Tom Newman hosts David Cunningham from Los Angeles, CA | TBN

Tom Newman hosts David Cunningham from Los Angeles, CA

Watch Tom Newman hosts David Cunningham from Los Angeles, CA
August 19, 2018
27:21

Behind the Scenes

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Tom Newman hosts David Cunningham from Los Angeles, CA

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  • MUSIC
  • 00:00:09.000 --> 00:00:12.000
  • - TOM: WELCOME TO A SPECIAL
  • 00:00:12.000 --> 00:00:12.290
  • EDITION OF "BEHIND THE SCENES."
  • 00:00:12.290 --> 00:00:15.180
  • I'M SITTING HERE WITH A VERY
  • 00:00:15.180 --> 00:00:17.060
  • LONG-TIME FRIEND OF MINE WHOSE
  • 00:00:17.060 --> 00:00:19.100
  • JUST ABOUT TO RELEASE A BRAND
  • 00:00:19.100 --> 00:00:21.270
  • NEW FILM CALLED
  • 00:00:21.270 --> 00:00:22.180
  • "RUNNING FOR GRACE."
  • 00:00:22.180 --> 00:00:23.100
  • PLEASE WELCOME,
  • 00:00:23.100 --> 00:00:23.260
  • DAVID CUNNINGHAM.
  • 00:00:23.260 --> 00:00:25.040
  • - DAVID: THANKS, TOM.
  • 00:00:25.040 --> 00:00:26.050
  • THANKS FOR HAVING ME.
  • 00:00:26.050 --> 00:00:27.040
  • I APPRECIATE IT.
  • 00:00:27.040 --> 00:00:27.210
  • - TOM: GOOD SEEING YOU, BUDDY.
  • 00:00:27.210 --> 00:00:28.240
  • I'M GLAD YOU'RE HERE.
  • 00:00:28.240 --> 00:00:30.010
  • DAVID, I KNOW WHENEVER A MOVIE
  • 00:00:30.010 --> 00:00:31.070
  • GETS MADE, IT'S A MIRACLE.
  • 00:00:31.070 --> 00:00:32.070
  • TELL ME THE MIRACLE ABOUT THIS
  • 00:00:32.070 --> 00:00:33.180
  • MOVIE COMING TO PASS.
  • 00:00:33.180 --> 00:00:34.230
  • - DAVID: TRUE.
  • 00:00:34.230 --> 00:00:35.190
  • YEAH, EVERYONE, THIS IS MY 8TH
  • 00:00:35.190 --> 00:00:37.070
  • MOVIE TO MAKE, AND EVERY ONE IS
  • 00:00:37.070 --> 00:00:39.040
  • AN ADVENTURE.
  • 00:00:39.040 --> 00:00:40.210
  • AND YOU AS A FILMMAKER KNOW THAT
  • 00:00:40.210 --> 00:00:41.130
  • VERY WELL.
  • 00:00:41.130 --> 00:00:43.070
  • REALLY, WHERE THIS CAME FROM IS
  • 00:00:43.070 --> 00:00:44.100
  • EVERY NIGHT I WRESTLE WITH MY
  • 00:00:44.100 --> 00:00:45.280
  • KIDS AND MY WIFE OVER THE
  • 00:00:45.280 --> 00:00:47.040
  • REMOTE.
  • 00:00:47.040 --> 00:00:48.260
  • I WAS LIKE, WOULDN'T IT BE GREAT
  • 00:00:48.260 --> 00:00:50.100
  • IF THERE WAS A MOVIE WE ALL
  • 00:00:50.100 --> 00:00:51.050
  • WANTED TO WATCH?
  • 00:00:51.050 --> 00:00:53.180
  • MY GIRLS WANTED TO WATCH THE
  • 00:00:53.180 --> 00:00:54.220
  • CHICK FLICK, AND MY BOY WANTS
  • 00:00:54.220 --> 00:00:56.030
  • THE ADVENTURE AND I LIKE TO GO
  • 00:00:56.030 --> 00:00:57.250
  • BACK IN TIME, IN HISTORY.
  • 00:00:58.220 --> 00:01:01.240
  • THAT IS THE ORIGINS OF THIS.
  • 00:01:01.240 --> 00:01:03.010
  • AND THE WHOLE CONCEPT OF
  • 00:01:03.010 --> 00:01:03.190
  • ADOPTION, WHICH IS REALLY WHAT
  • 00:01:03.190 --> 00:01:05.190
  • THIS MOVIE IS ABOUT,
  • 00:01:05.190 --> 00:01:07.120
  • THE POWER OF ADOPTION,
  • 00:01:07.120 --> 00:01:09.160
  • AND SO THAT IS SOMETHING
  • 00:01:09.160 --> 00:01:10.040
  • I FELT WE REALLY NEEDED
  • 00:01:10.040 --> 00:01:12.240
  • TO PROMOTE AND GET OUT
  • 00:01:12.240 --> 00:01:13.110
  • THERE AND CELEBRATE THAT MORE.
  • 00:01:13.110 --> 00:01:15.140
  • - TOM: AMEN.
  • 00:01:15.140 --> 00:01:16.140
  • YOU KNOW, DAVID, I'VE KNOWN
  • 00:01:16.140 --> 00:01:17.100
  • YOU FOR A LOT OF YEARS.
  • 00:01:17.100 --> 00:01:18.200
  • A LOT OF FOLKS WILL KNOW THAT
  • 00:01:18.200 --> 00:01:20.150
  • YOUR FATHER LOREN CUNNINGHAM,
  • 00:01:20.150 --> 00:01:22.010
  • THE FOUNDER OF YOUTH WITH A
  • 00:01:22.010 --> 00:01:24.030
  • MISSION, WE USED TO TAKE MISSION
  • 00:01:24.030 --> 00:01:25.150
  • TRIPS THERE WHEN I WAS A HIGH
  • 00:01:25.150 --> 00:01:26.250
  • SCHOOL TEACHER AT VICTORY
  • 00:01:26.250 --> 00:01:27.250
  • CHRISTIAN SCHOOL AND BRINGING
  • 00:01:27.250 --> 00:01:29.240
  • KIDS OVER THERE.
  • 00:01:29.240 --> 00:01:30.120
  • YOU WERE JUST A LITTLE GUY
  • 00:01:30.120 --> 00:01:31.110
  • RUNNING AROUND WHEN WE MET.
  • 00:01:31.110 --> 00:01:32.260
  • SOMEHOW YOU GOT OLDER IN THE
  • 00:01:32.260 --> 00:01:33.160
  • PROCESS OF ALL THIS.
  • 00:01:33.160 --> 00:01:35.270
  • - DAVID: YES.
