:33:44.210 --> 00:33:45.290
  • OUR SOULS HAVE BROKEN US AND
  • 00:33:46.060 --> 00:33:49.060
  • SHATTERED US FROM THE INSIDE
  • 00:33:49.060 --> 00:33:51.200
  • OUT,
  • 00:33:53.040 --> 00:33:56.040
  • AND SO THE SCRIPTURES TELL US,
  • 00:33:56.040 --> 00:33:57.100
  • "NO, THIS IS WHAT I'M GONNA
  • 00:33:57.100 --> 00:33:58.000
  • DO FOR YOU."
  • 00:33:58.000 --> 00:33:58.120
  • THIS IS THE GIFT THAT
  • 00:33:58.120 --> 00:33:59.080
  • GOD'S GOING TO GIVE US.
  • 00:33:59.080 --> 00:34:00.150
  • HE'S GOING TO TAKE AWAY OUR
  • 00:34:00.150 --> 00:34:01.120
  • HEARTS OF STONE BECAUSE
  • 00:34:01.120 --> 00:34:02.080
  • EVENTUALLY, HAVE YOU NOTICED
  • 00:34:02.080 --> 00:34:03.120
  • THAT, IF YOU'LL ALLOW YOUR HEART
  • 00:34:03.120 --> 00:34:05.100
  • TO BE ABSORBED BY ALL THE WRONG
  • 00:34:05.100 --> 00:34:06.220
  • THINGS, YOUR HEART BECOMES
  • 00:34:06.220 --> 00:34:07.190
  • HARDER AND HARDER AND HARDER?
  • 00:34:07.190 --> 00:34:10.000
  • IT'S ALMOST AS IF YOUR HEART
  • 00:34:10.000 --> 00:34:12.080
  • STOPS BEATING.
  • 00:34:12.200 --> 00:34:15.200
  • YOU LOSE YOUR SENSE OF
  • 00:34:15.200 --> 00:34:16.140
  • COMPASSION AND EMPATHY.
  • 00:34:16.140 --> 00:34:18.160
  • IF YOU'RE NOT CAREFUL,
  • 00:34:18.160 --> 00:34:20.200
  • EVENTUALLY YOU LOSE TOUCH WITH
  • 00:34:20.200 --> 00:34:22.260
  • WHAT IT MEANS TO LOVE.
  • 00:34:22.260 --> 00:34:25.190
  • YOU LOSE THE ABILITY TO LAUGH
  • 00:34:25.190 --> 00:34:27.150
  • AND CELEBRATE AND ENJOY LIFE.
  • 00:34:29.280 --> 00:34:32.280
  • HOW CAN YOU EXPLAIN THE RUNAWAY
  • 00:34:32.280 --> 00:34:33.210
  • SUICIDE RATE IN A SOCIETY THAT
  • 00:34:33.220 --> 00:34:36.220
  • HAS SO MUCH FREEDOM AND SO MUCH
  • 00:34:36.220 --> 00:34:38.150
  • OPPORTUNITY THAT PEOPLE SHOULD
  • 00:34:38.150 --> 00:34:39.270
  • BE DANCING IN THE STREETS BUT
  • 00:34:39.270 --> 00:34:41.250
  • WE'RE DROWNING IN DESPAIR?
  • 00:34:41.250 --> 00:34:44.170
  • SEE, THE WONDER OF IT IS THAT
  • 00:34:45.220 --> 00:34:48.220
  • GOD IS ALWAYS PLACING IN FRONT
  • 00:34:49.120 --> 00:34:52.120
  • OF US A NEW FUTURE, BUT THAT
  • 00:34:52.120 --> 00:34:54.210
  • FUTURE ISN'T ETHEREAL.
  • 00:34:54.210 --> 00:34:57.130
  • IT'S NOT JUST "OUT THERE"
  • 00:34:57.130 --> 00:34:58.020
  • SOMEWHERE.
  • 00:34:58.020 --> 00:34:58.200
  • THAT NEW FUTURE IS IN HERE
  • 00:34:58.200 --> 00:34:59.230
  • SOMEWHERE 'CAUSE THE DESIGN OF
  • 00:34:59.230 --> 00:35:02.010
  • HUMAN BEINGS, IT'S SO
  • 00:35:02.010 --> 00:35:04.090
  • EXTRAORDINARY.
  • 00:35:04.090 --> 00:35:06.070
  • WE'VE TALKED ABOUT THIS, THAT
  • 00:35:06.070 --> 00:35:06.280
  • WHAT MAKES HUMANS SO UNIQUE,
  • 00:35:06.280 --> 00:35:08.060
  • DIFFERENT THAN EVERY OTHER
  • 00:35:08.060 --> 00:35:09.090
  • SPECIES IS, IN THE WAYS THAT
  • 00:35:09.090 --> 00:35:10.280
  • ANTS CREATE COLONIES AND BEES
  • 00:35:10.280 --> 00:35:13.020
  • CREATE HIVES, HUMANS CREATE
  • 00:35:13.020 --> 00:35:14.150
  • FUTURES, AND HUMANS ARE DESIGNED
  • 00:35:14.150 --> 00:35:16.120
  • TO CREATE, AND ONE OF THE GREAT
  • 00:35:16.120 --> 00:35:18.290
  • MISTAKES WE'VE MADE IS WE
  • 00:35:18.290 --> 00:35:20.110
  • THOUGHT THAT OUR MANTRA WAS
  • 00:35:20.110 --> 00:35:21.200
  • "I THINK, THEREFORE, I AM," BUT
  • 00:35:21.200 --> 00:35:23.080
  • ACTUALLY WHAT FITS US BETTER IS
  • 00:35:23.080 --> 00:35:25.160
  • "I BREATHE, THEREFORE,
  • 00:35:25.160 --> 00:35:27.030
  • I CREATE."
  • 00:35:27.030 --> 00:35:29.120
  • SEE, HUMANS ARE DESIGNED
  • 00:35:29.120 --> 00:35:31.170
  • BY GOD TO CREATE.
  • 00:35:31.170 --> 00:35:32.240
  • WE ARE IMAGINED TO IMAGINE,
  • 00:35:32.240 --> 00:35:34.010
  • CREATED TO CREATE.
  • 00:35:34.010 --> 00:35:36.000
  • AN AVERAGE HUMAN BEING IS BOTH A
  • 00:35:36.000 --> 00:35:37.290
  • WORK OF ART AND AN ARTIST AT
  • 00:35:37.290 --> 00:35:39.020
  • WORK, AND THE QUESTION IS NOT
  • 00:35:39.020 --> 00:35:40.090
  • "WILL YOU CREATE A FUTURE?"
  • 00:35:40.090 --> 00:35:42.000
  • THE QUESTION IS "WHAT KIND OF
  • 00:35:42.000 --> 00:35:43.030
  • FUTURE WILL YOU CREATE?"
  • 00:35:43.030 --> 00:35:45.150
  • [CHEERS AND APPLAUSE]
  • 00:35:47.060 --> 00:35:50.060
  • JUST A FEW WEEKS AGO, I WAS IN
  • 00:35:50.060 --> 00:35:53.030
  • AND I MET THESE TWO BROTHERS WHO
  • 00:35:57.020 --> 00:35:58.060
  • ARE BOTH NEUROSCIENTISTS.
  • 00:35:58.060 --> 00:35:58.250
  • I DIDN'T KNOW IT RAN IN THE
  • 00:35:58.250 --> 00:35:59.150
  • FAMILY.
  • 00:35:59.150 --> 00:35:59.250
  • AND WE BEGAN HAVING A
  • 00:35:59.250 --> 00:36:01.290
  • CONVERSATION ABOUT PHANTOM PAIN
  • 00:36:01.290 --> 00:36:04.020
  • 'CAUSE I'VE BEEN SO FASCINATED
  • 00:36:04.020 --> 00:36:05.120
  • WITH PHANTOM PAIN, AND ONE OF
  • 00:36:05.120 --> 00:36:06.200
  • THE THINGS THAT THEY TOLD ME WAS
  • 00:36:06.200 --> 00:36:07.190
  • THAT A PERSON CAN ACTUALLY LOSE
  • 00:36:07.190 --> 00:36:09.000
  • THEIR ARM, AND YEARS LATER,
  • 00:36:09.000 --> 00:36:10.160
  • SOMEONE CAN ACT LIKE THEY'RE
  • 00:36:10.160 --> 00:36:12.190
  • GONNA HIT THEIR ARM, AND THEY'LL
  • 00:36:12.190 --> 00:36:14.030
  • MOVE EVEN THOUGH THERE'S NO ARM
  • 00:36:14.030 --> 00:36:14.250
  • IT'S EXTRAORDINARY.
