Tom Newman hosts Scott Reeves & Gastón Pauls from Los Angeles, CA | TBN

Tom Newman hosts Scott Reeves & Gastón Pauls from Los Angeles, CA

Watch Tom Newman hosts Scott Reeves & Gastón Pauls from Los Angeles, CA
March 13, 2019
27:34

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Tom Newman hosts Scott Reeves & Gastón Pauls from Los Angeles, CA

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  • [MUSIC]
  • 00:00:02.210 --> 00:00:05.210
  • [MUSIC]
  • 00:00:05.210 --> 00:00:06.010
  • [MUSIC]
  • 00:00:13.170 --> 00:00:16.170
  • - TOM NEWMAN: WELCOME TO
  • 00:00:16.170 --> 00:00:17.090
  • TODAY'S EDITION OF
  • 00:00:17.090 --> 00:00:18.100
  • I'M TOM NEWMAN AND WE HAVE A
  • 00:00:20.220 --> 00:00:21.130
  • SPECIAL FILM TO TALK WITH YOU
  • 00:00:21.130 --> 00:00:22.240
  • IT'S ABOUT THE LIFE, THE
  • 00:00:25.080 --> 00:00:25.270
  • AMAZING LIFE, OF ONE
  • 00:00:25.270 --> 00:00:27.080
  • LUIS PALAU.
  • 00:00:27.080 --> 00:00:29.170
  • I'M GONNA INTRODUCE A COUPLE OF
  • 00:00:29.170 --> 00:00:30.190
  • ACTORS, IN JUST A MOMENT.
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  • FIRST OF ALL, SCOTT REEVES,
  • 00:00:31.180 --> 00:00:34.180
  • WHO IS A SUCCESSFUL HOLLYWOOD
  • 00:00:34.180 --> 00:00:35.090
  • HIS FILMOGRAPHY INCLUDES
  • 00:00:38.090 --> 00:00:39.110
  • "GENERAL HOSPITAL" ON ABC,
  • 00:00:39.110 --> 00:00:40.220
  • WHERE HE PLAYED
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  • DR. STEVEN WEBBER.
  • 00:00:41.130 --> 00:00:42.240
  • HE SPENT 11 YEARS AS RYAN
  • 00:00:42.240 --> 00:00:44.250
  • MCNEIL IN THE DAYTIME DRAMA,
  • 00:00:44.250 --> 00:00:47.010
  • "THE YOUNG AND THE RESTLESS."
  • 00:00:47.010 --> 00:00:48.280
  • HE'S HAD ROLES ON TELEVISION
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  • SERIES' SUCH AS
  • 00:00:50.130 --> 00:00:51.190
  • "THE KING OF QUEENS,"
  • 00:00:51.190 --> 00:00:53.140
  • "TOUCHED BY AN ANGEL,"
  • 00:00:53.140 --> 00:00:54.090
  • AND "DAYS OF OUR LIVES."
  • 00:00:54.090 --> 00:00:55.260
  • AND, MOST RECENTLY, REEVES HAD
  • 00:00:55.260 --> 00:00:57.200
  • A REOCCURRING RESIDENCY ON THE
  • 00:00:57.200 --> 00:00:58.250
  • ABC HIT TELEVISION SERIES
  • 00:00:58.250 --> 00:00:59.140
  • "NASHVILLE."
  • 00:00:59.210 --> 00:01:02.230
  • AND ALONG WITH HIM TODAY IS
  • 00:01:02.230 --> 00:01:03.190
  • GASTÓN PAULS.
  • 00:01:03.190 --> 00:01:06.130
  • GASTÓN PAULS IS AN ARGENTINIAN
  • 00:01:06.130 --> 00:01:07.280
  • ACTOR, TV HOST, WRITER,
  • 00:01:07.280 --> 00:01:10.080
  • HE HAS HAD NUMEROUS ROLES IN
  • 00:01:12.250 --> 00:01:14.170
  • MAJOR FILMS, INCLUDING
  • 00:01:14.170 --> 00:01:16.120
  • "NINE QUEENS,"
  • 00:01:16.120 --> 00:01:17.170
  • WHICH BROUGHT HIM
  • 00:01:17.170 --> 00:01:18.020
  • INTERNATIONAL ACCLAIM.
  • 00:01:18.020 --> 00:01:18.270
  • HE HAS ALSO DIRECTED AND
  • 00:01:18.270 --> 00:01:20.290
  • PRODUCED NUMEROUS TELEVISION
  • 00:01:20.290 --> 00:01:22.040
  • PROGRAMS AND DOCUMENTARIES.
  • 00:01:22.040 --> 00:01:23.180
  • HE IS CURRENTLY DIRECTING TWO
  • 00:01:23.180 --> 00:01:25.020
  • DOCUMENTARY FILMS, ONE BASED ON
  • 00:01:25.020 --> 00:01:26.290
  • THE LIFE OF
  • 00:01:26.290 --> 00:01:28.230
  • FATHER CARLOS MUGICA
  • 00:01:28.230 --> 00:01:31.060
  • AND ANOTHER ABOUT THE
  • 00:01:31.060 --> 00:01:32.000
  • FILM CALLED
  • 00:01:32.000 --> 00:01:33.030
  • "FEARS OF COMMUNICATION."
  • 00:01:33.030 --> 00:01:35.150
  • BUT BEFORE YOU GET TO MEET
  • 00:01:35.150 --> 00:01:36.070
  • THESE GUYS,
  • 00:01:36.070 --> 00:01:37.230
  • I WANT YOU TO WATCH THIS
  • 00:01:37.230 --> 00:01:38.130
  • TRAILER FROM THE BRAND-NEW
  • 00:01:38.130 --> 00:01:40.000
  • FILM
  • 00:01:40.000 --> 00:01:41.030
  • [MELODIC TUNE PLAYS]
  • 00:01:43.260 --> 00:01:46.230
  • [WIND FLOWING THROUGH FIELD]
  • 00:01:46.230 --> 00:01:48.150
  • [BIRDS CHIRPING]
  • 00:01:48.150 --> 00:01:51.130
  • [BILLY GRAHAM AUDIBLE ON RADIO]
  • 00:02:12.200 --> 00:02:13.120
  • - VOICE OF BILLY GRAHAM:
  • 00:02:13.120 --> 00:02:14.010
  • ...WHEN THE SPIRIT OF GOD CALLS
  • 00:02:14.010 --> 00:02:15.030
  • YOU, YOU MUST GO.
  • 00:02:15.030 --> 00:02:16.280
  • DON'T YOU HESITATE!
  • 00:02:16.280 --> 00:02:19.200
  • - RAY STEDMAN: HAVE YOU EVER
  • 00:02:19.200 --> 00:02:20.110
  • THOUGHT OF GOING TO SEMINARY?
  • 00:02:20.110 --> 00:02:22.160
  • - CHARACTER OF YOUNG LUIS
  • 00:02:22.160 --> 00:02:23.060
  • PALAU: I...CAN'T AFFORD IT.
  • 00:02:23.060 --> 00:02:24.200
  • - RAY: I'M RETURNING TO
  • 00:02:24.200 --> 00:02:25.080
  • CALIFORNIA TOMORROW.
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  • HERE.
  • 00:02:26.200 --> 00:02:27.170
  • - "LUIS": SENOR STEDMAN...
  • 00:02:35.030 --> 00:02:36.060
  • THIS IS LUIS PALAU.
  • 00:02:37.180 --> 00:02:40.180
  • - MALE TEACHER: ...AND THE
  • 00:02:40.180 --> 00:02:41.080
  • LIFE I NOW LIVE AND THE FLESH I
  • 00:02:41.080 --> 00:02:42.050
  • - MALE ON CAMERA: LUIS.
  • 00:02:48.010 --> 00:02:49.270
  • - MALE ON TELEPHONE: ONE OF
  • 00:02:49.270 --> 00:02:50.170
  • THESE DAYS, YOU'RE GONNA DIG A
  • 00:02:50.170 --> 00:02:51.080
  • HOLE SO DEEP NONE OF US WILL BE
  • 00:02:51.080 --> 00:02:52.100
  • ABLE TO PULL YOU OUT OF IT.
  • 00:02:52.100 --> 00:02:53.000
  • - MALE, LEFT: DO YOU HAVE ANY
  • 00:02:53.000 --> 00:02:54.140
  • [MUSIC]
  • 00:03:01.020 --> 00:03:04.020
  • [LATIN MUSIC]
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  • I WANT TO EVANGELIZE, PAT.
  • 00:04:04.030 --> 00:04:05.040
  • - MALE ON CAMERA: IF GOD'S IN
  • 00:04:10.040 --> 00:04:10.260
  • IT...IT'LL HAPPEN.
  • 00:04:10.260 --> 00:04:12.140
  • - BILLY GRAHAM:
  • 00:04:12.140 --> 00:04:13.080
  • BILLY GRAHAM.
  • 00:04:13.080 --> 00:04:14.050
  • - CHARACTER OF LUIS PALAU:
  • 00:04:14.050 --> 00:04:14.250
  • PLEASURE TO MEET YOU,
  • 00:04:14.250 --> 00:04:15.120
  • MR. GRAHAM.
  • 00:04:15.120 --> 00:04:15.240
  • - FEMALE ON CAMERA: HE'LL
  • 00:04:15.240 --> 00:04:16.130
  • PREACH ALL AROUND THE WORLD
  • 00:04:16.130 --> 00:04:17.030
  • ONE DAY.
  • 00:04:17.030 --> 00:04:19.020
  • - FEMALE ON CAMERA: ARE THEY
  • 00:04:19.020 --> 00:04:19.230
  • IN IT?
  • 00:04:19.230 --> 00:04:21.070
  • - CHARACTER OF LUIS PALAU:
  • 00:04:21.070 --> 00:04:21.270
  • THIS IS GRACE LUIS.
  • 00:04:21.270 --> 00:04:22.130
  • [CLINK OF FORK]
  • 00:04:22.130 --> 00:04:23.270
  • - MALE, TAN SUIT: I HAVE BEEN
  • 00:04:23.270 --> 00:04:24.190
  • CRUCIFIED WITH CHRIST.
  • 00:04:24.190 --> 00:04:25.280
  • IT IS NO LONGER I WHO LIVE, BUT
  • 00:04:25.280 --> 00:04:27.080
  • CHRIST WHO LIVES IN ME.
  • 00:04:27.080 --> 00:04:30.000
  • - FEMALE VOICE: WHY DO YOU LET
  • 00:04:30.000 --> 00:04:30.220
  • THE PEOPLE UPSET YOU?
