Cliff Barrows: Celebrating The Music | TBN

Cliff Barrows: Celebrating The Music

Watch Cliff Barrows: Celebrating The Music
October 5, 2019
57:29

Bill & Gloria Gaither: Precious Memories

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Cliff Barrows: Celebrating The Music

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  • Bill Gaither: Life is made up of moments...
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  • ... like turning the pages of a photograph album.
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  • Our memories preserve for us the relationships...
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  • ... and events that tell the stories of each of our lives.
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  • Happy, sad, joyful, and painful.
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  • The memories of our days make up the fabric...
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  • ... of who we are.
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  • (Choir Singing) Precious Memories
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  • How they linger
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  • How they ever flood my soul
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  • Bill Gaither: An unforgettable memory was made when dozens of friends...
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  • ... who had spent their lives in gospel music...
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  • ... gathered to sings some songs from their own...
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  • ... personal treasure of memories.
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  • For these folks, many precious memories...
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  • ... had begun around a piano somewhere.
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  • They're sharing songs about how their lives have been changed...
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  • ... by God's amazing grace.
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  • Precious scenes unfold
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  • - We want everyone all the way around to join in,
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  • and let's lift our hearts and our voices in praise
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  • as we sing now together.
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  • - And because he lives...
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  • - Cliff Barrows has served as the music and program director
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  • for Billy Graham Crusades since 1945,
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  • and he has led millions of people in song
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  • all across the globe.
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  • Today, we celebrate powerful musical moments
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  • from 60 years of Crusades.
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  • Through musical highlights, vintage footage,
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  • and personal conversations with Cliff,
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  • we will bring together the songs, the voices,
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  • and the spiritual landmarks
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  • that have impacted the world for generations.
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  • - This is my story.
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  • - This musical journey with our good friend Cliff Barrows
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  • also features the Billy Graham Crusade Choirs,
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  • George Beverly Shea,
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  • Evie,
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  • Ethel Waters,
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  • Johnny Cash,
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  • Andraé Crouch,
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  • and the Gaither Vocal Band.
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  • Join us now withCliff Barrows:
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  • Celebrating the Music of the Billy Graham Crusades.
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  • Cliff, I have been looking forward to this day
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  • for a long, long time.
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  • You and I have been friends now--
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  • goes clear back probably, where, in the '50s somewhere.
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  • - '59, 1959.
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  • Well, on the phone before then.
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  • - Oh, yeah.
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  • - Because I had to use Because He Lives,
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  • and you're the one that brought it to life
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  • and brought it to us,
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  • and Bill loved it,
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  • and we wanted to be able to use it in our meetings,
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  • and, of course, we were always very conscious
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  • of the need of getting permission from folk,
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  • because if you didn't get permission,
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  • you were in a mess.
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  • - Well, you're in no trouble with us.
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  • You could use any song of ours you wanted to use, my friend.
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  • - Well, that's-- that's wonderful.
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  • - Cliff, the night that Jesus was born,
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  • the angels started singing,
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  • and they have never quit singing.
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  • - Uh-huh.
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  • - Can you believe all the wonderful art and music
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  • been inspired by that little baby?
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  • - Yes.
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  • - First night, the angels started singing.
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  • - And you--you wrote a song about that.
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  • - He started the whole word singing a song.
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  • - The words and the music were there all along.
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  • - What the song had to say...
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  • - Was that love found the way.
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  • He started the world singing a song.
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  • [laughter]
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  • Oh, boy.
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  • - Let's just lift our hearts to heaven
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  • and praise the Lord.
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  • - Sing with us now.
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  • Let's just praise the Lord,
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  • praise the Lord.
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  • Let's just lift our hearts to heaven
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  • and praise the Lord.
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  • You know, Martin Luther said,
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  • "Next to the word of God,
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  • "music deserves the highest praise,
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  • "because the gift of music combined with language
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  • "was given to man
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  • that he might better proclaim the good news of the gospel."
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  • And we experienced it, letting the people sing,
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  • and the more they sang, the more they wanted to sing.
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  • - Sure.
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  • all: How great Thou art.
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  • How great Thou art.
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  • - O Lord my God,
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  • when I in awesome wonder
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  • consider all the worlds Thy hands have made...
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  • - Cliff, that was in Scotland,
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  • but you had sung it many times before then.
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  • I can remember talking to Bev, I think, you and he--
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  • were you in London when you met the--
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  • - We were walking down the street,
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  • and we were going to one of his favorite places to eat,
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  • and Dr. Gray of Pikering and Inglis, the publisher,
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  • he stopped Bev, and he said...
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  • - He said, "Oh, hello there, Bev."
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  • He said, "I got some music I want to show you."
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  • So it's kind of, is that octavo size,
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  • and I saw "How Great Thou Art."
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  • There's Russian hieroglyphics, and the English.
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  • Looked beautiful.
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  • He said, "I'm giving Cliff his copy tonight."
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  • - Well, we glanced at it,
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  • but we didn't use it in England, then, or in Scotland.
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  • We got to Canada,
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  • and we got to Canada, and I said,
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  • "Bev, let's try this How Great Thou Art.
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  • "Let's use the last line of the second ending
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  • "as the introduction.
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  • And then you come in."
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  • He said, "Okay."
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  • - And while rehearsing it in Toronto,
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  • O Lord my God,
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  • when I in awesome wonder
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  • consider all the works--worlds Thy hands have made,
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  • I see the stars.
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  • I hear the mighty-- rolling thunder.
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  • And I looked at Cliff,
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  • and he was kind of smiling, you know?
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  • - I said, "Just don't change it.
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  • Thunder's rolling anyway.
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  • Let's leave it that way.
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  • Well, we got permission to do that.
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  • - Yeah, it's just easier to sing, you know, that way,
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  • "rolling thunder."
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  • - Boy, the people wanted it,
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  • because it was so beautiful
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  • and had such a dramatic, you know, closing--
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  • great, triumphant ending.
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  • - But what a hymn, what a hymn.
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  • Then sings my soul, my Savior God,
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  • to Thee:
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  • how great Thou art.
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  • How great
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  • Thou
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  • art.
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  • [applause]
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  • - Gloria came to Bev's memorial service.
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  • I couldn't because we were scheduled somewhere,
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  • so she came to represent us.
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  • And I talked to her later on.
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  • I said, "How was it?"
  • 00:08:08.200 --> 00:08:09.190
  • She said, "Oh, it was wonderful."
  • 00:08:09.200 --> 00:08:10.290
  • Said, "Cliff was just-- it was just great
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  • "to see him reminisce about his old friend,
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  • and he did it with such eloquence."
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  • - What a privilege for me today
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  • to be able to pay the team's respect
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  • to a man whom we came to know as a gentle giant,
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  • our dear beloved friend for many, many years,
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  • George Beverly Shea.
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  • For nearly 70 years,
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  • I would have the privilege of saying,
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  • "Before the message tonight,
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  • "here's America's beloved gospel singer,
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  • "George Beverly Shea,
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  • to sing for you."
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  • And, oh, my, how the people would perk up and listen.
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  • They were anxious to hear what Billy spoke,
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  • but they were just as anxious to hear
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  • what Bev had to say in his song.
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  • And Billy would hold the Bibles up
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  • one night after another and say,
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  • "How many brought your Bibles tonight?"
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  • And they'd be all over the place.
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  • But Bev didn't have a Bible to raise.
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  • He had a voice to raise.
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  • And as he sang the songs,
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  • so specifically and very clearly pronounced the words,
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  • people listened, and they were ready.
  • 00:09:37.080 --> 00:09:40.230
  • And I'll never forget one of his favorite songs
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  • was John Peterson's It Took a Miracle.
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  • "To hang the world in space,
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  • to put the stars in place."
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  • On the second night of our meeting
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  • in Harringay in London, England,
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  • he sang that song,
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  • and Bev was very clear, I thought, in his pronunciation,
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  • but Mr. Graham got a card in the mail the next day that said,
  • 00:10:06.050 --> 00:10:10.180
  • "Mr. Graham, don't you think it's presumptuous
  • 00:10:10.190 --> 00:10:13.120
  • "for your soloist to come from America
  • 00:10:13.130 --> 00:10:16.030
  • "and sing, 'It took America to put the stars in place.
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  • 'It took America to hang the world in space."
  • 00:10:19.210 --> 00:10:25.000
  • And he said, "Well, I'll have to watch my diction from now on."
  • 00:10:25.010 --> 00:10:30.090
  • And you never had to wonder what Bev would sing.
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  • His words were so clear, so perfect.
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  • - I'd rather have Jesus than silver or gold.
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  • I'd rather be His than have riches untold.
  • 00:10:45.070 --> 00:10:52.020
  • I'd rather have Jesus than houses or lands.
  • 00:10:52.030 --> 00:10:59.160
  • I'd rather be led by His nail-pierced hand
  • 00:10:59.170 --> 00:11:07.290
  • than to be the king
  • 00:11:08.000 --> 00:11:12.050
  • of a vast domain
  • 00:11:12.060 --> 00:11:16.070
  • or be held in sin's dread sway.
  • 00:11:16.080 --> 00:11:23.080
  • I'd rather have Jesus than anything
  • 00:11:23.090 --> 00:11:31.170
  • this world affords today.
  • 00:11:31.180 --> 00:11:39.130
  • to spend much time with the old violin.
  • 00:11:44.220 --> 00:11:49.070
  • Yet he held it up with a smile.
  • 00:11:49.080 --> 00:11:52.170
  • "What am I bid, good folks?" he said.
  • 00:11:52.180 --> 00:11:54.180
  • "Who will start the bidding for me?