  • 00:36:16.260 --> 00:36:17.210
  • THE PHENOMENON OF PHANTOM PAIN,
  • 00:36:17.210 --> 00:36:19.170
  • TO ME, IS SO AMAZING BECAUSE YOU
  • 00:36:19.170 --> 00:36:20.220
  • CAN LOSE A LEG, AND YEARS LATER,
  • 00:36:20.220 --> 00:36:22.140
  • YOU FEEL THE PAIN OF A LEG THAT
  • 00:36:22.140 --> 00:36:24.250
  • ISN'T THERE, BUT FOR PHANTOM
  • 00:36:24.250 --> 00:36:27.110
  • PAIN TO HAPPEN, YOU HAVE TO LOSE
  • 00:36:27.110 --> 00:36:28.260
  • SOMETHING THAT WAS ONCE YOURS.
  • 00:36:28.260 --> 00:36:30.080
  • YOU CANNOT HAVE PHANTOM PAIN FOR
  • 00:36:30.080 --> 00:36:32.260
  • YOUR SECOND HEAD THAT YOU NEVER
  • 00:36:32.260 --> 00:36:34.080
  • HAD, BUT YOU FEEL IT 'CAUSE IT
  • 00:36:34.080 --> 00:36:35.120
  • WAS ONCE THERE.
  • 00:36:38.090 --> 00:36:41.090
  • YOU HAVE A MEMORY OF IT.
  • 00:36:41.090 --> 00:36:42.110
  • IT'S A PHANTOM MEMORY.
  • 00:36:42.110 --> 00:36:43.170
  • IT'S A PHANTOM PAIN.
  • 00:36:43.170 --> 00:36:44.190
  • SEE, I'M CONVINCED THAT HUMAN
  • 00:36:44.190 --> 00:36:46.100
  • IDEALS ARE THE PHANTOM PAIN OF
  • 00:36:46.100 --> 00:36:48.020
  • THE SOUL.
  • 00:36:48.020 --> 00:36:50.110
  • SEE, THE REASON WE CAN IMAGINE A
  • 00:36:50.110 --> 00:36:52.090
  • WORLD WITH PEACE-- ISN'T THAT
  • 00:36:52.090 --> 00:36:53.060
  • CRAZY?
  • 00:36:53.060 --> 00:36:53.230
  • THERE'S SOMEBODY HERE, YOU'RE
  • 00:36:53.230 --> 00:36:55.010
  • GONNA SPEND YOUR WHOLE LIFE
  • 00:36:55.010 --> 00:36:55.210
  • FIGHTING FOR WORLD PEACE, BUT
  • 00:36:55.210 --> 00:36:56.200
  • YOU'VE NEVER KNOWN A WORLD OF
  • 00:36:56.200 --> 00:36:57.110
  • PEACE.
  • 00:36:57.110 --> 00:36:59.140
  • IT'S JUST AN IDEA THAT YOU'VE
  • 00:36:59.140 --> 00:37:00.070
  • NEVER KNOWN.
  • 00:37:00.070 --> 00:37:01.090
  • SOME OF YOU ARE GONNA FIGHT YOUR
  • 00:37:01.090 --> 00:37:02.150
  • ENTIRE LIFE FOR JUSTICE FOR
  • 00:37:02.150 --> 00:37:04.000
  • EVERYONE, BUT IT'S AN INSANITY
  • 00:37:04.000 --> 00:37:06.230
  • BECAUSE YOU'VE NEVER KNOWN A
  • 00:37:06.230 --> 00:37:08.090
  • WORLD WITHOUT JUSTICE FOR
  • 00:37:08.090 --> 00:37:09.140
  • EVERYONE.
  • 00:37:09.140 --> 00:37:10.190
  • SOME OF YOU WILL SPEND YOUR
  • 00:37:10.190 --> 00:37:11.150
  • ENTIRE LIFE TRYING TO FIND A WAY
  • 00:37:11.150 --> 00:37:12.130
  • TO MAKE SURE EVERYONE HAS FOOD,
  • 00:37:12.130 --> 00:37:13.260
  • BUT THERE'S NEVER BEEN A MOMENT
  • 00:37:13.260 --> 00:37:15.090
  • IN HISTORY WHERE EVERYONE HAS
  • 00:37:15.090 --> 00:37:16.160
  • FOOD.
  • 00:37:16.160 --> 00:37:18.140
  • SOME OF YOU WILL LIVE YOUR
  • 00:37:18.140 --> 00:37:19.130
  • ENTIRE LIFE MAKING SURE THAT
  • 00:37:19.130 --> 00:37:20.030
  • EVERY CHILD HAS A FAMILY, BUT
  • 00:37:20.030 --> 00:37:21.160
  • THAT'S NEVER BEEN TRUE IN HUMAN
  • 00:37:21.160 --> 00:37:22.080
  • HISTORY.
  • 00:37:22.080 --> 00:37:23.130
  • SEE, THERE'S SOME OF YOU ARE
  • 00:37:23.130 --> 00:37:25.060
  • HAUNTED BY IDEALS.
  • 00:37:25.060 --> 00:37:27.180
  • YOU SEE A PICTURE OF WHO
  • 00:37:27.180 --> 00:37:28.070
  • HUMANITY COULD BE, AND YOU'RE
  • 00:37:28.070 --> 00:37:29.160
  • GONNA GIVE YOUR ENTIRE LIFE TO
  • 00:37:29.160 --> 00:37:30.210
  • THOSE IDEALS, BUT WHERE DO THOSE
  • 00:37:30.210 --> 00:37:32.020
  • IDEALS COME FROM?
  • 00:37:32.020 --> 00:37:33.090
  • HUMAN IDEALS ARE THE PHANTOM
  • 00:37:33.100 --> 00:37:36.100
  • PAIN OF THE SOUL.
  • 00:37:36.100 --> 00:37:37.210
  • IT'S OUR REMEMBERING WHAT WE
  • 00:37:37.210 --> 00:37:39.180
  • WERE SUPPOSED TO BE LIKE.
  • 00:37:39.180 --> 00:37:41.080
  • [APPLAUSE]
  • 00:37:46.020 --> 00:37:49.020
  • I THINK A LOT OF PEOPLE ARE
  • 00:37:49.020 --> 00:37:49.290
  • ARGUING ABOUT WHO GOD IS AND
  • 00:37:50.060 --> 00:37:53.060
  • WHAT GOD'S LIKE.
  • 00:37:53.060 --> 00:37:54.000
  • I THINK MAYBE THE MOST IMPORTANT
  • 00:37:54.000 --> 00:37:55.140
  • CONVERSATION WE CAN HAVE IS "WHO
  • 00:37:55.140 --> 00:37:58.050
  • ARE WE, AND WHAT ARE WE SUPPOSED
  • 00:37:58.050 --> 00:37:58.270
  • TO BE LIKE?
  • 00:37:58.270 --> 00:38:01.090
  • WHAT DOES IT MEAN TO BE CREATED
  • 00:38:01.090 --> 00:38:02.240
  • IN THE IMAGE AND LIKENESS OF
  • 00:38:02.240 --> 00:38:03.140
  • GOD?
  • 00:38:03.140 --> 00:38:06.050
  • WHAT DOES IT MEAN TO BE HUMAN?"
  • 00:38:06.050 --> 00:38:07.260
  • THERE'S A VERSE THAT I'VE GONE
  • 00:38:08.100 --> 00:38:11.100
  • BACK TO SO MUCH BECAUSE IT HAS
  • 00:38:11.100 --> 00:38:12.140
  • IN HEBREWS 11, VERSE 6, IT SAYS,
  • 00:38:17.130 --> 00:38:19.020
  • "AND WITHOUT FAITH IT IS
  • 00:38:19.020 --> 00:38:21.210
  • IMPOSSIBLE TO PLEASE GOD."
  • 00:38:21.210 --> 00:38:24.070
  • YOU EVER READ THE
  • 00:38:24.070 --> 00:38:25.110
  • SCRIPTURES AND YOU KNOW
  • 00:38:25.110 --> 00:38:27.010
  • IT'S SUPPOSED TO BE TRUE,
  • 00:38:27.010 --> 00:38:27.200
  • BUT IT DOESN'T FEEL LIKE
  • 00:38:27.200 --> 00:38:28.080
  • BUT YOU JUST GO, "OKAY,
  • 00:38:30.030 --> 00:38:30.210
  • IT'S TRUE.
  • 00:38:30.210 --> 00:38:31.150
  • I KNOW IT'S TRUE."
  • 00:38:31.150 --> 00:38:32.000
  • I HAVE TO FIND A WAY
  • 00:38:32.000 --> 00:38:33.250
  • TO MAKE MY REALITY
  • 00:38:33.250 --> 00:38:35.190
  • MATCH WHAT I'M READING.