  • 00:04:30.220 --> 00:04:32.080
  • - MALE VOICE: I DON'T KNOW.
  • 00:04:32.080 --> 00:04:34.000
  • - MALE, BOW TIE: TO SUCCEED,
  • 00:04:34.000 --> 00:04:34.220
  • WE NEED A CLEAR VISION.
  • 00:04:34.220 --> 00:04:36.060
  • - MALE, RIGHT: WHO IS THAT
  • 00:05:02.170 --> 00:05:03.070
  • MAN?
  • 00:05:03.070 --> 00:05:03.270
  • - MALE, LEFT: LUIS.
  • 00:05:03.270 --> 00:05:04.230
  • - TOM: WOW.
  • 00:05:09.000 --> 00:05:11.030
  • GUYS, WELCOME.
  • 00:05:11.030 --> 00:05:11.210
  • GASTÓN.
  • 00:05:11.210 --> 00:05:12.160
  • - GASTÓN PAULS: THANK YOU.
  • 00:05:12.160 --> 00:05:13.080
  • - TOM: BLESSINGS.
  • 00:05:13.080 --> 00:05:13.230
  • - GASTÓN: BLESSED TO MEET YOU.
  • 00:05:13.230 --> 00:05:14.180
  • - TOM: THANK YOU FOR
  • 00:05:14.180 --> 00:05:15.050
  • BEING HERE, SCOTT.
  • 00:05:15.050 --> 00:05:15.200
  • - SCOTT REEVES: PLEASURE TO
  • 00:05:15.200 --> 00:05:16.100
  • BE HERE.
  • 00:05:16.100 --> 00:05:16.200
  • - TOM: WELL, GUYS, I KNOW,
  • 00:05:16.200 --> 00:05:17.100
  • LIKE MOST FILMS, THAT HAPPENED
  • 00:05:17.100 --> 00:05:18.210
  • A LITTLE BIT AGO.
  • 00:05:18.210 --> 00:05:19.250
  • TELL US HOW YOU FIRST GOT DRAWN
  • 00:05:19.250 --> 00:05:21.260
  • INTO THIS FILM.
  • 00:05:21.260 --> 00:05:22.280
  • - GASTÓN: WELL, I MET LUIS TWO
  • 00:05:22.280 --> 00:05:24.210
  • BUT, BEFORE THAT, UM, I WAS
  • 00:05:30.150 --> 00:05:33.150
  • DOIN' A FILM, A DOCUMENTARY,
  • 00:05:33.150 --> 00:05:36.030
  • ABOUT A FESTIVAL THAT HE HELD
  • 00:05:37.160 --> 00:05:40.160
  • IN 2003, IN ARGENTINA,
  • 00:05:40.160 --> 00:05:42.240
  • AND...SO, I DID THAT
  • 00:05:45.220 --> 00:05:47.010
  • DOCUMENTARY ABOUT HIM, ABOUT
  • 00:05:47.010 --> 00:05:47.220
  • THAT FESTIVAL.
  • 00:05:47.220 --> 00:05:48.290
  • AND FIVE YEARS AFTER THAT, HE
  • 00:05:48.290 --> 00:05:50.160
  • CALLED ME ON THE PHONE JUST TO
  • 00:05:50.160 --> 00:05:52.160
  • SAY:
  • 00:05:52.160 --> 00:05:54.100
  • "THANK YOU FOR THAT DOCUMENTARY.
  • 00:05:54.100 --> 00:05:56.200
  • AND, IT WAS REALLY RESPECTFUL.
  • 00:05:57.010 --> 00:06:00.030
  • AND I THINK THAT GOD... I HOPE
  • 00:06:00.090 --> 00:06:03.090
  • THAT GOD WILL BRING US THE
  • 00:06:03.090 --> 00:06:06.000
  • POSSIBILITY OF WORK-- WORKING
  • 00:06:06.000 --> 00:06:07.030
  • TOGETHER SOMETIME."
  • 00:06:07.070 --> 00:06:10.070
  • SO, TWO YEARS AGO, I RECEIVED A
  • 00:06:10.070 --> 00:06:11.280
  • PHONE CALL FROM HIS
  • 00:06:11.280 --> 00:06:13.210
  • ASSOCIATION, AND...THEY'RE
  • 00:06:15.020 --> 00:06:18.020
  • TELLING ME THAT THEY'RE SET TO
  • 00:06:18.020 --> 00:06:20.080
  • MEET AT-- THEY WERE THINKING
  • 00:06:20.080 --> 00:06:22.000
  • ABOUT DOING A MOVIE ABOUT HIS
  • 00:06:22.000 --> 00:06:23.190
  • LIFE, ABOUT LUIS PALAU'S LIFE,
  • 00:06:23.220 --> 00:06:26.220
  • AND THEY WERE CONSIDERING ME
  • 00:06:26.220 --> 00:06:28.010
  • FOR THE MAIN ROLE.
  • 00:06:28.010 --> 00:06:30.100
  • I THINK THAT GOD...HAD A
  • 00:06:30.100 --> 00:06:31.160
  • PERFECT TIMING FOR EVERYTHING,
  • 00:06:32.200 --> 00:06:35.200
  • SO THEY PUT US TOGETHER.
  • 00:06:36.020 --> 00:06:39.020
  • SO, THAT'S WHY I'M HERE.
  • 00:06:39.020 --> 00:06:41.020
  • - TOM: SO, WHEN YOU SAW THE
  • 00:06:41.020 --> 00:06:42.120
  • TRAILER JUST NOW...
  • 00:06:42.120 --> 00:06:44.070
  • - GASTÓN: YES.
  • 00:06:44.070 --> 00:06:45.140
  • - TOM: ...USUALLY WHENEVER
  • 00:06:45.140 --> 00:06:46.070
  • I'VE MADE A FILM, WHEN I'M
  • 00:06:46.070 --> 00:06:47.130
  • WATCHING A TRAILER, THERE'S
  • 00:06:47.130 --> 00:06:48.220
  • CERTAIN MEMORY OR THOUGHT THAT
  • 00:06:48.220 --> 00:06:49.280
  • COMES TO ME, A DOMINANT
  • 00:06:49.280 --> 00:06:50.250
  • THOUGHT.
  • 00:06:50.250 --> 00:06:51.250
  • - GASTÓN: YES.
  • 00:06:51.250 --> 00:06:52.110
  • - TOM: WHEN YOU JUST WATCHED
  • 00:06:52.110 --> 00:06:53.170
  • THAT JUST NOW, DID ANY MAJOR
  • 00:06:53.170 --> 00:06:54.190
  • THOUGHT COME TO YOU?
  • 00:06:54.190 --> 00:06:55.150
  • - GASTÓN: [INHALES]
  • 00:06:55.150 --> 00:06:56.050
  • THANKFUL.
  • 00:06:58.020 --> 00:07:01.040
  • I THANK GOD JUST... FOR BEING
  • 00:07:01.040 --> 00:07:01.250
  • HERE -- HERE WITH YOU AND WITH
  • 00:07:03.200 --> 00:07:06.200
  • SCOTT, WITH REBEKAH, TALKING
  • 00:07:06.200 --> 00:07:07.100
  • ABOUT THIS MOVIE.
  • 00:07:07.100 --> 00:07:09.290
  • I RECEIVED A LOT OF HOPE -- I
  • 00:07:10.170 --> 00:07:13.170
  • MEAN, WHILE I WAS DOING THIS
  • 00:07:13.170 --> 00:07:16.030
  • FILM.
  • 00:07:16.030 --> 00:07:18.120
  • A LOT OF HOPE, A LOT OF LIGHT.
  • 00:07:18.120 --> 00:07:19.030
  • NEW FRIENDS.
  • 00:07:20.150 --> 00:07:23.150
  • [SLAPPING OF ARM AUDIBLE]
  • 00:07:23.150 --> 00:07:25.290
  • AND, UH...I REMEMBER...
  • 00:07:25.290 --> 00:07:27.240
  • I REMEMBER EVERYTHING WITH A
  • 00:07:27.240 --> 00:07:29.210
  • LOVE OF-- WITH A LOT OF GRACE,
  • 00:07:29.210 --> 00:07:31.170
  • YOU KNOW?
  • 00:07:31.170 --> 00:07:34.000
  • A LOT OF, UH, THANKFULNESS.
  • 00:07:34.000 --> 00:07:34.200
  • SO, I'M PROUD.
  • 00:07:35.160 --> 00:07:38.160
  • I'M HAPPY.
  • 00:07:38.160 --> 00:07:39.110
  • YEAH.
  • 00:07:39.110 --> 00:07:40.110
  • - TOM: GOOD.
  • 00:07:40.110 --> 00:07:41.120
  • SCOTT, WHAT ABOUT YOU, THE
  • 00:07:41.120 --> 00:07:42.010
  • - SCOTT: WELL, DURING THE
  • 00:07:43.140 --> 00:07:45.140
  • COURSE OF ALL OF THESE EVENTS
  • 00:07:45.140 --> 00:07:46.290
  • GOING ON IN GASTÓN'S LIFE, I
  • 00:07:46.290 --> 00:07:48.050
  • WAS IN NASHVILLE, TENNESSEE.
  • 00:07:48.050 --> 00:07:50.250
  • I WAS AT CHURCH ONE SUNDAY...
  • 00:07:50.250 --> 00:07:51.230
  • AND I MET THIS WOMAN.
  • 00:07:51.230 --> 00:07:53.110
  • UH...I WAS INTRODUCED BY A
  • 00:07:53.110 --> 00:07:54.210
  • AND, I KNEW THAT SHE WAS
  • 00:07:58.030 --> 00:07:58.250
  • INVOLVED IN THE ENTERTAINMENT
  • 00:07:58.250 --> 00:08:00.260
  • INDUSTRY.
  • 00:08:00.260 --> 00:08:02.160
  • AND I WAS ACTUALLY AT A POINT
  • 00:08:02.160 --> 00:08:03.070
  • IN MY LIFE WHERE I WAS LOOKING
  • 00:08:03.070 --> 00:08:04.120
  • TO...KIND OF DIVERT.
  • 00:08:05.040 --> 00:08:08.040
  • AND I WANTED TO START DOING
  • 00:08:08.040 --> 00:08:09.270
  • THINGS THAT REALLY MATTERED AND
  • 00:08:12.050 --> 00:08:15.050
  • THAT REALLY IMPACTED PEOPLE,
  • 00:08:15.050 --> 00:08:17.110
  • IN MY LIFE AND THEIR LIVES.
