Cliff Barrows: Celebrating The Music | TBN

Cliff Barrows: Celebrating The Music

Watch Cliff Barrows: Celebrating The Music
April 27, 2019
57:29

Bill & Gloria Gaither: Precious Memories

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Cliff Barrows: Celebrating The Music

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  • Bill Gaither: Life is made up of moments...
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  • ... like turning the pages of a photograph album.
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  • Our memories preserve for us the relationships...
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  • ... and events that tell the stories of each of our lives.
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  • Happy, sad, joyful, and painful.
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  • The memories of our days make up the fabric...
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  • ... of who we are.
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  • (Choir Singing) Precious Memories
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  • How they linger
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  • How they ever flood my soul
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  • Bill Gaither: An unforgettable memory was made when dozens of friends...
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  • ... who had spent their lives in gospel music...
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  • ... gathered to sings some songs from their own...
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  • ... personal treasure of memories.
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  • For these folks, many precious memories...
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  • ... had begun around a piano somewhere.
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  • They're sharing songs about how their lives have been changed...
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  • ... by God's amazing grace.
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  • Precious scenes unfold
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  • - We want everyone all the way around to join in,
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  • and let's lift our hearts and our voices in praise
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  • as we sing now together.
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  • - And because he lives...
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  • - Cliff Barrows has served as the music and program director
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  • for Billy Graham Crusades since 1945,
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  • and he has led millions of people in song
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  • all across the globe.
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  • Today, we celebrate powerful musical moments
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  • from 60 years of Crusades.
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  • Through musical highlights, vintage footage,
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  • and personal conversations with Cliff,
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  • we will bring together the songs, the voices,
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  • and the spiritual landmarks
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  • that have impacted the world for generations.
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  • - This is my story.
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  • - This musical journey with our good friend Cliff Barrows
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  • also features the Billy Graham Crusade Choirs,
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  • George Beverly Shea,
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  • Evie,
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  • Ethel Waters,
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  • Johnny Cash,
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  • Andraé Crouch,
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  • and the Gaither Vocal Band.
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  • Join us now with Cliff Barrows:
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  • Celebrating the Music of the Billy Graham Crusades.
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  • Cliff, I have been looking forward to this day
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  • for a long, long time.
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  • You and I have been friends now--
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  • goes clear back probably, where, in the '50s somewhere.
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  • - '59, 1959.
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  • Well, on the phone before then.
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  • - Oh, yeah.
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  • - Because I had to use Because He Lives,
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  • and you're the one that brought it to life
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  • and brought it to us,
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  • and Bill loved it,
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  • and we wanted to be able to use it in our meetings,
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  • and, of course, we were always very conscious
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  • of the need of getting permission from folk,
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  • because if you didn't get permission,
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  • you were in a mess.
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  • - Well, you're in no trouble with us.
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  • You could use any song of ours you wanted to use, my friend.
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  • - Well, that's-- that's wonderful.
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  • - Cliff, the night that Jesus was born,
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  • the angels started singing,
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  • and they have never quit singing.
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  • - Uh-huh.
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  • - Can you believe all the wonderful art and music
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  • been inspired by that little baby?
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  • - Yes.
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  • - First night, the angels started singing.
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  • - And you--you wrote a song about that.
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  • - He started the whole word singing a song.
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  • - The words and the music were there all along.
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  • - What the song had to say...
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  • - Was that love found the way.
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  • He started the world singing a song.
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  • [laughter]
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  • Oh, boy.
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  • - Let's just lift our hearts to heaven
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  • and praise the Lord.
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  • - Sing with us now.
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  • Let's just praise the Lord,
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  • praise the Lord.
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  • Let's just lift our hearts to heaven
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  • and praise the Lord.
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  • You know, Martin Luther said,
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  • "Next to the word of God,
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  • "music deserves the highest praise,
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  • "because the gift of music combined with language
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  • "was given to man
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  • that he might better proclaim the good news of the gospel."
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  • And we experienced it, letting the people sing,
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  • and the more they sang, the more they wanted to sing.
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  • - Sure.
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  • all: How great Thou art.
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  • How great Thou art.
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  • - O Lord my God,
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  • when I in awesome wonder
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  • consider all the worlds Thy hands have made...
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  • - Cliff, that was in Scotland,
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  • but you had sung it many times before then.
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  • I can remember talking to Bev, I think, you and he--
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  • were you in London when you met the--
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  • - We were walking down the street,
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  • and we were going to one of his favorite places to eat,
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  • and Dr. Gray of Pikering and Inglis, the publisher,
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  • he stopped Bev, and he said...
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  • - He said, "Oh, hello there, Bev."
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  • He said, "I got some music I want to show you."
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  • So it's kind of, is that octavo size,
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  • and I saw "How Great Thou Art."
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  • There's Russian hieroglyphics, and the English.
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  • Looked beautiful.
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  • He said, "I'm giving Cliff his copy tonight."
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  • - Well, we glanced at it,
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  • but we didn't use it in England, then, or in Scotland.
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  • We got to Canada,
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  • and we got to Canada, and I said,
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  • "Bev, let's try this How Great Thou Art.
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  • "Let's use the last line of the second ending
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  • "as the introduction.
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  • And then you come in."
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  • He said, "Okay."
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  • - And while rehearsing it in Toronto,
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  • O Lord my God,
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  • when I in awesome wonder
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  • consider all the works--worlds Thy hands have made,
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  • I see the stars.
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  • I hear the mighty-- rolling thunder.
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  • And I looked at Cliff,
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  • and he was kind of smiling, you know?
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  • - I said, "Just don't change it.
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  • Thunder's rolling anyway.
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  • Let's leave it that way.
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  • Well, we got permission to do that.
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  • - Yeah, it's just easier to sing, you know, that way,
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  • "rolling thunder."
  • 00:07:07.070 --> 00:07:08.240
  • - Boy, the people wanted it,
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  • because it was so beautiful
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  • and had such a dramatic, you know, closing--
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  • great, triumphant ending.
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  • - But what a hymn, what a hymn.
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  • Then sings my soul, my Savior God,
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  • to Thee:
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  • how great Thou art.
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  • How great
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  • Thou
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  • art.
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  • [applause]
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  • - Gloria came to Bev's memorial service.
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  • I couldn't because we were scheduled somewhere,
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  • so she came to represent us.
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  • And I talked to her later on.
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  • I said, "How was it?"
  • 00:08:08.260 --> 00:08:09.250
  • She said, "Oh, it was wonderful."
  • 00:08:09.260 --> 00:08:11.050
  • Said, "Cliff was just-- it was just great
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  • "to see him reminisce about his old friend,
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  • and he did it with such eloquence."
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  • - What a privilege for me today
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  • to be able to pay the team's respect
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  • to a man whom we came to know as a gentle giant,
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  • our dear beloved friend for many, many years,
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  • George Beverly Shea.
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  • For nearly 70 years,
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  • I would have the privilege of saying,
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  • "Before the message tonight,
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  • "here's America's beloved gospel singer,
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  • "George Beverly Shea,
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  • to sing for you."
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  • And, oh, my, how the people would perk up and listen.
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  • They were anxious to hear what Billy spoke,
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  • but they were just as anxious to hear
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  • what Bev had to say in his song.
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  • And Billy would hold the Bibles up
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  • one night after another and say,
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  • "How many brought your Bibles tonight?"
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  • And they'd be all over the place.
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  • But Bev didn't have a Bible to raise.
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  • He had a voice to raise.
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  • And as he sang the songs,
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  • so specifically and very clearly pronounced the words,
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  • people listened, and they were ready.
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  • And I'll never forget one of his favorite songs
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  • was John Peterson's It Took a Miracle.
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  • "To hang the world in space,
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  • to put the stars in place."
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  • On the second night of our meeting
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  • in Harringay in London, England,
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  • he sang that song,
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  • and Bev was very clear, I thought, in his pronunciation,
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  • but Mr. Graham got a card in the mail the next day that said,
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  • "Mr. Graham, don't you think it's presumptuous
  • 00:10:10.250 --> 00:10:13.180
  • "for your soloist to come from America
  • 00:10:13.190 --> 00:10:16.090
  • "and sing, 'It took America to put the stars in place.
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  • 'It took America to hang the world in space."
  • 00:10:19.270 --> 00:10:25.060
  • And he said, "Well, I'll have to watch my diction from now on."
  • 00:10:25.070 --> 00:10:30.150
  • And you never had to wonder what Bev would sing.
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  • His words were so clear, so perfect.
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  • - I'd rather have Jesus than silver or gold.
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  • I'd rather be His than have riches untold.
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  • I'd rather have Jesus than houses or lands.
  • 00:10:52.090 --> 00:10:59.220
  • I'd rather be led by His nail-pierced hand
  • 00:10:59.230 --> 00:11:08.050
  • than to be the king
  • 00:11:08.060 --> 00:11:12.110
  • of a vast domain
  • 00:11:12.120 --> 00:11:16.130
  • or be held in sin's dread sway.
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  • I'd rather have Jesus than anything
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  • this world affords today.
  • 00:11:31.240 --> 00:11:39.190
  • to spend much time with the old violin.
  • 00:11:44.280 --> 00:11:49.130
  • Yet he held it up with a smile.
  • 00:11:49.140 --> 00:11:52.230
  • "What am I bid, good folks?" he said.
  • 00:11:52.240 --> 00:11:54.240
  • "Who will start the bidding for me?
  • 00:11:54.250 --> 00:11:56.060
  • "A dollar? Now two?
  • 00:11:56.070 --> 00:12:01.090
  • "Two dollars, who'll make it three?