  • 00:38:35.190 --> 00:38:37.060
  • BUT WHEN IT SAYS, "BY FAITH,
  • 00:38:37.110 --> 00:38:40.110
  • IT'S THE ONLY MECHANISM, THE
  • 00:38:40.110 --> 00:38:42.090
  • ONLY MEANS WHICH WE CAN PLEASE
  • 00:38:42.090 --> 00:38:43.050
  • GOD,"
  • 00:38:43.050 --> 00:38:44.040
  • "WITHOUT FAITH, IT IS
  • 00:38:44.040 --> 00:38:45.090
  • IMPOSSIBLE TO PLEASE GOD,"
  • 00:38:45.090 --> 00:38:46.040
  • I KIND OF STEP BACK AND ASK
  • 00:38:46.040 --> 00:38:47.100
  • THE QUESTION, "WHY?
  • 00:38:47.100 --> 00:38:49.150
  • WHY IS IT IMPOSSIBLE TO PLEASE
  • 00:38:49.150 --> 00:38:51.130
  • GOD WITHOUT FAITH?"
  • 00:38:51.130 --> 00:38:52.210
  • AGAIN, NO OTHER SPECIES NEEDS
  • 00:38:52.210 --> 00:38:53.260
  • FAITH TO PLEASE GOD.
  • 00:38:53.260 --> 00:38:55.270
  • IT'S KIND OF UNFAIR.
  • 00:38:55.270 --> 00:38:57.080
  • WE HAVE A DOG.
  • 00:38:57.080 --> 00:38:58.230
  • SHE DOESN'T HAVE FAITH.
  • 00:38:58.230 --> 00:39:00.230
  • [LAUGHTER]
  • 00:39:00.230 --> 00:39:01.260
  • SHE DOESN'T HAVE ANY AMBITION.
  • 00:39:01.260 --> 00:39:02.220
  • SHE HAS NO MOTIVATION.
  • 00:39:02.220 --> 00:39:05.170
  • SHE DOESN'T EVEN ASPIRE TO
  • 00:39:05.170 --> 00:39:06.090
  • BE A HUSKY.
  • 00:39:06.090 --> 00:39:09.020
  • SHE'S JUST A LAZY LAB.
  • 00:39:09.020 --> 00:39:11.120
  • YOU THINK SHE COULD GET UP ONE
  • 00:39:11.120 --> 00:39:12.170
  • DAY AND SAY, "I'M GONNA
  • 00:39:12.170 --> 00:39:13.210
  • BE MORE"?
  • 00:39:13.210 --> 00:39:15.130
  • "I'M GONNA BE LIKE A
  • 00:39:15.130 --> 00:39:16.000
  • GERMAN SHEPHERD.
  • 00:39:16.000 --> 00:39:16.200
  • I'M GONNA BE A DOBERMAN."
  • 00:39:16.200 --> 00:39:17.230
  • NOT OUR DOG.
  • 00:39:17.230 --> 00:39:18.080
  • SHE SLEEPS, AND SHE EATS.
  • 00:39:18.080 --> 00:39:19.180
  • KIM USED TO SAY,
  • 00:39:19.180 --> 00:39:20.230
  • "THERE'S SOMETHING WRONG WITH
  • 00:39:20.230 --> 00:39:21.140
  • HER.
  • 00:39:21.140 --> 00:39:21.250
  • ALL SHE DOES IS SLEEP."
  • 00:39:21.250 --> 00:39:22.140
  • "WELL, HONEY,
  • 00:39:22.140 --> 00:39:22.270
  • THAT'S WHAT DOGS DO.
  • 00:39:22.270 --> 00:39:23.220
  • THEY HAVE NO DESIRE TO CREATE A
  • 00:39:23.220 --> 00:39:24.160
  • BETTER WORLD.
  • 00:39:24.160 --> 00:39:25.260
  • [LAUGHTER]
  • 00:39:25.260 --> 00:39:27.090
  • THEY'RE JUST DOGS."
  • 00:39:27.090 --> 00:39:28.210
  • BUT OUR DOG DOES NOT
  • 00:39:28.210 --> 00:39:31.100
  • NEED FAITH TO PLEASE GOD.
  • 00:39:31.100 --> 00:39:32.200
  • I MEAN, THERE-- KANGAROOS LIVE
  • 00:39:32.200 --> 00:39:34.260
  • IN THE OUTBACK.
  • 00:39:36.110 --> 00:39:39.110
  • THEY DON'T NEED FAITH.
  • 00:39:39.110 --> 00:39:40.020
  • THEY JUST HOP AROUND, ENJOY
  • 00:39:40.020 --> 00:39:40.250
  • LIFE.
  • 00:39:40.250 --> 00:39:42.160
  • THERE IS NO SPECIES ON THIS
  • 00:39:42.160 --> 00:39:44.270
  • PLANET THAT IS REQUIRED TO HAVE
  • 00:39:44.270 --> 00:39:46.260
  • FAITH TO PLEASE GOD.
  • 00:39:46.260 --> 00:39:49.150
  • SO WHY SHOULD WE?
  • 00:39:49.150 --> 00:39:51.090
  • LIKE, "GOD, WHY ARE YOU CREATING
  • 00:39:51.090 --> 00:39:52.120
  • THIS UNFAIR MEASURE?"
  • 00:39:52.120 --> 00:39:53.160
  • 'CAUSE IT'S SO HARD TO
  • 00:39:53.160 --> 00:39:54.080
  • LIVE BY FAITH.
  • 00:39:54.080 --> 00:39:56.050
  • IF YOU CANNOT PLEASE GOD WITHOUT
  • 00:39:56.170 --> 00:39:59.170
  • FAITH, WHAT IT TELLS US
  • 00:39:59.170 --> 00:40:02.170
  • IS SOMETHING.
  • 00:40:02.170 --> 00:40:04.110
  • WHAT IT TELLS US IS THAT FAITH
  • 00:40:04.110 --> 00:40:05.040
  • IS NOT SOME MAGICAL FORMULA THAT
  • 00:40:05.040 --> 00:40:05.260
  • ALLOWS YOU TO BE SUPERHUMAN.
  • 00:40:05.260 --> 00:40:07.040
  • FAITH IS NOT SOME SUPERSTITIOUS
  • 00:40:07.150 --> 00:40:10.150
  • FRAMEWORK OF REALITY THAT CAUSES
  • 00:40:10.150 --> 00:40:12.220
  • YOU TO DENY WHAT'S REAL AND ACT
  • 00:40:12.220 --> 00:40:15.180
  • AS IF WHAT ISN'T TRUE IS TRUE.
  • 00:40:15.180 --> 00:40:16.230
  • FAITH, THE REASON IT IS SO
  • 00:40:17.180 --> 00:40:20.180
  • POWERFUL, THE REASON IT IS
  • 00:40:20.180 --> 00:40:21.190
  • IMPOSSIBLE TO PLEASE GOD WITHOUT
  • 00:40:21.190 --> 00:40:23.020
  • FAITH IS BECAUSE FAITH RESTORES
  • 00:40:23.140 --> 00:40:26.140
  • OUR HUMANITY.
  • 00:40:26.140 --> 00:40:29.070
  • SEE, IT IS IMPOSSIBLE TO PLEASE
  • 00:40:29.070 --> 00:40:30.160
  • GOD WITHOUT FAITH BECAUSE,
  • 00:40:30.160 --> 00:40:32.010
  • WITHOUT FAITH, WE LIVE A
  • 00:40:32.010 --> 00:40:33.180
  • SUBHUMAN LIFE.
  • 00:40:33.180 --> 00:40:36.120
  • SEE, WHEN WE LIVE WITHOUT FAITH,
  • 00:40:36.120 --> 00:40:38.010
  • WE ACTUALLY START LIVING LIKE
  • 00:40:38.010 --> 00:40:39.190
  • EVERY OTHER SPECIES ON
  • 00:40:39.190 --> 00:40:40.150
  • THAT'S WHY, WHEN YOU LOOK BACK
  • 00:40:42.230 --> 00:40:43.140
  • UP IN HEBREWS 1, IT SAYS, "NOW
  • 00:40:43.140 --> 00:40:44.110
  • FAITH IS CONFIDENCE IN WHAT WE
  • 00:40:44.110 --> 00:40:45.150
  • HOPE FOR AND ASSURANCE IN WHAT
  • 00:40:45.150 --> 00:40:46.240
  • WE DO NOT SEE."
  • 00:40:46.240 --> 00:40:49.010
  • WHEN I READ THAT,
  • 00:40:49.010 --> 00:40:50.280
  • I GO, "NO, I DON'T HAVE
  • 00:40:50.280 --> 00:40:51.200
  • CONFIDENCE IN WHAT I HOPE FOR.
  • 00:40:51.200 --> 00:40:52.260
  • I HAVE CONFIDENCE IN WHAT I
  • 00:40:52.260 --> 00:40:53.200
  • HOW ABOUT YOU?