  • 00:08:17.110 --> 00:08:19.040
  • SO, I WAS JUST TRYIN' TO--
  • 00:08:19.040 --> 00:08:20.160
  • I WAS KIND OF
  • 00:08:20.160 --> 00:08:22.060
  • TRYING TO FIND WHAT THAT WAS--
  • 00:08:22.090 --> 00:08:25.090
  • WHAT THAT WAS SUPPOSED TO BE.
  • 00:08:25.090 --> 00:08:26.130
  • AND I MET REBEKAH HUBBLE AT
  • 00:08:26.130 --> 00:08:27.100
  • CHURCH.
  • 00:08:27.100 --> 00:08:30.000
  • WELL...WE SAID: "OH!
  • 00:08:30.000 --> 00:08:31.230
  • YOU KNOW, WE'LL HAVE TO DO
  • 00:08:31.230 --> 00:08:33.030
  • SOMETHING AT SOME POINT."
  • 00:08:33.030 --> 00:08:33.280
  • WE STARTED TALKIN', THROWIN'
  • 00:08:33.280 --> 00:08:35.000
  • IDEAS AROUND, RIGHT THERE IN
  • 00:08:35.000 --> 00:08:35.210
  • THE FRONT ROW AT CHURCH.
  • 00:08:35.210 --> 00:08:36.180
  • [LAUGHS]
  • 00:08:36.180 --> 00:08:37.060
  • AND THEN, FLASH FORWARD A FEW
  • 00:08:37.060 --> 00:08:37.270
  • MONTHS LATER, I'M IN
  • 00:08:37.270 --> 00:08:38.170
  • LOS ANGELES.
  • 00:08:38.170 --> 00:08:41.170
  • AND, MY AGENT SAYS, "YOU NEED
  • 00:08:41.170 --> 00:08:42.080
  • TO GO OVER.
  • 00:08:42.080 --> 00:08:43.190
  • THEY'RE CASTING THIS MOVIE
  • 00:08:43.190 --> 00:08:44.200
  • ABOUT THE LIFE OF LUIS PALAU."
  • 00:08:44.250 --> 00:08:47.250
  • AND I SAID, "WHAT!"
  • 00:08:47.250 --> 00:08:48.190
  • I SAID, "I WOULD LOVE TO BE A
  • 00:08:48.190 --> 00:08:50.000
  • PART OF SOMETHING LIKE THAT,
  • 00:08:50.000 --> 00:08:51.100
  • UM, TO TELL THE STORY OF
  • 00:08:51.100 --> 00:08:53.270
  • SOMEONE WHO HAS IMPACTED SO
  • 00:08:53.270 --> 00:08:54.290
  • MANY MILLIONS OF LIVES."
  • 00:08:54.290 --> 00:08:57.270
  • AND...SO, I WENT IN, AND, LO
  • 00:08:58.220 --> 00:09:01.240
  • AND BEHOLD, THERE'S REBEKAH
  • 00:09:01.240 --> 00:09:02.270
  • SITTING ON THE COUCH.
  • 00:09:02.270 --> 00:09:04.220
  • SHE LOOKS AT ME AND I LOOKED AT
  • 00:09:04.220 --> 00:09:05.140
  • HER AND I SAID...."CHURCH!"
  • 00:09:05.140 --> 00:09:06.040
  • I SAID, "YOU KNOW?"
  • 00:09:06.040 --> 00:09:09.040
  • SO, I THOUGHT: OH, WOW...
  • 00:09:09.040 --> 00:09:10.010
  • [LAUGHTER]
  • 00:09:10.010 --> 00:09:12.110
  • THIS IS-- THIS IS-- TO LOOK
  • 00:09:12.110 --> 00:09:13.160
  • BACK AT GOD'S PROVIDENCE, I'M
  • 00:09:13.160 --> 00:09:15.080
  • GOIN': WOW, THE WAY HE LINES
  • 00:09:15.080 --> 00:09:16.140
  • THINGS UP, IT--
  • 00:09:16.140 --> 00:09:16.280
  • - TOM: SO, YOU PLAY THE PART
  • 00:09:16.280 --> 00:09:17.190
  • OF RAY STEDMAN.
  • 00:09:17.190 --> 00:09:19.050
  • - SCOTT: RAY STEDMAN.
  • 00:09:19.050 --> 00:09:20.050
  • - TOM: TELL ME WHO RAY STEDMAN
  • 00:09:20.050 --> 00:09:21.100
  • IS IN HIS LIFE AND IN THIS
  • 00:09:21.100 --> 00:09:22.180
  • - SCOTT: RAY STEDMAN WAS AN
  • 00:09:23.270 --> 00:09:25.100
  • EVANGELIST FROM PALO ALTO,
  • 00:09:25.100 --> 00:09:26.030
  • CALIFORNIA.
  • 00:09:26.030 --> 00:09:26.210
  • AND...HE HAD A REAL HEART
  • 00:09:26.210 --> 00:09:29.060
  • FOR...THE WORLD -- YOU KNOW,
  • 00:09:29.060 --> 00:09:31.150
  • JUST FOR PEOPLE'S HEARTS AND
  • 00:09:31.150 --> 00:09:32.070
  • AND SO, HE WAS DOWN IN
  • 00:09:34.270 --> 00:09:35.140
  • ARGENTINA AT ONE POINT.
  • 00:09:35.140 --> 00:09:36.090
  • AND...YOU KNOW, LOOKING FOR--
  • 00:09:36.090 --> 00:09:37.080
  • LOOKING FOR POTENTIAL, UM,
  • 00:09:37.120 --> 00:09:40.120
  • VICTIMS.
  • 00:09:40.220 --> 00:09:43.220
  • [GASTÓN LAUGHS]
  • 00:09:43.220 --> 00:09:44.080
  • AND HE SEES THIS YOUNG KID ON
  • 00:09:44.080 --> 00:09:45.230
  • THE STREET...SHARING THE
  • 00:09:45.230 --> 00:09:46.280
  • GOSPEL, UH, IN THIS LITTLE
  • 00:09:47.210 --> 00:09:50.210
  • BITTY TOWN JUST NORTH OF
  • 00:09:50.210 --> 00:09:51.260
  • BUENOS AIRES.
  • 00:09:51.260 --> 00:09:52.190
  • AND, UM...AND SO, HE BEFRIENDED
  • 00:09:52.190 --> 00:09:53.110
  • LUIS AND INVITED HIM TO COME TO
  • 00:09:56.270 --> 00:09:59.270
  • THE UNITED STATES...
  • 00:09:59.270 --> 00:10:00.260
  • - MALE VOICE: WOW.
  • 00:10:00.260 --> 00:10:01.120
  • - SCOTT: ...AND SENT HIM TO
  • 00:10:01.120 --> 00:10:02.180
  • DALLAS THEOLOGICAL SEMINARY AND
  • 00:10:02.180 --> 00:10:03.100
  • JUST--
  • 00:10:03.100 --> 00:10:03.190
  • HE WAS REALLY INSTRUMENTAL IN
  • 00:10:03.190 --> 00:10:04.260
  • GETTING HIM TO WHERE HE
  • 00:10:04.260 --> 00:10:06.120
  • EVENTUALLY GOT -- AND
  • 00:10:06.180 --> 00:10:09.180
  • THROUGHOUT HIS ENTIRE LIFE.
  • 00:10:09.180 --> 00:10:10.270
  • HE WAS A MENTOR, A GUY-- HE WAS
  • 00:10:10.270 --> 00:10:12.200
  • THE GUY THAT LUIS COULD CALL
  • 00:10:12.200 --> 00:10:14.130
  • WHEN HE WAS HAVING A ROUGH TIME
  • 00:10:14.130 --> 00:10:15.050
  • AND A ROUGH GO OF IT.
  • 00:10:15.050 --> 00:10:16.250
  • AND, UM-- AND HE JUST KIND OF
  • 00:10:16.250 --> 00:10:19.050
  • SET HIM STRAIGHT THE WAY HE
  • 00:10:19.050 --> 00:10:21.270
  • NEEDED TO BE SET STRAIGHT.
  • 00:10:21.270 --> 00:10:23.180
  • - TOM: WOW.
  • 00:10:23.180 --> 00:10:24.080
  • - SCOTT: BUT HE WAS LIKE A
  • 00:10:24.080 --> 00:10:24.280
  • FATHER FIGURE, ALMOST, TO HIM.
  • 00:10:24.280 --> 00:10:26.120
  • - TOM: I'M GONNA GO TO ANOTHER
  • 00:10:26.120 --> 00:10:27.130
  • INFLUENCE IN HIS LIFE.
  • 00:10:27.130 --> 00:10:28.240
  • LET'S WATCH THIS ROLL-IN, RIGHT
  • 00:10:28.240 --> 00:10:29.160
  • NOW.
  • 00:10:29.160 --> 00:10:30.050
  • SOMEBODY ELSE THAT HAD A BIG
  • 00:10:30.050 --> 00:10:31.100
  • IMPACT ON LUIS PALAU'S LIFE.
  • 00:10:31.100 --> 00:10:32.010
  • [MUSIC]
  • 00:10:35.000 --> 00:10:36.150
  • - VOICE OF LUIS PALAU
  • 00:10:36.150 --> 00:10:37.020
  • (GASTÓN): ONE NIGHT, I HEARD A
  • 00:10:37.020 --> 00:10:37.250
  • SERMON ON THE RADIO.
  • 00:10:37.250 --> 00:10:38.270
  • [BILLY GRAHAM ON RADIO]
  • 00:10:38.270 --> 00:10:39.250
  • I DIDN'T KNOW IT AT THE TIME,
  • 00:10:39.250 --> 00:10:42.070
  • BUT IT WAS THE AMERICAN
  • 00:10:42.070 --> 00:10:42.290
  • EVANGELIST BILLY GRAHAM.
  • 00:10:42.290 --> 00:10:45.100
  • THAT MOMENT CHANGED MY LIFE.
  • 00:10:45.100 --> 00:10:47.050
  • - VOICE OF BILLY GRAHAM: YOU
  • 00:10:47.050 --> 00:10:49.030
  • CAN ONLY COME WHEN THE SPIRIT
  • 00:10:49.030 --> 00:10:50.040
  • OF GOD IS CALLING YOU AND
  • 00:10:50.050 --> 00:10:53.050
  • WILLING YOU, SPEAKING TO YOU,
  • 00:10:53.050 --> 00:10:54.290
  • AS THE SPIRIT OF GOD IS
  • 00:10:54.290 --> 00:10:55.190
  • SPEAKING TO YOU, TONIGHT.