  • 00:11:54.190 --> 00:11:56.000
  • "A dollar? Now two?
  • 00:11:56.010 --> 00:12:01.030
  • "Two dollars, who'll make it three?
  • 00:12:01.040 --> 00:12:04.050
  • "Three dollars once, three dollars twice,
  • 00:12:04.060 --> 00:12:09.120
  • going and gone."
  • 00:12:09.130 --> 00:12:11.090
  • But, no, from the room far back,
  • 00:12:11.100 --> 00:12:14.020
  • a gray haired man came forward and picked up the bow,
  • 00:12:14.030 --> 00:12:19.250
  • and wiping the dust from the old violin
  • 00:12:19.260 --> 00:12:22.120
  • and tightening up the strings,
  • 00:12:22.130 --> 00:12:26.050
  • he played a melody pure and sweet,
  • 00:12:26.060 --> 00:12:29.230
  • as sweet as the angel sings.
  • 00:12:29.240 --> 00:12:33.230
  • The music ceased, and the auctioneer,
  • 00:12:33.240 --> 00:12:37.220
  • in a voice that was quiet and low, said,
  • 00:12:37.230 --> 00:12:40.240
  • "Now what am I bid for this old violin?"
  • 00:12:40.250 --> 00:12:44.190
  • And he held it up with a bow.
  • 00:12:44.200 --> 00:12:48.030
  • "A thousand dollars?
  • 00:12:48.040 --> 00:12:50.250
  • "Now two? Two thousand?
  • 00:12:50.260 --> 00:12:53.020
  • "Who'll make it three?
  • 00:12:53.030 --> 00:12:55.090
  • "Three thousand once, three thousand twice.
  • 00:12:55.100 --> 00:13:00.090
  • Going and gone," cried he.
  • 00:13:00.100 --> 00:13:04.200
  • The people cheered, but some of them said,
  • 00:13:04.210 --> 00:13:07.070
  • "We don't understand.
  • 00:13:07.080 --> 00:13:09.270
  • What changed its worth?"
  • 00:13:09.280 --> 00:13:12.120
  • And the man replied,
  • 00:13:12.130 --> 00:13:14.250
  • "The touch of the master's hand."
  • 00:13:14.260 --> 00:13:20.030
  • And many a man, with his life out of tune,
  • 00:13:20.040 --> 00:13:23.200
  • all battered and marred by sin,
  • 00:13:23.210 --> 00:13:27.070
  • is auctioned cheap to the thoughtless crowd,
  • 00:13:27.080 --> 00:13:31.080
  • much like the old violin.
  • 00:13:31.090 --> 00:13:34.160
  • A mess of pottage,
  • 00:13:34.170 --> 00:13:37.270
  • a glass of wine,
  • 00:13:37.280 --> 00:13:40.210
  • a game, and he travels on.
  • 00:13:40.220 --> 00:13:43.030
  • He's auctioned once, he's auctioned twice,
  • 00:13:43.040 --> 00:13:45.170
  • he's going and almost gone.
  • 00:13:45.180 --> 00:13:49.230
  • But the master comes,
  • 00:13:49.240 --> 00:13:52.200
  • and the foolish crowd still can't understand
  • 00:13:52.210 --> 00:13:58.030
  • the worth of a soul and the change that's wrought
  • 00:13:58.040 --> 00:14:03.140
  • by the touch of the master's hand.
  • 00:14:03.150 --> 00:14:08.010
  • And then I immediately come to your song.
  • 00:14:08.020 --> 00:14:11.210
  • Shackled by a heavy burden,
  • 00:14:11.220 --> 00:14:16.180
  • 'neath a load of sin and shame.
  • 00:14:16.190 --> 00:14:20.090
  • Then the hand of Jesus touched me,
  • 00:14:20.100 --> 00:14:25.230
  • and now I am no longer the same.
  • 00:14:25.240 --> 00:14:33.080
  • Oh, Bill.
  • 00:14:33.090 --> 00:14:34.120
  • He touched me.
  • 00:14:34.130 --> 00:14:36.270
  • Oh, He touched me.
  • 00:14:36.280 --> 00:14:40.290
  • He did in my heart when I was 11 years old,
  • 00:14:41.000 --> 00:14:45.260
  • and the man had been preaching, our pastor,
  • 00:14:45.270 --> 00:14:48.110
  • on John 3:16.
  • 00:14:48.120 --> 00:14:51.250
  • And he talked about, "Whosoever believeth in him wouldn't perish
  • 00:14:51.260 --> 00:14:57.150
  • but everlasting life."
  • 00:14:57.160 --> 00:15:00.020
  • And he invited those of us
  • 00:15:00.030 --> 00:15:01.190
  • who wanted Jesus to come into my heart
  • 00:15:01.200 --> 00:15:05.030
  • to get up out of there pew and come forward,
  • 00:15:05.040 --> 00:15:07.260
  • and I did as a 10-year-old boy
  • 00:15:07.270 --> 00:15:11.270
  • and gave my hand to the pastor and my heart to the savior.
  • 00:15:11.280 --> 00:15:16.280
  • because He first loved me.
  • 00:15:20.120 --> 00:15:25.080
  • - He first loved me.
  • 00:15:25.090 --> 00:15:27.290
  • And to me.
  • 00:15:28.000 --> 00:15:30.040
  • It's wonderful, oh, children.
  • 00:15:33.030 --> 00:15:36.050
  • - They had a talk show in New York,
  • 00:15:36.060 --> 00:15:39.000
  • and they were interviewing different people
  • 00:15:39.010 --> 00:15:40.270
  • back in that time about the Crusade,
  • 00:15:40.280 --> 00:15:43.130
  • because the city was coming alive.
  • 00:15:43.140 --> 00:15:46.280
  • Things were happening.
  • 00:15:46.290 --> 00:15:48.180
  • And they asked Ethel,
  • 00:15:48.190 --> 00:15:50.000
  • "Well, Ethel, do you think it's gonna be a success?"
  • 00:15:50.010 --> 00:15:53.030
  • She said, "Sure.
  • 00:15:53.040 --> 00:15:55.180
  • God don't sponsor no flops."
  • 00:15:55.190 --> 00:15:57.210
  • - [laughs]
  • 00:15:57.220 --> 00:15:59.080
  • - And he-- she came, and,
  • 00:15:59.090 --> 00:16:02.170
  • "Ethel, we're gonna begin it with the choir.
  • 00:16:02.180 --> 00:16:05.040
  • "I sing because I'm happy.
  • 00:16:05.050 --> 00:16:07.160
  • "I sing because I'm free.
  • 00:16:07.170 --> 00:16:10.050
  • "For His eye is on the sparrow,
  • 00:16:10.060 --> 00:16:13.020
  • and I know He watches me."
  • 00:16:13.030 --> 00:16:15.280
  • - For if His eye,
  • 00:16:15.290 --> 00:16:19.040
  • if His eye is on a sparrow...
  • 00:16:19.050 --> 00:16:24.280
  • Just think of it, a sparrow.
  • 00:16:24.290 --> 00:16:29.040
  • Then I know,
  • 00:16:29.050 --> 00:16:32.030
  • I really know,
  • 00:16:32.040 --> 00:16:35.260
  • He watches me.
  • 00:16:35.270 --> 00:16:39.180
  • He watches me.
  • 00:16:39.190 --> 00:16:45.010
  • His eye
  • 00:16:45.020 --> 00:16:48.170
  • is on
  • 00:16:48.180 --> 00:16:53.200
  • the sparrow.
  • 00:16:53.210 --> 00:16:56.020
  • Hmm.
  • 00:16:56.030 --> 00:17:02.100
  • And I know
  • 00:17:02.110 --> 00:17:06.100
  • that He watches me.
  • 00:17:06.110 --> 00:17:18.220
  • So I sing
  • 00:17:18.230 --> 00:17:24.030
  • because I'm happy.
  • 00:17:24.040 --> 00:17:32.260
  • Oh, yes.
  • 00:17:32.270 --> 00:17:35.170
  • I sing
  • 00:17:35.180 --> 00:17:39.170
  • because I'm free.
  • 00:17:39.180 --> 00:17:47.010
  • For
  • 00:17:47.020 --> 00:17:56.120
  • His eye, His eye,
  • 00:17:56.130 --> 00:18:00.230
  • is on, is on
  • 00:18:00.240 --> 00:18:05.050
  • all sparrows...
  • 00:18:05.060 --> 00:18:09.130
  • and children, darling, precious, loving, lovely children.
  • 00:18:09.140 --> 00:18:16.140
  • I know...
  • 00:18:16.150 --> 00:18:18.260
  • And how Mom knows on Mother's Day.
  • 00:18:18.270 --> 00:18:22.120
  • That He watches
  • 00:18:22.130 --> 00:18:30.110
  • we.
  • 00:18:30.120 --> 00:18:36.070
  • And I know
  • 00:18:36.080 --> 00:18:41.000
  • that He's watching
  • 00:18:41.010 --> 00:18:47.190
  • me.
  • 00:18:47.200 --> 00:18:51.280
  • See you in heaven?
  • 00:18:51.290 --> 00:18:53.030
  • I'll be lookin' for ya.
  • 00:18:53.040 --> 00:18:54.150
  • [applause]
  • 00:18:55.210 --> 00:18:58.210
  • - Now, I can say, through it all,
  • 00:19:00.030 --> 00:19:06.000
  • through it all, oh, yes...