  • 00:01:35.270 --> 00:01:36.110
  • (LAUGHTER)
  • 00:01:36.110 --> 00:01:37.060
  • - TOM: BUT THE ONE THING I
  • 00:01:37.060 --> 00:01:37.280
  • KNOW, YOUR DAD ALWAYS SPOKE
  • 00:01:37.280 --> 00:01:40.170
  • ABOUT CALLING, COMMITMENT AND
  • 00:01:40.170 --> 00:01:41.160
  • FOLLOWING WHAT GOD HAD ASKED YOU
  • 00:01:41.160 --> 00:01:42.080
  • TO BE.
  • 00:01:42.080 --> 00:01:42.280
  • THERE IS A BOOK OUT CALLED "BORN
  • 00:01:42.280 --> 00:01:45.050
  • AN ORIGINAL; DON'T DIE A COPY."
  • 00:01:45.050 --> 00:01:46.210
  • THERE'S SOMETHING ON THE INSIDE
  • 00:01:46.210 --> 00:01:49.070
  • OF YOU THAT'S ONLY ON THE
  • 00:01:49.070 --> 00:01:50.090
  • INSIDE OF YOU.
  • 00:01:50.090 --> 00:01:51.090
  • YOU GREW UP WITH AN AMAZING
  • 00:01:51.090 --> 00:01:52.060
  • PEDIGREE, YET YOU ARE A MOVIE
  • 00:01:52.060 --> 00:01:52.280
  • MAKER.
  • 00:01:52.280 --> 00:01:55.230
  • TELL US A LITTLE BIT WHY YOU
  • 00:01:55.230 --> 00:01:56.130
  • SELECTED THIS FILM.
  • 00:01:56.130 --> 00:01:58.290
  • WHAT IS IT ABOUT THIS STORY THAT
  • 00:01:58.290 --> 00:02:00.060
  • SAID, "THIS ONE I GOT TO MAKE.
  • 00:02:00.060 --> 00:02:01.210
  • THIS IS MINE"?
  • 00:02:01.210 --> 00:02:02.170
  • - DAVID: YOU KNOW, THE FAMILY
  • 00:02:02.170 --> 00:02:04.110
  • BUSINESS IS DEFINITELY MINISTRY.
  • 00:02:04.110 --> 00:02:05.180
  • SEVEN GENERATIONS OF MINISTERS
  • 00:02:05.180 --> 00:02:07.130
  • AND MISSIONARIES ON ONE SIDE,
  • 00:02:07.130 --> 00:02:08.250
  • FOUR ON THE OTHER.
  • 00:02:08.250 --> 00:02:10.150
  • MY GREAT GRANDFATHER BUILT 13
  • 00:02:10.150 --> 00:02:12.150
  • CHURCHES OUT OF A COVERED WAGON
  • 00:02:12.150 --> 00:02:15.030
  • IN THE TERRITORY OF OKLAHOMA.
  • 00:02:15.030 --> 00:02:16.030
  • MY GREAT UNCLE WAS A PRISONER OF
  • 00:02:16.030 --> 00:02:18.100
  • WAR IN CHINA DURING WORLD WAR
  • 00:02:18.100 --> 00:02:19.100
  • II.
  • 00:02:19.100 --> 00:02:21.070
  • HE HAD A CHURCH THERE.
  • 00:02:21.070 --> 00:02:21.250
  • WAS IMPRISONED.
  • 00:02:21.250 --> 00:02:23.030
  • MY PARENTS, AS YOU SAY, STARTED
  • 00:02:23.030 --> 00:02:24.010
  • YWAM.
  • 00:02:24.010 --> 00:02:24.180
  • HERE I COME AS A YOUNG MAN, I'M
  • 00:02:24.180 --> 00:02:26.170
  • LIKE, "DAD, I THINK I HAVE THIS
  • 00:02:26.170 --> 00:02:28.230
  • CALLING TO BE A FILMMAKER.
  • 00:02:28.230 --> 00:02:30.040
  • I HAVE A STRONG IMPRESSION."
  • 00:02:30.040 --> 00:02:32.090
  • HE SAID
  • 00:02:32.090 --> 00:02:33.050
  • "YOU MEAN LIKE BILLY GRAHAM
  • 00:02:33.050 --> 00:02:33.250
  • MOVIES?"
  • 00:02:33.250 --> 00:02:35.040
  • I SAID "NO."
  • 00:02:35.040 --> 00:02:38.010
  • I WOULD USE THE LANGUAGE
  • 00:02:38.010 --> 00:02:39.090
  • NOW WOULD BE A CALLING
  • 00:02:39.090 --> 00:02:39.260
  • TO POPULAR CULTURE.
  • 00:02:39.260 --> 00:02:41.000
  • TO BE A PART OF SHAPING POPULAR
  • 00:02:41.000 --> 00:02:42.250
  • CULTURE.
  • 00:02:42.250 --> 00:02:45.040
  • SO THIS PARTICULAR FILM, WHICH
  • 00:02:45.040 --> 00:02:46.220
  • IS MADE FOR THE WHOLE FAMILY, IS
  • 00:02:46.220 --> 00:02:49.170
  • STRONG REDEMPTIVE MESSAGES OF
  • 00:02:49.170 --> 00:02:51.240
  • THE POWER OF ADOPTION, THE POWER
  • 00:02:51.240 --> 00:02:53.100
  • OF PRESSING IN.
  • 00:02:53.100 --> 00:02:54.220
  • THE KEY OF HAVING MENTORS IN
  • 00:02:54.220 --> 00:02:56.210
  • YOUR LIFE.
  • 00:02:56.210 --> 00:02:58.060
  • THESE KINDS OF THEMES, ALL VERY
  • 00:02:58.060 --> 00:02:59.270
  • MUCH BIBLICALLY BASED THEMES.
  • 00:02:59.270 --> 00:03:01.090
  • WE LIKE TO SAY, WE ARE NOT
  • 00:03:02.140 --> 00:03:05.140
  • TRYING TO PREACH TO THE CHOIR
  • 00:03:05.140 --> 00:03:07.140
  • BUT WE SURE NEED THE CHOIR'S
  • 00:03:07.140 --> 00:03:08.190
  • HELP.
  • 00:03:08.190 --> 00:03:09.240
  • WE FEEL LIKE THE CHOIR WOULD
  • 00:03:09.240 --> 00:03:11.110
  • REALLY ENJOY THE FILM AS WELL.
  • 00:03:11.110 --> 00:03:12.020
  • SO, THAT IS WHAT WE ARE TRYING
  • 00:03:12.020 --> 00:03:13.220
  • TO DO.
  • 00:03:13.220 --> 00:03:14.220
  • - TOM: LET'S DO THIS.