  • 00:10:55.190 --> 00:10:56.100
  • THE SPIRIT OF GOD IS SPEAKING TO
  • 00:10:56.100 --> 00:10:57.030
  • THOUSANDS OF YOU.
  • 00:10:57.030 --> 00:10:59.250
  • AND THAT'S THE ONLY TIME YOU
  • 00:10:59.250 --> 00:11:00.170
  • CAN COME TO CHRIST.
  • 00:11:00.170 --> 00:11:01.040
  • WHEN THE SPIRIT OF GOD
  • 00:11:01.040 --> 00:11:02.000
  • SAYS GO, YOU MUST GO!
  • 00:11:02.000 --> 00:11:04.110
  • DON'T YOU HESITATE!
  • 00:11:04.110 --> 00:11:06.290
  • DON'T YOU WAIT!
  • 00:11:06.290 --> 00:11:08.280
  • YOU MAY NEVER BE THIS CLOSE TO
  • 00:11:08.280 --> 00:11:10.030
  • - TOM: SO, STEDMAN AND BILLY
  • 00:11:16.040 --> 00:11:16.250
  • GRAHAM WERE PRETTY BIG
  • 00:11:16.250 --> 00:11:17.120
  • INFLUENCES IN LUIS PALAU'S
  • 00:11:17.120 --> 00:11:18.190
  • LIFE.
  • 00:11:18.190 --> 00:11:19.210
  • TELL ME, WHO PLAYED BILLY
  • 00:11:19.210 --> 00:11:20.160
  • GRAHAM IN THE FILM?
  • 00:11:20.160 --> 00:11:21.250
  • - GASTÓN: DARREN DOWLER.
  • 00:11:23.070 --> 00:11:26.070
  • I TALKED WITH HIM LAST NIGHT.
  • 00:11:26.230 --> 00:11:29.230
  • IT'S...BEAUTIFUL, WONDERFUL.
  • 00:11:29.230 --> 00:11:31.040
  • I MEAN, HE WAS...WONDERFUL IN
  • 00:11:31.040 --> 00:11:31.250
  • THE MOVIE.
  • 00:11:31.250 --> 00:11:33.280
  • WONDERFUL.
  • 00:11:33.280 --> 00:11:34.150
  • IT'S NOT A SIMPLE--
  • 00:11:34.150 --> 00:11:35.090
  • IT WAS NOT SO EASY TO
  • 00:11:35.230 --> 00:11:38.230
  • DO THAT MAN.
  • 00:11:38.230 --> 00:11:40.280
  • I MEAN, BILLY GRAHAM...
  • 00:11:40.280 --> 00:11:42.020
  • [LAUGHTER]
  • 00:11:42.020 --> 00:11:42.140
  • ...YOU KNOW?
  • 00:11:42.140 --> 00:11:44.030
  • - TOM: LUIS PALAU WOULDN'T BE
  • 00:11:44.030 --> 00:11:44.250
  • TOO EASY TO DO, EITHER.
  • 00:11:44.250 --> 00:11:45.220
  • - GASTÓN: I KNOW.
  • 00:11:45.220 --> 00:11:46.100
  • - TOM: AND IT SEEMED LIKE YOU
  • 00:11:46.100 --> 00:11:47.050
  • PULLED THAT OFF VERY WELL.
  • 00:11:47.050 --> 00:11:47.240
  • - GASTÓN: I KNOW.
  • 00:11:47.240 --> 00:11:48.120
  • I KNOW.
  • 00:11:49.170 --> 00:11:52.170
  • AS LUIS PALAU, I JUST WANTED
  • 00:11:52.170 --> 00:11:53.070
  • TO PUT SOME SIMPLE THINGS,
  • 00:11:54.110 --> 00:11:57.110
  • [SIGHS]
  • 00:11:59.120 --> 00:12:00.240
  • YOU CAN SEE LUIS PALAU.
  • 00:12:00.240 --> 00:12:03.050
  • YOU CAN GOOGLE HIM AND YOU
  • 00:12:03.050 --> 00:12:04.280
  • CAN SEE LUIS PALAU IN FRONT
  • 00:12:04.280 --> 00:12:05.250
  • OF MILLIONS OF PEOPLE ON
  • 00:12:06.220 --> 00:12:09.220
  • THE STAGE.
  • 00:12:09.220 --> 00:12:11.130
  • BUT, WHAT I REALLY WANTED TO DO
  • 00:12:11.130 --> 00:12:12.060
  • WAS JUST TO PUT HIS
  • 00:12:12.060 --> 00:12:13.200
  • SIMPLE THINGS --
  • 00:12:13.200 --> 00:12:16.070
  • YOU KNOW, HIS HUMILITY,
  • 00:12:16.070 --> 00:12:16.250
  • UH, I WANTED TO BE IN FRONT OF
  • 00:12:20.260 --> 00:12:21.180
  • HIM.
  • 00:12:21.180 --> 00:12:22.150
  • AND I MET HIM TWO YEARS AGO AND
  • 00:12:22.150 --> 00:12:23.230
  • I-- AND I SAW THAT.
  • 00:12:23.230 --> 00:12:26.070
  • I SAW A SIMPLE MAN -- JUST
  • 00:12:26.070 --> 00:12:26.260
  • MAYBE--
  • 00:12:26.260 --> 00:12:29.110
  • I TOLD HIM THIS YESTERDAY.
  • 00:12:29.110 --> 00:12:31.220
  • HE'S A LITTLE KID.
  • 00:12:31.260 --> 00:12:34.260
  • HE'S A LITTLE BOY, JUST EIGHT
  • 00:12:34.260 --> 00:12:35.290
  • YEARS OLD.
  • 00:12:35.290 --> 00:12:37.290
  • SO, I JUST WANTED TO PUT THAT
  • 00:12:37.290 --> 00:12:39.170
  • IN FRONT OF THE CAMERA.
  • 00:12:39.170 --> 00:12:42.060
  • AND I THINK THAT WE DID IT.
  • 00:12:42.060 --> 00:12:43.250
  • BECAUSE, WE ARE THREE ACTORS
  • 00:12:47.150 --> 00:12:48.130
  • MAKING THE SAME ROLE -- YOU
  • 00:12:48.130 --> 00:12:51.090
  • KNOW? -- AT HIS EIGHT, AT HIS
  • 00:12:51.090 --> 00:12:53.150
  • 20, AND ME AT HIS 35.
  • 00:12:55.040 --> 00:12:58.040
  • SO, IT'S A...
  • 00:12:58.040 --> 00:13:01.030
  • MAKING AND DOING THIS-- THIS
  • 00:13:04.080 --> 00:13:04.280
  • CHARACTER.
  • 00:13:04.280 --> 00:13:05.180
  • - TOM: YEAH...
  • 00:13:05.180 --> 00:13:06.210
  • WHAT WAS IT LIKE?
  • 00:13:06.210 --> 00:13:07.070
  • DID YOU-- WHEN YOU PREMIERED
  • 00:13:07.070 --> 00:13:09.160
  • THE FILM, WAS LUIS THERE?
  • 00:13:09.160 --> 00:13:12.010
  • DID YOU GET TO WATCH THE FILM
  • 00:13:12.010 --> 00:13:12.220
  • WITH LUIS...
  • 00:13:12.220 --> 00:13:14.030
  • - GASTÓN: NO.
  • 00:13:14.030 --> 00:13:14.230
  • - TOM: ...WHEN YOU SAW IT?
  • 00:13:14.230 --> 00:13:15.130
  • NEITHER ONE OF YOU DID?
  • 00:13:15.130 --> 00:13:16.150
  • - GASTÓN: NO.
  • 00:13:16.150 --> 00:13:17.200
  • - TOM: HAS HE CALLED YOU OR
  • 00:13:17.200 --> 00:13:18.100
  • COMMENTED AFTER HE'S SEEN THE
  • 00:13:18.100 --> 00:13:19.010
  • FILM?
  • 00:13:19.010 --> 00:13:21.180
  • - SCOTT: YOU'VE SEEN HIM.
  • 00:13:21.180 --> 00:13:22.110
  • - GASTÓN: YES.
  • 00:13:22.110 --> 00:13:23.080
  • - SCOTT: YOU WERE JUST UP
  • 00:13:23.080 --> 00:13:23.280
  • THERE.
  • 00:13:23.280 --> 00:13:24.070
  • - GASTÓN: YEAH, AND, UH...
  • 00:13:24.070 --> 00:13:27.030
  • I HAD A CONVERSATION YESTERDAY
  • 00:13:27.030 --> 00:13:28.130
  • WITH HIM AND MAYBE TWO HOURS IN
  • 00:13:28.130 --> 00:13:29.050
  • BUT, HE DIDN'T SEE THE MOVIE --
  • 00:13:34.280 --> 00:13:35.200
  • I MEAN, THE WHOLE MOVIE.
  • 00:13:35.200 --> 00:13:36.290
  • HE HAS A LOT OF BEAUTIFUL
  • 00:13:42.130 --> 00:13:44.030
  • WORDS FOR US.
  • 00:13:44.280 --> 00:13:47.280
  • YOU KNOW?
  • 00:13:47.280 --> 00:13:49.100
  • I STILL RECEIVE FROM HIM...
  • 00:13:49.100 --> 00:13:51.220
  • BEAUTIFUL WORDS.
  • 00:13:53.280 --> 00:13:56.280
  • I MEAN I STILL RECEIVE FROM HIM
  • 00:13:56.280 --> 00:13:58.270
  • LIGHT, HOPE, SO, HE DIDN'T SEE
  • 00:13:59.190 --> 00:14:02.210
  • THE MOVIE, BUT...HE LOVES US.
  • 00:14:04.020 --> 00:14:07.020
  • [LAUGHTER]
  • 00:14:07.020 --> 00:14:09.160
  • - SCOTT: HE'S A VERY TRUSTING
  • 00:14:09.160 --> 00:14:10.070
  • MAN.
  • 00:14:10.070 --> 00:14:10.240
  • - TOM: WOW.
  • 00:14:10.240 --> 00:14:11.080
  • - GASTÓN: YES.
  • 00:14:11.080 --> 00:14:11.240
  • - TOM: WOW.
  • 00:14:11.240 --> 00:14:14.070
  • SCOTT, WHY SHOULD PEOPLE SEE
  • 00:14:14.070 --> 00:14:14.280
  • THIS MOVIE?
  • 00:14:14.280 --> 00:14:15.230
  • PEOPLE SHOULD SEE THIS MOVIE
  • 00:14:17.000 --> 00:14:17.210
  • BECAUSE IT'S A MOVIE THAT--
  • 00:14:17.210 --> 00:14:18.110
  • THAT...GIVES HOPE.