  • 00:19:06.010 --> 00:19:08.290
  • - You were so brilliant
  • 00:19:09.000 --> 00:19:10.280
  • in bringing in younger contemporary artists
  • 00:19:10.290 --> 00:19:14.170
  • and introducing them to-- to a church crowd many times
  • 00:19:14.180 --> 00:19:20.040
  • that probably wouldn't have gone out
  • 00:19:20.050 --> 00:19:22.090
  • and bought a record on their own.
  • 00:19:22.100 --> 00:19:24.010
  • I can remember when you first brought Andraé,
  • 00:19:24.020 --> 00:19:27.010
  • and Dr. Graham had just come out with the bookBorn Again,
  • 00:19:27.020 --> 00:19:30.210
  • very popular,
  • 00:19:30.220 --> 00:19:31.250
  • big, major selling onNew York Times,
  • 00:19:31.260 --> 00:19:34.080
  • big selling book.
  • 00:19:34.090 --> 00:19:35.280
  • A lot of people were talking about it.
  • 00:19:35.290 --> 00:19:38.070
  • But Andraé was so brilliant in saying that,
  • 00:19:38.080 --> 00:19:42.070
  • you know, you wonder what happens when you get born again.
  • 00:19:42.080 --> 00:19:45.080
  • Some people just give a mental consent.
  • 00:19:45.090 --> 00:19:47.080
  • Some people have tears running down their eyes.
  • 00:19:47.090 --> 00:19:49.220
  • Some people shout.
  • 00:19:49.230 --> 00:19:51.230
  • And he--and he came from a Pentecostal church.
  • 00:19:51.240 --> 00:19:55.070
  • He said, "Some people might even jump some pews."
  • 00:19:55.080 --> 00:19:58.040
  • So he had a very funny, humorous song
  • 00:19:58.050 --> 00:20:00.210
  • about being born again.
  • 00:20:00.220 --> 00:20:03.040
  • - We're just delighted...
  • 00:20:03.050 --> 00:20:04.080
  • [upbeat piano music]
  • 00:20:04.090 --> 00:20:07.080
  • 00:20:07.090 --> 00:20:10.010
  • - You don't have to jump no pews
  • 00:20:10.020 --> 00:20:13.010
  • and run down no aisles,
  • 00:20:13.020 --> 00:20:15.200
  • no chills running down your spine.
  • 00:20:15.210 --> 00:20:18.230
  • But you know
  • 00:20:18.240 --> 00:20:20.280
  • that you been born again.
  • 00:20:20.290 --> 00:20:24.060
  • 00:20:24.070 --> 00:20:27.010
  • Don't you know my hands didn't shake.
  • 00:20:27.020 --> 00:20:29.260
  • The earth didn't quake.
  • 00:20:29.270 --> 00:20:32.150
  • No sparks fell from the sky.
  • 00:20:32.160 --> 00:20:35.100
  • Oh, but I knew
  • 00:20:35.110 --> 00:20:37.190
  • that I'd been
  • 00:20:37.200 --> 00:20:39.160
  • born again.
  • 00:20:39.170 --> 00:20:41.130
  • 00:20:41.140 --> 00:20:43.030
  • I said you don't have to jump no pews
  • 00:20:43.040 --> 00:20:46.150
  • and run down no aisles.
  • 00:20:46.160 --> 00:20:49.000
  • No chills run up and down your spine.
  • 00:20:49.010 --> 00:20:51.270
  • Oh, but you know
  • 00:20:51.280 --> 00:20:54.040
  • that you been
  • 00:20:54.050 --> 00:20:56.020
  • born again.
  • 00:20:56.030 --> 00:20:57.120
  • 00:20:57.130 --> 00:21:00.020
  • You see, it's not based on emotional feelings,
  • 00:21:00.030 --> 00:21:05.000
  • but faith in God's word and receiving.
  • 00:21:05.010 --> 00:21:09.020
  • Confess with your mouth the Lord Jesus
  • 00:21:09.030 --> 00:21:12.030
  • and believe in your heart
  • 00:21:12.040 --> 00:21:14.020
  • God raised Him from the dead,
  • 00:21:14.030 --> 00:21:15.250
  • and the Bible says
  • 00:21:15.260 --> 00:21:17.040
  • you shall,
  • 00:21:17.050 --> 00:21:18.280
  • you shall be born again.
  • 00:21:18.290 --> 00:21:22.020
  • Ooh.
  • 00:21:22.030 --> 00:21:24.190
  • Oh, I know
  • 00:21:24.200 --> 00:21:26.260
  • that I've been
  • 00:21:26.270 --> 00:21:28.230
  • born again.
  • 00:21:28.240 --> 00:21:29.230
  • You can't make me doubt it,
  • 00:21:29.240 --> 00:21:31.040
  • 'cause I know too much about it.
  • 00:21:31.050 --> 00:21:33.010
  • I know
  • 00:21:33.020 --> 00:21:34.220
  • that I've been
  • 00:21:34.230 --> 00:21:36.250
  • born again.
  • 00:21:36.260 --> 00:21:38.160
  • Just like Jimmy Carter...
  • 00:21:38.170 --> 00:21:40.080
  • Ooh!
  • 00:21:40.090 --> 00:21:41.090
  • I know
  • 00:21:41.100 --> 00:21:42.220
  • that I've been
  • 00:21:42.230 --> 00:21:44.200
  • born again.
  • 00:21:44.210 --> 00:21:46.260
  • Whoa, yeah!
  • 00:21:46.270 --> 00:21:50.270
  • [applause]
  • 00:21:50.280 --> 00:21:53.280
  • I've been born again.
  • 00:21:59.040 --> 00:22:01.120
  • - He never said you'd only see sunshine.
  • 00:22:01.130 --> 00:22:08.260
  • He never said there'd be no rain.
  • 00:22:08.270 --> 00:22:16.100
  • He only promised us a heart full of singing
  • 00:22:16.110 --> 00:22:23.050
  • about the very things
  • 00:22:23.060 --> 00:22:25.070
  • that once brought a lot of pain.
  • 00:22:25.080 --> 00:22:29.250
  • Give them all.
  • 00:22:29.260 --> 00:22:31.220
  • Give them all.
  • 00:22:31.230 --> 00:22:34.200
  • Give them all to Jesus.
  • 00:22:34.210 --> 00:22:37.170
  • Shattered dreams, your wounded hearts,
  • 00:22:37.180 --> 00:22:40.150
  • your broken toys.
  • 00:22:40.160 --> 00:22:44.260
  • Give them all.
  • 00:22:44.270 --> 00:22:46.190
  • Give them all.
  • 00:22:46.200 --> 00:22:48.210
  • Oh, give them all to Jesus.
  • 00:22:48.220 --> 00:22:52.160
  • And he can turn your sorrow into joy.
  • 00:22:52.170 --> 00:22:57.210
  • - Just give them all to Jesus.
  • 00:22:57.220 --> 00:22:59.230
  • - Give them all.
  • 00:22:59.240 --> 00:23:01.050
  • - Shackled by a heavy burden,
  • 00:23:01.060 --> 00:23:06.020
  • 'neath a load of sin and shame.
  • 00:23:06.030 --> 00:23:09.120
  • Then the hand of Jesus touched me,
  • 00:23:09.130 --> 00:23:14.220
  • and now I am no longer the same.
  • 00:23:14.230 --> 00:23:22.070
  • Oh, Bill.
  • 00:23:22.080 --> 00:23:23.110
  • He touched me.
  • 00:23:23.120 --> 00:23:26.020
  • Oh, He touched me.
  • 00:23:26.030 --> 00:23:31.020
  • - And, oh, the joy that floods my soul.
  • 00:23:31.030 --> 00:23:42.050
  • Something happened,
  • 00:23:42.060 --> 00:23:47.000
  • and now I know
  • 00:23:47.010 --> 00:23:52.060
  • He touched me
  • 00:23:52.070 --> 00:23:54.030
  • and made me whole.
  • 00:23:54.040 --> 00:24:02.170
  • - Since I've met this blessed Savior,
  • 00:24:02.180 --> 00:24:12.190
  • since He's cleansed and made me whole
  • 00:24:12.200 --> 00:24:22.260
  • I will never cease to praise Him.
  • 00:24:22.270 --> 00:24:30.000
  • - To praise Him.
  • 00:24:30.010 --> 00:24:32.030
  • I'll shout it while eternity rolls.
  • 00:24:32.040 --> 00:24:40.050
  • - Oh,
  • 00:24:40.060 --> 00:24:42.210
  • He touched me.
  • 00:24:42.220 --> 00:24:45.130
  • - Oh, He touched me.
  • 00:24:45.140 --> 00:24:50.020
  • He touched me,
  • 00:24:50.030 --> 00:24:52.070
  • and, oh, the joy that floods my soul.
  • 00:24:52.080 --> 00:25:03.040
  • Something happened,
  • 00:25:03.050 --> 00:25:07.220
  • and now I know
  • 00:25:07.230 --> 00:25:12.280
  • He touched me
  • 00:25:12.290 --> 00:25:14.260
  • and made
  • 00:25:14.270 --> 00:25:17.200
  • me whole.
  • 00:25:17.210 --> 00:25:28.060
  • [applause]
  • 00:25:28.070 --> 00:25:31.070
  • - Gracious father,
  • 00:25:37.240 --> 00:25:42.000
  • loving mother,
  • 00:25:42.010 --> 00:25:46.090
  • fly across the lonely years.
  • 00:25:46.100 --> 00:25:52.120
  • - You know what?
  • 00:25:52.130 --> 00:25:53.210
  • You were so open to different kinds of expressions
  • 00:25:53.220 --> 00:25:57.140
  • of the gospel.
  • 00:25:57.150 --> 00:25:58.200
  • It didn't make a difference.