  • 00:12:01.100 --> 00:12:04.110
  • "Three dollars once, three dollars twice,
  • 00:12:04.120 --> 00:12:09.180
  • going and gone."
  • 00:12:09.190 --> 00:12:11.150
  • But, no, from the room far back,
  • 00:12:11.160 --> 00:12:14.080
  • a gray haired man came forward and picked up the bow,
  • 00:12:14.090 --> 00:12:20.010
  • and wiping the dust from the old violin
  • 00:12:20.020 --> 00:12:22.180
  • and tightening up the strings,
  • 00:12:22.190 --> 00:12:26.110
  • he played a melody pure and sweet,
  • 00:12:26.120 --> 00:12:29.290
  • as sweet as the angel sings.
  • 00:12:30.000 --> 00:12:33.290
  • The music ceased, and the auctioneer,
  • 00:12:34.000 --> 00:12:37.280
  • in a voice that was quiet and low, said,
  • 00:12:37.290 --> 00:12:41.000
  • "Now what am I bid for this old violin?"
  • 00:12:41.010 --> 00:12:44.250
  • And he held it up with a bow.
  • 00:12:44.260 --> 00:12:48.090
  • "A thousand dollars?
  • 00:12:48.100 --> 00:12:51.010
  • "Now two? Two thousand?
  • 00:12:51.020 --> 00:12:53.080
  • "Who'll make it three?
  • 00:12:53.090 --> 00:12:55.150
  • "Three thousand once, three thousand twice.
  • 00:12:55.160 --> 00:13:00.150
  • Going and gone," cried he.
  • 00:13:00.160 --> 00:13:04.260
  • The people cheered, but some of them said,
  • 00:13:04.270 --> 00:13:07.130
  • "We don't understand.
  • 00:13:07.140 --> 00:13:10.030
  • What changed its worth?"
  • 00:13:10.040 --> 00:13:12.180
  • And the man replied,
  • 00:13:12.190 --> 00:13:15.010
  • "The touch of the master's hand."
  • 00:13:15.020 --> 00:13:20.090
  • And many a man, with his life out of tune,
  • 00:13:20.100 --> 00:13:23.260
  • all battered and marred by sin,
  • 00:13:23.270 --> 00:13:27.130
  • is auctioned cheap to the thoughtless crowd,
  • 00:13:27.140 --> 00:13:31.140
  • much like the old violin.
  • 00:13:31.150 --> 00:13:34.220
  • A mess of pottage,
  • 00:13:34.230 --> 00:13:38.030
  • a glass of wine,
  • 00:13:38.040 --> 00:13:40.270
  • a game, and he travels on.
  • 00:13:40.280 --> 00:13:43.090
  • He's auctioned once, he's auctioned twice,
  • 00:13:43.100 --> 00:13:45.230
  • he's going and almost gone.
  • 00:13:45.240 --> 00:13:49.290
  • But the master comes,
  • 00:13:50.000 --> 00:13:52.260
  • and the foolish crowd still can't understand
  • 00:13:52.270 --> 00:13:58.090
  • the worth of a soul and the change that's wrought
  • 00:13:58.100 --> 00:14:03.200
  • by the touch of the master's hand.
  • 00:14:03.210 --> 00:14:08.070
  • And then I immediately come to your song.
  • 00:14:08.080 --> 00:14:11.270
  • Shackled by a heavy burden,
  • 00:14:11.280 --> 00:14:16.240
  • 'neath a load of sin and shame.
  • 00:14:16.250 --> 00:14:20.150
  • Then the hand of Jesus touched me,
  • 00:14:20.160 --> 00:14:25.290
  • and now I am no longer the same.
  • 00:14:26.000 --> 00:14:33.140
  • Oh, Bill.
  • 00:14:33.150 --> 00:14:34.180
  • He touched me.
  • 00:14:34.190 --> 00:14:37.030
  • Oh, He touched me.
  • 00:14:37.040 --> 00:14:41.050
  • He did in my heart when I was 11 years old,
  • 00:14:41.060 --> 00:14:46.020
  • and the man had been preaching, our pastor,
  • 00:14:46.030 --> 00:14:48.170
  • on John 3:16.
  • 00:14:48.180 --> 00:14:52.010
  • And he talked about, "Whosoever believeth in him wouldn't perish
  • 00:14:52.020 --> 00:14:57.210
  • but everlasting life."
  • 00:14:57.220 --> 00:15:00.080
  • And he invited those of us
  • 00:15:00.090 --> 00:15:01.250
  • who wanted Jesus to come into my heart
  • 00:15:01.260 --> 00:15:05.090
  • to get up out of there pew and come forward,
  • 00:15:05.100 --> 00:15:08.020
  • and I did as a 10-year-old boy
  • 00:15:08.030 --> 00:15:12.030
  • and gave my hand to the pastor and my heart to the savior.
  • 00:15:12.040 --> 00:15:17.040
  • because He first loved me.
  • 00:15:20.180 --> 00:15:25.140
  • - He first loved me.
  • 00:15:25.150 --> 00:15:28.050
  • And to me.
  • 00:15:28.060 --> 00:15:30.100
  • It's wonderful, oh, children.
  • 00:15:33.090 --> 00:15:36.110
  • - They had a talk show in New York,
  • 00:15:36.120 --> 00:15:39.060
  • and they were interviewing different people
  • 00:15:39.070 --> 00:15:41.030
  • back in that time about the Crusade,
  • 00:15:41.040 --> 00:15:43.190
  • because the city was coming alive.
  • 00:15:43.200 --> 00:15:47.040
  • Things were happening.
  • 00:15:47.050 --> 00:15:48.240
  • And they asked Ethel,
  • 00:15:48.250 --> 00:15:50.060
  • "Well, Ethel, do you think it's gonna be a success?"
  • 00:15:50.070 --> 00:15:53.090
  • She said, "Sure.
  • 00:15:53.100 --> 00:15:55.240
  • God don't sponsor no flops."
  • 00:15:55.250 --> 00:15:57.270
  • - [laughs]
  • 00:15:57.280 --> 00:15:59.140
  • - And he-- she came, and,
  • 00:15:59.150 --> 00:16:02.230
  • "Ethel, we're gonna begin it with the choir.
  • 00:16:02.240 --> 00:16:05.100
  • "I sing because I'm happy.
  • 00:16:05.110 --> 00:16:07.220
  • "I sing because I'm free.
  • 00:16:07.230 --> 00:16:10.110
  • "For His eye is on the sparrow,
  • 00:16:10.120 --> 00:16:13.080
  • and I know He watches me."
  • 00:16:13.090 --> 00:16:16.040
  • - For if His eye,
  • 00:16:16.050 --> 00:16:19.100
  • if His eye is on a sparrow...
  • 00:16:19.110 --> 00:16:25.040
  • Just think of it, a sparrow.
  • 00:16:25.050 --> 00:16:29.100
  • Then I know,
  • 00:16:29.110 --> 00:16:32.090
  • I really know,
  • 00:16:32.100 --> 00:16:36.020
  • He watches me.
  • 00:16:36.030 --> 00:16:39.240
  • He watches me.
  • 00:16:39.250 --> 00:16:45.070
  • His eye
  • 00:16:45.080 --> 00:16:48.230
  • is on
  • 00:16:48.240 --> 00:16:53.260
  • the sparrow.
  • 00:16:53.270 --> 00:16:56.080
  • Hmm.
  • 00:16:56.090 --> 00:17:02.160
  • And I know
  • 00:17:02.170 --> 00:17:06.160
  • that He watches me.
  • 00:17:06.170 --> 00:17:18.280
  • So I sing
  • 00:17:18.290 --> 00:17:24.090
  • because I'm happy.
  • 00:17:24.100 --> 00:17:33.020
  • Oh, yes.
  • 00:17:33.030 --> 00:17:35.230
  • I sing
  • 00:17:35.240 --> 00:17:39.230
  • because I'm free.
  • 00:17:39.240 --> 00:17:47.070
  • For
  • 00:17:47.080 --> 00:17:56.180
  • His eye, His eye,
  • 00:17:56.190 --> 00:18:00.290
  • is on, is on
  • 00:18:01.000 --> 00:18:05.110
  • all sparrows...
  • 00:18:05.120 --> 00:18:09.190
  • and children, darling, precious, loving, lovely children.
  • 00:18:09.200 --> 00:18:16.200
  • I know...
  • 00:18:16.210 --> 00:18:19.020
  • And how Mom knows on Mother's Day.
  • 00:18:19.030 --> 00:18:22.180
  • That He watches
  • 00:18:22.190 --> 00:18:30.170
  • we.
  • 00:18:30.180 --> 00:18:36.130
  • And I know
  • 00:18:36.140 --> 00:18:41.060
  • that He's watching
  • 00:18:41.070 --> 00:18:47.250
  • me.
  • 00:18:47.260 --> 00:18:52.040
  • See you in heaven?
  • 00:18:52.050 --> 00:18:53.090
  • I'll be lookin' for ya.
  • 00:18:53.100 --> 00:18:54.210
  • [applause]
  • 00:18:55.270 --> 00:18:58.270
  • - Now, I can say, through it all,
  • 00:19:00.090 --> 00:19:06.060
  • through it all, oh, yes...
  • 00:19:06.070 --> 00:19:09.050
  • - You were so brilliant
  • 00:19:09.060 --> 00:19:11.040
  • in bringing in younger contemporary artists
  • 00:19:11.050 --> 00:19:14.230
  • and introducing them to-- to a church crowd many times
  • 00:19:14.240 --> 00:19:20.100
  • that probably wouldn't have gone out
  • 00:19:20.110 --> 00:19:22.150
  • and bought a record on their own.