  • 00:14:18.110 --> 00:14:20.250
  • IT'S A MOVIE ABOUT SECOND
  • 00:14:20.250 --> 00:14:23.160
  • CHANCES.
  • 00:14:23.160 --> 00:14:23.280
  • ANOTHER THING I REALLY GOT FROM
  • 00:14:23.280 --> 00:14:25.230
  • THIS MOVIE WAS IT'S A MOVIE
  • 00:14:25.230 --> 00:14:26.260
  • THAT SHOWS THIS MAN, AND...
  • 00:14:31.210 --> 00:14:34.210
  • AS MUCH AS LISA'S DONE, I THINK
  • 00:14:34.210 --> 00:14:35.170
  • HE'S SO HUMBLE THAT HE WOULD
  • 00:14:35.170 --> 00:14:36.080
  • JUST--
  • 00:14:37.140 --> 00:14:40.140
  • HE KNOWS HE DOESN'T DESERVE ANY
  • 00:14:40.140 --> 00:14:41.060
  • OF THIS.
  • 00:14:41.060 --> 00:14:42.090
  • AND, GOD TOOK THIS LITTLE BOY
  • 00:14:45.200 --> 00:14:46.110
  • FROM THIS LITTLE POOR TOWN IN--
  • 00:14:46.110 --> 00:14:47.030
  • IN ARGENTINA.
  • 00:14:47.030 --> 00:14:48.190
  • AND, LOOK WHAT HE DID WITH HIM.
  • 00:14:48.190 --> 00:14:50.230
  • I MEAN, THIS-- HE TOOK THIS
  • 00:14:50.230 --> 00:14:53.110
  • LITTLE BOY AND HE'S TOUCHED
  • 00:14:53.110 --> 00:14:54.010
  • TENS AND TENS OF MILLIONS
  • 00:14:54.010 --> 00:14:55.210
  • OF PEOPLE'S LIVES ACROSS
  • 00:14:55.210 --> 00:14:56.100
  • THE WORLD.
  • 00:14:56.100 --> 00:14:57.270
  • AND THAT'S WHAT REALLY
  • 00:14:57.270 --> 00:14:59.070
  • STRUCK ME WHEN I WENT
  • 00:14:59.070 --> 00:15:00.100
  • AND DID IT.
  • 00:15:00.100 --> 00:15:01.290
  • THAT WAS ONE OF MY BEST
  • 00:15:01.290 --> 00:15:02.170
  • MEMORIES WAS REALIZING: WOW.
  • 00:15:02.170 --> 00:15:05.040
  • I MEAN, THIS IS GLOBAL.
  • 00:15:05.040 --> 00:15:05.220
  • THIS IS, LIKE--
  • 00:15:05.220 --> 00:15:06.060
  • GOD GAVE HIM THE ABILITY TO
  • 00:15:06.190 --> 00:15:09.190
  • REACH MORE PEOPLE THAN MOST
  • 00:15:09.270 --> 00:15:12.270
  • PEOPLE WOULD EVER BE ABLE TO
  • 00:15:12.270 --> 00:15:14.000
  • REACH IN THEIR ENTIRE LIFE.
  • 00:15:14.000 --> 00:15:15.280
  • - GASTÓN: RIGHT...RIGHT.
  • 00:15:15.280 --> 00:15:17.290
  • - TOM: SO...LET'S JUST SAY
  • 00:15:17.290 --> 00:15:19.140
  • YOU'RE...(SIGHS)...NOT EVEN A
  • 00:15:19.140 --> 00:15:21.140
  • CHURCHGOING AMERICAN AND YOU
  • 00:15:21.140 --> 00:15:23.110
  • STUMBLE INTO THIS FILM ON
  • 00:15:23.110 --> 00:15:24.280
  • LUIS PALAU.
  • 00:15:24.280 --> 00:15:25.100
  • WHAT WOULD YOU WALK OUT OF
  • 00:15:25.100 --> 00:15:26.020
  • THERE WITH?
  • 00:15:26.020 --> 00:15:29.000
  • I THINK YOU WOULD WALK OUT
  • 00:15:31.040 --> 00:15:31.230
  • WITH...YOU KNOW: WOW, I...I...
  • 00:15:31.230 --> 00:15:33.270
  • I HAVE THIS OPPORTUNITY THAT...
  • 00:15:34.210 --> 00:15:37.210
  • IS A GIFT, THAT IF I RECEIVE
  • 00:15:39.230 --> 00:15:42.230
  • THIS GIFT, IT WILL BE GIVEN TO
  • 00:15:42.230 --> 00:15:45.190
  • ME.
  • 00:15:45.190 --> 00:15:48.100
  • AND I THINK LUIS HAS GIVEN THIS
  • 00:15:48.100 --> 00:15:49.250
  • GOD'S USE HIM AS A TOOL TO GIVE
  • 00:15:54.030 --> 00:15:54.250
  • THIS HOPE TO...UH, TO THE
  • 00:15:54.250 --> 00:15:56.040
  • WORLD.
  • 00:15:56.040 --> 00:15:56.280
  • - TOM: YEAH.
  • 00:15:56.280 --> 00:15:58.120
  • - SCOTT: SO, I THINK PEOPLE
  • 00:15:58.120 --> 00:15:59.040
  • WALK OUT OF THERE WITH A
  • 00:15:59.040 --> 00:16:00.090
  • RENEWED SENSE OF HOPE AND A
  • 00:16:00.090 --> 00:16:01.120
  • RENEWED SENSE OF...OF, UH...A
  • 00:16:01.120 --> 00:16:02.240
  • NEW LEASE ON LIFE, IF YOU WILL.
  • 00:16:02.240 --> 00:16:05.150
  • - TOM: WOW.
  • 00:16:05.150 --> 00:16:06.080
  • UM...LUIS PALAU, "PALAU: THE
  • 00:16:07.260 --> 00:16:10.260
  • MOVIE" COMES OUT...?
  • 00:16:11.050 --> 00:16:14.050
  • - SCOTT: COMES OUT APRIL 4TH
  • 00:16:14.050 --> 00:16:14.260
  • AND 6TH.
  • 00:16:14.260 --> 00:16:16.090
  • - SCOTT: AND YOU CAN ACTUALLY
  • 00:16:17.220 --> 00:16:18.170
  • GO TO PALAUTHEMOVIE.COM BECAUSE
  • 00:16:18.170 --> 00:16:20.160
  • TICKETS ARE ON SALE, RIGHT NOW.
  • 00:16:20.160 --> 00:16:21.080
  • GET YOUR CHURCHES TO GO, GET
  • 00:16:21.080 --> 00:16:21.280
  • YOUR WOMEN'S GROUPS, MEN'S
  • 00:16:21.280 --> 00:16:23.020
  • GROUPS, UH, BRING YOUR
  • 00:16:23.020 --> 00:16:24.000
  • FAMILIES, AND, UH--
  • 00:16:24.000 --> 00:16:25.140
  • - TOM: OKAY.
  • 00:16:25.140 --> 00:16:25.280
  • - SCOTT: --YOU CAN GO TO THE
  • 00:16:25.280 --> 00:16:26.220
  • WEBSITE.
  • 00:16:26.220 --> 00:16:27.130
  • - TOM: PALAUMOVIE.COM
  • 00:16:27.130 --> 00:16:29.200
  • - SCOTT: PALAUTHEMOVIE.COM.
  • 00:16:29.200 --> 00:16:30.100
  • - GASTÓN: THEMOVIE.
  • 00:16:30.100 --> 00:16:30.290
  • - TOM: PALAUTHEMOVIE.COM.
  • 00:16:30.290 --> 00:16:31.180
  • IT'S ACROSS THE BOTTOM
  • 00:16:31.180 --> 00:16:32.100
  • OF YOUR SCREEN.
  • 00:16:32.100 --> 00:16:33.260
  • YOU CAN SEE IT THERE.
  • 00:16:33.260 --> 00:16:35.080
  • DO ME A FAVOR, GO TO THAT NOW.
  • 00:16:35.080 --> 00:16:36.210
  • DON'T THINK, "OH, YEAH,
  • 00:16:36.210 --> 00:16:38.020
  • I'M GONNA DO THIS LATER."
  • 00:16:38.020 --> 00:16:38.210
  • JUST KINDA GO TO IT NOW.
  • 00:16:38.210 --> 00:16:39.090
  • MAKE A NOTE.
  • 00:16:39.090 --> 00:16:41.220
  • PULL OUT THAT LITTLE IPHONE
  • 00:16:41.220 --> 00:16:43.280
  • THING OF YOURS AND PUT DOWN
  • 00:16:43.280 --> 00:16:45.250
  • THE DATE AND CIRCLE IT.
  • 00:16:45.250 --> 00:16:46.280
  • BECAUSE, YOU KNOW, IT'S ONLY
  • 00:16:46.280 --> 00:16:48.060
  • GONNA BE IN THEATERS FOR A
  • 00:16:48.060 --> 00:16:48.250
  • COUPLE DAYS.
  • 00:16:48.250 --> 00:16:49.180
  • - GASTÓN: YES.
  • 00:16:49.180 --> 00:16:50.040
  • - SCOTT: THE 4TH AND THE 6TH
  • 00:16:50.040 --> 00:16:51.180
  • OF APRIL.
  • 00:16:51.180 --> 00:16:52.050
  • - TOM: THE 4TH AND THE 6TH OF
  • 00:16:52.050 --> 00:16:53.200
  • APRIL, SO, IS IT A FATHOM-TYPE
  • 00:16:53.200 --> 00:16:55.200
  • EVENT?
  • 00:16:55.200 --> 00:16:56.030
  • IS THAT THE WAY IT WORKS?
  • 00:16:56.030 --> 00:16:57.170
  • OR JUST NORMAL THEATER OPENING?
  • 00:16:57.170 --> 00:16:58.090
  • - SCOTT: IT'S NORMAL THEATER
  • 00:16:58.090 --> 00:16:59.000
  • OPENING.
  • 00:16:59.000 --> 00:16:59.200
  • YOU CAN FIND WHAT THEATER IT'S
  • 00:16:59.200 --> 00:17:00.140
  • GONNA BE AT NEAR YOU AND WHAT
  • 00:17:00.140 --> 00:17:01.050
  • TIMES IT'S GONNA BE PLAYING.
  • 00:17:01.050 --> 00:17:01.250
  • - TOM: RIGHT.