  • 00:40:54.230 --> 00:40:56.080
  • IT'S EASIER TO HAVE CONFIDENCE
  • 00:40:56.080 --> 00:40:57.160
  • IN WHAT WE HAVE THAN WHAT WE
  • 00:40:57.160 --> 00:40:58.150
  • HOPE FOR, AND SO WHAT IT MEANS
  • 00:40:58.150 --> 00:40:59.250
  • IS THAT, WHEN WE HAVE CONFIDENCE
  • 00:40:59.250 --> 00:41:01.120
  • IN WHAT WE HAVE, WE'RE ACTUALLY
  • 00:41:01.120 --> 00:41:03.020
  • LIVING A SUBHUMAN LIFE.
  • 00:41:03.020 --> 00:41:05.040
  • IT'S WHEN FAITH SHIFTS US AND WE
  • 00:41:05.040 --> 00:41:07.170
  • BEGIN HAVING CONFIDENCE IN WHAT
  • 00:41:07.170 --> 00:41:10.110
  • WE HOPE FOR THAT WE BEGIN LIVING
  • 00:41:10.110 --> 00:41:12.080
  • OUR LIVES AS HUMANS AGAIN, AND
  • 00:41:12.080 --> 00:41:15.060
  • THE BEAUTIFUL THING ABOUT HOPE
  • 00:41:15.060 --> 00:41:17.010
  • IS THAT HOPE CANNOT EXIST IN THE
  • 00:41:17.010 --> 00:41:18.020
  • PAST 'CAUSE THAT'S CALLED
  • 00:41:18.020 --> 00:41:19.100
  • "REGRET."
  • 00:41:19.100 --> 00:41:21.070
  • SEE, HOPE CAN ONLY
  • 00:41:21.070 --> 00:41:22.100
  • EXIST IN THE FUTURE.
  • 00:41:22.100 --> 00:41:23.130
  • SO IT TELLS US THAT HUMANS ARE
  • 00:41:23.130 --> 00:41:25.210
  • DESIGNED FOR THE FUTURE,
  • 00:41:25.210 --> 00:41:28.170
  • NOT THE PAST.
  • 00:41:28.170 --> 00:41:31.110
  • NOW, EXPLAIN TO ME WHY ACROSS
  • 00:41:31.110 --> 00:41:32.030
  • THE WORLD, THE CHURCH IS A RELIC
  • 00:41:32.030 --> 00:41:34.010
  • OF MEMORIES OF THE PAST RATHER
  • 00:41:34.010 --> 00:41:36.290
  • THAN THE EPICENTER OF
  • 00:41:36.290 --> 00:41:38.130
  • HUMANITY'S FUTURE?
  • 00:41:38.130 --> 00:41:40.260
  • [APPLAUSE]
  • 00:41:45.000 --> 00:41:48.000
  • JUST RECENTLY, A GERMAN
  • 00:41:48.000 --> 00:41:48.180
  • THEOLOGIAN CAME, AND HE CAME TO
  • 00:41:48.180 --> 00:41:49.100
  • VISIT OUR COMMUNITY.
  • 00:41:49.100 --> 00:41:51.170
  • HE SAID, "WHY DON'T YOU HAVE ANY
  • 00:41:51.170 --> 00:41:52.090
  • SYMBOLS?"
  • 00:41:52.090 --> 00:41:53.060
  • I SAID, "WHAT DO YOU MEAN?"
  • 00:41:53.060 --> 00:41:54.040
  • HE SAID, "YOU DON'T HAVE ANY
  • 00:41:54.040 --> 00:41:54.240
  • SYMBOLS.
  • 00:41:54.240 --> 00:41:55.060
  • WHY ARE THERE NO SYMBOLS?"
  • 00:41:55.060 --> 00:41:56.270
  • HE SEEMED REALLY DISTRAUGHT.
  • 00:41:56.270 --> 00:41:59.030
  • AND I SAID, "WELL, THERE'S
  • 00:41:59.030 --> 00:42:01.140
  • SYMBOLS EVERYWHERE.
  • 00:42:01.140 --> 00:42:02.000
  • THOSE CHAIRS ARE SYMBOLS OF
  • 00:42:02.000 --> 00:42:03.020
  • PEOPLE WHO ARE COMING."
  • 00:42:03.020 --> 00:42:05.070
  • I SAID, "THE SCREEN,
  • 00:42:05.070 --> 00:42:07.160
  • THEY'RE CONTINUOUS MOVING
  • 00:42:07.160 --> 00:42:08.200
  • SYMBOLS."
  • 00:42:08.200 --> 00:42:10.110
  • "YES, BUT YOU DON'T HAVE
  • 00:42:10.110 --> 00:42:12.000
  • ANY SYMBOLS."
  • 00:42:12.000 --> 00:42:12.220
  • I SAID, "OH, SEE, YOUR
  • 00:42:12.220 --> 00:42:14.080
  • SYMBOLS POINT TO THE PAST.
  • 00:42:14.080 --> 00:42:16.130
  • OUR SYMBOLS POINT TO THE
  • 00:42:16.130 --> 00:42:17.200
  • SEE, WHEN YOU BEGIN TO LIVE BY
  • 00:42:26.020 --> 00:42:26.270
  • FAITH, YOU BEGIN TO BE HUMAN
  • 00:42:26.270 --> 00:42:27.230
  • AGAIN, AND YOU BEGIN TO LEAN
  • 00:42:27.230 --> 00:42:28.190
  • INTO THE FUTURE.
  • 00:42:28.190 --> 00:42:31.140
  • IT'S SO HARD TO CONVINCE PEOPLE
  • 00:42:31.140 --> 00:42:33.140
  • THAT JESUS CREATES A BETTER
  • 00:42:33.140 --> 00:42:36.000
  • FUTURE WHEN THE CHURCH KEEPS
  • 00:42:36.000 --> 00:42:38.060
  • WE THINK THAT IT'S OPTIONAL HOW
  • 00:42:42.020 --> 00:42:42.260
  • OUR CHURCHES EXPRESS THEMSELVES
  • 00:42:42.260 --> 00:42:44.040
  • IN THE WORLD.
  • 00:42:44.040 --> 00:42:46.210
  • I THINK IT IS TRAGIC AND
  • 00:42:46.210 --> 00:42:47.260
  • DESTRUCTIVE FOR THE CHURCH TO
  • 00:42:47.260 --> 00:42:50.090
  • HOLD ONTO THE PAST RATHER THAN
  • 00:42:50.100 --> 00:42:53.100
  • TO GRAB HOLD OF THE FUTURE.
  • 00:42:53.100 --> 00:42:55.130
  • WE SHOULD BE GOD'S INSTRUMENTS
  • 00:42:55.130 --> 00:42:56.290
  • IN HUMAN HISTORY, CREATING THE
  • 00:42:56.290 --> 00:42:59.030
  • FUTURE THAT HUMANITY DESPERATELY
  • 00:42:59.030 --> 00:43:00.090
  • SAYS, "NOW FAITH IS CONFIDENCE
  • 00:43:08.120 --> 00:43:09.030
  • IN WHAT WE HOPE FOR AND
  • 00:43:09.030 --> 00:43:09.210
  • ASSURANCE ABOUT WHAT WE DO NOT
  • 00:43:09.210 --> 00:43:11.100
  • SEE."
  • 00:43:11.100 --> 00:43:13.010
  • AGAIN, I HAVE A LOT MORE
  • 00:43:13.010 --> 00:43:14.190
  • ASSURANCE IN WHAT I SEE-- HOW
  • 00:43:14.190 --> 00:43:15.150
  • ABOUT YOU?
  • 00:43:15.150 --> 00:43:16.080
  • -- THAN WHAT I DON'T SEE.
  • 00:43:16.080 --> 00:43:18.210
  • IN FACT, IF YOU DON'T PAY
  • 00:43:18.210 --> 00:43:19.160
  • ATTENTION, ALL YOU'LL EVER HAVE
  • 00:43:19.160 --> 00:43:20.190
  • IS ASSURANCE IN WHAT YOU SEE,
  • 00:43:20.190 --> 00:43:22.000
  • BUT, SOMEHOW, WE'RE SUPPOSED TO
  • 00:43:22.000 --> 00:43:25.000
  • BE CREATURES CONNECTED TO THE
  • 00:43:25.000 --> 00:43:27.050
  • FUTURE AND TO THE INVISIBLE.
  • 00:43:27.050 --> 00:43:29.260
  • WE'RE SUPPOSED TO HAVE
  • 00:43:29.260 --> 00:43:30.170
  • CONFIDENCE IN WHAT WE HOPE FOR,
  • 00:43:30.170 --> 00:43:31.190
  • WHICH IS IN THE FUTURE, AND
  • 00:43:31.190 --> 00:43:32.270
  • ASSURANCE IN WHAT WE DO NOT SEE,
  • 00:43:32.270 --> 00:43:33.270
  • WHICH IS THE INVISIBLE, SO WE'RE
  • 00:43:33.270 --> 00:43:35.080
  • SUPPOSED TO BE FUTURE INVISIBLE
  • 00:43:35.080 --> 00:43:37.200
  • CREATURES, AND THIS IS NOT
  • 00:43:37.200 --> 00:43:38.120
  • SOMETHING SUPERNATURAL.