  • 00:03:14.220 --> 00:03:15.090
  • LET'S GIVE VIEWERS A TASTE OF
  • 00:03:15.090 --> 00:03:16.230
  • THIS AND COME BACK AND TELL WHY
  • 00:03:16.230 --> 00:03:18.120
  • IT IS SO MEANINGFUL.
  • 00:03:18.120 --> 00:03:20.290
  • WATCH THE TRAILER RIGHT NOW.
  • 00:03:20.290 --> 00:03:22.200
  • MUSIC
  • 00:03:22.200 --> 00:03:25.070
  • MUSIC
  • 00:03:27.280 --> 00:03:30.280
  • - DOC: WHAT'S WITH THAT KID?
  • 00:03:30.280 --> 00:03:33.040
  • - HE JUST SHOWED UP OUT OF NO
  • 00:03:33.040 --> 00:03:33.250
  • WHERE.
  • 00:03:33.250 --> 00:03:35.210
  • - DOC: WHERE'S YOUR PARENTS?
  • 00:03:37.240 --> 00:03:40.240
  • I'VE LOST FAMILY.
  • 00:03:40.240 --> 00:03:43.010
  • IT'S A TERRIBLE THING.
  • 00:03:43.010 --> 00:03:44.050
  • BUT YOU GOT TO KEEP ON GOING.
  • 00:03:44.050 --> 00:03:46.080
  • ALL RIGHT, KID.
  • 00:03:46.080 --> 00:03:46.220
  • COME ON.
  • 00:03:46.220 --> 00:03:47.130
  • YOU CAN LIVE WITH ME.
  • 00:03:47.130 --> 00:03:48.180
  • I'M THE NEW DOCTOR FOR
  • 00:03:48.180 --> 00:03:49.070
  • THE PLANTATION.
  • 00:03:49.070 --> 00:03:50.080
  • IF ANY OF YOU ARE SICK OR GET
  • 00:03:50.080 --> 00:03:51.280
  • HURT, YOU JUST SEE JO.
  • 00:03:51.280 --> 00:03:53.150
  • HE'LL COME GET ME.
  • 00:03:54.010 --> 00:03:57.010
  • YOU KNOW, JO, YOU SEEM PRETTY
  • 00:03:57.010 --> 00:03:58.020
  • SMITTEN WITH THE BIG MAN'S
  • 00:03:58.020 --> 00:03:58.250
  • PRETTY DAUGHTER.
  • 00:03:58.250 --> 00:04:00.230
  • [APPLAUSE]
  • 00:04:00.230 --> 00:04:03.220
  • MUSIC
  • 00:04:10.110 --> 00:04:13.110
  • - MISS HANABUSA: MISS GRACE HAS
  • 00:04:13.110 --> 00:04:14.030
  • HURT HER ANKLE.
  • 00:04:14.030 --> 00:04:15.110
  • - JO: MISS GRACE?
  • 00:04:16.280 --> 00:04:19.280
  • - SEND THAT BOY AWAY!
  • 00:04:24.140 --> 00:04:27.140
  • - YOU JEOPARDIZE YOUR ENTIRE
  • 00:04:27.140 --> 00:04:28.050
  • FUTURE.
  • 00:04:28.050 --> 00:04:29.180
  • - WHAT ARE YOU THINKING?
  • 00:04:29.180 --> 00:04:30.220
  • THEY'RE BRINGING IN ANOTHER
  • 00:04:30.220 --> 00:04:32.000
  • DOCTOR,
  • 00:04:32.000 --> 00:04:32.140
  • WHEN ARE YOU GOING TO
  • 00:04:32.140 --> 00:04:33.050
  • LEARN TO TRUST ME?
  • 00:04:33.050 --> 00:04:35.090
  • - JO: DOC ASKED ME TO COME BY.
  • 00:04:35.090 --> 00:04:36.010
  • - MR. DANIELSON: THAT WON'T BE
  • 00:04:36.010 --> 00:04:36.230
  • NECESSARY.
  • 00:04:36.230 --> 00:04:37.050
  • GRACE IS NOW UNDER THE CARE OF A
  • 00:04:37.050 --> 00:04:37.270
  • PROPER PHYSICIAN.
  • 00:04:37.270 --> 00:04:39.170
  • THE OTHER DOC MAY TAKE CARE OF
  • 00:04:39.170 --> 00:04:40.100
  • THE ORIENTALS AND OTHER
  • 00:04:40.100 --> 00:04:41.110
  • LABORERS.
  • 00:04:41.110 --> 00:04:43.100
  • - DOC: DO YOU HAVE A CRUSH ON
  • 00:04:43.100 --> 00:04:44.010
  • THE DANIELSON'S DAUGHTER?
  • 00:04:44.010 --> 00:04:45.200
  • - JO: I GOT SOMETHING FOR YOU.
  • 00:04:45.200 --> 00:04:47.060
  • - GRACE: THEY ARE BEAUTIFUL.
  • 00:04:47.060 --> 00:04:48.040
  • (LAUGHTER)
  • 00:04:48.040 --> 00:04:50.010
  • - GRANDMOTHER: KEEP YOUR HANDS
  • 00:04:50.010 --> 00:04:50.230
  • OFF HER!
  • 00:04:50.230 --> 00:04:52.060
  • YOU DON'T EVEN HAVE A LAST NAME.
  • 00:04:52.060 --> 00:04:54.080
  • - DOC: I HAVE BEEN TRYING FOR
  • 00:04:54.080 --> 00:04:55.050
  • YEARS TO ADOPT THIS KID.
  • 00:04:55.050 --> 00:04:57.210
  • THIS IS ABOUT A BOY WHO DESERVES
  • 00:04:57.210 --> 00:04:59.000
  • A FUTURE.
  • 00:04:59.000 --> 00:05:01.000
  • MUSIC
  • 00:05:01.000 --> 00:05:03.100
  • WHY CAN'T WE STAY LIKE THIS
  • 00:05:03.100 --> 00:05:04.060
  • FOREVER
  • 00:05:05.110 --> 00:05:08.110
  • MUSIC
  • 00:05:10.290 --> 00:05:13.290
  • - JO: THERE'S GOT TO BE A WAY
  • 00:05:13.290 --> 00:05:14.200
  • WE CAN SHORTEN THE DISTANCE
  • 00:05:14.200 --> 00:05:15.180
  • BETWEEN THE MOUNTAIN
  • 00:05:15.180 --> 00:05:16.060
  • AND THE OCEAN.
  • 00:05:16.060 --> 00:05:17.280
  • STAY LIKE THIS FOREVER
  • 00:05:18.270 --> 00:05:21.270
  • MUSIC
  • 00:05:21.270 --> 00:05:23.220
  • - TOM: WOW!
  • 00:05:23.220 --> 00:05:24.150
  • IT'S GREAT.