  • 00:25:58.210 --> 00:25:59.270
  • For instance, you opened your arms to Johnny Cash.
  • 00:25:59.280 --> 00:26:03.070
  • - Oh, boy.
  • 00:26:03.080 --> 00:26:04.120
  • - And when--and Billy spent and Ruth spent
  • 00:26:04.130 --> 00:26:07.100
  • a lot of time with Johnny and June and--
  • 00:26:07.110 --> 00:26:10.110
  • new Christians, making a lot of mistakes,
  • 00:26:10.120 --> 00:26:12.230
  • but wanted to follow the Lord, you know?
  • 00:26:12.240 --> 00:26:15.010
  • - Well, Johnny was a great guy.
  • 00:26:15.020 --> 00:26:17.210
  • - Good, good man.
  • 00:26:17.220 --> 00:26:18.210
  • - I loved him.
  • 00:26:18.220 --> 00:26:20.080
  • And...
  • 00:26:20.090 --> 00:26:21.160
  • [laughs]
  • 00:26:21.170 --> 00:26:22.290
  • and June, she was some other woman, I'll tell you.
  • 00:26:23.000 --> 00:26:26.050
  • - [laughs]
  • 00:26:26.060 --> 00:26:27.170
  • - She'd say, "Now, I just had to come
  • 00:26:27.180 --> 00:26:30.040
  • "and hear my dear friend Billy preach,
  • 00:26:30.050 --> 00:26:36.050
  • and I'm gonna say something."
  • 00:26:36.060 --> 00:26:38.160
  • And John said, "Well, we knew you would."
  • 00:26:38.170 --> 00:26:40.290
  • - [laughs]
  • 00:26:41.000 --> 00:26:42.100
  • - And then he'd sing a verse,
  • 00:26:42.110 --> 00:26:44.010
  • and she'd sing a verse.
  • 00:26:44.020 --> 00:26:46.000
  • He loved Johnny Cash.
  • 00:26:46.010 --> 00:26:47.210
  • - I think the world loved Johnny Cash
  • 00:26:47.220 --> 00:26:49.170
  • because of his honesty.
  • 00:26:49.180 --> 00:26:51.120
  • - Yeah.
  • 00:26:51.130 --> 00:26:52.120
  • - To go right down to Folsom Prison
  • 00:26:52.130 --> 00:26:54.280
  • and sing that chapel song to those hardened prisoners
  • 00:26:54.290 --> 00:26:59.240
  • who'd been there for a long time.
  • 00:26:59.250 --> 00:27:01.110
  • He was just the real deal.
  • 00:27:01.120 --> 00:27:02.250
  • - It was the real deal, and he said,
  • 00:27:02.260 --> 00:27:05.040
  • "I may be a chunk of coal down here,
  • 00:27:05.050 --> 00:27:07.150
  • but I'm gonna be a diamond someday."
  • 00:27:07.160 --> 00:27:10.040
  • - [laughs]
  • 00:27:10.050 --> 00:27:11.050
  • - And, boy, they responded to it.
  • 00:27:11.060 --> 00:27:14.040
  • - I'm just an old chunk of coal.
  • 00:27:14.050 --> 00:27:18.240
  • But I'm gonna be a diamond someday.
  • 00:27:18.250 --> 00:27:24.030
  • I'm gonna grow and glow till I'm so blue pure perfect.
  • 00:27:24.040 --> 00:27:29.120
  • Gonna put a smile on everybody's face.
  • 00:27:29.130 --> 00:27:34.050
  • Oh, but I'm gonna kneel and pray every day,
  • 00:27:34.060 --> 00:27:40.000
  • lest I should become vain along the way.
  • 00:27:40.010 --> 00:27:45.240
  • I'm just an old chunk of coal now, Lord.
  • 00:27:45.250 --> 00:27:50.160
  • But I'm gonna be a diamond someday.
  • 00:27:50.170 --> 00:27:55.020
  • I bet ya.
  • 00:27:55.030 --> 00:27:56.120
  • I'm just an old chunk of coal now, Lord.
  • 00:27:56.130 --> 00:28:00.250
  • But I'm gonna be a diamond someday.
  • 00:28:00.260 --> 00:28:07.000
  • [applause]
  • 00:28:07.010 --> 00:28:09.040
  • where your national exposure, in all fairness,
  • 00:28:12.100 --> 00:28:16.060
  • from the Los Angeles Crusade happened,
  • 00:28:16.070 --> 00:28:18.100
  • in a tent, under a large tent.
  • 00:28:18.110 --> 00:28:20.080
  • Now, we--now, our tent was not as big as your tent,
  • 00:28:20.090 --> 00:28:23.100
  • but we had about 2.000 people there that night.
  • 00:28:23.110 --> 00:28:27.050
  • - We had a storm.
  • 00:28:27.060 --> 00:28:28.150
  • - It has a storm that came out too.
  • 00:28:28.160 --> 00:28:30.200
  • - All the stuff washing down.
  • 00:28:30.210 --> 00:28:32.100
  • - [laughs]
  • 00:28:32.110 --> 00:28:33.240
  • But you were a trooper.
  • 00:28:33.250 --> 00:28:35.130
  • Bev was a trooper.
  • 00:28:35.140 --> 00:28:37.140
  • And--and we had you lead that crowd in
  • 00:28:37.150 --> 00:28:41.000
  • "this is my story, this is my song."
  • 00:28:41.010 --> 00:28:44.040
  • Great night.
  • 00:28:44.050 --> 00:28:45.140
  • - It was a great night.
  • 00:28:45.150 --> 00:28:47.160
  • - You know, I told Mr. Graham one day,
  • 00:28:47.170 --> 00:28:51.020
  • I said, "Bill, when you get to Heaven,
  • 00:28:51.030 --> 00:28:54.270
  • "you're gonna be out of a job,
  • 00:28:54.280 --> 00:28:56.150
  • "but Bev and I won't.
  • 00:28:56.160 --> 00:28:58.130
  • We're gonna go on singing."
  • 00:28:58.140 --> 00:29:01.170
  • He said, "Well, when I get to Heaven,
  • 00:29:01.180 --> 00:29:04.080
  • I'm gonna sing like Bev Shea."
  • 00:29:04.090 --> 00:29:07.020
  • I said, "It'll take Heaven to do that,
  • 00:29:07.030 --> 00:29:09.200
  • that's for sure."
  • 00:29:09.210 --> 00:29:10.200
  • [applause]
  • 00:29:10.210 --> 00:29:14.160
  • - Hey, Cliff, you said earlier,
  • 00:29:14.170 --> 00:29:18.130
  • "Is the crowd gonna sing?"
  • 00:29:18.140 --> 00:29:19.210
  • There is no director from the beginning of time
  • 00:29:19.220 --> 00:29:23.060
  • in Christian music
  • 00:29:23.070 --> 00:29:24.140
  • that can get a crowd to sing like Cliff Barrows.
  • 00:29:24.150 --> 00:29:26.290
  • Lead us in...
  • 00:29:27.000 --> 00:29:28.280
  • -Blessed Assurance. - Blessed Assurance.
  • 00:29:28.290 --> 00:29:31.010
  • Come on.
  • 00:29:31.020 --> 00:29:32.010
  • - I think everybody knows that.
  • 00:29:32.020 --> 00:29:35.060
  • - Okay.
  • 00:29:35.070 --> 00:29:36.060
  • - Hold onto your cane there.
  • 00:29:36.070 --> 00:29:37.080
  • - All right.
  • 00:29:37.090 --> 00:29:38.080
  • - You want me to hold your hand,
  • 00:29:38.090 --> 00:29:39.130
  • or am I helping or hurting here?
  • 00:29:39.140 --> 00:29:40.200
  • - I'll hold your hand.
  • 00:29:40.210 --> 00:29:41.260
  • - Oh.
  • 00:29:41.270 --> 00:29:43.270
  • Okay, the first Billy Graham crusade that the trio sang at,
  • 00:29:43.280 --> 00:29:48.140
  • Gloria and I and Gary and little Amy, our daughter, sang
  • 00:29:48.150 --> 00:29:53.180
  • I am a promise.
  • 00:29:53.190 --> 00:29:55.090
  • I am a possibility.
  • 00:29:55.100 --> 00:29:57.010
  • I am a promise
  • 00:29:57.020 --> 00:29:59.060
  • with a capital P.
  • 00:29:59.070 --> 00:30:00.060
  • You remember that?
  • 00:30:00.070 --> 00:30:01.150
  • I'm a great big bundle of potentiality.
  • 00:30:01.160 --> 00:30:04.240
  • Okay, "I'm a great big bundle of potentiality."
  • 00:30:04.250 --> 00:30:08.150
  • And he was so gracious.
  • 00:30:08.160 --> 00:30:10.190
  • There were, I don't know, 60.000 or 70.000 people.
  • 00:30:10.200 --> 00:30:13.070
  • This man could make you feel at ease better than anybody.
  • 00:30:13.080 --> 00:30:16.260
  • We were scared to death.
  • 00:30:16.270 --> 00:30:19.010
  • We were just kids.
  • 00:30:19.020 --> 00:30:20.160
  • He made us feel so much at ease.
  • 00:30:20.170 --> 00:30:22.120
  • And he got that crowd to sing
  • 00:30:22.130 --> 00:30:24.040
  • like nobody could get them to sing.
  • 00:30:24.050 --> 00:30:26.010
  • - Well, I think they know
  • 00:30:26.020 --> 00:30:27.030
  • "this is my story, this is my song."
  • 00:30:27.040 --> 00:30:31.240
  • Blessed Assurance.
  • 00:30:31.250 --> 00:30:33.220
  • "Jesus is mine."