  • 00:19:22.160 --> 00:19:24.070
  • I can remember when you first brought Andraé,
  • 00:19:24.080 --> 00:19:27.070
  • and Dr. Graham had just come out with the book Born Again,
  • 00:19:27.080 --> 00:19:30.270
  • very popular,
  • 00:19:30.280 --> 00:19:32.010
  • big, major selling on New York Times,
  • 00:19:32.020 --> 00:19:34.140
  • big selling book.
  • 00:19:34.150 --> 00:19:36.040
  • A lot of people were talking about it.
  • 00:19:36.050 --> 00:19:38.130
  • But Andraé was so brilliant in saying that,
  • 00:19:38.140 --> 00:19:42.130
  • you know, you wonder what happens when you get born again.
  • 00:19:42.140 --> 00:19:45.140
  • Some people just give a mental consent.
  • 00:19:45.150 --> 00:19:47.140
  • Some people have tears running down their eyes.
  • 00:19:47.150 --> 00:19:49.280
  • Some people shout.
  • 00:19:49.290 --> 00:19:51.290
  • And he--and he came from a Pentecostal church.
  • 00:19:52.000 --> 00:19:55.130
  • He said, "Some people might even jump some pews."
  • 00:19:55.140 --> 00:19:58.100
  • So he had a very funny, humorous song
  • 00:19:58.110 --> 00:20:00.270
  • about being born again.
  • 00:20:00.280 --> 00:20:03.100
  • - We're just delighted...
  • 00:20:03.110 --> 00:20:04.140
  • [upbeat piano music]
  • 00:20:04.150 --> 00:20:07.140
  • 00:20:07.150 --> 00:20:10.070
  • - You don't have to jump no pews
  • 00:20:10.080 --> 00:20:13.070
  • and run down no aisles,
  • 00:20:13.080 --> 00:20:15.260
  • no chills running down your spine.
  • 00:20:15.270 --> 00:20:18.290
  • But you know
  • 00:20:19.000 --> 00:20:21.040
  • that you been born again.
  • 00:20:21.050 --> 00:20:24.120
  • 00:20:24.130 --> 00:20:27.070
  • Don't you know my hands didn't shake.
  • 00:20:27.080 --> 00:20:30.020
  • The earth didn't quake.
  • 00:20:30.030 --> 00:20:32.210
  • No sparks fell from the sky.
  • 00:20:32.220 --> 00:20:35.160
  • Oh, but I knew
  • 00:20:35.170 --> 00:20:37.250
  • that I'd been
  • 00:20:37.260 --> 00:20:39.220
  • born again.
  • 00:20:39.230 --> 00:20:41.190
  • 00:20:41.200 --> 00:20:43.090
  • I said you don't have to jump no pews
  • 00:20:43.100 --> 00:20:46.210
  • and run down no aisles.
  • 00:20:46.220 --> 00:20:49.060
  • No chills run up and down your spine.
  • 00:20:49.070 --> 00:20:52.030
  • Oh, but you know
  • 00:20:52.040 --> 00:20:54.100
  • that you been
  • 00:20:54.110 --> 00:20:56.080
  • born again.
  • 00:20:56.090 --> 00:20:57.180
  • 00:20:57.190 --> 00:21:00.080
  • You see, it's not based on emotional feelings,
  • 00:21:00.090 --> 00:21:05.060
  • but faith in God's word and receiving.
  • 00:21:05.070 --> 00:21:09.080
  • Confess with your mouth the Lord Jesus
  • 00:21:09.090 --> 00:21:12.090
  • and believe in your heart
  • 00:21:12.100 --> 00:21:14.080
  • God raised Him from the dead,
  • 00:21:14.090 --> 00:21:16.010
  • and the Bible says
  • 00:21:16.020 --> 00:21:17.100
  • you shall,
  • 00:21:17.110 --> 00:21:19.040
  • you shall be born again.
  • 00:21:19.050 --> 00:21:22.080
  • Ooh.
  • 00:21:22.090 --> 00:21:24.250
  • Oh, I know
  • 00:21:24.260 --> 00:21:27.020
  • that I've been
  • 00:21:27.030 --> 00:21:28.290
  • born again.
  • 00:21:29.000 --> 00:21:29.290
  • You can't make me doubt it,
  • 00:21:30.000 --> 00:21:31.100
  • 'cause I know too much about it.
  • 00:21:31.110 --> 00:21:33.070
  • I know
  • 00:21:33.080 --> 00:21:34.280
  • that I've been
  • 00:21:34.290 --> 00:21:37.010
  • born again.
  • 00:21:37.020 --> 00:21:38.220
  • Just like Jimmy Carter...
  • 00:21:38.230 --> 00:21:40.140
  • Ooh!
  • 00:21:40.150 --> 00:21:41.150
  • I know
  • 00:21:41.160 --> 00:21:42.280
  • that I've been
  • 00:21:42.290 --> 00:21:44.260
  • born again.
  • 00:21:44.270 --> 00:21:47.020
  • Whoa, yeah!
  • 00:21:47.030 --> 00:21:51.030
  • [applause]
  • 00:21:51.040 --> 00:21:54.040
  • I've been born again.
  • 00:21:59.100 --> 00:22:01.180
  • - He never said you'd only see sunshine.
  • 00:22:01.190 --> 00:22:09.020
  • He never said there'd be no rain.
  • 00:22:09.030 --> 00:22:16.160
  • He only promised us a heart full of singing
  • 00:22:16.170 --> 00:22:23.110
  • about the very things
  • 00:22:23.120 --> 00:22:25.130
  • that once brought a lot of pain.
  • 00:22:25.140 --> 00:22:30.010
  • Give them all.
  • 00:22:30.020 --> 00:22:31.280
  • Give them all.
  • 00:22:31.290 --> 00:22:34.260
  • Give them all to Jesus.
  • 00:22:34.270 --> 00:22:37.230
  • Shattered dreams, your wounded hearts,
  • 00:22:37.240 --> 00:22:40.210
  • your broken toys.
  • 00:22:40.220 --> 00:22:45.020
  • Give them all.
  • 00:22:45.030 --> 00:22:46.250
  • Give them all.
  • 00:22:46.260 --> 00:22:48.270
  • Oh, give them all to Jesus.
  • 00:22:48.280 --> 00:22:52.220
  • And he can turn your sorrow into joy.
  • 00:22:52.230 --> 00:22:57.270
  • - Just give them all to Jesus.
  • 00:22:57.280 --> 00:22:59.290
  • - Give them all.
  • 00:23:00.020 --> 00:23:01.110
  • - Shackled by a heavy burden,
  • 00:23:01.120 --> 00:23:06.080
  • 'neath a load of sin and shame.
  • 00:23:06.090 --> 00:23:09.180
  • Then the hand of Jesus touched me,
  • 00:23:09.190 --> 00:23:14.280
  • and now I am no longer the same.
  • 00:23:14.290 --> 00:23:22.130
  • Oh, Bill.
  • 00:23:22.140 --> 00:23:23.170
  • He touched me.
  • 00:23:23.180 --> 00:23:26.080
  • Oh, He touched me.
  • 00:23:26.090 --> 00:23:31.080
  • - And, oh, the joy that floods my soul.
  • 00:23:31.090 --> 00:23:42.110
  • Something happened,
  • 00:23:42.120 --> 00:23:47.060
  • and now I know
  • 00:23:47.070 --> 00:23:52.120
  • He touched me
  • 00:23:52.130 --> 00:23:54.090
  • and made me whole.
  • 00:23:54.100 --> 00:24:02.230
  • - Since I've met this blessed Savior,
  • 00:24:02.240 --> 00:24:12.250
  • since He's cleansed and made me whole
  • 00:24:12.260 --> 00:24:23.020
  • I will never cease to praise Him.
  • 00:24:23.030 --> 00:24:30.060
  • - To praise Him.
  • 00:24:30.070 --> 00:24:32.090
  • I'll shout it while eternity rolls.
  • 00:24:32.100 --> 00:24:40.110
  • - Oh,
  • 00:24:40.120 --> 00:24:42.270
  • He touched me.
  • 00:24:42.280 --> 00:24:45.190
  • - Oh, He touched me.
  • 00:24:45.200 --> 00:24:50.080
  • He touched me,
  • 00:24:50.090 --> 00:24:52.130
  • and, oh, the joy that floods my soul.
  • 00:24:52.140 --> 00:25:03.100
  • Something happened,
  • 00:25:03.110 --> 00:25:07.280
  • and now I know
  • 00:25:07.290 --> 00:25:13.040
  • He touched me
  • 00:25:13.050 --> 00:25:15.020
  • and made
  • 00:25:15.030 --> 00:25:17.260
  • me whole.
  • 00:25:17.270 --> 00:25:28.120
  • [applause]
  • 00:25:28.130 --> 00:25:31.130
  • - Gracious father,
  • 00:25:38.000 --> 00:25:42.060
  • loving mother,
  • 00:25:42.070 --> 00:25:46.150
  • fly across the lonely years.
  • 00:25:46.160 --> 00:25:52.180
  • - You know what?
  • 00:25:52.190 --> 00:25:53.270
  • You were so open to different kinds of expressions
  • 00:25:53.280 --> 00:25:57.200
  • of the gospel.
  • 00:25:57.210 --> 00:25:58.260
  • It didn't make a difference.
  • 00:25:58.270 --> 00:26:00.050
  • For instance, you opened your arms to Johnny Cash.
  • 00:26:00.060 --> 00:26:03.130
  • - Oh, boy.