  • 00:05:24.150 --> 00:05:25.240
  • A LITTLE BIT OF RACIAL TENSION
  • 00:05:25.240 --> 00:05:26.150
  • IN THERE.
  • 00:05:26.150 --> 00:05:27.030
  • ADOPTION STORY.
  • 00:05:27.040 --> 00:05:30.040
  • THERE IS A LOT THERE, DAVID.
  • 00:05:30.210 --> 00:05:33.210
  • WHEN WE WERE TALKING BACK STAGE
  • 00:05:33.210 --> 00:05:35.120
  • EARLIER, YOU MENTIONED A LITTLE
  • 00:05:35.120 --> 00:05:37.090
  • BIT ABOUT THEIR ACTUALLY BEING A
  • 00:05:37.090 --> 00:05:39.160
  • LAW IN THE 1920'S THAT FORBID
  • 00:05:39.160 --> 00:05:42.050
  • PEOPLE ADOPTING PEOPLE OF OTHER
  • 00:05:42.050 --> 00:05:42.270
  • RACES.
  • 00:05:42.270 --> 00:05:43.120
  • TELL ME A LITTLE BIT ABOUT THAT.
  • 00:05:43.120 --> 00:05:45.000
  • - DAVID: YEAH, IT WAS CALLED
  • 00:05:45.000 --> 00:05:45.210
  • RACIAL INTEGRITY.
  • 00:05:45.210 --> 00:05:46.110
  • IT WAS A FEDERAL LAW.
  • 00:05:46.110 --> 00:05:47.260
  • THIS IS SET IN HAWAII WHICH WAS
  • 00:05:47.260 --> 00:05:49.040
  • A TERRITORY OF THE UNITED
  • 00:05:49.040 --> 00:05:49.260
  • STATES.
  • 00:05:49.260 --> 00:05:51.110
  • YOU WERE NOT ALLOWED TO ADOPT
  • 00:05:51.110 --> 00:05:52.180
  • CHILDREN OF MIXED ETHNICITY.
  • 00:05:52.180 --> 00:05:54.170
  • SO, OUR STORY IS ABOUT A BOY WHO
  • 00:05:54.170 --> 00:05:56.290
  • IS HALF JAPANESE, HALF CAUCASIAN
  • 00:05:56.290 --> 00:05:58.040
  • AND HE IS REJECTED BY BOTH
  • 00:05:58.040 --> 00:05:59.240
  • COMMUNITIES.
  • 00:05:59.240 --> 00:06:01.140
  • A NEW DOCTOR COMES TO TOWN
  • 00:06:01.140 --> 00:06:03.110
  • PLAYED BY MATT DILLON, TAKES HIM
  • 00:06:03.110 --> 00:06:04.280
  • UNDER HIS WING.
  • 00:06:04.280 --> 00:06:06.050
  • AND REALLY ATTEMPTS TO ADOPT HIM
  • 00:06:06.050 --> 00:06:07.130
  • LEGALLY.
  • 00:06:07.130 --> 00:06:09.080
  • IT IS ABOUT THAT STRUGGLE.
  • 00:06:09.080 --> 00:06:11.090
  • WE COULD NOT BELIEVE THERE WAS A
  • 00:06:11.090 --> 00:06:13.060
  • LAW THAT ACTUALLY EXISTED LIKE
  • 00:06:13.060 --> 00:06:13.270
  • THAT.
  • 00:06:13.270 --> 00:06:15.230
  • AND IN HAWAII, WE HAVE SOME OF
  • 00:06:15.230 --> 00:06:17.230
  • THE MOST DIVERSE ETHNICITIES IN
  • 00:06:17.230 --> 00:06:19.200
  • THE NATION, WHERE I'M FROM.
  • 00:06:19.200 --> 00:06:21.070
  • AND SO THE FACT THAT WE ARE NOW
  • 00:06:21.070 --> 00:06:23.200
  • THAT MELTING POT IS JUST
  • 00:06:23.200 --> 00:06:24.230
  • INCREDIBLE TO SEE WHERE WE
  • 00:06:24.230 --> 00:06:26.050
  • STARTED FROM.
  • 00:06:26.050 --> 00:06:28.170
  • - TOM: WOW!
  • 00:06:28.170 --> 00:06:29.080
  • WOW!
  • 00:06:29.080 --> 00:06:30.180
  • WHEN YOU SEE NAMES LIKE JIM
  • 00:06:30.180 --> 00:06:32.100
  • CAVIEZEL, MATT DILLON, AND A
  • 00:06:32.100 --> 00:06:34.120
  • HOST OF OTHERS, I RECOGNIZE
  • 00:06:34.120 --> 00:06:36.040
  • FACES I WOULDN'T KNOW
  • 00:06:36.040 --> 00:06:37.290
  • EVERYBODY'S NAME.
  • 00:06:37.290 --> 00:06:39.110
  • YOU ARE NOT PLAYING AROUND.
  • 00:06:39.110 --> 00:06:40.010
  • THIS IS A REAL MOVIE.
  • 00:06:40.010 --> 00:06:41.080
  • YOU'VE MADE SOME REAL MOVIES
  • 00:06:41.080 --> 00:06:43.130
  • BEFORE.
  • 00:06:43.130 --> 00:06:44.170
  • THIS IS IMPORTANT.
  • 00:06:44.220 --> 00:06:47.220
  • TELL ME WHAT IT IS LIKE TO MAKE
  • 00:06:47.220 --> 00:06:48.140
  • THIS WITH THESE GUYS ON THE
  • 00:06:48.140 --> 00:06:49.190
  • ISLAND OF HAWAII.
  • 00:06:49.190 --> 00:06:51.100
  • - DAVID: IT WAS A REAL
  • 00:06:51.100 --> 00:06:52.020
  • PRIVILEGE.
  • 00:06:52.020 --> 00:06:54.080
  • I'VE BEEN FANS OF BOTH OF
  • 00:06:54.080 --> 00:06:54.270
  • THEIRS.
  • 00:06:54.270 --> 00:06:56.250
  • JIM CAVIEZEL AND I WERE GOING TO
  • 00:06:56.250 --> 00:06:58.120
  • DO A PROJECT TOGETHER A FEW
  • 00:06:58.120 --> 00:06:59.050
  • YEARS BACK.
  • 00:06:59.050 --> 00:07:00.110
  • IT ENDED UP NOT HAPPENING.
  • 00:07:00.110 --> 00:07:01.270
  • AND HE REALLY CONNECTED WITH THE
  • 00:07:01.270 --> 00:07:03.040
  • MATERIAL.
  • 00:07:03.040 --> 00:07:04.090
  • HE HAS ADOPTED TWO CHILDREN FROM
  • 00:07:04.090 --> 00:07:05.130
  • CHINA.