  • 00:43:38.120 --> 00:43:41.060
  • THIS IS SOMETHING NATURAL.
  • 00:43:41.060 --> 00:43:43.170
  • THIS IS HOW HUMANS ARE SUPPOSED
  • 00:43:43.170 --> 00:43:45.040
  • TO OPERATE.
  • 00:43:45.040 --> 00:43:47.140
  • LET ME JUST GIVE YOU A QUICK
  • 00:43:47.140 --> 00:43:48.220
  • EXAMPLE: SEE, THERE'S SOME OF
  • 00:43:48.220 --> 00:43:50.000
  • YOU HERE, YOU HAVE MORE
  • 00:43:50.000 --> 00:43:50.180
  • CONFIDENCE IN WHAT YOU HAVE AND
  • 00:43:50.180 --> 00:43:51.170
  • MORE ASSURANCE IN WHAT YOU SEE.
  • 00:43:51.170 --> 00:43:53.020
  • YOU EVER BEEN AROUND SOMEONE
  • 00:43:53.020 --> 00:43:54.220
  • DATING SOMEONE THAT THEY DON'T
  • 00:43:54.220 --> 00:43:56.060
  • WANNA DATE?
  • 00:43:56.060 --> 00:43:58.290
  • YOU KNOW WHAT I'M TALKIN' ABOUT?
  • 00:43:58.290 --> 00:44:00.020
  • YOU KNOW, SHE'S TALKIN' TO ALL
  • 00:44:00.020 --> 00:44:00.230
  • HER GIRLFRIENDS, SAYING, "I
  • 00:44:00.230 --> 00:44:01.240
  • DON'T KNOW WHY-- I DON'T EVEN
  • 00:44:01.240 --> 00:44:02.250
  • KNOW WHY I'M WITH HIM ANYMORE."
  • 00:44:02.250 --> 00:44:03.290
  • [LAUGHTER]
  • 00:44:03.290 --> 00:44:04.290
  • LIKE, "HE USED TO BE SO, LIKE,
  • 00:44:04.290 --> 00:44:05.200
  • SO SENSITIVE, AND HE WAS SO
  • 00:44:05.200 --> 00:44:07.210
  • CARING.
  • 00:44:07.210 --> 00:44:08.210
  • HE'D ALWAYS SHOW UP EARLY AND
  • 00:44:08.210 --> 00:44:09.120
  • BRING ME FLOWERS.
  • 00:44:09.120 --> 00:44:10.050
  • I DON'T EVEN LIKE FLOWERS, BUT
  • 00:44:10.050 --> 00:44:11.000
  • HE WOULD BRING ME FLOWERS, AND
  • 00:44:11.000 --> 00:44:12.020
  • HE WOULD TAKE ME OUT TO DINNER,
  • 00:44:12.020 --> 00:44:13.120
  • AND WE'D JUST HAVE SUCH A GREAT
  • 00:44:13.120 --> 00:44:14.060
  • TIME.
  • 00:44:14.060 --> 00:44:15.070
  • NOW HE ALWAYS SHOWS UP LATE.
  • 00:44:15.070 --> 00:44:15.270
  • DOESN'T EVEN CALL.
  • 00:44:15.270 --> 00:44:16.150
  • DOESN'T TEXT ME BACK.
  • 00:44:16.150 --> 00:44:18.230
  • IN FACT, I TEXT HIM 20 TIMES.
  • 00:44:18.230 --> 00:44:19.260
  • HE DOESN'T EVEN TEXT ME BACK.
  • 00:44:19.260 --> 00:44:21.060
  • I DON'T KNOW WHAT'S WRONG AND,
  • 00:44:21.060 --> 00:44:23.060
  • YOU KNOW--" AND THEN YOU GO,
  • 00:44:23.060 --> 00:44:23.270
  • "JUST GET RID OF HIM.
  • 00:44:23.270 --> 00:44:26.000
  • GET ANOTHER BOYFRIEND."
  • 00:44:26.000 --> 00:44:27.230
  • SHE GOES, "NO, HE'S MY MAN."
  • 00:44:27.230 --> 00:44:29.010
  • [LAUGHTER]
  • 00:44:29.010 --> 00:44:31.230
  • "I CAN CHANGE HIM.
  • 00:44:31.230 --> 00:44:32.140
  • I CAN MAKE HIM WHO I NEED HIM TO
  • 00:44:32.140 --> 00:44:33.090
  • BE."
  • 00:44:33.090 --> 00:44:33.220
  • YOU KNOW WHY?
  • 00:44:33.220 --> 00:44:34.120
  • 'CAUSE YOU HAVE CONFIDENCE IN
  • 00:44:34.120 --> 00:44:35.060
  • WHO YOU HAVE, NOT WHO YOU
  • 00:44:35.060 --> 00:44:35.250
  • HOPE FOR.
  • 00:44:35.250 --> 00:44:37.290
  • [CHEERS]
  • 00:44:37.290 --> 00:44:40.260
  • YOU EVER BEEN AROUND SOMEONE WHO
  • 00:44:40.260 --> 00:44:42.010
  • HATES THEIR JOB?
  • 00:44:42.010 --> 00:44:43.090
  • AND I'M AROUND PEOPLE ALL THE
  • 00:44:43.090 --> 00:44:45.170
  • TIME: "I HATE MY BOSS,"
  • 00:44:45.170 --> 00:44:46.170
  • "I HATE THE DRIVE,"
  • 00:44:46.170 --> 00:44:47.160
  • "I HATE THE BUILDING,"
  • 00:44:47.160 --> 00:44:48.080
  • "I HATE WHAT I DO,"
  • 00:44:48.080 --> 00:44:49.060
  • "I HATE MONDAYS;
  • 00:44:49.060 --> 00:44:51.030
  • I LOVE FRIDAYS."
  • 00:44:51.030 --> 00:44:52.000
  • I GO, "QUIT YOUR JOB."
  • 00:44:52.000 --> 00:44:54.060
  • "I CAN'T.
  • 00:44:54.060 --> 00:44:54.190
  • I HAVE RESPONSIBILITIES.
  • 00:44:54.190 --> 00:44:55.070
  • I HAVE A FAMILY.
  • 00:44:55.070 --> 00:44:56.180
  • I HAVE BILLS TO PAY."
  • 00:44:56.180 --> 00:44:58.050
  • AND IT'S BECAUSE YOU HAVE
  • 00:44:58.050 --> 00:44:59.090
  • MORE CONFIDENCE IN THE JOB
  • 00:44:59.090 --> 00:45:00.110
  • YOU HAVE THAN THE JOB
  • 00:45:00.110 --> 00:45:01.040
  • YOU HOPE FOR.
  • 00:45:01.040 --> 00:45:02.210
  • SEE, AND THERE'S SOME OF YOU,
  • 00:45:02.210 --> 00:45:04.060
  • YOU HATE YOUR LIFE.
  • 00:45:04.060 --> 00:45:05.090
  • LET'S JUST BE REALLY UP-FRONT:
  • 00:45:06.090 --> 00:45:09.090
  • YOU HATE YOUR LIFE.
  • 00:45:09.090 --> 00:45:10.060
  • LIKE, "HOW DID THIS HAPPEN
  • 00:45:10.060 --> 00:45:10.270
  • TO ME?
  • 00:45:10.270 --> 00:45:12.270
  • HOW DID I GET HERE?"
  • 00:45:12.270 --> 00:45:14.200
  • AND HERE'S THE CRAZY THING: I
  • 00:45:14.200 --> 00:45:16.000
  • MEET PEOPLE ALL THE TIME WHO
  • 00:45:16.000 --> 00:45:17.120
  • HATE THEIR LIVES, AND THEN YOU
  • 00:45:17.120 --> 00:45:19.040
  • TELL THEM,
  • 00:45:19.040 --> 00:45:19.250
  • "LET ME TELL YOU WHAT
  • 00:45:19.250 --> 00:45:20.270
  • JESUS DOES.
  • 00:45:20.270 --> 00:45:22.030
  • HE'LL TAKE THAT LIFE YOU HATE
  • 00:45:22.030 --> 00:45:24.230
  • AND GIVE YOU A LIFE YOU CAN'T
  • 00:45:24.230 --> 00:45:25.140
  • EVEN IMAGINE."
  • 00:45:25.140 --> 00:45:27.130
  • [CHEERS]
  • 00:45:27.130 --> 00:45:29.110
  • AND THEN YOU GO, "I DON'T KNOW.
  • 00:45:29.110 --> 00:45:30.120
  • I DON'T THINK SO."