  • 00:26:03.140 --> 00:26:04.180
  • - And when--and Billy spent and Ruth spent
  • 00:26:04.190 --> 00:26:07.160
  • a lot of time with Johnny and June and--
  • 00:26:07.170 --> 00:26:10.170
  • new Christians, making a lot of mistakes,
  • 00:26:10.180 --> 00:26:12.290
  • but wanted to follow the Lord, you know?
  • 00:26:13.000 --> 00:26:15.070
  • - Well, Johnny was a great guy.
  • 00:26:15.080 --> 00:26:17.270
  • - Good, good man.
  • 00:26:17.280 --> 00:26:18.270
  • - I loved him.
  • 00:26:18.280 --> 00:26:20.140
  • And...
  • 00:26:20.150 --> 00:26:21.220
  • [laughs]
  • 00:26:21.230 --> 00:26:23.050
  • and June, she was some other woman, I'll tell you.
  • 00:26:23.060 --> 00:26:26.110
  • - [laughs]
  • 00:26:26.120 --> 00:26:27.230
  • - She'd say, "Now, I just had to come
  • 00:26:27.240 --> 00:26:30.100
  • "and hear my dear friend Billy preach,
  • 00:26:30.110 --> 00:26:36.110
  • and I'm gonna say something."
  • 00:26:36.120 --> 00:26:38.220
  • And John said, "Well, we knew you would."
  • 00:26:38.230 --> 00:26:41.050
  • - [laughs]
  • 00:26:41.060 --> 00:26:42.160
  • - And then he'd sing a verse,
  • 00:26:42.170 --> 00:26:44.070
  • and she'd sing a verse.
  • 00:26:44.080 --> 00:26:46.060
  • He loved Johnny Cash.
  • 00:26:46.070 --> 00:26:47.270
  • - I think the world loved Johnny Cash
  • 00:26:47.280 --> 00:26:49.230
  • because of his honesty.
  • 00:26:49.240 --> 00:26:51.180
  • - Yeah.
  • 00:26:51.190 --> 00:26:52.180
  • - To go right down to Folsom Prison
  • 00:26:52.190 --> 00:26:55.040
  • and sing that chapel song to those hardened prisoners
  • 00:26:55.050 --> 00:27:00.020
  • who'd been there for a long time.
  • 00:27:00.030 --> 00:27:01.170
  • He was just the real deal.
  • 00:27:01.180 --> 00:27:03.010
  • - It was the real deal, and he said,
  • 00:27:03.020 --> 00:27:05.100
  • "I may be a chunk of coal down here,
  • 00:27:05.110 --> 00:27:07.210
  • but I'm gonna be a diamond someday."
  • 00:27:07.220 --> 00:27:10.100
  • - [laughs]
  • 00:27:10.110 --> 00:27:11.110
  • - And, boy, they responded to it.
  • 00:27:11.120 --> 00:27:14.100
  • - I'm just an old chunk of coal.
  • 00:27:14.110 --> 00:27:19.000
  • But I'm gonna be a diamond someday.
  • 00:27:19.010 --> 00:27:24.090
  • I'm gonna grow and glow till I'm so blue pure perfect.
  • 00:27:24.100 --> 00:27:29.180
  • Gonna put a smile on everybody's face.
  • 00:27:29.190 --> 00:27:34.110
  • Oh, but I'm gonna kneel and pray every day,
  • 00:27:34.120 --> 00:27:40.060
  • lest I should become vain along the way.
  • 00:27:40.070 --> 00:27:46.000
  • I'm just an old chunk of coal now, Lord.
  • 00:27:46.010 --> 00:27:50.220
  • But I'm gonna be a diamond someday.
  • 00:27:50.230 --> 00:27:55.080
  • I bet ya.
  • 00:27:55.090 --> 00:27:56.180
  • I'm just an old chunk of coal now, Lord.
  • 00:27:56.190 --> 00:28:01.010
  • But I'm gonna be a diamond someday.
  • 00:28:01.020 --> 00:28:07.060
  • [applause]
  • 00:28:07.070 --> 00:28:09.100
  • where your national exposure, in all fairness,
  • 00:28:12.160 --> 00:28:16.120
  • from the Los Angeles Crusade happened,
  • 00:28:16.130 --> 00:28:18.160
  • in a tent, under a large tent.
  • 00:28:18.170 --> 00:28:20.140
  • Now, we--now, our tent was not as big as your tent,
  • 00:28:20.150 --> 00:28:23.160
  • but we had about 2.000 people there that night.
  • 00:28:23.170 --> 00:28:27.110
  • - We had a storm.
  • 00:28:27.120 --> 00:28:28.210
  • - It has a storm that came out too.
  • 00:28:28.220 --> 00:28:30.260
  • - All the stuff washing down.
  • 00:28:30.270 --> 00:28:32.160
  • - [laughs]
  • 00:28:32.170 --> 00:28:34.000
  • But you were a trooper.
  • 00:28:34.010 --> 00:28:35.190
  • Bev was a trooper.
  • 00:28:35.200 --> 00:28:37.200
  • And--and we had you lead that crowd in
  • 00:28:37.210 --> 00:28:41.060
  • "this is my story, this is my song."
  • 00:28:41.070 --> 00:28:44.100
  • Great night.
  • 00:28:44.110 --> 00:28:45.200
  • - It was a great night.
  • 00:28:45.210 --> 00:28:47.220
  • - You know, I told Mr. Graham one day,
  • 00:28:47.230 --> 00:28:51.080
  • I said, "Bill, when you get to Heaven,
  • 00:28:51.090 --> 00:28:55.030
  • "you're gonna be out of a job,
  • 00:28:55.040 --> 00:28:56.210
  • "but Bev and I won't.
  • 00:28:56.220 --> 00:28:58.190
  • We're gonna go on singing."
  • 00:28:58.200 --> 00:29:01.230
  • He said, "Well, when I get to Heaven,
  • 00:29:01.240 --> 00:29:04.140
  • I'm gonna sing like Bev Shea."
  • 00:29:04.150 --> 00:29:07.080
  • I said, "It'll take Heaven to do that,
  • 00:29:07.090 --> 00:29:09.260
  • that's for sure."
  • 00:29:09.270 --> 00:29:10.260
  • [applause]
  • 00:29:10.270 --> 00:29:14.220
  • - Hey, Cliff, you said earlier,
  • 00:29:14.230 --> 00:29:18.190
  • "Is the crowd gonna sing?"
  • 00:29:18.200 --> 00:29:19.270
  • There is no director from the beginning of time
  • 00:29:19.280 --> 00:29:23.120
  • in Christian music
  • 00:29:23.130 --> 00:29:24.200
  • that can get a crowd to sing like Cliff Barrows.
  • 00:29:24.210 --> 00:29:27.050
  • Lead us in...
  • 00:29:27.060 --> 00:29:29.040
  • - Blessed Assurance. - Blessed Assurance.
  • 00:29:29.050 --> 00:29:31.070
  • Come on.
  • 00:29:31.080 --> 00:29:32.070
  • - I think everybody knows that.
  • 00:29:32.080 --> 00:29:35.120
  • - Okay.
  • 00:29:35.130 --> 00:29:36.120
  • - Hold onto your cane there.
  • 00:29:36.130 --> 00:29:37.140
  • - All right.
  • 00:29:37.150 --> 00:29:38.140
  • - You want me to hold your hand,
  • 00:29:38.150 --> 00:29:39.190
  • or am I helping or hurting here?
  • 00:29:39.200 --> 00:29:40.260
  • - I'll hold your hand.
  • 00:29:40.270 --> 00:29:42.020
  • - Oh.
  • 00:29:42.030 --> 00:29:44.030
  • Okay, the first Billy Graham crusade that the trio sang at,
  • 00:29:44.040 --> 00:29:48.200
  • Gloria and I and Gary and little Amy, our daughter, sang
  • 00:29:48.210 --> 00:29:53.240
  • I am a promise.
  • 00:29:53.250 --> 00:29:55.150
  • I am a possibility.
  • 00:29:55.160 --> 00:29:57.070
  • I am a promise
  • 00:29:57.080 --> 00:29:59.120
  • with a capital P.
  • 00:29:59.130 --> 00:30:00.120
  • You remember that?
  • 00:30:00.130 --> 00:30:01.210
  • I'm a great big bundle of potentiality.
  • 00:30:01.220 --> 00:30:05.000
  • Okay, "I'm a great big bundle of potentiality."
  • 00:30:05.010 --> 00:30:08.210
  • And he was so gracious.
  • 00:30:08.220 --> 00:30:10.250
  • There were, I don't know, 60.000 or 70.000 people.
  • 00:30:10.260 --> 00:30:13.130
  • This man could make you feel at ease better than anybody.
  • 00:30:13.140 --> 00:30:17.020
  • We were scared to death.
  • 00:30:17.030 --> 00:30:19.070
  • We were just kids.
  • 00:30:19.080 --> 00:30:20.220
  • He made us feel so much at ease.
  • 00:30:20.230 --> 00:30:22.180
  • And he got that crowd to sing
  • 00:30:22.190 --> 00:30:24.100
  • like nobody could get them to sing.
  • 00:30:24.110 --> 00:30:26.070
  • - Well, I think they know
  • 00:30:26.080 --> 00:30:27.090
  • "this is my story, this is my song."
  • 00:30:27.100 --> 00:30:32.000
  • Blessed Assurance.
  • 00:30:32.010 --> 00:30:33.280
  • "Jesus is mine."