  • 00:07:05.130 --> 00:07:07.010
  • THAT RESONATED WITH HIM.
  • 00:07:07.010 --> 00:07:08.190
  • AND MATT ALSO WITH THE MATERIAL
  • 00:07:08.190 --> 00:07:11.010
  • IT RESONATED WITH HIM AS WELL.
  • 00:07:11.030 --> 00:07:14.030
  • I WAS BLESSED THAT THEY WERE
  • 00:07:14.030 --> 00:07:15.250
  • FANS OF A COUPLE OF MY FILMS.
  • 00:07:15.250 --> 00:07:18.240
  • THEY WERE FAMILIAR WITH MY WORK.
  • 00:07:18.240 --> 00:07:19.160
  • WHAT IT COMES DOWN TO IN TERMS
  • 00:07:19.160 --> 00:07:21.130
  • OF GETTING STARS IS HOW GOOD IS
  • 00:07:21.130 --> 00:07:23.180
  • THE SCRIPT AND WHAT HAVE YOU
  • 00:07:23.180 --> 00:07:26.030
  • DONE BEFORE?
  • 00:07:26.030 --> 00:07:27.290
  • THAT IS THE KEY.
  • 00:07:27.290 --> 00:07:29.050
  • - TOM: I READ IN AN ARTICLE
  • 00:07:29.050 --> 00:07:29.260
  • MANY YEARS AGO THAT SAYS THAT
  • 00:07:29.260 --> 00:07:31.280
  • THE ACTUAL TIME FROM A CONCEPT
  • 00:07:34.120 --> 00:07:37.120
  • TO PROOF, MEANING THE IN THE
  • 00:07:37.120 --> 00:07:38.070
  • THEATERS, IS ABOUT A NINE YEAR
  • 00:07:38.070 --> 00:07:39.290
  • JOURNEY ON A FILM.
  • 00:07:39.290 --> 00:07:42.090
  • TELL ME A LITTLE BIT THE JOURNEY
  • 00:07:42.090 --> 00:07:43.180
  • OF THIS FILM, THE SEED OF IT AND
  • 00:07:43.180 --> 00:07:45.240
  • HOW LONG IT TOOK YOU TO BRING IT
  • 00:07:45.240 --> 00:07:47.020
  • TO LIFE.
  • 00:07:47.020 --> 00:07:48.010
  • - DAVID: PROBABLY ABOUT
  • 00:07:48.010 --> 00:07:49.120
  • TWO-AND-A-HALF YEARS, WHICH IS
  • 00:07:49.120 --> 00:07:50.080
  • RELATIVELY FAST.
  • 00:07:50.080 --> 00:07:51.070
  • ACTUALLY MAKING OF IT WAS ABOUT
  • 00:07:51.070 --> 00:07:53.000
  • A YEAR LONG.
  • 00:07:53.060 --> 00:07:56.060
  • AND I LIVE IN HAWAII.
  • 00:07:56.060 --> 00:07:57.270
  • WE HAVE A STUDIO THERE.
  • 00:07:57.270 --> 00:08:00.080
  • WE'VE MET THERE BEFORE.
  • 00:08:00.080 --> 00:08:02.050
  • THAT WAS A REAL JOY TO BE ABLE
  • 00:08:02.050 --> 00:08:04.030
  • TO MAKE OUT OF THERE.
  • 00:08:04.030 --> 00:08:04.230
  • MY FAMILY WAS ALL INVOLVED.
  • 00:08:04.230 --> 00:08:05.240
  • MY WIFE IS A MAKE-UP ARTIST AND
  • 00:08:05.240 --> 00:08:07.120
  • HAIR PERSON, AND SHE DID THAT.
  • 00:08:07.120 --> 00:08:08.290
  • AND MY KIDS WERE STAND-INS.
  • 00:08:08.290 --> 00:08:10.260
  • MY DAUGHTER WAS ACTUALLY A FOOT
  • 00:08:10.260 --> 00:08:13.000
  • DOUBLE.
  • 00:08:13.000 --> 00:08:14.030
  • THAT WAS HER BIG CAMEO
  • 00:08:14.030 --> 00:08:14.200
  • APPEARANCE.
  • 00:08:14.200 --> 00:08:16.100
  • IT WAS REALLY FUN TO BE ABLE TO
  • 00:08:16.100 --> 00:08:18.130
  • MAKE A MOVIE AT HOME WITH
  • 00:08:18.130 --> 00:08:19.240
  • FAMILY, WITH A LOT OF OUR
  • 00:08:19.240 --> 00:08:20.250
  • FRIENDS.
  • 00:08:20.250 --> 00:08:21.200
  • I MADE MOVIES ALL OVER THE
  • 00:08:21.200 --> 00:08:24.030
  • WORLD, AND AT TIMES YOU ARE OUT
  • 00:08:24.110 --> 00:08:27.110
  • THERE FOR MONTHS AND MONTHS.
  • 00:08:27.110 --> 00:08:29.050
  • YOU KNOW WHAT THAT'S LIKE ON
  • 00:08:29.050 --> 00:08:31.260
  • SOME OF THE MOVIES YOU'VE MADE.
  • 00:08:31.260 --> 00:08:33.090
  • IT'S A REAL PRIVILEGE TO MAKE IT
  • 00:08:33.090 --> 00:08:34.180
  • RIGHT AT HOME.
  • 00:08:34.180 --> 00:08:35.090
  • - TOM: BEING ABLE TO SLEEP IN
  • 00:08:35.090 --> 00:08:36.260
  • YOUR OWN BED.
  • 00:08:36.260 --> 00:08:37.110
  • - DAVID: YEAH, YEAH.
  • 00:08:37.110 --> 00:08:37.280
  • - TOM: THAT MAKES FILMMAKING
  • 00:08:37.280 --> 00:08:38.240
  • ALL MUCH BETTER.
  • 00:08:38.240 --> 00:08:39.090
  • - DAVID: OH, YEAH, ABSOLUTELY.
  • 00:08:39.090 --> 00:08:40.100
  • - TOM: LET'S WATCH THIS CLIP
  • 00:08:40.100 --> 00:08:41.070
  • ABOUT ACTORS TALKING ABOUT
  • 00:08:41.070 --> 00:08:42.110
  • "RUNNING FOR GRACE."
  • 00:08:44.140 --> 00:08:47.140
  • - MATT DILLON: THERE WAS
  • 00:08:47.140 --> 00:08:48.110
  • SOMETHING WHEN I READ THE SCRIPT
  • 00:08:48.110 --> 00:08:49.060
  • I SAID RIGHT AWAY THIS IS REALLY
  • 00:08:49.060 --> 00:08:49.280
  • GOOD.