  • 00:17:01.250 --> 00:17:03.200
  • SO, PALAUTHEMOVE.COM.
  • 00:17:03.200 --> 00:17:05.080
  • PALAU IS SPELLED: P-A-L-A-U.
  • 00:17:06.230 --> 00:17:09.230
  • YOU WANNA MAKE SURE YOU WANNA
  • 00:17:09.230 --> 00:17:10.140
  • A FEW MOMENTS AGO, WE SAW A
  • 00:17:12.290 --> 00:17:13.190
  • CLIP WHERE LUIS PALAU HEARD
  • 00:17:13.190 --> 00:17:14.170
  • BILLY GRAHAM AS A YOUNG MAN ON
  • 00:17:14.170 --> 00:17:15.250
  • THE RADIO.
  • 00:17:17.010 --> 00:17:20.010
  • LET'S WATCH THIS NEXT CLIP WHEN
  • 00:17:20.010 --> 00:17:20.230
  • - "BILLY GRAHAM": IS THIS AN
  • 00:17:24.100 --> 00:17:25.010
  • OPEN SEAT?
  • 00:17:25.010 --> 00:17:25.170
  • - "LUIS": MR. GRAHAM!
  • 00:17:25.170 --> 00:17:28.000
  • - "BILLY": MAY I SIT?
  • 00:17:28.000 --> 00:17:29.060
  • ["PAT" LAUGHS PLEASANTLY]
  • 00:17:29.060 --> 00:17:29.250
  • - "PAT PALAU": YES!
  • 00:17:29.250 --> 00:17:30.180
  • UH, MR. GRAHAM, PLEASE SIT.
  • 00:17:30.180 --> 00:17:31.220
  • - "BILLY": BILLY GRAHAM.
  • 00:17:31.220 --> 00:17:32.240
  • - "PAT": YES, HELLO, I'M PAT
  • 00:17:32.240 --> 00:17:33.290
  • PALAU.
  • 00:17:33.290 --> 00:17:35.120
  • THIS IS MY HUSBAND, LUIS.
  • 00:17:35.120 --> 00:17:37.060
  • - "LUIS": PLEASURE TO MEET
  • 00:17:37.060 --> 00:17:37.260
  • YOU, MR. GRAHAM.
  • 00:17:37.260 --> 00:17:38.130
  • - "BILLY": WELL, YOU, TOO.
  • 00:17:38.130 --> 00:17:39.030
  • YOU, TOO.
  • 00:17:39.030 --> 00:17:40.090
  • AND, I UNDERSTAND YOU'RE THE
  • 00:17:40.090 --> 00:17:42.100
  • YOUNG COUPLE THAT FRED RENWICK
  • 00:17:42.100 --> 00:17:44.070
  • AND RAY STEDMAN SENT OVER.
  • 00:17:44.070 --> 00:17:45.170
  • - "LUIS": YES, SIR.
  • 00:17:45.170 --> 00:17:46.210
  • - "BILLY": WELL, WELCOME.
  • 00:17:46.210 --> 00:17:47.170
  • THANK YOU FOR YOUR HELP.
  • 00:17:47.170 --> 00:17:48.270
  • NOW, I'VE HEARD YOU'RE GOING TO
  • 00:17:48.270 --> 00:17:50.160
  • SOUTH AMERICA.
  • 00:17:50.160 --> 00:17:51.090
  • - "LUIS": YES.
  • 00:17:51.090 --> 00:17:51.230
  • TO COLOMBIA.
  • 00:17:51.230 --> 00:17:53.150
  • WE ARE HOPING TO PLANT SOME
  • 00:17:53.150 --> 00:17:54.120
  • CHURCHES THERE, ONE BY ONE.
  • 00:17:54.120 --> 00:17:55.250
  • - "BILLY": THAT'S A WONDERFUL
  • 00:17:55.250 --> 00:17:56.170
  • CALLING.
  • 00:17:56.170 --> 00:17:58.200
  • - "LUIS": THANK YOU.
  • 00:17:58.200 --> 00:17:59.150
  • - TOM: WOW...
  • 00:18:01.090 --> 00:18:01.230
  • YAY!
  • 00:18:01.230 --> 00:18:02.160
  • THAT LOOKED FUN.
  • 00:18:02.160 --> 00:18:04.080
  • - GASTÓN: YES.
  • 00:18:04.080 --> 00:18:04.250
  • - TOM: SO, HOW MANY TAKES?
  • 00:18:04.250 --> 00:18:05.150
  • - GASTÓN: JUST ONE.
  • 00:18:05.150 --> 00:18:06.170
  • - TOM: REALLY!
  • 00:18:06.170 --> 00:18:07.050
  • - GASTÓN: YES.
  • 00:18:07.050 --> 00:18:07.220
  • JUST ONE.
  • 00:18:07.220 --> 00:18:08.200
  • - SCOTT: HE'S A MOVIE STAR.
  • 00:18:08.200 --> 00:18:10.190
  • - GASTÓN: NO...NO, NO, NO, NO.
  • 00:18:10.190 --> 00:18:11.200
  • - SCOTT: HE IS.
  • 00:18:11.200 --> 00:18:12.050
  • - GASTÓN: NO.
  • 00:18:12.050 --> 00:18:12.240
  • JUST ONE--
  • 00:18:12.240 --> 00:18:13.180
  • - TOM: ANYBODY WHO DIRECTS--
  • 00:18:13.180 --> 00:18:14.270
  • YOU KNOW, FRANKLY, IF SOMEBODY
  • 00:18:14.270 --> 00:18:15.290
  • DIRECTS AND THEY ACT, THEY
  • 00:18:15.290 --> 00:18:17.030
  • UNDERSTAND WHAT IT IS TO REDO
  • 00:18:17.030 --> 00:18:18.250
  • IT AND REDO IT.
  • 00:18:18.250 --> 00:18:20.020
  • - GASTÓN: YES.
  • 00:18:20.020 --> 00:18:20.180
  • - TOM: SO, GREAT JOB.
  • 00:18:20.180 --> 00:18:21.270
  • - GASTÓN: YEAH, BUT, WE NEEDED
  • 00:18:21.270 --> 00:18:23.040
  • JUST ONE, BUT...NOT BECAUSE OF
  • 00:18:23.040 --> 00:18:24.220
  • ME.
  • 00:18:24.220 --> 00:18:26.160
  • BECAUSE OF DARREN.
  • 00:18:26.160 --> 00:18:27.010
  • - TOM: WOW.
  • 00:18:27.010 --> 00:18:27.150
  • HE LOOKED AMAZINGLY LIKE YOUNG
  • 00:18:27.150 --> 00:18:28.070
  • BILLY GRAHAM.
  • 00:18:28.070 --> 00:18:29.050
  • - GASTÓN: AMAZING.
  • 00:18:29.050 --> 00:18:30.010
  • - TOM: THAT WAS--
  • 00:18:30.010 --> 00:18:30.170
  • - GASTÓN: AND, HE'S SO FUNNY.
  • 00:18:30.170 --> 00:18:32.260
  • AND HE SINGS.
  • 00:18:32.260 --> 00:18:33.120
  • IT'S BEAUTIFUL.
  • 00:18:33.120 --> 00:18:34.130
  • I LOVE HIM.
  • 00:18:34.130 --> 00:18:34.250
  • [TOM LAUGHS]
  • 00:18:34.250 --> 00:18:35.250
  • I LOVE HIM, AND...I LOVE SCOTT.
  • 00:18:35.250 --> 00:18:36.260
  • [SCOTT LAUGHS]
  • 00:18:36.260 --> 00:18:38.130
  • I LOVE SCOTT -- REALLY, REALLY.
  • 00:18:38.130 --> 00:18:39.290
  • - SCOTT: WELL, THE FEELING'S
  • 00:18:39.290 --> 00:18:40.270
  • MUTUAL, BROTHER.
  • 00:18:40.270 --> 00:18:41.290
  • - TOM: YOU KNOW, ONE OF THE
  • 00:18:41.290 --> 00:18:42.200
  • TRADEMARKS OF LUIS PALAU AND
  • 00:18:42.200 --> 00:18:43.170
  • GREAT MEN OF GOD IS THAT THEY
  • 00:18:43.170 --> 00:18:45.060
  • USUALLY HAVE A VERY DEVELOPED
  • 00:18:45.110 --> 00:18:48.110
  • LIFE OF PRAYER.
  • 00:18:48.110 --> 00:18:50.160
  • AND THOSE GUYS ARE LED OF THE
  • 00:18:50.160 --> 00:18:52.200
  • LORD.
  • 00:18:52.200 --> 00:18:53.050
  • NOW, YOU SAW SOME THINGS LIKE
  • 00:18:53.050 --> 00:18:54.110
  • AS A LITTLE BOY HE LISTENS.
  • 00:18:54.110 --> 00:18:55.270
  • OKAY, THE HAPPENSTANCE OF BILLY
  • 00:18:55.270 --> 00:18:58.040
  • GRAHAM JUST WALKING BY HIM IN A
  • 00:18:58.040 --> 00:18:59.140
  • CAFETERIA AND SITTING DOWN WITH
  • 00:18:59.140 --> 00:19:00.080
  • HIM?
  • 00:19:00.080 --> 00:19:01.220
  • LISTEN, I BELIEVE THAT, AS WE
  • 00:19:01.220 --> 00:19:03.140
  • PRAY, ALL OF OUR STEPS ARE
  • 00:19:03.140 --> 00:19:06.100
  • ORDAINED OF THE LORD.
  • 00:19:06.100 --> 00:19:06.290
  • AND-- BUT WHEN WE BEGIN TO SEE
  • 00:19:06.290 --> 00:19:09.200
  • GOD STEP IN AND INTERVENE AND
  • 00:19:09.200 --> 00:19:11.150
  • BEGIN TO MAKE A WAY FOR US,
  • 00:19:11.150 --> 00:19:13.190
  • IT'S JUST AN AMAZING THING.
  • 00:19:13.190 --> 00:19:15.110
  • BUT THAT USUALLY COMES OUT OF A
  • 00:19:15.110 --> 00:19:17.070
  • GREAT DEAL OF TIME AND PRAYER.
  • 00:19:17.070 --> 00:19:18.210
  • I WANNA JUST SHARE SOME OF THE
  • 00:19:18.210 --> 00:19:20.210
  • INSIGHT OF LUIS PALAU.
  • 00:19:20.210 --> 00:19:22.070
  • BECAUSE HE DIDN'T JUST SHOW UP
  • 00:19:22.070 --> 00:19:24.050
  • SOMEPLACE.