  • 00:30:33.290 --> 00:30:35.130
  • Let's begin with a verse, choir,
  • 00:30:35.140 --> 00:30:38.200
  • and when we get to the chorus,
  • 00:30:38.210 --> 00:30:41.030
  • we'll hold it out in some places.
  • 00:30:41.040 --> 00:30:46.000
  • On the first verse, sing.
  • 00:30:46.010 --> 00:30:48.120
  • Blessed assurance, Jesus is mine.
  • 00:30:48.130 --> 00:30:54.110
  • Oh, what a foretaste of glory divine.
  • 00:30:54.120 --> 00:31:00.150
  • Heir of salvation,
  • 00:31:00.160 --> 00:31:03.180
  • purchase of God,
  • 00:31:03.190 --> 00:31:06.150
  • born of His spirit,
  • 00:31:06.160 --> 00:31:09.240
  • washed in His blood.
  • 00:31:09.250 --> 00:31:11.070
  • Here we go.
  • 00:31:11.080 --> 00:31:12.170
  • This is my story, this is my song.
  • 00:31:12.180 --> 00:31:19.040
  • Praising my Savior
  • 00:31:19.050 --> 00:31:25.120
  • all the day long.
  • 00:31:25.130 --> 00:31:33.070
  • This is my story,
  • 00:31:33.080 --> 00:31:40.180
  • this is my song.
  • 00:31:40.190 --> 00:31:43.260
  • Praising my Savior
  • 00:31:43.270 --> 00:31:50.060
  • all the day long.
  • 00:31:50.070 --> 00:32:01.270
  • [applause]
  • 00:32:03.010 --> 00:32:05.290
  • - Cliff Barrows.
  • 00:32:14.140 --> 00:32:15.270
  • [cheers and applause]
  • 00:32:15.280 --> 00:32:18.260
  • This is my story...
  • 00:32:26.100 --> 00:32:29.210
  • - this is my song.
  • 00:32:29.220 --> 00:32:32.270
  • Praising my Savior
  • 00:32:32.280 --> 00:32:36.180
  • all the day long.
  • 00:32:36.190 --> 00:32:39.270
  • This is my story,
  • 00:32:39.280 --> 00:32:43.120
  • this is my song.
  • 00:32:43.130 --> 00:32:46.130
  • Praising my Savior
  • 00:32:46.140 --> 00:32:52.110
  • all the day long.
  • 00:32:52.120 --> 00:33:02.110
  • [applause]
  • 00:33:02.120 --> 00:33:05.100
  • - We love you.
  • 00:33:08.120 --> 00:33:11.080
  • What was it, 1992?
  • 00:33:11.090 --> 00:33:13.000
  • - I believe it was.
  • 00:33:13.010 --> 00:33:14.160
  • We had gone back to Russia,
  • 00:33:14.170 --> 00:33:17.230
  • and Bill had been preaching in different places,
  • 00:33:17.240 --> 00:33:22.080
  • and we wanted the Red Army Chorus
  • 00:33:22.090 --> 00:33:25.040
  • to perform one night.
  • 00:33:25.050 --> 00:33:27.080
  • Well, they were there.
  • 00:33:27.090 --> 00:33:30.000
  • And so before they played, I introduced them.
  • 00:33:30.010 --> 00:33:33.140
  • We gave them a welcome,
  • 00:33:33.150 --> 00:33:34.280
  • and, I mean, they had their uniforms on,
  • 00:33:34.290 --> 00:33:39.000
  • and the man, in English, hesitating, he said,
  • 00:33:39.010 --> 00:33:43.050
  • "We would like to dedicate this song to Mr. Graham."
  • 00:33:43.060 --> 00:33:51.020
  • They learned the English of Glory, Glory Hallelujah.
  • 00:33:51.030 --> 00:33:56.020
  • And they started to sing,
  • 00:33:56.030 --> 00:33:58.090
  • "Mine eyes have seen the glory
  • 00:33:58.100 --> 00:34:01.170
  • "of the coming of the Lord.
  • 00:34:01.180 --> 00:34:03.220
  • He is trampling"--
  • 00:34:03.230 --> 00:34:05.020
  • And they-- they sang it in English.
  • 00:34:05.030 --> 00:34:07.220
  • - Ah.
  • 00:34:07.230 --> 00:34:08.220
  • - And they got,
  • 00:34:08.230 --> 00:34:09.240
  • "In the beauty of the lilies,"
  • 00:34:09.250 --> 00:34:12.270
  • they said, "In the beauty of the lie-lees,
  • 00:34:12.280 --> 00:34:16.150
  • Christ was born across the sea."
  • 00:34:16.160 --> 00:34:19.270
  • I could not hold the tears back.
  • 00:34:19.280 --> 00:34:23.110
  • I stood, and Bill was moved.
  • 00:34:23.120 --> 00:34:26.280
  • We were all so moved.
  • 00:34:26.290 --> 00:34:29.010
  • - In the beauty of the lilies,
  • 00:34:33.110 --> 00:34:42.240
  • Christ was born across the sea
  • 00:34:42.250 --> 00:34:54.100
  • with a glory in His bosom
  • 00:34:54.110 --> 00:35:04.060
  • that transfigures you and me.
  • 00:35:04.070 --> 00:35:16.170
  • As He died to make men holy,
  • 00:35:16.180 --> 00:35:26.190
  • let us live to make men free
  • 00:35:26.200 --> 00:35:34.060
  • while God
  • 00:35:34.070 --> 00:35:37.210
  • is marching on.
  • 00:35:37.220 --> 00:35:46.250
  • Glory, glory hallelujah.
  • 00:35:46.260 --> 00:35:52.130
  • Glory, glory hallelujah.
  • 00:35:52.140 --> 00:35:57.250
  • Glory, glory hallelujah.
  • 00:35:57.260 --> 00:36:03.020
  • His truth is marching on.
  • 00:36:03.030 --> 00:36:09.040
  • 00:36:09.050 --> 00:36:11.130
  • Glory, glory hallelujah.
  • 00:36:11.140 --> 00:36:18.280
  • Glory, glory hallelujah.
  • 00:36:18.290 --> 00:36:26.060
  • Glory, glory hallelujah.
  • 00:36:26.070 --> 00:36:33.100
  • His truth is marching on.
  • 00:36:33.110 --> 00:36:43.160
  • Amen.
  • 00:36:43.170 --> 00:36:47.140
  • Amen.
  • 00:36:47.150 --> 00:37:01.070
  • [applause]
  • 00:37:01.080 --> 00:37:04.080
  • - Wonderful grace of Jesus,
  • 00:37:06.010 --> 00:37:11.040
  • greater than all my sin.
  • 00:37:11.050 --> 00:37:15.210
  • - You know, Bill, music has been my whole life.
  • 00:37:15.220 --> 00:37:20.000
  • I don't know anything else.
  • 00:37:20.010 --> 00:37:22.010
  • But, you know, the one I enjoyed leading most
  • 00:37:22.020 --> 00:37:26.210
  • was Wonderful Grace of Jesus.
  • 00:37:26.220 --> 00:37:30.260
  • You know, Haldor Lillenas wrote that.
  • 00:37:30.270 --> 00:37:35.000
  • It was never--he said most choirs sing it too fast.
  • 00:37:35.010 --> 00:37:40.100
  • He said it's supposed to be sung slowly
  • 00:37:40.110 --> 00:37:44.020
  • so that they can understand the words.
  • 00:37:44.030 --> 00:37:46.250
  • - Wonderful the matchless grace of Jesus,
  • 00:37:46.260 --> 00:37:51.220
  • deeper than the mighty rolling sea.
  • 00:37:51.230 --> 00:37:56.150
  • Wonderful grace,
  • 00:37:56.160 --> 00:38:00.130
  • all sufficient for me,
  • 00:38:00.140 --> 00:38:04.080
  • for even me.
  • 00:38:04.090 --> 00:38:06.040
  • Broader than the scope of my transgressions,
  • 00:38:06.050 --> 00:38:10.290
  • greater far than all my sin and shame,
  • 00:38:11.000 --> 00:38:15.090
  • O magnify the precious name of Jesus.
  • 00:38:15.100 --> 00:38:21.190
  • Praise
  • 00:38:21.200 --> 00:38:23.270
  • His
  • 00:38:23.280 --> 00:38:25.280
  • name.
  • 00:38:25.290 --> 00:38:30.110
  • - Let's all stand together please,
  • 00:38:31.250 --> 00:38:34.000
  • and you folks that are watching might call a friend right now
  • 00:38:34.010 --> 00:38:36.260
  • and invite them to tune in,
  • 00:38:36.270 --> 00:38:39.020
  • and we're going to sing a chorus
  • 00:38:39.030 --> 00:38:40.190
  • that I'm sure many of you
  • 00:38:40.200 --> 00:38:41.290
  • who are sharing in this service by television
  • 00:38:42.000 --> 00:38:45.160
  • know yourself.
  • 00:38:45.170 --> 00:38:46.230
  • It's, "Because He lives, I can face tomorrow.
  • 00:38:46.240 --> 00:38:50.150
  • "Because He lives, all fear is gone.
  • 00:38:50.160 --> 00:38:52.250
  • "Because I know He holds the future,
  • 00:38:52.260 --> 00:38:56.150
  • "and life is worth the living,
  • 00:38:56.160 --> 00:38:58.040
  • just because He lives."
  • 00:38:58.050 --> 00:38:59.260
  • It's on your song sheet,
  • 00:38:59.270 --> 00:39:02.000
  • and we want everyone all the way around to join in,
  • 00:39:02.010 --> 00:39:05.000
  • and let's life our hearts and our voices in praise
  • 00:39:05.010 --> 00:39:08.150
  • as we sing now together.