  • 00:08:49.280 --> 00:08:51.240
  • THIS IS VERY SPECIFIC AND VERY
  • 00:08:51.240 --> 00:08:52.290
  • AUTHENTIC, VERY REAL.
  • 00:08:52.290 --> 00:08:55.100
  • YOU KNOW, THE COFFEE FIELDS.
  • 00:08:55.100 --> 00:08:56.220
  • THE PLANTATION.
  • 00:08:56.220 --> 00:08:58.030
  • THE PREJUDICES IN SOCIETY AT
  • 00:08:58.030 --> 00:08:59.110
  • THAT TIME.
  • 00:08:59.110 --> 00:09:01.130
  • - JIM: IT IS A FILM THAT WILL
  • 00:09:01.130 --> 00:09:02.270
  • REALLY RESONATE WITH THE PEOPLE.
  • 00:09:02.270 --> 00:09:05.160
  • IT HAS GREAT REDEMPTION TO IT.
  • 00:09:05.160 --> 00:09:07.090
  • - RYAN: I GET TO PLAY PRETTY
  • 00:09:07.090 --> 00:09:08.080
  • TRUE TO THIS CHARACTER.
  • 00:09:08.080 --> 00:09:09.120
  • HE IS A HALF, A HAPA.
  • 00:09:09.120 --> 00:09:12.060
  • I'M READING THINGS THAT ARE ON
  • 00:09:12.060 --> 00:09:14.250
  • PAPER AND I HAVE SUCH AN
  • 00:09:14.250 --> 00:09:16.210
  • OVERACTIVE IMAGINATION, I WAS
  • 00:09:16.210 --> 00:09:18.110
  • ALREADY SOLD.
  • 00:09:18.110 --> 00:09:20.230
  • MUSIC
  • 00:09:21.060 --> 00:09:24.060
  • - TOM: I LOVE IT.
  • 00:09:24.060 --> 00:09:25.080
  • JUST SEEING THE SET UPS, HOW
  • 00:09:25.080 --> 00:09:27.070
  • LONG IT IS.
  • 00:09:27.070 --> 00:09:29.080
  • I REMEMBER WHEN I WAS IN HAWAII
  • 00:09:29.080 --> 00:09:31.100
  • RECENTLY WITH MATT AND LAURIE
  • 00:09:31.100 --> 00:09:32.270
  • YOU SHOWED US A FEW MOMENTS FROM
  • 00:09:32.270 --> 00:09:33.190
  • BEHIND THE SCENES WHICH WAS
  • 00:09:33.190 --> 00:09:34.200
  • GREAT TO SEE.
  • 00:09:34.200 --> 00:09:37.180
  • DAVID, WHENEVER WE FINISH A
  • 00:09:37.180 --> 00:09:40.030
  • PROJECT, I MEAN, IT'S LIKE THIS.
  • 00:09:40.030 --> 00:09:42.020
  • OKAY, LORD, I'VE DONE EVERYTHING
  • 00:09:42.020 --> 00:09:43.180
  • I KNOW TO DO.
  • 00:09:43.180 --> 00:09:44.270
  • HERE IT IS.
  • 00:09:44.270 --> 00:09:46.250
  • YOU JUST PRAY.
  • 00:09:46.250 --> 00:09:48.130
  • GOD, TAKE THE LOAVES AND
  • 00:09:48.130 --> 00:09:49.190
  • MULTIPLY IT, PLEASE.
  • 00:09:49.190 --> 00:09:50.180
  • BECAUSE IT IS INTENDED FOR A
  • 00:09:50.180 --> 00:09:52.080
  • PURPOSE.
  • 00:09:52.080 --> 00:09:53.030
  • WHEN YOU MADE THIS FILM, WHAT
  • 00:09:53.030 --> 00:09:55.140
  • DID YOU WANT IT TO DO WHEN IT
  • 00:09:55.140 --> 00:09:57.070
  • WAS FINISHED?
  • 00:09:57.070 --> 00:09:59.050
  • I'M NOT TALKING ABOUT BOX
  • 00:09:59.050 --> 00:09:59.240
  • OFFICE.
  • 00:09:59.240 --> 00:10:01.220
  • WHAT DO YOU WANT PEOPLE TO
  • 00:10:01.220 --> 00:10:02.230
  • WALK AWAY FROM THIS WITH?
  • 00:10:02.230 --> 00:10:03.280
  • - DAVID: I HAVE SAID IT A FEW
  • 00:10:03.280 --> 00:10:04.240
  • TIMES.
  • 00:10:04.240 --> 00:10:05.110
  • THE POWER OF ADOPTION.
  • 00:10:05.110 --> 00:10:07.190
  • THE GOSPEL IS ADOPTION, ADOPTION
  • 00:10:07.190 --> 00:10:09.160
  • IS THE GOSPEL.
  • 00:10:09.160 --> 00:10:11.120
  • JESUS WAS ADOPTED BY JOSEPH.
  • 00:10:11.120 --> 00:10:13.290
  • THE WHOLE MESSAGE OF US BEING
  • 00:10:14.160 --> 00:10:17.160
  • ADOPTED INTO THE KINGDOM IS KEY.
  • 00:10:17.160 --> 00:10:20.030
  • I REALLY FEEL LIKE THEY ARE TIED
  • 00:10:20.030 --> 00:10:22.000
  • ONE AND THE SAME.
  • 00:10:22.000 --> 00:10:23.160
  • A LOT OF FILMS OUT THERE THAT
  • 00:10:23.160 --> 00:10:25.230
  • PERHAPS HAVE AN ALTAR CALL IN IT
  • 00:10:25.230 --> 00:10:27.280
  • WHICH IS GREAT.
  • 00:10:27.280 --> 00:10:29.130
  • THIS ONE DOESN'T, BUT IT
  • 00:10:29.130 --> 00:10:32.060
  • CHAMPIONS ALL THOSE BIBLICAL
  • 00:10:32.060 --> 00:10:33.210
  • THEMES.
  • 00:10:33.210 --> 00:10:35.290
  • I REALLY HOPE THAT FOLKS THAT
  • 00:10:35.290 --> 00:10:38.030
  • HAVE ADOPTED, AND YOUR AUDIENCES
  • 00:10:38.030 --> 00:10:40.200
  • COMMUNITIES CAN BE CELEBRATED OF
  • 00:10:41.030 --> 00:10:44.030
  • WHAT THEY HAVE TAKEN ON, THE
  • 00:10:44.030 --> 00:10:44.280
  • RISKS THEY HAD AND THE
  • 00:10:44.280 --> 00:10:45.260
  • RESOURCES.