  • 00:30:33.230 --> 00:30:35.070
  • Let's begin with a verse, choir,
  • 00:30:35.080 --> 00:30:38.140
  • and when we get to the chorus,
  • 00:30:38.150 --> 00:30:40.270
  • we'll hold it out in some places.
  • 00:30:40.280 --> 00:30:45.240
  • On the first verse, sing.
  • 00:30:45.250 --> 00:30:48.060
  • Blessed assurance, Jesus is mine.
  • 00:30:48.070 --> 00:30:54.050
  • Oh, what a foretaste of glory divine.
  • 00:30:54.060 --> 00:31:00.090
  • Heir of salvation,
  • 00:31:00.100 --> 00:31:03.120
  • purchase of God,
  • 00:31:03.130 --> 00:31:06.090
  • born of His spirit,
  • 00:31:06.100 --> 00:31:09.180
  • washed in His blood.
  • 00:31:09.190 --> 00:31:11.010
  • Here we go.
  • 00:31:11.020 --> 00:31:12.110
  • This is my story, this is my song.
  • 00:31:12.120 --> 00:31:18.280
  • Praising my Savior
  • 00:31:18.290 --> 00:31:25.060
  • all the day long.
  • 00:31:25.070 --> 00:31:33.010
  • This is my story,
  • 00:31:33.020 --> 00:31:40.120
  • this is my song.
  • 00:31:40.130 --> 00:31:43.200
  • Praising my Savior
  • 00:31:43.210 --> 00:31:50.000
  • all the day long.
  • 00:31:50.010 --> 00:32:01.210
  • [applause]
  • 00:32:02.250 --> 00:32:05.230
  • - Cliff Barrows.
  • 00:32:14.080 --> 00:32:15.210
  • [cheers and applause]
  • 00:32:15.220 --> 00:32:18.200
  • This is my story...
  • 00:32:26.040 --> 00:32:29.150
  • - this is my song.
  • 00:32:29.160 --> 00:32:32.210
  • Praising my Savior
  • 00:32:32.220 --> 00:32:36.120
  • all the day long.
  • 00:32:36.130 --> 00:32:39.210
  • This is my story,
  • 00:32:39.220 --> 00:32:43.060
  • this is my song.
  • 00:32:43.070 --> 00:32:46.070
  • Praising my Savior
  • 00:32:46.080 --> 00:32:52.050
  • all the day long.
  • 00:32:52.060 --> 00:33:02.050
  • [applause]
  • 00:33:02.060 --> 00:33:05.040
  • - We love you.
  • 00:33:08.060 --> 00:33:11.020
  • What was it, 1992?
  • 00:33:11.030 --> 00:33:12.240
  • - I believe it was.
  • 00:33:12.250 --> 00:33:14.100
  • We had gone back to Russia,
  • 00:33:14.110 --> 00:33:17.170
  • and Bill had been preaching in different places,
  • 00:33:17.180 --> 00:33:22.020
  • and we wanted the Red Army Chorus
  • 00:33:22.030 --> 00:33:24.280
  • to perform one night.
  • 00:33:24.290 --> 00:33:27.020
  • Well, they were there.
  • 00:33:27.030 --> 00:33:29.240
  • And so before they played, I introduced them.
  • 00:33:29.250 --> 00:33:33.080
  • We gave them a welcome,
  • 00:33:33.090 --> 00:33:34.220
  • and, I mean, they had their uniforms on,
  • 00:33:34.230 --> 00:33:38.240
  • and the man, in English, hesitating, he said,
  • 00:33:38.250 --> 00:33:42.290
  • "We would like to dedicate this song to Mr. Graham."
  • 00:33:43.000 --> 00:33:50.260
  • They learned the English of Glory, Glory Hallelujah.
  • 00:33:50.270 --> 00:33:55.260
  • And they started to sing,
  • 00:33:55.270 --> 00:33:58.030
  • "Mine eyes have seen the glory
  • 00:33:58.040 --> 00:34:01.110
  • "of the coming of the Lord.
  • 00:34:01.120 --> 00:34:03.160
  • He is trampling"--
  • 00:34:03.170 --> 00:34:04.260
  • And they-- they sang it in English.
  • 00:34:04.270 --> 00:34:07.160
  • - Ah.
  • 00:34:07.170 --> 00:34:08.160
  • - And they got,
  • 00:34:08.170 --> 00:34:09.180
  • "In the beauty of the lilies,"
  • 00:34:09.190 --> 00:34:12.210
  • they said, "In the beauty of the lie-lees,
  • 00:34:12.220 --> 00:34:16.090
  • Christ was born across the sea."
  • 00:34:16.100 --> 00:34:19.210
  • I could not hold the tears back.
  • 00:34:19.220 --> 00:34:23.050
  • I stood, and Bill was moved.
  • 00:34:23.060 --> 00:34:26.220
  • We were all so moved.
  • 00:34:26.230 --> 00:34:28.250
  • - In the beauty of the lilies,
  • 00:34:33.050 --> 00:34:42.180
  • Christ was born across the sea
  • 00:34:42.190 --> 00:34:54.040
  • with a glory in His bosom
  • 00:34:54.050 --> 00:35:04.000
  • that transfigures you and me.
  • 00:35:04.010 --> 00:35:16.110
  • As He died to make men holy,
  • 00:35:16.120 --> 00:35:26.130
  • let us live to make men free
  • 00:35:26.140 --> 00:35:34.000
  • while God
  • 00:35:34.010 --> 00:35:37.150
  • is marching on.
  • 00:35:37.160 --> 00:35:46.190
  • Glory, glory hallelujah.
  • 00:35:46.200 --> 00:35:52.070
  • Glory, glory hallelujah.
  • 00:35:52.080 --> 00:35:57.190
  • Glory, glory hallelujah.
  • 00:35:57.200 --> 00:36:02.260
  • His truth is marching on.
  • 00:36:02.270 --> 00:36:08.280
  • 00:36:08.290 --> 00:36:11.070
  • Glory, glory hallelujah.
  • 00:36:11.080 --> 00:36:18.220
  • Glory, glory hallelujah.
  • 00:36:18.230 --> 00:36:26.000
  • Glory, glory hallelujah.
  • 00:36:26.010 --> 00:36:33.040
  • His truth is marching on.
  • 00:36:33.050 --> 00:36:43.100
  • Amen.
  • 00:36:43.110 --> 00:36:47.080
  • Amen.
  • 00:36:47.090 --> 00:37:01.010
  • [applause]
  • 00:37:01.020 --> 00:37:04.020
  • - Wonderful grace of Jesus,
  • 00:37:05.250 --> 00:37:10.280
  • greater than all my sin.
  • 00:37:10.290 --> 00:37:15.150
  • - You know, Bill, music has been my whole life.
  • 00:37:15.160 --> 00:37:19.240
  • I don't know anything else.
  • 00:37:19.250 --> 00:37:21.250
  • But, you know, the one I enjoyed leading most
  • 00:37:21.260 --> 00:37:26.150
  • wasWonderful Grace of Jesus.
  • 00:37:26.160 --> 00:37:30.200
  • You know, Haldor Lillenas wrote that.
  • 00:37:30.210 --> 00:37:34.240
  • It was never--he said most choirs sing it too fast.
  • 00:37:34.250 --> 00:37:40.040
  • He said it's supposed to be sung slowly
  • 00:37:40.050 --> 00:37:43.260
  • so that they can understand the words.
  • 00:37:43.270 --> 00:37:46.190
  • - Wonderful the matchless grace of Jesus,
  • 00:37:46.200 --> 00:37:51.160
  • deeper than the mighty rolling sea.
  • 00:37:51.170 --> 00:37:56.090
  • Wonderful grace,
  • 00:37:56.100 --> 00:38:00.070
  • all sufficient for me,
  • 00:38:00.080 --> 00:38:04.020
  • for even me.
  • 00:38:04.030 --> 00:38:05.280
  • Broader than the scope of my transgressions,
  • 00:38:05.290 --> 00:38:10.230
  • greater far than all my sin and shame,
  • 00:38:10.240 --> 00:38:15.030
  • O magnify the precious name of Jesus.
  • 00:38:15.040 --> 00:38:21.130
  • Praise
  • 00:38:21.140 --> 00:38:23.210
  • His
  • 00:38:23.220 --> 00:38:25.220
  • name.
  • 00:38:25.230 --> 00:38:30.050
  • - Let's all stand together please,
  • 00:38:31.190 --> 00:38:33.240
  • and you folks that are watching might call a friend right now
  • 00:38:33.250 --> 00:38:36.200
  • and invite them to tune in,
  • 00:38:36.210 --> 00:38:38.260
  • and we're going to sing a chorus
  • 00:38:38.270 --> 00:38:40.130
  • that I'm sure many of you
  • 00:38:40.140 --> 00:38:41.230
  • who are sharing in this service by television
  • 00:38:41.240 --> 00:38:45.100
  • know yourself.
  • 00:38:45.110 --> 00:38:46.170
  • It's, "Because He lives, I can face tomorrow.
  • 00:38:46.180 --> 00:38:50.090
  • "Because He lives, all fear is gone.
  • 00:38:50.100 --> 00:38:52.190
  • "Because I know He holds the future,
  • 00:38:52.200 --> 00:38:56.090
  • "and life is worth the living,
  • 00:38:56.100 --> 00:38:57.280
  • just because He lives."
  • 00:38:57.290 --> 00:38:59.200
  • It's on your song sheet,
  • 00:38:59.210 --> 00:39:01.240
  • and we want everyone all the way around to join in,
  • 00:39:01.250 --> 00:39:04.240
  • and let's life our hearts and our voices in praise
  • 00:39:04.250 --> 00:39:08.090
  • as we sing now together.