  • 00:45:30.120 --> 00:45:31.200
  • 'CAUSE YOU WOULD RATHER
  • 00:45:31.200 --> 00:45:32.240
  • EXIST WITH A LIFE YOU
  • 00:45:32.240 --> 00:45:33.220
  • HATE THAN TAKE A RISK AND
  • 00:45:34.040 --> 00:45:37.040
  • STEP INTO THE LIFE YOU HOPE FOR.
  • 00:45:44.050 --> 00:45:47.050
  • THE BEAUTIFUL THING ABOUT BEING
  • 00:45:47.050 --> 00:45:47.270
  • HUMAN IS THAT WE'RE FUTURE
  • 00:45:47.270 --> 00:45:49.070
  • AND I THINK VERSE 3 IS REALLY
  • 00:45:52.260 --> 00:45:53.170
  • IMPORTANT IN HEBREWS WHERE IT
  • 00:45:53.170 --> 00:45:54.080
  • SAYS, "BY FAITH WE UNDERSTAND
  • 00:45:54.080 --> 00:45:54.290
  • THAT THE UNIVERSE WAS FORMED AT
  • 00:45:54.290 --> 00:45:56.050
  • GOD'S COMMAND, SO THAT WHAT IS
  • 00:45:56.050 --> 00:45:57.240
  • SEEN WAS NOT MADE OUT OF WHAT
  • 00:45:57.240 --> 00:45:58.150
  • I THINK THIS IS INTERESTING
  • 00:46:01.270 --> 00:46:02.170
  • BECAUSE SCIENCE ALWAYS TELLS
  • 00:46:02.170 --> 00:46:03.070
  • US THAT EVERYTHING COMES
  • 00:46:03.070 --> 00:46:03.250
  • OUT OF SOMETHING,
  • 00:46:03.250 --> 00:46:05.060
  • BUT THAT ORIGINAL SOMETHING CAME
  • 00:46:05.060 --> 00:46:06.160
  • OUT OF NOTHING.
  • 00:46:06.160 --> 00:46:07.270
  • NOW, I LOVE SCIENCE, BUT WE
  • 00:46:07.270 --> 00:46:09.060
  • ALWAYS THINK THAT'S HILARIOUS:
  • 00:46:09.060 --> 00:46:10.160
  • EVERYTHING COMES OUT OF
  • 00:46:10.160 --> 00:46:11.290
  • SOMETHING, AND THAT SOMETHING
  • 00:46:11.290 --> 00:46:13.000
  • CAME OUT OF NOTHING.
  • 00:46:13.000 --> 00:46:13.170
  • AND THEN, LIKE, CHRISTIANS GO,
  • 00:46:14.060 --> 00:46:17.060
  • "NO, IT'S LIKE THIS: EVERYTHING
  • 00:46:17.060 --> 00:46:18.120
  • CAME OUT OF SOMETHING, AND THEN
  • 00:46:18.120 --> 00:46:20.090
  • THAT SOMETHING CAME OUT OF
  • 00:46:20.090 --> 00:46:22.080
  • NOTHING, BUT GOD WAS THERE."
  • 00:46:22.080 --> 00:46:24.110
  • [LAUGHTER]
  • 00:46:24.110 --> 00:46:26.080
  • SO WE'RE SAYING THE SAME THING
  • 00:46:26.080 --> 00:46:27.290
  • SCIENCE IS SAYING.
  • 00:46:27.290 --> 00:46:29.030
  • THEY JUST DON'T KNOW WHO WAS
  • 00:46:29.030 --> 00:46:31.090
  • THERE, AND WE SAY, "GOD WAS
  • 00:46:31.090 --> 00:46:31.290
  • THERE."
  • 00:46:31.290 --> 00:46:33.200
  • I THINK BOTH POSITIONS ARE
  • 00:46:33.200 --> 00:46:35.000
  • SO INTERESTING BECAUSE,
  • 00:46:35.000 --> 00:46:35.280
  • LIKE, WITH SCIENCE, THEY GO,
  • 00:46:35.280 --> 00:46:36.250
  • "OKAY, WE KNOW THAT EVERYTHING
  • 00:46:36.250 --> 00:46:37.290
  • COMES OUT OF SOMETHING, AND THAT
  • 00:46:37.290 --> 00:46:39.030
  • SOMETHING CAME OUT OF NOTHING,"
  • 00:46:39.030 --> 00:46:40.130
  • BUT HOW LONG WAS THAT
  • 00:46:40.130 --> 00:46:42.080
  • NOTHING, NOTHING?
  • 00:46:42.080 --> 00:46:43.110
  • AND WHAT HAPPENED IN NOTHING'S
  • 00:46:43.110 --> 00:46:46.020
  • LIFE, WHERE IT FINALLY DECIDED,
  • 00:46:46.020 --> 00:46:48.140
  • "I SHOULD DO SOMETHING."
  • 00:46:48.140 --> 00:46:50.180
  • [LAUGHTER]
  • 00:46:50.180 --> 00:46:52.150
  • AND HOW DID NOTHING GET
  • 00:46:52.150 --> 00:46:54.000
  • SOMETHING SO RIGHT THAT IT
  • 00:46:54.000 --> 00:46:55.010
  • CREATED EVERYTHING THE FIRST
  • 00:46:55.010 --> 00:46:56.040
  • TIME OUT?
  • 00:46:57.160 --> 00:47:00.180
  • WELL, YOU SEE, THIS IDEA ISN'T
  • 00:47:00.180 --> 00:47:02.040
  • RIGHT EITHER.
  • 00:47:02.040 --> 00:47:03.110
  • SEE, THE SCRIPTURES DOES NOT
  • 00:47:03.110 --> 00:47:04.180
  • TEACH THAT "EVERYTHING CAME OUT
  • 00:47:04.180 --> 00:47:06.130
  • OF SOMETHING, AND SOMETHING CAME
  • 00:47:06.130 --> 00:47:07.150
  • OUT OF NOTHING, BUT GOD SPOKE
  • 00:47:07.150 --> 00:47:08.060
  • INTO NOTHING."
  • 00:47:08.060 --> 00:47:08.220
  • LISTEN AGAIN WHAT
  • 00:47:08.220 --> 00:47:09.150
  • SAYS, "SO WHAT IS SEEN WAS NOT
  • 00:47:11.250 --> 00:47:12.180
  • MADE OUT OF WHAT WAS VISIBLE."
  • 00:47:13.080 --> 00:47:16.080
  • SEE, THE SCRIPTURES DO NOT TELL
  • 00:47:16.080 --> 00:47:17.000
  • US THAT EVERYTHING CAME OUT OF
  • 00:47:17.000 --> 00:47:18.050
  • NOTHING.
  • 00:47:18.050 --> 00:47:19.210
  • IT SAYS THAT EVERYTHING THAT IS
  • 00:47:19.210 --> 00:47:20.130
  • SEEN CAME OUT OF THAT WHICH IS
  • 00:47:20.130 --> 00:47:21.040
  • SO IT MEANS THAT THERE WAS
  • 00:47:23.090 --> 00:47:23.280
  • INVISIBLE MATERIAL FROM WHICH
  • 00:47:23.280 --> 00:47:24.190
  • GOD CREATED ALL THE VISIBLE
  • 00:47:24.190 --> 00:47:25.090
  • REALITY.
  • 00:47:25.090 --> 00:47:27.030
  • SO I START ASKING MYSELF, "WHAT
  • 00:47:27.030 --> 00:47:27.250
  • IS THAT INVISIBLE MATERIAL?
  • 00:47:27.250 --> 00:47:29.250
  • IS IT QUANTUM LIQUID LIKE IN
  • 00:47:29.250 --> 00:47:32.060
  • BLACK HOLES?
  • 00:47:32.060 --> 00:47:33.000
  • WHAT IS IT?"
  • 00:47:33.000 --> 00:47:33.290
  • [LAUGHTER]
  • 00:47:33.290 --> 00:47:36.100
  • YOU KNOW WHAT IT IS?
  • 00:47:36.100 --> 00:47:37.140
  • EVERYTHING IN THE SCENE CAME OUT
  • 00:47:37.140 --> 00:47:39.100
  • OF THE DREAMS OF GOD.
  • 00:47:39.100 --> 00:47:42.050
  • THAT'S THE INVISIBLE MATERIAL.
  • 00:47:42.050 --> 00:47:44.290
  • SEE, THERE'S A DIFFERENCE
  • 00:47:45.070 --> 00:47:48.070
  • BETWEEN SOMETHING BEING NOTHING
  • 00:47:48.070 --> 00:47:49.140
  • AND SOMETHING BEING INVISIBLE
  • 00:47:49.140 --> 00:47:50.240
  • 'CAUSE IN THIS ROOM THERE'S
  • 00:47:50.240 --> 00:47:51.190
  • OXYGEN,
  • 00:47:51.190 --> 00:47:52.100
  • AND IT'S INVISIBLE, BUT
  • 00:47:52.100 --> 00:47:53.010
  • IT'S SOMETHING, AND WE KNOW
  • 00:47:53.010 --> 00:47:54.220
  • WHERE THERE'S SOMETHING IN THE
  • 00:47:54.220 --> 00:47:55.260
  • ROOM 'CAUSE WE'RE BREATHING IT
  • 00:47:55.260 --> 00:47:57.230
  • IN, AND WE'RE ALIVE.