  • 00:39:08.160 --> 00:39:10.190
  • - And because He lives,
  • 00:39:10.200 --> 00:39:15.260
  • I can face tomorrow.
  • 00:39:15.270 --> 00:39:20.270
  • Because He lives,
  • 00:39:20.280 --> 00:39:25.240
  • all fear is gone.
  • 00:39:25.250 --> 00:39:30.240
  • Because I know,
  • 00:39:30.250 --> 00:39:33.290
  • Oh, I know he holds the future,
  • 00:39:34.000 --> 00:39:40.210
  • and life is worth the living,
  • 00:39:40.220 --> 00:39:45.050
  • just because He lives.
  • 00:39:45.060 --> 00:39:51.140
  • - Ladies and gentlemen, I'm so happy to present to you
  • 00:39:51.150 --> 00:39:53.250
  • and I met you earlier with our songs,
  • 00:39:53.260 --> 00:39:56.030
  • but I was a little reluctant to sing on that big stage,
  • 00:39:56.040 --> 00:39:59.150
  • and some of those songs.
  • 00:39:59.160 --> 00:40:00.200
  • In fact, the choir sang Because He Lives.
  • 00:40:00.210 --> 00:40:03.000
  • - Right.
  • 00:40:03.010 --> 00:40:04.030
  • And we got everybody to sing with them.
  • 00:40:04.040 --> 00:40:06.030
  • - Yeah, you did.
  • 00:40:06.040 --> 00:40:07.280
  • But you made us feel great that day in Toronto,
  • 00:40:07.290 --> 00:40:11.140
  • and I want to forever thank you for that.
  • 00:40:11.150 --> 00:40:13.140
  • Sing it now with us.
  • 00:40:13.150 --> 00:40:14.190
  • - Oh, the King
  • 00:40:14.200 --> 00:40:18.190
  • is coming.
  • 00:40:18.200 --> 00:40:20.290
  • The King is coming.
  • 00:40:21.000 --> 00:40:25.050
  • I just heard the trumpet sounding,
  • 00:40:25.060 --> 00:40:30.100
  • and now His face I see.
  • 00:40:30.110 --> 00:40:33.290
  • - Oh, the King
  • 00:40:34.000 --> 00:40:37.270
  • is coming.
  • 00:40:37.280 --> 00:40:40.170
  • The King is coming.
  • 00:40:40.180 --> 00:40:44.250
  • Praise God.
  • 00:40:44.260 --> 00:40:47.120
  • He's coming for me.
  • 00:40:47.130 --> 00:40:56.010
  • [applause]
  • 00:40:56.020 --> 00:40:59.040
  • - I can hear the chariots rumble.
  • 00:40:59.050 --> 00:41:04.180
  • I can see the marching throng,
  • 00:41:04.190 --> 00:41:08.220
  • and the flurry of God's trumpets
  • 00:41:08.230 --> 00:41:13.050
  • spells the end of sin and wrong.
  • 00:41:13.060 --> 00:41:18.020
  • Regal robes are now unfolding.
  • 00:41:18.030 --> 00:41:22.190
  • Heaven's grandstands all in place.
  • 00:41:22.200 --> 00:41:27.120
  • Heaven's choir is now assembled.
  • 00:41:27.130 --> 00:41:31.280
  • Start to sing
  • 00:41:31.290 --> 00:41:35.250
  • Amazing Grace.
  • 00:41:35.260 --> 00:41:40.000
  • - For the King is coming.
  • 00:41:40.010 --> 00:41:45.050
  • The King is coming.
  • 00:41:45.060 --> 00:41:49.160
  • I just heard the trumpets sounding,
  • 00:41:49.170 --> 00:41:54.280
  • and now His face I see.
  • 00:41:54.290 --> 00:42:00.040
  • - Yes.
  • 00:42:00.050 --> 00:42:02.240
  • - The King is coming.
  • 00:42:02.250 --> 00:42:07.100
  • The King is coming.
  • 00:42:07.110 --> 00:42:11.180
  • Praise God.
  • 00:42:11.190 --> 00:42:14.080
  • He's coming
  • 00:42:14.090 --> 00:42:19.040
  • for me.
  • 00:42:19.050 --> 00:42:24.220
  • Praise God.
  • 00:42:24.230 --> 00:42:26.130
  • He's coming
  • 00:42:26.140 --> 00:42:29.060
  • for
  • 00:42:29.070 --> 00:42:31.290
  • me.
  • 00:42:32.000 --> 00:42:39.010
  • [cheers and applause]
  • 00:42:39.020 --> 00:42:42.020
  • - You let Mr. Graham sing with you on one song, right?
  • 00:42:45.110 --> 00:42:52.000
  • - Yeah, well, he got up one night
  • 00:42:52.010 --> 00:42:53.290
  • after Bev and I had been singing.
  • 00:42:54.000 --> 00:42:56.250
  • And he said, "Well, you know, I'm a little bit--
  • 00:42:56.260 --> 00:43:00.280
  • "I'm a little bit hurt because we do have one song
  • 00:43:00.290 --> 00:43:05.140
  • "we want to sing that I do sing with them.
  • 00:43:05.150 --> 00:43:09.160
  • They haven't asked me."
  • 00:43:09.170 --> 00:43:10.230
  • He said, "Let's do it right now."
  • 00:43:10.240 --> 00:43:13.000
  • I said, "Are you serious?"
  • 00:43:13.010 --> 00:43:15.140
  • He said, "Of course I'm serious."
  • 00:43:15.150 --> 00:43:18.130
  • "Well, did you practice your part?"
  • 00:43:18.140 --> 00:43:21.020
  • He said, "Well, I'll come in
  • 00:43:21.030 --> 00:43:23.060
  • when we sing 'this little light of mine,
  • 00:43:23.070 --> 00:43:26.130
  • I'm gonna let it shine.'"
  • 00:43:26.140 --> 00:43:28.140
  • And the people loved it.
  • 00:43:28.150 --> 00:43:30.050
  • And I loved it too,
  • 00:43:30.060 --> 00:43:32.120
  • because dear Bill smiled,
  • 00:43:32.130 --> 00:43:36.180
  • and he loved it.
  • 00:43:36.190 --> 00:43:38.020
  • "Hide it under a bushel.
  • 00:43:38.030 --> 00:43:39.170
  • "No.
  • 00:43:39.180 --> 00:43:41.080
  • I'm gonna let it shine."
  • 00:43:41.090 --> 00:43:44.030
  • - I know that you're applauding
  • 00:43:44.040 --> 00:43:46.230
  • to hear George Beverly Shea sing again.
  • 00:43:46.240 --> 00:43:52.070
  • But instead, I think I'm going to ask him
  • 00:43:52.080 --> 00:43:55.050
  • to come and join me and Cliff Barrows in a song.
  • 00:43:55.060 --> 00:43:59.200
  • [cheers and applause]
  • 00:43:59.210 --> 00:44:02.230
  • - Are you serious?
  • 00:44:06.200 --> 00:44:07.190
  • - Yes, I'm serious.
  • 00:44:07.200 --> 00:44:11.260
  • The only problem is,
  • 00:44:11.270 --> 00:44:14.160
  • I sometimes forget the lyrics.
  • 00:44:14.170 --> 00:44:18.270
  • So you'll forgive me.
  • 00:44:18.280 --> 00:44:21.190
  • But we're going to--
  • 00:44:21.200 --> 00:44:22.220
  • we haven't practiced it in some time.
  • 00:44:22.230 --> 00:44:24.200
  • - What are we gonna sing?
  • 00:44:24.210 --> 00:44:25.270
  • [laughter]
  • 00:44:25.280 --> 00:44:28.010
  • - The only one we know.
  • 00:44:28.020 --> 00:44:29.160
  • [laughter]
  • 00:44:29.170 --> 00:44:31.110
  • [delicate piano music]
  • 00:44:31.120 --> 00:44:34.140
  • - This little light of mine,
  • 00:44:34.150 --> 00:44:36.240
  • I'm gonna let it shine.
  • 00:44:36.250 --> 00:44:38.290
  • This little light of mine,
  • 00:44:39.000 --> 00:44:41.000
  • I'm gonna let it shine,
  • 00:44:41.010 --> 00:44:42.170
  • let it shine, let it shine, let it shine.
  • 00:44:42.180 --> 00:44:47.040
  • Hide it under a bushel.
  • 00:44:47.050 --> 00:44:48.230
  • - No.
  • 00:44:48.240 --> 00:44:49.230
  • - I'm gonna let it shine.
  • 00:44:49.240 --> 00:44:51.160
  • Hide it under a bushel.
  • 00:44:51.170 --> 00:44:53.010
  • - No.
  • 00:44:53.020 --> 00:44:54.010
  • - I'm gonna let it shine,
  • 00:44:54.020 --> 00:44:55.150
  • let it shine, let it shine, let it shine.
  • 00:44:55.160 --> 00:45:00.110
  • This little light of mine,
  • 00:45:00.120 --> 00:45:02.110
  • I'm gonna let it shine.
  • 00:45:02.120 --> 00:45:04.120
  • This little light of mine,
  • 00:45:04.130 --> 00:45:06.150
  • I'm gonna let it shine,
  • 00:45:06.160 --> 00:45:08.020
  • let it shine, let it shine.
  • 00:45:08.030 --> 00:45:12.220
  • - Let it shine.
  • 00:45:12.230 --> 00:45:15.020
  • - This little light of mine,
  • 00:45:15.030 --> 00:45:17.120
  • I'm gonna let it shine.