  • 00:39:08.100 --> 00:39:10.130
  • - And because He lives,
  • 00:39:10.140 --> 00:39:15.200
  • I can face tomorrow.
  • 00:39:15.210 --> 00:39:20.210
  • Because He lives,
  • 00:39:20.220 --> 00:39:25.180
  • all fear is gone.
  • 00:39:25.190 --> 00:39:30.180
  • Because I know,
  • 00:39:30.190 --> 00:39:33.230
  • Oh, I know he holds the future,
  • 00:39:33.240 --> 00:39:40.150
  • and life is worth the living,
  • 00:39:40.160 --> 00:39:44.290
  • just because He lives.
  • 00:39:45.000 --> 00:39:51.080
  • - Ladies and gentlemen, I'm so happy to present to you
  • 00:39:51.090 --> 00:39:53.190
  • and I met you earlier with our songs,
  • 00:39:53.200 --> 00:39:55.270
  • but I was a little reluctant to sing on that big stage,
  • 00:39:55.280 --> 00:39:59.090
  • and some of those songs.
  • 00:39:59.100 --> 00:40:00.140
  • In fact, the choir sang Because He Lives.
  • 00:40:00.150 --> 00:40:02.240
  • - Right.
  • 00:40:02.250 --> 00:40:03.270
  • And we got everybody to sing with them.
  • 00:40:03.280 --> 00:40:05.270
  • - Yeah, you did.
  • 00:40:05.280 --> 00:40:07.220
  • But you made us feel great that day in Toronto,
  • 00:40:07.230 --> 00:40:11.080
  • and I want to forever thank you for that.
  • 00:40:11.090 --> 00:40:13.080
  • Sing it now with us.
  • 00:40:13.090 --> 00:40:14.130
  • - Oh, the King
  • 00:40:14.140 --> 00:40:18.130
  • is coming.
  • 00:40:18.140 --> 00:40:20.230
  • The King is coming.
  • 00:40:20.240 --> 00:40:24.290
  • I just heard the trumpet sounding,
  • 00:40:25.000 --> 00:40:30.040
  • and now His face I see.
  • 00:40:30.050 --> 00:40:33.230
  • - Oh, the King
  • 00:40:33.240 --> 00:40:37.210
  • is coming.
  • 00:40:37.220 --> 00:40:40.110
  • The King is coming.
  • 00:40:40.120 --> 00:40:44.190
  • Praise God.
  • 00:40:44.200 --> 00:40:47.060
  • He's coming for me.
  • 00:40:47.070 --> 00:40:55.250
  • [applause]
  • 00:40:55.260 --> 00:40:58.280
  • - I can hear the chariots rumble.
  • 00:40:58.290 --> 00:41:04.120
  • I can see the marching throng,
  • 00:41:04.130 --> 00:41:08.160
  • and the flurry of God's trumpets
  • 00:41:08.170 --> 00:41:12.290
  • spells the end of sin and wrong.
  • 00:41:13.000 --> 00:41:17.260
  • Regal robes are now unfolding.
  • 00:41:17.270 --> 00:41:22.130
  • Heaven's grandstands all in place.
  • 00:41:22.140 --> 00:41:27.060
  • Heaven's choir is now assembled.
  • 00:41:27.070 --> 00:41:31.220
  • Start to sing
  • 00:41:31.230 --> 00:41:35.190
  • Amazing Grace.
  • 00:41:35.200 --> 00:41:39.240
  • - For the King is coming.
  • 00:41:39.250 --> 00:41:44.290
  • The King is coming.
  • 00:41:45.000 --> 00:41:49.100
  • I just heard the trumpets sounding,
  • 00:41:49.110 --> 00:41:54.220
  • and now His face I see.
  • 00:41:54.230 --> 00:41:59.260
  • - Yes.
  • 00:41:59.270 --> 00:42:02.180
  • - The King is coming.
  • 00:42:02.190 --> 00:42:07.040
  • The King is coming.
  • 00:42:07.050 --> 00:42:11.120
  • Praise God.
  • 00:42:11.130 --> 00:42:14.020
  • He's coming
  • 00:42:14.030 --> 00:42:18.280
  • for me.
  • 00:42:18.290 --> 00:42:24.160
  • Praise God.
  • 00:42:24.170 --> 00:42:26.070
  • He's coming
  • 00:42:26.080 --> 00:42:29.000
  • for
  • 00:42:29.010 --> 00:42:31.230
  • me.
  • 00:42:31.240 --> 00:42:38.250
  • [cheers and applause]
  • 00:42:38.260 --> 00:42:41.260
  • - You let Mr. Graham sing with you on one song, right?
  • 00:42:45.050 --> 00:42:51.240
  • - Yeah, well, he got up one night
  • 00:42:51.250 --> 00:42:53.230
  • after Bev and I had been singing.
  • 00:42:53.240 --> 00:42:56.190
  • And he said, "Well, you know, I'm a little bit--
  • 00:42:56.200 --> 00:43:00.220
  • "I'm a little bit hurt because we do have one song
  • 00:43:00.230 --> 00:43:05.080
  • "we want to sing that I do sing with them.
  • 00:43:05.090 --> 00:43:09.100
  • They haven't asked me."
  • 00:43:09.110 --> 00:43:10.170
  • He said, "Let's do it right now."
  • 00:43:10.180 --> 00:43:12.240
  • I said, "Are you serious?"
  • 00:43:12.250 --> 00:43:15.080
  • He said, "Of course I'm serious."
  • 00:43:15.090 --> 00:43:18.070
  • "Well, did you practice your part?"
  • 00:43:18.080 --> 00:43:20.260
  • He said, "Well, I'll come in
  • 00:43:20.270 --> 00:43:23.000
  • when we sing 'this little light of mine,
  • 00:43:23.010 --> 00:43:26.070
  • I'm gonna let it shine.'"
  • 00:43:26.080 --> 00:43:28.080
  • And the people loved it.
  • 00:43:28.090 --> 00:43:29.290
  • And I loved it too,
  • 00:43:30.000 --> 00:43:32.060
  • because dear Bill smiled,
  • 00:43:32.070 --> 00:43:36.120
  • and he loved it.
  • 00:43:36.130 --> 00:43:37.260
  • "Hide it under a bushel.
  • 00:43:37.270 --> 00:43:39.110
  • "No.
  • 00:43:39.120 --> 00:43:41.020
  • I'm gonna let it shine."
  • 00:43:41.030 --> 00:43:43.270
  • - I know that you're applauding
  • 00:43:43.280 --> 00:43:46.170
  • to hear George Beverly Shea sing again.
  • 00:43:46.180 --> 00:43:52.010
  • But instead, I think I'm going to ask him
  • 00:43:52.020 --> 00:43:54.290
  • to come and join me and Cliff Barrows in a song.
  • 00:43:55.000 --> 00:43:59.140
  • [cheers and applause]
  • 00:43:59.150 --> 00:44:02.170
  • - Are you serious?
  • 00:44:06.140 --> 00:44:07.130
  • - Yes, I'm serious.
  • 00:44:07.140 --> 00:44:11.200
  • The only problem is,
  • 00:44:11.210 --> 00:44:14.100
  • I sometimes forget the lyrics.
  • 00:44:14.110 --> 00:44:18.210
  • So you'll forgive me.
  • 00:44:18.220 --> 00:44:21.130
  • But we're going to--
  • 00:44:21.140 --> 00:44:22.160
  • we haven't practiced it in some time.
  • 00:44:22.170 --> 00:44:24.140
  • - What are we gonna sing?
  • 00:44:24.150 --> 00:44:25.210
  • [laughter]
  • 00:44:25.220 --> 00:44:27.250
  • - The only one we know.
  • 00:44:27.260 --> 00:44:29.100
  • [laughter]
  • 00:44:29.110 --> 00:44:31.050
  • [delicate piano music]
  • 00:44:31.060 --> 00:44:34.080
  • - This little light of mine,
  • 00:44:34.090 --> 00:44:36.180
  • I'm gonna let it shine.
  • 00:44:36.190 --> 00:44:38.230
  • This little light of mine,
  • 00:44:38.240 --> 00:44:40.240
  • I'm gonna let it shine,
  • 00:44:40.250 --> 00:44:42.110
  • let it shine, let it shine, let it shine.
  • 00:44:42.120 --> 00:44:46.280
  • Hide it under a bushel.
  • 00:44:46.290 --> 00:44:48.170
  • - No.
  • 00:44:48.180 --> 00:44:49.170
  • - I'm gonna let it shine.
  • 00:44:49.180 --> 00:44:51.100
  • Hide it under a bushel.
  • 00:44:51.110 --> 00:44:52.250
  • - No.
  • 00:44:52.260 --> 00:44:53.250
  • - I'm gonna let it shine,
  • 00:44:53.260 --> 00:44:55.090
  • let it shine, let it shine, let it shine.
  • 00:44:55.100 --> 00:45:00.050
  • This little light of mine,
  • 00:45:00.060 --> 00:45:02.050
  • I'm gonna let it shine.
  • 00:45:02.060 --> 00:45:04.060
  • This little light of mine,
  • 00:45:04.070 --> 00:45:06.090
  • I'm gonna let it shine,
  • 00:45:06.100 --> 00:45:07.260
  • let it shine, let it shine.
  • 00:45:07.270 --> 00:45:12.160
  • - Let it shine.
  • 00:45:12.170 --> 00:45:14.260
  • - This little light of mine,
  • 00:45:14.270 --> 00:45:17.060
  • I'm gonna let it shine.