  • 00:19:24.050 --> 00:19:26.050
  • HE WAS A MAN OF PRAYER.
  • 00:19:26.050 --> 00:19:27.010
  • LET'S LOOK AT THIS LITTLE CLIP,
  • 00:19:27.010 --> 00:19:27.230
  • AMEN.
  • 00:20:22.240 --> 00:20:24.200
  • - TOM: WOW.
  • 00:20:26.210 --> 00:20:27.060
  • I LOVE THAT...
  • 00:20:27.060 --> 00:20:29.060
  • - MALE VOICE: MMH...
  • 00:20:29.060 --> 00:20:30.150
  • - TOM: ...ASKIN' THE LORD
  • 00:20:30.150 --> 00:20:31.040
  • WHERE'S NEXT, WHERE DO YOU GO,
  • 00:20:31.040 --> 00:20:33.130
  • HOW DO YOU TAKE THIS ON.
  • 00:20:33.130 --> 00:20:34.150
  • SCOTT, YOU'VE COME FROM A FEW
  • 00:20:34.150 --> 00:20:35.100
  • SHOWS THAT PROBABLY WOULDN'T
  • 00:20:35.100 --> 00:20:36.240
  • BEAR THE BANNER "CHRISTIAN."
  • 00:20:36.240 --> 00:20:38.190
  • [LAUGHTER]
  • 00:20:38.190 --> 00:20:39.030
  • "YOUNG AND THE RESTLESS"--
  • 00:20:39.030 --> 00:20:40.000
  • - SCOTT: (LAUGHING) PROBABLY--
  • 00:20:40.000 --> 00:20:40.250
  • PROBABLY NOT.
  • 00:20:40.250 --> 00:20:41.080
  • - TOM: "NASHVILLE" -- NOT SURE
  • 00:20:41.080 --> 00:20:42.000
  • THAT YOU'D CALL THOSE CHRISTIAN
  • 00:20:42.000 --> 00:20:43.050
  • PROGRAMS, NECESSARILY, BUT WHAT
  • 00:20:43.050 --> 00:20:43.270
  • WAS YOUR EXPERIENCE LIKE FOR
  • 00:20:43.270 --> 00:20:45.060
  • YOU TO GO FROM THAT KINDA TO
  • 00:20:45.060 --> 00:20:45.260
  • THIS?
  • 00:20:46.010 --> 00:20:49.010
  • AND I'M NOT TRYIN' TO PUT ANY
  • 00:20:49.010 --> 00:20:49.220
  • SHAME--
  • 00:20:49.220 --> 00:20:51.140
  • - SCOTT: NO, NO.
  • 00:20:51.140 --> 00:20:52.000
  • - TOM: --ON THOSE--
  • 00:20:52.000 --> 00:20:53.010
  • - SCOTT: NOT AT ALL.
  • 00:20:53.010 --> 00:20:53.180
  • NOT AT ALL.
  • 00:20:53.180 --> 00:20:54.000
  • - TOM: BUT, JUST TELL ME ABOUT
  • 00:20:54.000 --> 00:20:54.220
  • THAT.
  • 00:20:54.220 --> 00:20:55.010
  • WHAT WAS YOUR JOURNEY LIKE ON
  • 00:20:55.010 --> 00:20:55.220
  • THIS?
  • 00:20:55.220 --> 00:20:56.010
  • AND WHAT DID THIS DO FOR YOUR
  • 00:20:56.010 --> 00:20:56.220
  • - SCOTT: WELL, I'VE ALWAYS
  • 00:20:57.200 --> 00:20:58.100
  • VIEWED WHAT I DO IN HOLLYWOOD
  • 00:20:58.100 --> 00:21:00.230
  • AS SOMEWHAT OF A MISSION FIELD.
  • 00:21:02.010 --> 00:21:05.010
  • AND, UM...AND AFTER 25, 30
  • 00:21:05.040 --> 00:21:08.040
  • YEARS OF BEING IN THE MISSION
  • 00:21:08.040 --> 00:21:08.250
  • ...I WAS READY FOR A DRINK OF
  • 00:21:11.190 --> 00:21:12.100
  • WATER.
  • 00:21:12.100 --> 00:21:14.020
  • AND THIS RUSHING RIVER CAME
  • 00:21:16.120 --> 00:21:19.120
  • ALONG, UH, AND I JUMPED AT IT.
  • 00:21:24.010 --> 00:21:27.010
  • AND IT WAS...IT WAS REALLY
  • 00:21:27.010 --> 00:21:27.200
  • COOL.
  • 00:21:27.200 --> 00:21:28.040
  • IT WAS REALLY REFRESHING AND IT
  • 00:21:28.040 --> 00:21:28.260
  • WAS-- FOR EVERYBODY TO BE
  • 00:21:28.260 --> 00:21:30.070
  • WORKING ON SOMETHING WITH THE
  • 00:21:30.070 --> 00:21:31.240
  • SAME GOAL IN MIND.
  • 00:21:31.240 --> 00:21:33.210
  • AND...AND SO, IT WAS JUST-- IT
  • 00:21:34.030 --> 00:21:37.030
  • WAS...A BREATH OF FRESH AIR.
  • 00:21:37.030 --> 00:21:38.250
  • IT WAS-- IT WAS-- AND IT WAS
  • 00:21:38.250 --> 00:21:41.100
  • REALLY EXCITING FOR ME TO GET
  • 00:21:41.100 --> 00:21:42.090
  • TO BE WORKING ON SOMETHING THAT
  • 00:21:42.090 --> 00:21:44.220
  • I KNEW WAS GOING TO...HAVE A
  • 00:21:45.210 --> 00:21:48.210
  • POSITIVE EFFECT ON ANYONE WHO
  • 00:21:48.210 --> 00:21:49.120
  • WATCHES IT.
  • 00:21:49.180 --> 00:21:52.180
  • AND, UM...AND IT WAS GONNA
  • 00:21:52.180 --> 00:21:54.150
  • REALLY OPEN A LOT OF PEOPLE'S
  • 00:21:54.150 --> 00:21:56.200
  • EYES TO WHO LUIS PALAU WAS FOR
  • 00:21:56.200 --> 00:21:58.010
  • THOSE WHO DON'T KNOW HIM AND
  • 00:21:58.010 --> 00:21:59.150
  • HAVE NEVER HEARD HIM AND WHAT
  • 00:21:59.150 --> 00:22:01.200
  • HE HAS TO SAY.
  • 00:22:01.200 --> 00:22:03.280
  • SO-- AND IT REALLY-- AND, ALSO,
  • 00:22:03.280 --> 00:22:05.260
  • THE MULTICULTURAL ASPECT OF IT
  • 00:22:06.150 --> 00:22:09.150
  • WAS REALLY COOL TO ME.
  • 00:22:09.150 --> 00:22:10.270
  • BECAUSE, YOU KNOW, I WAS BORN
  • 00:22:10.270 --> 00:22:12.250
  • IN THE UNITED STATES AND I GREW
  • 00:22:13.170 --> 00:22:16.170
  • UP IN JUST, YOU KNOW, YOUR
  • 00:22:16.170 --> 00:22:18.120
  • LITTLE WHITE-PICKET-FENCE TOWN,
  • 00:22:18.120 --> 00:22:20.020
  • GOIN' TO CHURCH, AND...AND I
  • 00:22:20.020 --> 00:22:21.060
  • SAID: WOW...THERE'S CHURCH
  • 00:22:21.060 --> 00:22:22.140
  • EVERYWHERE...
  • 00:22:22.140 --> 00:22:25.010
  • - TOM: YEAH.
  • 00:22:25.010 --> 00:22:25.270
  • - SCOTT: ...AROUND THE WORLD.
  • 00:22:25.270 --> 00:22:26.280
  • - TOM: BEAUTIFUL.
  • 00:22:26.280 --> 00:22:27.150
  • - SCOTT: WE DON'T ALL SPEAK
  • 00:22:27.150 --> 00:22:29.010
  • THE SAME LANGUAGE...
  • 00:22:29.010 --> 00:22:29.170
  • - TOM: YEP.
  • 00:22:29.170 --> 00:22:30.070
  • - SCOTT: ...AND WE DON'T ALL
  • 00:22:30.070 --> 00:22:31.010
  • LOOK THE SAME, BUT WE'RE PART
  • 00:22:31.010 --> 00:22:31.220
  • - TOM: "PALAU: THE MOVIE" --
  • 00:22:34.290 --> 00:22:36.270
  • APRIL 4TH AND 6TH.
  • 00:22:36.270 --> 00:22:39.250
  • YOU CAN GO TO THE
  • 00:22:39.250 --> 00:22:42.230
  • WEBSITE, RIGHT NOW --
  • 00:22:42.230 --> 00:22:43.160
  • PALAUTHEMOVE.COM -- AND YOU
  • 00:22:44.250 --> 00:22:47.250
  • CAN THE DIFFERENT LOCATIONS
  • 00:22:47.250 --> 00:22:50.070
  • WHERE THE SHOW'S GOING TO BE
  • 00:22:50.070 --> 00:22:50.270
  • OPENING UP.
  • 00:22:50.270 --> 00:22:52.020
  • PLEASE GO THERE, NOW.
  • 00:22:52.020 --> 00:22:53.090
  • MAKE NOTE OF IT.
  • 00:22:53.090 --> 00:22:54.230
  • UM, YOU CAN PROBABLY ORDER
  • 00:22:54.230 --> 00:22:56.230
  • TICKETS OR AT LEAST PLAN TO GET
  • 00:22:56.230 --> 00:22:58.190
  • YOUR TICKETS AS SOON AS THEY
  • 00:22:58.190 --> 00:22:59.260
  • ARE MADE AVAILABLE.
  • 00:22:59.260 --> 00:23:01.060
  • AND, YOU KNOW WHAT?
  • 00:23:01.060 --> 00:23:02.100
  • IT HELPS SO MUCH, FROM A
  • 00:23:02.100 --> 00:23:03.240
  • PRODUCER PERSPECTIVE, IF YOU--
  • 00:23:03.240 --> 00:23:05.180
  • IF YOU GO ONLINE, YOU CAN BUY
  • 00:23:05.180 --> 00:23:06.130
  • YOUR TICKETS, NOW.
  • 00:23:06.130 --> 00:23:07.170
  • IT'LL LET THEM HOW MUCH MORE
  • 00:23:07.170 --> 00:23:08.280
  • MARKETING TO SPEND IN THAT
  • 00:23:08.280 --> 00:23:10.010
  • AREA.