  • 00:45:17.130 --> 00:45:25.210
  • [cheers and applause]
  • 00:45:25.220 --> 00:45:29.020
  • - And what a joy and privilege it has been.
  • 00:45:29.030 --> 00:45:33.040
  • I wouldn't trade it for anything in my life.
  • 00:45:33.050 --> 00:45:38.180
  • I never sang Just As I Am,
  • 00:45:38.190 --> 00:45:40.270
  • but what I myself--
  • 00:45:40.280 --> 00:45:43.260
  • it's the truth, Bill--
  • 00:45:43.270 --> 00:45:45.080
  • I'd stand there and say,
  • 00:45:45.090 --> 00:45:46.230
  • "Lord, here I am.
  • 00:45:46.240 --> 00:45:48.160
  • "This invitation is for me.
  • 00:45:48.170 --> 00:45:51.050
  • "I come to You as well again,
  • 00:45:51.060 --> 00:45:53.260
  • "anew in my dedication
  • 00:45:53.270 --> 00:45:56.050
  • "and my surrender to You.
  • 00:45:56.060 --> 00:45:58.250
  • "I give myself to You.
  • 00:45:58.260 --> 00:46:02.120
  • Thank You for receiving me as I am."
  • 00:46:02.130 --> 00:46:08.050
  • - Amen.
  • 00:46:08.060 --> 00:46:09.170
  • - Ooh, ooh, ooh.
  • 00:46:09.180 --> 00:46:12.220
  • Ooh, ooh, ooh, ooh, ooh.
  • 00:46:12.230 --> 00:46:18.250
  • Ooh, ooh, ooh, ooh.
  • 00:46:18.260 --> 00:46:25.060
  • Ooh, ooh, ooh,
  • 00:46:25.070 --> 00:46:28.220
  • ooh, ooh, ooh, ooh.
  • 00:46:28.230 --> 00:46:32.150
  • Ooh, ooh.
  • 00:46:32.160 --> 00:46:35.280
  • - God bless him.
  • 00:46:35.290 --> 00:46:38.010
  • How I love that man.
  • 00:46:38.020 --> 00:46:39.260
  • - Mm-hmm.
  • 00:46:39.270 --> 00:46:42.060
  • - Oh.
  • 00:46:42.070 --> 00:46:44.010
  • - Ooh, ooh.
  • 00:46:48.050 --> 00:46:54.230
  • - Sing it.
  • 00:46:54.240 --> 00:46:57.050
  • - Just as I am,
  • 00:46:57.060 --> 00:47:03.260
  • without one plea,
  • 00:47:03.270 --> 00:47:10.030
  • but that
  • 00:47:10.040 --> 00:47:13.170
  • Thy blood
  • 00:47:13.180 --> 00:47:16.180
  • was shed for me
  • 00:47:16.190 --> 00:47:23.080
  • and that
  • 00:47:23.090 --> 00:47:26.090
  • Thou bidst me
  • 00:47:26.100 --> 00:47:30.200
  • come to Thee.
  • 00:47:30.210 --> 00:47:35.250
  • Oh, Lamb of God,
  • 00:47:35.260 --> 00:47:42.170
  • I come.
  • 00:47:42.180 --> 00:47:47.110
  • I come.
  • 00:47:47.120 --> 00:47:56.060
  • - When we went to England in 1967,
  • 00:47:56.070 --> 00:47:58.280
  • we'd been there in 1954 for the Harringay meetings.
  • 00:47:58.290 --> 00:48:04.070
  • And some of the young reporters weren't in those meetings,
  • 00:48:04.080 --> 00:48:07.140
  • but they read reports about it,
  • 00:48:07.150 --> 00:48:10.040
  • and they concluded that it was the emotion of Just As I Am
  • 00:48:10.050 --> 00:48:14.130
  • that caused the people to come forward.
  • 00:48:14.140 --> 00:48:17.170
  • And Mr. Graham was really concerned about that,
  • 00:48:17.180 --> 00:48:20.210
  • and he talked to me just before we started the meetings.
  • 00:48:20.220 --> 00:48:24.080
  • He said, "You know, Cliff, we know it's the spirit of God,
  • 00:48:24.090 --> 00:48:29.060
  • "and people who are praying know that,
  • 00:48:29.070 --> 00:48:31.140
  • but these unconverted folks don't know that."
  • 00:48:31.150 --> 00:48:35.120
  • And he said, "Let's just pray that God will show us
  • 00:48:35.130 --> 00:48:39.050
  • "whether we ought to sing it or not.
  • 00:48:39.060 --> 00:48:41.230
  • "And you be prepared to sing it or not sing it.
  • 00:48:41.240 --> 00:48:44.120
  • "Be prepared to have the organist or pianist
  • 00:48:44.130 --> 00:48:46.200
  • "play it or not,
  • 00:48:46.210 --> 00:48:47.250
  • and if I feel we should, I'll call for it."
  • 00:48:47.260 --> 00:48:51.280
  • I said, "All right."
  • 00:48:51.290 --> 00:48:53.050
  • And I explained to the choir
  • 00:48:53.060 --> 00:48:54.140
  • and to Don Hustad and Ted Smith.
  • 00:48:54.150 --> 00:48:58.050
  • I said, "Don't play until you get the cue to play."
  • 00:48:58.060 --> 00:49:02.230
  • And do you know we began the meeting,
  • 00:49:02.240 --> 00:49:06.050
  • and Bill gave the simple, straightforward invitation.
  • 00:49:06.060 --> 00:49:10.270
  • And he said, "We're not gonna have any singing tonight."
  • 00:49:10.280 --> 00:49:14.050
  • This was the first night at Earls Court.
  • 00:49:14.060 --> 00:49:17.000
  • "If the spirit of God has spoken to your heart,
  • 00:49:17.010 --> 00:49:20.010
  • you get up and come,"
  • 00:49:20.020 --> 00:49:21.150
  • and then he just stepped back and bowed his head in prayer.
  • 00:49:21.160 --> 00:49:25.120
  • And 15 seconds went by, and nobody moved,
  • 00:49:25.130 --> 00:49:29.090
  • and that's a long time.
  • 00:49:29.100 --> 00:49:31.180
  • And I was ready to lead the choir,
  • 00:49:31.190 --> 00:49:33.230
  • and we were ready to play.
  • 00:49:33.240 --> 00:49:35.290
  • And then you heard a seat squeak as the people stood,
  • 00:49:36.000 --> 00:49:41.230
  • and then one after another, and after another,
  • 00:49:41.240 --> 00:49:45.060
  • and within about five minutes,
  • 00:49:45.070 --> 00:49:46.260
  • over 1.000 people were shuffling along the floor,
  • 00:49:46.270 --> 00:49:51.040
  • coming to the front,
  • 00:49:51.050 --> 00:49:52.130
  • to give their life to Christ.
  • 00:49:52.140 --> 00:49:54.220
  • And for 30 nights,
  • 00:49:54.230 --> 00:49:57.230
  • for 30 nights at Harringay,
  • 00:49:57.240 --> 00:50:00.100
  • we didn't have one note of Just As I Am,
  • 00:50:00.110 --> 00:50:03.190
  • and the reporters that had written before,
  • 00:50:03.200 --> 00:50:06.230
  • saying that the emotion of it were bringing people--
  • 00:50:06.240 --> 00:50:09.140
  • was bringing people forward,
  • 00:50:09.150 --> 00:50:11.120
  • they were writing, "Give us back Just As I Am.
  • 00:50:11.130 --> 00:50:14.000
  • The silence is killing us."
  • 00:50:14.010 --> 00:50:16.000
  • [laughs]
  • 00:50:16.010 --> 00:50:17.240
  • But it was just an indication, again,
  • 00:50:17.250 --> 00:50:20.240
  • of how God has been working,
  • 00:50:20.250 --> 00:50:23.140
  • and as we sang it, I couldn't help but think of...
  • 00:50:23.150 --> 00:50:27.140
  • [sighs]
  • 00:50:27.150 --> 00:50:29.240
  • the thousands of people who've come,
  • 00:50:29.250 --> 00:50:33.160
  • and they are memories that I thank God for
  • 00:50:33.170 --> 00:50:36.260
  • and praise Him.
  • 00:50:36.270 --> 00:50:37.290
  • Forgive my voice.
  • 00:50:38.000 --> 00:50:38.290
  • I've lost it today.
  • 00:50:39.000 --> 00:50:40.110
  • [laughs]
  • 00:50:40.120 --> 00:50:42.000
  • Amen.
  • 00:50:42.010 --> 00:50:43.000
  • Sorry about that.
  • 00:50:43.010 --> 00:50:44.190
  • - Just as I am,
  • 00:50:44.200 --> 00:50:51.080
  • Thy love unknown...
  • 00:50:51.090 --> 00:50:58.180
  • - I love that verse.
  • 00:50:58.190 --> 00:51:01.020
  • You know, we don't use it much.
  • 00:51:01.030 --> 00:51:02.220
  • - Every barrier down.
  • 00:51:02.230 --> 00:51:10.270
  • Now to be Thine
  • 00:51:10.280 --> 00:51:17.270
  • and Thine alone,
  • 00:51:17.280 --> 00:51:24.160
  • O Lamb of God.
  • 00:51:24.170 --> 00:51:30.130
  • - What brings together a group of people
  • 00:51:30.140 --> 00:51:32.060
  • from diverse backgrounds
  • 00:51:32.070 --> 00:51:33.210
  • to a lodge in the mountains
  • 00:51:33.220 --> 00:51:35.120
  • and makes them feel free to talk about something
  • 00:51:35.130 --> 00:51:37.150
  • as personal as their relationship with God?