  • 00:45:17.070 --> 00:45:25.150
  • [cheers and applause]
  • 00:45:25.160 --> 00:45:28.260
  • - And what a joy and privilege it has been.
  • 00:45:28.270 --> 00:45:32.280
  • I wouldn't trade it for anything in my life.
  • 00:45:32.290 --> 00:45:38.120
  • I never sangJust As I Am,
  • 00:45:38.130 --> 00:45:40.210
  • but what I myself--
  • 00:45:40.220 --> 00:45:43.200
  • it's the truth, Bill--
  • 00:45:43.210 --> 00:45:45.020
  • I'd stand there and say,
  • 00:45:45.030 --> 00:45:46.170
  • "Lord, here I am.
  • 00:45:46.180 --> 00:45:48.100
  • "This invitation is for me.
  • 00:45:48.110 --> 00:45:50.290
  • "I come to You as well again,
  • 00:45:51.000 --> 00:45:53.200
  • "anew in my dedication
  • 00:45:53.210 --> 00:45:55.290
  • "and my surrender to You.
  • 00:45:56.000 --> 00:45:58.190
  • "I give myself to You.
  • 00:45:58.200 --> 00:46:02.060
  • Thank You for receiving me as I am."
  • 00:46:02.070 --> 00:46:07.290
  • - Amen.
  • 00:46:08.000 --> 00:46:09.110
  • - Ooh, ooh, ooh.
  • 00:46:09.120 --> 00:46:12.160
  • Ooh, ooh, ooh, ooh, ooh.
  • 00:46:12.170 --> 00:46:18.190
  • Ooh, ooh, ooh, ooh.
  • 00:46:18.200 --> 00:46:25.000
  • Ooh, ooh, ooh,
  • 00:46:25.010 --> 00:46:28.160
  • ooh, ooh, ooh, ooh.
  • 00:46:28.170 --> 00:46:32.090
  • Ooh, ooh.
  • 00:46:32.100 --> 00:46:35.220
  • - God bless him.
  • 00:46:35.230 --> 00:46:37.250
  • How I love that man.
  • 00:46:37.260 --> 00:46:39.200
  • - Mm-hmm.
  • 00:46:39.210 --> 00:46:42.000
  • - Oh.
  • 00:46:42.010 --> 00:46:43.250
  • - Ooh, ooh.
  • 00:46:47.290 --> 00:46:54.170
  • - Sing it.
  • 00:46:54.180 --> 00:46:56.290
  • - Just as I am,
  • 00:46:57.000 --> 00:47:03.200
  • without one plea,
  • 00:47:03.210 --> 00:47:09.270
  • but that
  • 00:47:09.280 --> 00:47:13.110
  • Thy blood
  • 00:47:13.120 --> 00:47:16.120
  • was shed for me
  • 00:47:16.130 --> 00:47:23.020
  • and that
  • 00:47:23.030 --> 00:47:26.030
  • Thou bidst me
  • 00:47:26.040 --> 00:47:30.140
  • come to Thee.
  • 00:47:30.150 --> 00:47:35.190
  • Oh, Lamb of God,
  • 00:47:35.200 --> 00:47:42.110
  • I come.
  • 00:47:42.120 --> 00:47:47.050
  • I come.
  • 00:47:47.060 --> 00:47:56.000
  • - When we went to England in 1967,
  • 00:47:56.010 --> 00:47:58.220
  • we'd been there in 1954 for the Harringay meetings.
  • 00:47:58.230 --> 00:48:04.010
  • And some of the young reporters weren't in those meetings,
  • 00:48:04.020 --> 00:48:07.080
  • but they read reports about it,
  • 00:48:07.090 --> 00:48:09.280
  • and they concluded that it was the emotion ofJust As I Am
  • 00:48:09.290 --> 00:48:14.070
  • that caused the people to come forward.
  • 00:48:14.080 --> 00:48:17.110
  • And Mr. Graham was really concerned about that,
  • 00:48:17.120 --> 00:48:20.150
  • and he talked to me just before we started the meetings.
  • 00:48:20.160 --> 00:48:24.020
  • He said, "You know, Cliff, we know it's the spirit of God,
  • 00:48:24.030 --> 00:48:29.000
  • "and people who are praying know that,
  • 00:48:29.010 --> 00:48:31.080
  • but these unconverted folks don't know that."
  • 00:48:31.090 --> 00:48:35.060
  • And he said, "Let's just pray that God will show us
  • 00:48:35.070 --> 00:48:38.290
  • "whether we ought to sing it or not.
  • 00:48:39.000 --> 00:48:41.170
  • "And you be prepared to sing it or not sing it.
  • 00:48:41.180 --> 00:48:44.060
  • "Be prepared to have the organist or pianist
  • 00:48:44.070 --> 00:48:46.140
  • "play it or not,
  • 00:48:46.150 --> 00:48:47.190
  • and if I feel we should, I'll call for it."
  • 00:48:47.200 --> 00:48:51.220
  • I said, "All right."
  • 00:48:51.230 --> 00:48:52.290
  • And I explained to the choir
  • 00:48:53.000 --> 00:48:54.080
  • and to Don Hustad and Ted Smith.
  • 00:48:54.090 --> 00:48:57.290
  • I said, "Don't play until you get the cue to play."
  • 00:48:58.000 --> 00:49:02.170
  • And do you know we began the meeting,
  • 00:49:02.180 --> 00:49:05.290
  • and Bill gave the simple, straightforward invitation.
  • 00:49:06.000 --> 00:49:10.210
  • And he said, "We're not gonna have any singing tonight."
  • 00:49:10.220 --> 00:49:13.290
  • This was the first night at Earls Court.
  • 00:49:14.000 --> 00:49:16.240
  • "If the spirit of God has spoken to your heart,
  • 00:49:16.250 --> 00:49:19.250
  • you get up and come,"
  • 00:49:19.260 --> 00:49:21.090
  • and then he just stepped back and bowed his head in prayer.
  • 00:49:21.100 --> 00:49:25.060
  • And 15 seconds went by, and nobody moved,
  • 00:49:25.070 --> 00:49:29.030
  • and that's a long time.
  • 00:49:29.040 --> 00:49:31.120
  • And I was ready to lead the choir,
  • 00:49:31.130 --> 00:49:33.170
  • and we were ready to play.
  • 00:49:33.180 --> 00:49:35.230
  • And then you heard a seat squeak as the people stood,
  • 00:49:35.240 --> 00:49:41.170
  • and then one after another, and after another,
  • 00:49:41.180 --> 00:49:45.000
  • and within about five minutes,
  • 00:49:45.010 --> 00:49:46.200
  • over 1.000 people were shuffling along the floor,
  • 00:49:46.210 --> 00:49:50.280
  • coming to the front,
  • 00:49:50.290 --> 00:49:52.070
  • to give their life to Christ.
  • 00:49:52.080 --> 00:49:54.160
  • And for 30 nights,
  • 00:49:54.170 --> 00:49:57.170
  • for 30 nights at Harringay,
  • 00:49:57.180 --> 00:50:00.040
  • we didn't have one note ofJust As I Am,
  • 00:50:00.050 --> 00:50:03.130
  • and the reporters that had written before,
  • 00:50:03.140 --> 00:50:06.170
  • saying that the emotion of it were bringing people--
  • 00:50:06.180 --> 00:50:09.080
  • was bringing people forward,
  • 00:50:09.090 --> 00:50:11.060
  • they were writing, "Give us backJust As I Am.
  • 00:50:11.070 --> 00:50:13.240
  • The silence is killing us."
  • 00:50:13.250 --> 00:50:15.240
  • [laughs]
  • 00:50:15.250 --> 00:50:17.180
  • But it was just an indication, again,
  • 00:50:17.190 --> 00:50:20.180
  • of how God has been working,
  • 00:50:20.190 --> 00:50:23.080
  • and as we sang it, I couldn't help but think of...
  • 00:50:23.090 --> 00:50:27.080
  • [sighs]
  • 00:50:27.090 --> 00:50:29.180
  • the thousands of people who've come,
  • 00:50:29.190 --> 00:50:33.100
  • and they are memories that I thank God for
  • 00:50:33.110 --> 00:50:36.200
  • and praise Him.
  • 00:50:36.210 --> 00:50:37.230
  • Forgive my voice.
  • 00:50:37.240 --> 00:50:38.230
  • I've lost it today.
  • 00:50:38.240 --> 00:50:40.050
  • [laughs]
  • 00:50:40.060 --> 00:50:41.240
  • Amen.
  • 00:50:41.250 --> 00:50:42.240
  • Sorry about that.
  • 00:50:42.250 --> 00:50:44.130
  • - Just as I am,
  • 00:50:44.140 --> 00:50:51.020
  • Thy love unknown...
  • 00:50:51.030 --> 00:50:58.120
  • - I love that verse.
  • 00:50:58.130 --> 00:51:00.260
  • You know, we don't use it much.
  • 00:51:00.270 --> 00:51:02.160
  • - Every barrier down.
  • 00:51:02.170 --> 00:51:10.210
  • Now to be Thine
  • 00:51:10.220 --> 00:51:17.210
  • and Thine alone,
  • 00:51:17.220 --> 00:51:24.100
  • O Lamb of God.
  • 00:51:24.110 --> 00:51:30.070
  • - What brings together a group of people
  • 00:51:30.080 --> 00:51:32.000
  • from diverse backgrounds
  • 00:51:32.010 --> 00:51:33.150
  • to a lodge in the mountains
  • 00:51:33.160 --> 00:51:35.060
  • and makes them feel free to talk about something
  • 00:51:35.070 --> 00:51:37.090
  • as personal as their relationship with God?