  • 00:10:45.260 --> 00:10:48.190
  • WE ARE DOING SCREENINGS AROUND
  • 00:10:48.190 --> 00:10:51.070
  • THE NATION, BLESSING FAMILIES
  • 00:10:51.070 --> 00:10:53.160
  • WHO HAVE BEEN ADOPTED.
  • 00:10:53.160 --> 00:10:54.200
  • WE DO THESE RED CARPET PREMIERES
  • 00:10:54.200 --> 00:10:55.220
  • AROUND THE MOVIE, AND THESE
  • 00:10:55.220 --> 00:10:57.020
  • FAMILIES GET TO WALK DOWN THE
  • 00:10:57.020 --> 00:10:58.120
  • RED CARPET AND BE HONORED FOR
  • 00:10:58.120 --> 00:10:59.220
  • WHAT THEY HAVE DONE AND ARE
  • 00:10:59.220 --> 00:11:00.140
  • DOING.
  • 00:11:00.140 --> 00:11:02.140
  • IT HAS BEEN SAY REAL JOY TO SEE.
  • 00:11:02.140 --> 00:11:03.180
  • I REALLY HOPE THAT'S WHAT COMES
  • 00:11:03.180 --> 00:11:05.050
  • ACROSS WITH PEOPLE.
  • 00:11:05.050 --> 00:11:06.200
  • YOU CAN OVERCOME.
  • 00:11:06.200 --> 00:11:09.000
  • WE HAD TEENS AT RISK WATCH THIS
  • 00:11:09.000 --> 00:11:10.180
  • FILM AND GET EXCITED.
  • 00:11:10.180 --> 00:11:12.260
  • EVEN THOUGH THEY HAVE BROKEN
  • 00:11:12.260 --> 00:11:14.160
  • HOMES AND GO THROUGH SO MUCH,
  • 00:11:14.160 --> 00:11:16.010
  • YOU CAN PRESS ON.
  • 00:11:16.010 --> 00:11:18.010
  • YOU CAN PRESS ON.
  • 00:11:18.010 --> 00:11:19.000
  • WHATEVER DREAM GOD'S PUT ON YOUR
  • 00:11:19.000 --> 00:11:20.260
  • HEART, DON'T GIVE UP.
  • 00:11:20.260 --> 00:11:23.000
  • THAT'S WHAT THIS STORY IS REALLY
  • 00:11:23.000 --> 00:11:23.220
  • IS ABOUT.
  • 00:11:23.220 --> 00:11:24.280
  • DON'T GIVE UP.
  • 00:11:24.280 --> 00:11:25.130
  • KEEP GOING.
  • 00:11:25.130 --> 00:11:27.050
  • - TOM: I KNOW THERE IS ALWAYS
  • 00:11:27.050 --> 00:11:28.260
  • AN OVERCOMING OF SOME MAJOR
  • 00:11:28.260 --> 00:11:30.140
  • OBSTACLE.
  • 00:11:30.140 --> 00:11:32.000
  • I DON'T WANT YOU TO GIVE AWAY
  • 00:11:32.000 --> 00:11:33.220
  • THE STORYLINE, BUT I THINK THERE
  • 00:11:33.220 --> 00:11:35.280
  • IS OBVIOUSLY GOING TO BE AN
  • 00:11:35.280 --> 00:11:37.240
  • OBSTACLE OVERCOMING HERE.
  • 00:11:37.240 --> 00:11:39.140
  • WOULD YOU MIND GIVING US A
  • 00:11:39.140 --> 00:11:41.160
  • LITTLE BIT OF THAT PLOT
  • 00:11:41.160 --> 00:11:42.070
  • OVERCOMING.
  • 00:11:42.070 --> 00:11:43.150
  • - DAVID: JO, WHO IS OUR LEAD,
  • 00:11:43.150 --> 00:11:45.010
  • FALLS IN LOVE WITH THE
  • 00:11:45.220 --> 00:11:48.220
  • PLANTATION OWNER'S DAUGHTER WHO
  • 00:11:48.220 --> 00:11:49.240
  • IS CAUCASIAN.
  • 00:11:49.240 --> 00:11:52.170
  • WE SAY IN HAWAII HAOLE.
  • 00:11:52.170 --> 00:11:55.030
  • HIM BEING OF MIXED RACE AND AN
  • 00:11:55.030 --> 00:11:56.290
  • ORPHAN WITH NO LAST NAME MAKES
  • 00:11:56.290 --> 00:11:57.230
  • THAT IMPOSSIBLE.
  • 00:11:58.160 --> 00:12:01.180
  • AND HIS FATHERLY FIGURE, DOC,
  • 00:12:01.180 --> 00:12:04.140
  • PLAYED BY MATT DILLON, IS IN HIS
  • 00:12:04.140 --> 00:12:06.110
  • CORNER SAYING DON'T GIVE UP.
  • 00:12:06.110 --> 00:12:08.080
  • NO MATTER WHAT THE LAWS ARE,
  • 00:12:08.080 --> 00:12:10.150
  • WHAT IS GOING ON, THAT DREAM
  • 00:12:10.150 --> 00:12:11.250
  • COULD HAPPEN.
  • 00:12:12.030 --> 00:12:15.030
  • - TOM: A LITTLE BIT OF A LOVE
  • 00:12:15.030 --> 00:12:16.060
  • STORY IN THERE.
  • 00:12:16.060 --> 00:12:16.200
  • - DAVID: YUP.
  • 00:12:16.200 --> 00:12:18.050
  • - TOM: A LITTLE ON ADOPTION.
  • 00:12:18.050 --> 00:12:18.280
  • - DAVID: YUP.
  • 00:12:18.280 --> 00:12:19.250
  • GOOD THINGS TO CATCH UP ON.
  • 00:12:19.250 --> 00:12:20.250
  • - DAVID: I THINK PEOPLE WILL
  • 00:12:20.250 --> 00:12:22.070
  • REALLY ENJOY IT.
  • 00:12:22.070 --> 00:12:23.130
  • AND ONE OF THE THINGS WE FOUND
  • 00:12:23.130 --> 00:12:24.280
  • IS THAT WHEN FAMILIES WATCH THIS
  • 00:12:24.280 --> 00:12:25.230
  • MOVIE TOGETHER, WE HAD THE
  • 00:12:25.230 --> 00:12:28.000
  • HIGHEST RATINGS, THE BEST
  • 00:12:28.000 --> 00:12:30.070
  • FEEDBACK.
  • 00:12:30.070 --> 00:12:32.010
  • WHICH IS A REAL JOY TO ME AS A
  • 00:12:32.010 --> 00:12:32.250
  • FILMMAKER, GOING BACK TO WHAT I
  • 00:12:32.250 --> 00:12:34.200
  • SAID EARLIER ABOUT FIGHTING OVER
  • 00:12:34.200 --> 00:12:35.200
  • THAT REMOTE.