  • 00:51:37.160 --> 00:51:40.240
  • And what impassions a couple like Billy and Ruth Graham
  • 00:51:40.250 --> 00:51:43.280
  • to spend their entire lives telling others across the world
  • 00:51:43.290 --> 00:51:47.120
  • that they can know God, too,
  • 00:51:47.130 --> 00:51:49.040
  • really know Him for themselves?
  • 00:51:49.050 --> 00:51:50.210
  • - Oh, that's good.
  • 00:51:50.220 --> 00:51:51.240
  • - What causes a George Beverly Shea
  • 00:51:51.250 --> 00:51:53.250
  • or Cliff Barrows
  • 00:51:53.260 --> 00:51:54.250
  • to sing their hearts out,
  • 00:51:54.260 --> 00:51:56.090
  • to put music into the souls of someone
  • 00:51:56.100 --> 00:51:58.090
  • who might not have a song?
  • 00:51:58.100 --> 00:52:00.200
  • Why does it matter to them?
  • 00:52:00.210 --> 00:52:03.050
  • Think about it this way.
  • 00:52:03.060 --> 00:52:05.200
  • When you're lost or lonely,
  • 00:52:05.210 --> 00:52:07.090
  • far from family,
  • 00:52:07.100 --> 00:52:08.170
  • and feeling like the bottom has dropped out of life,
  • 00:52:08.180 --> 00:52:11.030
  • the best thing to do is go home.
  • 00:52:11.040 --> 00:52:13.100
  • But what if you left home a long time ago
  • 00:52:13.110 --> 00:52:16.040
  • and now you feel your place at the table
  • 00:52:16.050 --> 00:52:17.220
  • has surely been removed by now
  • 00:52:17.230 --> 00:52:20.010
  • and the vacancy you left has long since been filled?
  • 00:52:20.020 --> 00:52:23.130
  • What if you're too embarrassed or too proud
  • 00:52:23.140 --> 00:52:26.190
  • to take the risk of showing up now
  • 00:52:26.200 --> 00:52:28.170
  • in a place where you used to belong?
  • 00:52:28.180 --> 00:52:32.080
  • Now let's think about the family.
  • 00:52:32.090 --> 00:52:34.180
  • No matter how many children are home,
  • 00:52:34.190 --> 00:52:36.180
  • the truth is, no one could ever fill the empty place
  • 00:52:36.190 --> 00:52:39.270
  • at the family's heart
  • 00:52:39.280 --> 00:52:41.140
  • left by one who is away.
  • 00:52:41.150 --> 00:52:44.100
  • And just maybe tonight,
  • 00:52:44.110 --> 00:52:45.280
  • the father is so lonely for you, he can hardly stand it.
  • 00:52:45.290 --> 00:52:50.170
  • He wants you to know, son,
  • 00:52:50.180 --> 00:52:52.100
  • that no matter where you've been,
  • 00:52:52.110 --> 00:52:54.200
  • and, daughter, no matter how much
  • 00:52:54.210 --> 00:52:56.050
  • foreign ground you've covered,
  • 00:52:56.060 --> 00:52:58.030
  • he will never really rest at night
  • 00:52:58.040 --> 00:52:59.280
  • until everybody's home.
  • 00:52:59.290 --> 00:53:02.190
  • So what you've experienced here on the mountain is the family,
  • 00:53:02.200 --> 00:53:06.160
  • gathered in a circle, taking hands,
  • 00:53:06.170 --> 00:53:09.250
  • connecting with the Father,
  • 00:53:09.260 --> 00:53:11.100
  • connecting with each other,
  • 00:53:11.110 --> 00:53:13.010
  • drawing strength and acceptance and encouragement and joy.
  • 00:53:13.020 --> 00:53:17.110
  • But they're hesitant to start the dance
  • 00:53:17.120 --> 00:53:19.040
  • until you're in your place.
  • 00:53:19.050 --> 00:53:21.060
  • The circle is incomplete without you.
  • 00:53:21.070 --> 00:53:24.050
  • So they tell family stories,
  • 00:53:24.060 --> 00:53:26.110
  • they sing the well-loved songs,
  • 00:53:26.120 --> 00:53:28.030
  • and they wait.
  • 00:53:28.040 --> 00:53:29.260
  • They just keep feeling that if they wait a bit longer,
  • 00:53:29.270 --> 00:53:33.180
  • you'll come too.
  • 00:53:33.190 --> 00:53:35.220
  • Don't worry about fixing up.
  • 00:53:35.230 --> 00:53:37.230
  • This is a come-as-you-are party.
  • 00:53:37.240 --> 00:53:39.280
  • But the gift they hope to exchange is you.
  • 00:53:39.290 --> 00:53:43.250
  • - He said, "Let's pray that God will keep us together
  • 00:53:46.100 --> 00:53:52.020
  • "as long as we live
  • 00:53:52.030 --> 00:53:54.230
  • or until Jesus comes again and takes us home."
  • 00:53:54.240 --> 00:53:59.160
  • And, Bill, that's been 70 years ago, almost.
  • 00:53:59.170 --> 00:54:06.000
  • - Amazing.
  • 00:54:06.010 --> 00:54:07.050
  • - And I have never one time, one time,
  • 00:54:07.060 --> 00:54:11.140
  • doubted that that's where I should be,
  • 00:54:11.150 --> 00:54:14.290
  • because God has knit our hearts together,
  • 00:54:15.000 --> 00:54:17.140
  • and he's my dearest, dearest friend.
  • 00:54:17.150 --> 00:54:21.230
  • And I pray that his homegoing
  • 00:54:21.240 --> 00:54:24.000
  • will be a blessed, precious time.
  • 00:54:24.010 --> 00:54:27.130
  • Thank you for letting me share with you,
  • 00:54:27.140 --> 00:54:30.030
  • my precious friend.
  • 00:54:30.040 --> 00:54:33.050
  • Music has bound our hearts together.
  • 00:54:33.060 --> 00:54:37.010
  • - Many miles, a lot of songs.
  • 00:54:37.020 --> 00:54:43.130
  • But the bottom line is, God is faithful.
  • 00:54:43.140 --> 00:54:46.170
  • - Yes.
  • 00:54:46.180 --> 00:54:47.270
  • - We've been in good hands all the way along.
  • 00:54:47.280 --> 00:54:50.230
  • Bev is gone.
  • 00:54:50.240 --> 00:54:54.000
  • Billy's close.
  • 00:54:54.010 --> 00:54:56.010
  • And both you and I are closer than we were yesterday.
  • 00:54:56.020 --> 00:54:59.190
  • - Yes.
  • 00:54:59.200 --> 00:55:01.010
  • We're gonna sing together, Bill, in heaven.
  • 00:55:01.020 --> 00:55:04.220
  • David's gonna lead the choir,
  • 00:55:04.230 --> 00:55:07.030
  • but I'm gonna be in one of those sections,
  • 00:55:07.040 --> 00:55:09.230
  • and we'll sing together.
  • 00:55:09.240 --> 00:55:12.120
  • - That'll be good.
  • 00:55:12.130 --> 00:55:13.120
  • - We'll sing together.
  • 00:55:13.130 --> 00:55:14.290
  • Thank you.
  • 00:55:15.000 --> 00:55:16.160
  • Thank you for all you mean to me.
  • 00:55:16.170 --> 00:55:18.090
  • - Blessings.
  • 00:55:18.100 --> 00:55:19.160
  • - And give Gloria our love
  • 00:55:19.170 --> 00:55:21.090
  • and tell her I'm ready for another piece of pumpkin pie
  • 00:55:21.100 --> 00:55:25.020
  • or a Bruster's Ice Cream.
  • 00:55:25.030 --> 00:55:26.170
  • - Oh, great.
  • 00:55:26.180 --> 00:55:27.170
  • Love you.
  • 00:55:27.180 --> 00:55:28.170
  • Love you, Cliff. - Love you, buddy.
  • 00:55:28.180 --> 00:55:29.290
  • - Broader than the scope of my transgressions,
  • 00:55:30.000 --> 00:55:34.240
  • greater far than all my sin and shame,
  • 00:55:34.250 --> 00:55:39.010
  • O magnify the precious name of Jesus.
  • 00:55:39.020 --> 00:55:45.000
  • Praise
  • 00:55:45.010 --> 00:55:46.110
  • His
  • 00:55:46.120 --> 00:55:48.030
  • name.
  • 00:55:48.040 --> 00:55:51.270
  • Wonderful grace of Jesus,
  • 00:55:51.280 --> 00:55:57.030
  • greater than all my sin,
  • 00:55:57.040 --> 00:56:02.040
  • how shall my tongue describe it?
  • 00:56:02.050 --> 00:56:07.020
  • Where shall its praise begin?
  • 00:56:07.030 --> 00:56:11.230
  • Precious Memories
  • 00:56:53.160 --> 00:56:59.090
  • How they linger
  • 00:56:59.100 --> 00:57:06.130
  • How they ever flood my soul
  • 00:57:06.140 --> 00:57:08.020
  • Thank you for joining Bill and Gloria Gaither...
  • 00:57:08.030 --> 00:57:10.170
  • ... and their Homecoming Friends for "Precious Memories."
  • 00:57:10.180 --> 00:57:13.190
  • Be sure to watch program as these legendary gospel artists...
  • 00:57:13.200 --> 00:57:17.020
  • ... share more of your favorite songs.
  • 00:57:17.030 --> 00:57:20.250
  • In the stillness, of the midnight
  • 00:57:20.260 --> 00:57:22.140