  • 00:47:57.230 --> 00:47:58.150
  • NOW HERE'S A CRAZY THING:
  • 00:47:58.150 --> 00:47:59.160
  • YOU SEE, GOD IMAGINED
  • 00:47:59.160 --> 00:48:00.050
  • THE UNIVERSE,
  • 00:48:00.050 --> 00:48:01.130
  • AND THEN HE CREATED IT OUT OF
  • 00:48:01.130 --> 00:48:03.150
  • HIS IMAGINATION.
  • 00:48:03.150 --> 00:48:04.240
  • HE DREAMED OF YOU, AND YOU CAME
  • 00:48:04.240 --> 00:48:07.020
  • INTO EXISTENCE.
  • 00:48:07.020 --> 00:48:09.070
  • IN FACT, IN JEREMIAH, HE SAYS,
  • 00:48:09.070 --> 00:48:10.160
  • "BEFORE YOU WERE BORN, I KNEW
  • 00:48:10.160 --> 00:48:11.070
  • YOU."
  • 00:48:11.070 --> 00:48:12.210
  • HOW IS THAT POSSIBLE?
  • 00:48:12.210 --> 00:48:13.220
  • WHAT GOD IS SAYING IS THAT
  • 00:48:13.220 --> 00:48:14.110
  • "YOU EXISTED IN MY
  • 00:48:14.110 --> 00:48:15.240
  • DREAMS BEFORE YOU WERE A FETUS
  • 00:48:15.240 --> 00:48:17.180
  • YOU EXISTED IN MY DREAMS BEFORE
  • 00:48:20.060 --> 00:48:21.000
  • YOU WERE IN THE ARMS OF YOUR
  • 00:48:21.000 --> 00:48:22.090
  • FATHER."
  • 00:48:22.090 --> 00:48:23.100
  • NOW, WHERE YOU STARTED MATTERS.
  • 00:48:23.100 --> 00:48:25.030
  • YOU BEGAN IN A DREAM.
  • 00:48:25.030 --> 00:48:27.060
  • YOU BEGAN IN THE DREAMS OF GOD.
  • 00:48:27.270 --> 00:48:30.270
  • YOU WERE IN HIS IMAGINATION,
  • 00:48:33.050 --> 00:48:36.050
  • AND IF YOU STARTED
  • 00:48:36.050 --> 00:48:38.200
  • IN THE DREAMS OF GOD,
  • 00:48:38.200 --> 00:48:40.230
  • IF, WHEN YOU TOOK YOUR
  • 00:48:40.230 --> 00:48:41.280
  • FIRST BREATH, YOU WERE THE
  • 00:48:41.280 --> 00:48:43.180
  • MATERIALIZATION OF THE DREAMS OF
  • 00:48:43.180 --> 00:48:46.060
  • GOD, SHOULDN'T SOMEWHERE, BEFORE
  • 00:48:46.170 --> 00:48:49.170
  • YOU TAKE YOUR LAST BREATH,
  • 00:48:49.170 --> 00:48:51.020
  • YOU LIVE OUT THE DREAMS
  • 00:48:51.020 --> 00:48:53.140
  • THAT GOD HAS FOR YOUR LIFE?
  • 00:48:53.140 --> 00:48:55.070
  • [APPLAUSE]
  • 00:48:58.260 --> 00:49:01.280
  • AND THEN I BEGAN TO SEE IT.
  • 00:49:01.280 --> 00:49:03.020
  • THE REASON THE WRITER OF HEBREWS
  • 00:49:03.020 --> 00:49:04.160
  • WENT TO THIS IS BECAUSE YOU'RE
  • 00:49:04.160 --> 00:49:06.110
  • CREATED IN THE IMAGE OF GOD, AND
  • 00:49:06.110 --> 00:49:07.230
  • SO YOU WERE IMAGINED TO IMAGINE
  • 00:49:08.130 --> 00:49:11.130
  • AND CREATED TO CREATE.
  • 00:49:14.270 --> 00:49:17.270
  • JUST SAY IT,
  • 00:49:17.270 --> 00:49:19.050
  • "I BREATHE,
  • 00:49:19.260 --> 00:49:22.260
  • THEREFORE, I CREATE."
  • 00:49:23.120 --> 00:49:26.120
  • IT'S BECAUSE YOU'RE HUMAN.
  • 00:49:26.120 --> 00:49:28.190
  • THE FUTURE OF HUMANITY IS A
  • 00:49:28.190 --> 00:49:29.090
  • CREATIVE FUTURE.
  • 00:49:29.140 --> 00:49:32.140
  • IT'S A FUTURE WE FINALLY
  • 00:49:32.140 --> 00:49:34.060
  • UNDERSTAND WHAT IT MEANS TO BE
  • 00:49:34.060 --> 00:49:36.100
  • HUMAN, THAT WE'RE DESIGNED BY
  • 00:49:36.100 --> 00:49:37.200
  • GOD AS CREATIVE BEINGS, AND IT
  • 00:49:37.200 --> 00:49:40.010
  • IS NOT AN ACCIDENT THAT WE HAVE
  • 00:49:40.010 --> 00:49:42.000
  • AN IMAGINATION.
  • 00:49:42.000 --> 00:49:42.270
  • IT IS NOT INCIDENTAL THAT WE CAN
  • 00:49:42.270 --> 00:49:43.190
  • CREATE.
  • 00:49:43.190 --> 00:49:46.120
  • THERE IS NO OTHER SPECIES ON
  • 00:49:46.120 --> 00:49:47.070
  • THIS PLANET THAT CAN ACTUALLY
  • 00:49:47.070 --> 00:49:48.020
  • TRANSLATE THEIR IMAGINATION INTO
  • 00:49:48.020 --> 00:49:48.290
  • THIS IS UNIQUELY HUMAN 'CAUSE I
  • 00:49:55.220 --> 00:49:58.220
  • KNOW THAT A WORLD CREATED BY
  • 00:49:58.220 --> 00:50:00.020
  • HATE CANNOT COMPARE TO A WORLD
  • 00:50:00.020 --> 00:50:02.170
  • CREATED BY LOVE.
  • 00:50:02.170 --> 00:50:05.100
  • I KNOW THAT A WORLD CREATED BY
  • 00:50:05.100 --> 00:50:06.160
  • DESPAIR CANNOT COMPETE WITH A
  • 00:50:06.160 --> 00:50:07.190
  • WORLD CREATED BY HOPE.
  • 00:50:07.210 --> 00:50:10.210
  • I KNOW THAT A WORLD CREATED BY
  • 00:50:10.210 --> 00:50:12.080
  • FEAR CANNOT STAND AGAINST A
  • 00:50:12.080 --> 00:50:13.150
  • THE CHURCH IS SUPPOSED TO BE THE
  • 00:50:19.230 --> 00:50:20.220
  • EPICENTER OF THE FUTURE GOD
  • 00:50:20.220 --> 00:50:22.120
  • IMAGINES.
  • 00:50:22.270 --> 00:50:25.270
  • IMAGINE GOD HAVING CREATED US,
  • 00:50:25.270 --> 00:50:27.210
  • PLACING US IN THE MIDDLE OF HIS
  • 00:50:30.080 --> 00:50:33.080
  • IMAGINATION.
  • 00:50:33.120 --> 00:50:36.120
  • YOU WANNA KNOW WHAT GOD'S
  • 00:50:36.120 --> 00:50:37.280
  • IMAGINATION LOOKS LIKE, WHAT
  • 00:50:37.280 --> 00:50:38.250
  • GOD'S IMAGINATION LOOKS LIKE
  • 00:50:38.250 --> 00:50:40.020
  • WHEN IT'S LEFT UNTOUCHED?
  • 00:50:40.020 --> 00:50:41.120
  • LOOKS LIKE PARADISE.
  • 00:50:42.010 --> 00:50:45.010
  • WHEN GOD DREAMS, IT'S BEAUTIFUL.
  • 00:50:45.010 --> 00:50:47.240
  • WHEN GOD DREAMS,
  • 00:50:48.200 --> 00:50:51.200
  • IT'S TRUE.
  • 00:50:51.200 --> 00:50:53.000
  • WHEN GOD DREAMS, IT'S GOOD,
  • 00:50:53.000 --> 00:50:55.220
  • AND GOD HAS NEVER
  • 00:50:55.220 --> 00:50:57.100
  • STOPPED DREAMING ABOUT YOU.