  • 00:51:37.100 --> 00:51:40.180
  • And what impassions a couple like Billy and Ruth Graham
  • 00:51:40.190 --> 00:51:43.220
  • to spend their entire lives telling others across the world
  • 00:51:43.230 --> 00:51:47.060
  • that they can know God, too,
  • 00:51:47.070 --> 00:51:48.280
  • really know Him for themselves?
  • 00:51:48.290 --> 00:51:50.150
  • - Oh, that's good.
  • 00:51:50.160 --> 00:51:51.180
  • - What causes a George Beverly Shea
  • 00:51:51.190 --> 00:51:53.190
  • or Cliff Barrows
  • 00:51:53.200 --> 00:51:54.190
  • to sing their hearts out,
  • 00:51:54.200 --> 00:51:56.030
  • to put music into the souls of someone
  • 00:51:56.040 --> 00:51:58.030
  • who might not have a song?
  • 00:51:58.040 --> 00:52:00.140
  • Why does it matter to them?
  • 00:52:00.150 --> 00:52:02.290
  • Think about it this way.
  • 00:52:03.000 --> 00:52:05.140
  • When you're lost or lonely,
  • 00:52:05.150 --> 00:52:07.030
  • far from family,
  • 00:52:07.040 --> 00:52:08.110
  • and feeling like the bottom has dropped out of life,
  • 00:52:08.120 --> 00:52:10.270
  • the best thing to do is go home.
  • 00:52:10.280 --> 00:52:13.040
  • But what if you left home a long time ago
  • 00:52:13.050 --> 00:52:15.280
  • and now you feel your place at the table
  • 00:52:15.290 --> 00:52:17.160
  • has surely been removed by now
  • 00:52:17.170 --> 00:52:19.250
  • and the vacancy you left has long since been filled?
  • 00:52:19.260 --> 00:52:23.070
  • What if you're too embarrassed or too proud
  • 00:52:23.080 --> 00:52:26.130
  • to take the risk of showing up now
  • 00:52:26.140 --> 00:52:28.110
  • in a place where you used to belong?
  • 00:52:28.120 --> 00:52:32.020
  • Now let's think about the family.
  • 00:52:32.030 --> 00:52:34.120
  • No matter how many children are home,
  • 00:52:34.130 --> 00:52:36.120
  • the truth is, no one could ever fill the empty place
  • 00:52:36.130 --> 00:52:39.210
  • at the family's heart
  • 00:52:39.220 --> 00:52:41.080
  • left by one who is away.
  • 00:52:41.090 --> 00:52:44.040
  • And just maybe tonight,
  • 00:52:44.050 --> 00:52:45.220
  • the father is so lonely for you, he can hardly stand it.
  • 00:52:45.230 --> 00:52:50.110
  • He wants you to know, son,
  • 00:52:50.120 --> 00:52:52.040
  • that no matter where you've been,
  • 00:52:52.050 --> 00:52:54.140
  • and, daughter, no matter how much
  • 00:52:54.150 --> 00:52:55.290
  • foreign ground you've covered,
  • 00:52:56.000 --> 00:52:57.270
  • he will never really rest at night
  • 00:52:57.280 --> 00:52:59.220
  • until everybody's home.
  • 00:52:59.230 --> 00:53:02.130
  • So what you've experienced here on the mountain is the family,
  • 00:53:02.140 --> 00:53:06.100
  • gathered in a circle, taking hands,
  • 00:53:06.110 --> 00:53:09.190
  • connecting with the Father,
  • 00:53:09.200 --> 00:53:11.040
  • connecting with each other,
  • 00:53:11.050 --> 00:53:12.250
  • drawing strength and acceptance and encouragement and joy.
  • 00:53:12.260 --> 00:53:17.050
  • But they're hesitant to start the dance
  • 00:53:17.060 --> 00:53:18.280
  • until you're in your place.
  • 00:53:18.290 --> 00:53:21.000
  • The circle is incomplete without you.
  • 00:53:21.010 --> 00:53:23.290
  • So they tell family stories,
  • 00:53:24.000 --> 00:53:26.050
  • they sing the well-loved songs,
  • 00:53:26.060 --> 00:53:27.270
  • and they wait.
  • 00:53:27.280 --> 00:53:29.200
  • They just keep feeling that if they wait a bit longer,
  • 00:53:29.210 --> 00:53:33.120
  • you'll come too.
  • 00:53:33.130 --> 00:53:35.160
  • Don't worry about fixing up.
  • 00:53:35.170 --> 00:53:37.170
  • This is a come-as-you-are party.
  • 00:53:37.180 --> 00:53:39.220
  • But the gift they hope to exchange is you.
  • 00:53:39.230 --> 00:53:43.190
  • - He said, "Let's pray that God will keep us together
  • 00:53:46.040 --> 00:53:51.260
  • "as long as we live
  • 00:53:51.270 --> 00:53:54.170
  • or until Jesus comes again and takes us home."
  • 00:53:54.180 --> 00:53:59.100
  • And, Bill, that's been 70 years ago, almost.
  • 00:53:59.110 --> 00:54:05.240
  • - Amazing.
  • 00:54:05.250 --> 00:54:06.290
  • - And I have never one time, one time,
  • 00:54:07.000 --> 00:54:11.080
  • doubted that that's where I should be,
  • 00:54:11.090 --> 00:54:14.230
  • because God has knit our hearts together,
  • 00:54:14.240 --> 00:54:17.080
  • and he's my dearest, dearest friend.
  • 00:54:17.090 --> 00:54:21.170
  • And I pray that his homegoing
  • 00:54:21.180 --> 00:54:23.240
  • will be a blessed, precious time.
  • 00:54:23.250 --> 00:54:27.070
  • Thank you for letting me share with you,
  • 00:54:27.080 --> 00:54:29.270
  • my precious friend.
  • 00:54:29.280 --> 00:54:32.290
  • Music has bound our hearts together.
  • 00:54:33.000 --> 00:54:36.250
  • - Many miles, a lot of songs.
  • 00:54:36.260 --> 00:54:43.070
  • But the bottom line is, God is faithful.
  • 00:54:43.080 --> 00:54:46.110
  • - Yes.
  • 00:54:46.120 --> 00:54:47.210
  • - We've been in good hands all the way along.
  • 00:54:47.220 --> 00:54:50.170
  • Bev is gone.
  • 00:54:50.180 --> 00:54:53.240
  • Billy's close.
  • 00:54:53.250 --> 00:54:55.250
  • And both you and I are closer than we were yesterday.
  • 00:54:55.260 --> 00:54:59.130
  • - Yes.
  • 00:54:59.140 --> 00:55:00.250
  • We're gonna sing together, Bill, in heaven.
  • 00:55:00.260 --> 00:55:04.160
  • David's gonna lead the choir,
  • 00:55:04.170 --> 00:55:06.270
  • but I'm gonna be in one of those sections,
  • 00:55:06.280 --> 00:55:09.170
  • and we'll sing together.
  • 00:55:09.180 --> 00:55:12.060
  • - That'll be good.
  • 00:55:12.070 --> 00:55:13.060
  • - We'll sing together.
  • 00:55:13.070 --> 00:55:14.230
  • Thank you.
  • 00:55:14.240 --> 00:55:16.100
  • Thank you for all you mean to me.
  • 00:55:16.110 --> 00:55:18.030
  • - Blessings.
  • 00:55:18.040 --> 00:55:19.100
  • - And give Gloria our love
  • 00:55:19.110 --> 00:55:21.030
  • and tell her I'm ready for another piece of pumpkin pie
  • 00:55:21.040 --> 00:55:24.260
  • or a Bruster's Ice Cream.
  • 00:55:24.270 --> 00:55:26.110
  • - Oh, great.
  • 00:55:26.120 --> 00:55:27.110
  • Love you.
  • 00:55:27.120 --> 00:55:28.110
  • Love you, Cliff. - Love you, buddy.
  • 00:55:28.120 --> 00:55:29.230
  • - Broader than the scope of my transgressions,
  • 00:55:29.240 --> 00:55:34.180
  • greater far than all my sin and shame,
  • 00:55:34.190 --> 00:55:38.250
  • O magnify the precious name of Jesus.
  • 00:55:38.260 --> 00:55:44.240
  • Praise
  • 00:55:44.250 --> 00:55:46.050
  • His
  • 00:55:46.060 --> 00:55:47.270
  • name.
  • 00:55:47.280 --> 00:55:51.210
  • Wonderful grace of Jesus,
  • 00:55:51.220 --> 00:55:56.270
  • greater than all my sin,
  • 00:55:56.280 --> 00:56:01.280
  • how shall my tongue describe it?
  • 00:56:01.290 --> 00:56:06.260
  • Where shall its praise begin?
  • 00:56:06.270 --> 00:56:11.170
  • Precious Memories
  • 00:56:53.100 --> 00:56:59.030
  • How they linger
  • 00:56:59.040 --> 00:57:06.070
  • How they ever flood my soul
  • 00:57:06.080 --> 00:57:07.260
  • Thank you for joining Bill and Gloria Gaither...
  • 00:57:07.270 --> 00:57:10.110
  • ... and their Homecoming Friends for "Precious Memories."
  • 00:57:10.120 --> 00:57:13.130
  • Be sure to watch program as these legendary gospel artists...
  • 00:57:13.140 --> 00:57:16.260
  • ... share more of your favorite songs.
  • 00:57:16.270 --> 00:57:20.190
  • In the stillness, of the midnight
  • 00:57:20.200 --> 00:57:22.080