  • 00:23:10.010 --> 00:23:10.180
  • IF YOU'VE GOT FRIENDS OR
  • 00:23:10.180 --> 00:23:11.230
  • FAMILY, AND IF YOU KNOW
  • 00:23:11.230 --> 00:23:14.070
  • LUIS PALAU, AND YOU KNOW A LOT
  • 00:23:14.070 --> 00:23:15.190
  • OF FOLKS MAY NOT, CALL THEM.
  • 00:23:15.190 --> 00:23:16.290
  • JUST TELL THEM ABOUT THIS
  • 00:23:16.290 --> 00:23:18.110
  • AMAZING LIFE AND ENCOURAGE THEM
  • 00:23:18.110 --> 00:23:19.030
  • TO SEE THIS.
  • 00:23:20.040 --> 00:23:23.040
  • GASTÓN...WHERE WAS THIS MOVIE
  • 00:23:23.040 --> 00:23:24.010
  • FILMED AND WHY WAS IT SHOT
  • 00:23:24.010 --> 00:23:25.000
  • THERE?
  • 00:23:25.000 --> 00:23:26.220
  • - GASTÓN: IN BUENOS AIRES,
  • 00:23:26.220 --> 00:23:28.100
  • NEAR BUENOS AIRES, IN A PLACE
  • 00:23:28.160 --> 00:23:31.160
  • CALLED ARECO --
  • 00:23:31.160 --> 00:23:32.010
  • SAN ANTONIO DE ARECO.
  • 00:23:32.010 --> 00:23:33.040
  • AND...WE HAD TWO DAYS IN...
  • 00:23:33.080 --> 00:23:36.080
  • HOUSTON, FIVE MONTHS AGO.
  • 00:23:38.240 --> 00:23:41.240
  • AND, WHY?
  • 00:23:43.020 --> 00:23:46.020
  • BECAUSE -- WELL, HE, UM...HE
  • 00:23:46.020 --> 00:23:49.020
  • BORNED THERE.
  • 00:23:49.020 --> 00:23:49.150
  • I MEAN, HOW DO YOU SAY THAT?
  • 00:23:49.150 --> 00:23:52.000
  • "HE BORNED"?
  • 00:23:52.000 --> 00:23:52.140
  • - SCOTT: "HE WAS BORN THERE."
  • 00:23:52.140 --> 00:23:53.120
  • "HE WAS BORN THERE."
  • 00:23:53.120 --> 00:23:53.280
  • SO...WE TRIED TO, UH...SHOW THE
  • 00:23:56.110 --> 00:23:58.060
  • WORLD WHERE HE BORNED-- HE WAS
  • 00:23:58.060 --> 00:23:59.170
  • BORN.
  • 00:23:59.190 --> 00:24:02.210
  • AND, UH...
  • 00:24:02.210 --> 00:24:05.190
  • I MEAN...HIS EARLY YEARS, YOU
  • 00:24:05.190 --> 00:24:08.000
  • KNOW, AS A KID, WITH HIS
  • 00:24:08.000 --> 00:24:09.270
  • FAMILY, WITH HIS PARENTS,
  • 00:24:09.270 --> 00:24:11.270
  • WITH HIS SISTER.
  • 00:24:11.270 --> 00:24:13.080
  • SO...
  • 00:24:13.080 --> 00:24:15.280
  • BUT I'VE BEEN THINKING OF
  • 00:24:15.280 --> 00:24:17.130
  • SOMETHING.
  • 00:24:17.130 --> 00:24:18.060
  • I JUST--
  • 00:24:18.060 --> 00:24:19.040
  • - TOM: YEAH, GO AHEAD.
  • 00:24:19.040 --> 00:24:19.230
  • - GASTÓN: --NEED TO SAY THIS
  • 00:24:19.230 --> 00:24:20.180
  • ABOUT--
  • 00:24:20.180 --> 00:24:21.090
  • I DID COCAINE FOR A LONG TIME,
  • 00:24:21.090 --> 00:24:22.180
  • YOU KNOW?
  • 00:24:22.180 --> 00:24:24.200
  • A LONG TIME -- MAYBE 17 YEARS.
  • 00:24:25.020 --> 00:24:28.020
  • AND I'VE BEEN-- I WAS IN THE
  • 00:24:28.020 --> 00:24:29.160
  • MIDDLE OF DARK, YOU KNOW?
  • 00:24:29.160 --> 00:24:32.010
  • DARKNESS AND IN THE MIDDLE OF--
  • 00:24:32.010 --> 00:24:33.140
  • THE MIDDLE OF NOWHERE.
  • 00:24:33.140 --> 00:24:36.040
  • AND, WHEN-- AND I REMEMBER I
  • 00:24:36.070 --> 00:24:39.070
  • WAS THERE, 11 YEARS AGO, AFTER
  • 00:24:40.250 --> 00:24:43.250
  • THREE NIGHTS OF NON-SLEEP, YOU
  • 00:24:43.250 --> 00:24:46.200
  • KNOW?
  • 00:24:46.200 --> 00:24:48.060
  • (SIGHING) AND I NEVER PRAYED
  • 00:24:48.060 --> 00:24:49.090
  • BEFORE.
  • 00:24:49.090 --> 00:24:52.030
  • I WAS-- NEVER PRAYED BEFORE.
  • 00:24:52.030 --> 00:24:53.220
  • AND I RAISED MY HEAD AND I
  • 00:24:53.220 --> 00:24:55.070
  • SAID: "LORD, PLEASE HELP ME
  • 00:24:55.070 --> 00:24:56.090
  • WITH THIS.
  • 00:24:56.210 --> 00:24:59.210
  • I CAN'T FIND THE WAY TO
  • 00:24:59.210 --> 00:25:00.220
  • FREEDOM."
  • 00:25:02.210 --> 00:25:05.210
  • SO, HE HELPED ME.
  • 00:25:05.210 --> 00:25:07.230
  • THAT HELP CAME TO MY LIFE.
  • 00:25:08.120 --> 00:25:11.120
  • AND, I THINK THAT WE ARE
  • 00:25:12.200 --> 00:25:15.200
  • TALKING ABOUT THIS IN THIS--
  • 00:25:15.200 --> 00:25:18.010
  • - TOM: IN THIS FILM.
  • 00:25:18.010 --> 00:25:19.130
  • - GASTÓN: --IN THIS FILM --
  • 00:25:19.130 --> 00:25:20.050
  • ABOUT SECOND CHANCES, AND ABOUT
  • 00:25:20.050 --> 00:25:21.090
  • HOPE, AND ABOUT HOW-- HOW YOUR
  • 00:25:21.090 --> 00:25:24.010
  • RELATIONSHIP WITH GOD CAN
  • 00:25:24.010 --> 00:25:25.010
  • CHANGE YOUR LIFE.
  • 00:25:25.010 --> 00:25:26.040
  • - TOM: AMEN.
  • 00:25:26.040 --> 00:25:26.230
  • - SCOTT: MM-HMM.
  • 00:25:26.230 --> 00:25:28.050
  • - TOM: YOU KNOW, LUIS PALAU
  • 00:25:28.050 --> 00:25:29.060
  • HAS BROUGHT THE MESSAGE OF
  • 00:25:29.060 --> 00:25:29.250
  • HOPE, AND LOVE, AND JESUS
  • 00:25:29.250 --> 00:25:31.090
  • AROUND THE WORLD TO MILLIONS OF
  • 00:25:31.090 --> 00:25:32.240
  • PEOPLE.
  • 00:25:32.240 --> 00:25:34.140
  • IT COMES OUT APRIL 4TH AND 6TH.
  • 00:25:37.060 --> 00:25:38.230
  • THERE'S A WEBSITE:
  • 00:25:38.230 --> 00:25:40.030
  • PALAUTHEMOVE.COM.
  • 00:25:40.030 --> 00:25:42.280
  • YOU CAN FIND THE THEATRICAL
  • 00:25:42.280 --> 00:25:44.010
  • LOCATIONS WHERE YOU CAN GO AND
  • 00:25:44.010 --> 00:25:45.210
  • SEE THE FILM.
  • 00:25:45.210 --> 00:25:48.030
  • PLEASE GO ONLINE, NOW.
  • 00:25:48.030 --> 00:25:48.210
  • TAKE ADVANTAGE OF THIS.
  • 00:25:48.210 --> 00:25:51.050
  • AND WE'VE COVERED SO MANY OF
  • 00:25:51.050 --> 00:25:51.250
  • HIS CRUSADES ON TBN THROUGH
  • 00:25:51.250 --> 00:25:54.140
  • THE YEARS.
  • 00:25:54.140 --> 00:25:56.000
  • TBN FAMILY, I KNOW YOU'RE VERY
  • 00:25:56.000 --> 00:25:56.220
  • FAMILIAR WITH LUIS PALAU AND
  • 00:25:56.220 --> 00:25:58.040
  • HIS AMAZING WORK.
  • 00:25:58.190 --> 00:26:01.210
  • THIS IS A TRIBUTE TO ONE
  • 00:26:01.210 --> 00:26:02.160
  • AMAZING LIFE.
  • 00:26:02.160 --> 00:26:03.220
  • WE'VE ONLY GOT A LITTLE BIT OF
  • 00:26:03.220 --> 00:26:05.060
  • TIME LEFT.
  • 00:26:05.060 --> 00:26:06.030
  • AND, SO, I WANT TO GO OUT WITH
  • 00:26:06.030 --> 00:26:07.080
  • THIS CLIP.
  • 00:26:07.080 --> 00:26:08.040
  • IT'S LUIS PALAU PRAYING.
  • 00:26:08.100 --> 00:26:11.100
  • AND, PLEASE, MAKE SURE YOU SEE
  • 00:26:11.100 --> 00:26:12.060
  • THIS.
  • 00:26:12.060 --> 00:26:12.210
  • - SCOTT: CAN I SAY ONE MORE
  • 00:26:14.090 --> 00:26:14.290
  • THING?
  • 00:26:14.290 --> 00:26:15.080
  • ALL OF THE PROCEEDS FROM THIS
  • 00:26:15.080 --> 00:26:15.290
  • MOVIE ARE GOING TO THE
  • 00:26:15.290 --> 00:26:17.000
  • PALAU ASSOCIATION.
  • 00:26:17.000 --> 00:26:18.170
  • - TOM: BEAUTIFUL.
  • 00:26:18.170 --> 00:26:20.030
  • WE'RE GONNA GO OUT WITH THIS
  • 00:26:20.030 --> 00:26:20.240
  • [CLOSING SHOW THEME]
  • 00:27:16.190 --> 00:27:19.190