  • 00:50:57.100 --> 00:50:59.190
  • HE DREAMS ABOUT YOU EVEN STILL,
  • 00:50:59.190 --> 00:51:01.230
  • AND WHETHER YOU REALIZE IT OR
  • 00:51:01.230 --> 00:51:04.180
  • NOT, WE ARE ALL LIVING INSIDE OF
  • 00:51:04.180 --> 00:51:07.020
  • THE IMAGINATION OF GOD AS WELL,
  • 00:51:07.020 --> 00:51:08.170
  • BUT WE HAVE TO CHOOSE WHAT
  • 00:51:08.170 --> 00:51:11.140
  • FUTURE WE WILL LIVE IN.
  • 00:51:11.290 --> 00:51:14.290
  • HE WILL NEVER LEAVE YOU WITHOUT
  • 00:51:14.290 --> 00:51:16.210
  • A PICTURE OF WHO YOU
  • 00:51:18.000 --> 00:51:21.000
  • COULD BECOME.
  • 00:51:21.000 --> 00:51:21.220
  • HE WILL NEVER LEAVE YOU WITHOUT
  • 00:51:21.220 --> 00:51:23.030
  • A WINDOW INTO WHO HUMANITY COULD
  • 00:51:23.030 --> 00:51:24.100
  • BECOME.
  • 00:51:24.100 --> 00:51:25.100
  • GOD'LL JUST KEEP WHISPERING AND
  • 00:51:25.100 --> 00:51:27.140
  • WHISPERING AND SPEAKING AND
  • 00:51:27.140 --> 00:51:29.000
  • SPEAKING AND PAINTING IN THE
  • 00:51:29.000 --> 00:51:30.200
  • CANVAS OF YOUR SOUL A LIFE HE
  • 00:51:30.200 --> 00:51:32.100
  • CREATED YOU TO LIVE, AND EVERY
  • 00:51:32.100 --> 00:51:34.290
  • TIME YOU HAVE A VOICE INSIDE
  • 00:51:35.160 --> 00:51:38.160
  • THAT TELLS YOU, "YOU'RE LESS,"
  • 00:51:38.160 --> 00:51:39.230
  • HIS VOICE IS GONNA TELL YOU,
  • 00:51:39.230 --> 00:51:41.060
  • "NO, YOU'RE MORE."
  • 00:51:41.060 --> 00:51:41.210
  • EVERY TIME YOU HAVE
  • 00:51:41.210 --> 00:51:42.070
  • A VOICE THAT SAYS,
  • 00:51:42.070 --> 00:51:42.220
  • "YOU JUST NEED TO QUIT,"
  • 00:51:42.220 --> 00:51:43.100
  • THAT VOICE SAYS,
  • 00:51:43.100 --> 00:51:43.240
  • "GET UP AND GET GOING."
  • 00:51:43.240 --> 00:51:44.200
  • EVERY TIME YOU FEEL LIKE YOU'RE
  • 00:51:44.200 --> 00:51:45.280
  • A FAILURE, YOU SAID,
  • 00:51:45.280 --> 00:51:46.270
  • "WHAT'RE YOU TALKIN' ABOUT?"
  • 00:51:46.270 --> 00:51:47.170
  • THIS IS JUST PRACTICE 'CAUSE
  • 00:51:47.170 --> 00:51:49.030
  • YOU'RE READY TO STEP INTO
  • 00:51:49.030 --> 00:51:50.140
  • SOMETHING EXTRAORDINARY, AND I
  • 00:51:50.140 --> 00:51:51.270
  • LOVE THE FACT THAT WE'RE LIVING
  • 00:51:51.270 --> 00:51:53.160
  • IN THE DREAMS OF JESUS,
  • 00:51:53.160 --> 00:51:56.020
  • THAT JESUS IMAGINED US.
  • 00:51:56.260 --> 00:51:59.260
  • JESUS LOOKED AT US AND SAID,
  • 00:51:59.290 --> 00:52:03.010
  • "YOU'RE THE SALT OF THE EARTH,
  • 00:52:03.010 --> 00:52:04.200
  • AND YOU'RE THE LIGHT OF THE
  • 00:52:04.200 --> 00:52:05.100
  • WORLD,"
  • 00:52:05.100 --> 00:52:06.010
  • AND WE DIDN'T LOOK LIKE
  • 00:52:06.010 --> 00:52:06.230
  • EITHER, BUT YOU KNOW WHAT?
  • 00:52:06.230 --> 00:52:09.230
  • I'M SICK AND TIRED OF LIVING IN
  • 00:52:09.230 --> 00:52:10.150
  • SOMEONE ELSE'S IMAGINATION THAT
  • 00:52:10.150 --> 00:52:11.120
  • TRIES TO SUFFOCATE ME AND MAKE
  • 00:52:11.120 --> 00:52:14.040
  • ME LESS.
  • 00:52:14.040 --> 00:52:14.280
  • I WANNA LIVE IN THE IMAGINATION
  • 00:52:14.280 --> 00:52:17.010
  • OF GOD, WHERE I CAN BE
  • 00:52:17.010 --> 00:52:18.250
  • EVERYTHING GOD CREATED ME TO BE.
  • 00:52:18.250 --> 00:52:21.040
  • I'M NOT GONNA WAIT FOR THE
  • 00:52:21.040 --> 00:52:23.190
  • FUTURE OF HUMANITY.
  • 00:52:23.190 --> 00:52:25.060
  • I'M GONNA BE THE FUTURE
  • 00:52:25.060 --> 00:52:27.050
  • OF HUMANITY.
  • 00:52:27.050 --> 00:52:28.080
  • HOW ABOUT YOU?
  • 00:52:28.080 --> 00:52:29.190
  • OHH, OH-OHH, OH, OHH, OH, OHH
  • 00:52:35.200 --> 00:52:37.280
  • MY FOREVER IN YOUR HEART
  • 00:52:44.050 --> 00:52:46.080
  • YOUR STEPS I WILL FOLLOW
  • 00:52:56.000 --> 00:52:59.000
  • I PUT MY TRUST IN WHO YOU ARE
  • 00:52:59.000 --> 00:53:01.210
  • I WILL WALK INTO THE DARK TO
  • 00:53:11.160 --> 00:53:14.160
  • SEE HOW THE LIGHT
  • 00:53:14.160 --> 00:53:15.260
  • BREAKS THROUGH
  • 00:53:22.170 --> 00:53:25.170
  • I WILL RUN INTO YOUR ARMS
  • 00:53:27.050 --> 00:53:30.050
  • I WILL HOLD ON TO YOU
  • 00:53:35.260 --> 00:53:38.260
  • AND I WILL LIFT MY EYES TO
  • 00:53:38.290 --> 00:53:41.290
  • THINGS UNSEEN,
  • 00:53:45.180 --> 00:53:48.180
  • TO THE PROMISE
  • 00:53:48.180 --> 00:53:49.280
  • IN YOUR VICTORY
  • 00:53:49.280 --> 00:53:51.230
  • AND I WILL BUILD MY LIFE ON
  • 00:53:52.220 --> 00:53:55.220
  • THE MYSTERY OF WHERE YOU
  • 00:53:56.150 --> 00:53:59.150
  • CALL ME,
  • 00:54:02.200 --> 00:54:05.200
  • AND I WILL GO INTO THE UNKNON
  • 00:54:07.110 --> 00:54:10.110
  • [VOCALIZING]
  • 00:54:14.100 --> 00:54:17.100
  • - MARIAH MCMANUS: COME ON, SING
  • 00:54:17.100 --> 00:54:18.020
  • IT OUT,
  • 00:54:18.020 --> 00:54:20.180
  • I CAN'T BE SHAKEN WITH YOUR
  • 00:54:23.120 --> 00:54:24.040
  • WORDS HIDDEN IN MY HEART
  • 00:54:30.130 --> 00:54:33.130
  • I CAN'T CONTAIN WHAT I HAVE
  • 00:54:33.130 --> 00:54:36.000
  • SEEN,
  • 00:54:36.190 --> 00:54:39.190
  • LIGHT RISING FROM THE DARK
  • 00:54:45.000 --> 00:54:48.000
  • AND I WILL LIFT MY EYES TO
  • 00:54:49.060 --> 00:54:52.060
  • THINGS UNSEEN,
  • 00:54:52.110 --> 00:54:55.110
  • TO THE PROMISE
  • 00:54:55.160 --> 00:54:58.160
  • IN YOUR VICTORY
  • 00:55:01.210 --> 00:55:04.210
  • AND I WILL BUILD MY LIFE ON
  • 00:55:04.210 --> 00:55:05.160
  • THE MYSTERY OF
  • 00:55:05.190 --> 00:55:08.190
  • WHERE YOU CALL ME,
  • 00:55:09.230 --> 00:55:12.230