  • 00:12:35.200 --> 00:12:38.020
  • SO, IN THIS DAY AND AGE, THE
  • 00:12:38.020 --> 00:12:39.190
  • MARKET SHARE WITH THE BIG GUYS
  • 00:12:39.190 --> 00:12:40.100
  • IS JUST CRAZY.
  • 00:12:40.100 --> 00:12:43.000
  • THE STUDIOS ARE REALLY MANAGING
  • 00:12:43.000 --> 00:12:45.200
  • THE ENTERTAINMENT IN A HUGE
  • 00:12:45.200 --> 00:12:47.280
  • PERCENTAGE OF THE WORLD.
  • 00:12:47.280 --> 00:12:50.180
  • AND SO, WHEN WE HAVE FILMS LIKE
  • 00:12:50.180 --> 00:12:52.170
  • THIS THAT COME OUT, WE WOULD BE
  • 00:12:52.170 --> 00:12:54.120
  • GRATEFUL IF PEOPLE CAN GET
  • 00:12:54.120 --> 00:12:55.290
  • BEHIND IT AND SUPPORT IT BECAUSE
  • 00:12:55.290 --> 00:12:58.060
  • WE NEED MORE VOICE FROM THE
  • 00:12:58.060 --> 00:12:59.090
  • FAITH COMMUNITY AND POPULAR
  • 00:12:59.090 --> 00:13:00.060
  • CULTURE.
  • 00:13:00.060 --> 00:13:02.070
  • IF WE DON'T, WE ARE JUST GOING
  • 00:13:02.070 --> 00:13:04.060
  • TO CONTINUE TO LOSE GROUND.
  • 00:13:04.060 --> 00:13:05.220
  • - TOM: TBN FAMILY, WE HAVE AN
  • 00:13:05.220 --> 00:13:07.040
  • OPPORTUNITY HERE "RUNNING FOR
  • 00:13:07.040 --> 00:13:08.180
  • GRACE" IS AVAILABLE NOW ON
  • 00:13:08.180 --> 00:13:10.040
  • ITUNES THERE.
  • 00:13:10.040 --> 00:13:12.200
  • THERE'S A LOT OF DIFFERENT WAYS
  • 00:13:12.200 --> 00:13:13.140
  • MOVIES GET RELEASED.
  • 00:13:13.140 --> 00:13:14.190
  • THIS FILM WILL RELEASE
  • 00:13:14.190 --> 00:13:16.010
  • THEATRICALLY IN A FEW MARKETS,
  • 00:13:16.010 --> 00:13:18.020
  • BUT MORE IMPORTANTLY, IT'S
  • 00:13:18.020 --> 00:13:19.080
  • RELEASING DIGITALLY ACROSS THE
  • 00:13:19.080 --> 00:13:19.290
  • COUNTRY.
  • 00:13:19.290 --> 00:13:22.160
  • WE WANT TO BRING IT TO NUMBER
  • 00:13:22.160 --> 00:13:23.070
  • ONE.
  • 00:13:23.070 --> 00:13:24.110
  • "RUNNING FOR GRACE," GO TO
  • 00:13:24.110 --> 00:13:26.090
  • ITUNES NOW, ORDER IT, DOWNLOAD
  • 00:13:27.000 --> 00:13:30.000
  • IT, PRE-ORDER IT AND GET READY
  • 00:13:30.000 --> 00:13:31.040
  • TO BLESS YOUR WHOLE FAMILY AND
  • 00:13:31.040 --> 00:13:32.130
  • SEE A STORY OF REDEMPTION THAT
  • 00:13:32.130 --> 00:13:33.140
  • WILL MOVE YOUR WHOLE FAMILY.
  • 00:13:33.140 --> 00:13:34.190
  • DAVID, ANYTHING ELSE YOU WANT TO
  • 00:13:34.190 --> 00:13:36.150
  • ADD TO THAT?
  • 00:13:36.150 --> 00:13:37.200
  • - DAVID: YEAH, YOU ALSO SEE ON
  • 00:13:37.200 --> 00:13:39.040
  • OUR WEB SITE
  • 00:13:39.040 --> 00:13:41.100
  • RUNNINGFORGRACEMOVIE.COM, IF YOU
  • 00:13:41.100 --> 00:13:42.240
  • ANT TO BLESS A FAMILY THAT'S
  • 00:13:42.240 --> 00:13:45.010
  • ADOPTED WE WILL SHOW YOU HOW YOU
  • 00:13:45.010 --> 00:13:45.290
  • CAN DO THAT.
  • 00:13:45.290 --> 00:13:46.280
  • YOU CAN BUY IT ON BEHALF OF
  • 00:13:46.280 --> 00:13:48.090
  • ADOPTING FAMILIES AND SEND IT TO
  • 00:13:48.090 --> 00:13:49.110
  • THEM AS A GIFT.
  • 00:13:49.110 --> 00:13:49.280
  • SO CHECK THAT OUT.
  • 00:13:49.280 --> 00:13:50.260
  • - TOM: GREAT IDEA.
  • 00:13:50.260 --> 00:13:51.120
  • LET'S DO THIS.
  • 00:13:51.120 --> 00:13:53.020
  • LET'S GO TO BEHIND THE SCENES,
  • 00:13:53.020 --> 00:13:54.100
  • TALK TO SOME OF THE ACTORS A
  • 00:13:54.100 --> 00:13:56.260
  • LITTLE BIT ABOUT THEIR FEEL FROM
  • 00:13:56.260 --> 00:13:58.170
  • THE FILM AND WHY THEY MADE IT
  • 00:13:58.170 --> 00:13:59.220
  • AND HEAR THEIR HEARTS A LITTLE
  • 00:13:59.220 --> 00:14:01.010
  • BIT.
  • 00:14:01.010 --> 00:14:01.140
  • HERE WE GO, BEHIND THE SCENES.
  • 00:14:01.140 --> 00:14:02.280
  • (SINGING)
  • 00:14:02.280 --> 00:14:05.060
  • - ACTION.
  • 00:14:05.060 --> 00:14:08.030
  • CAR!
  • 00:14:08.200 --> 00:14:11.200
  • - RYAN: THIS ISLAND IS MAGIC.
  • 00:14:11.200 --> 00:14:13.160
  • IT REALLY IS.
  • 00:14:13.160 --> 00:14:14.160
  • YOU SEE THE SUN SET.
  • 00:14:14.160 --> 00:14:16.030
  • THE WILDLIFE THAT'S RUNNING
  • 00:14:16.030 --> 00:14:17.020
  • AROUND.
  • 00:14:17.020 --> 00:14:18.200
  • - NICK: IT MEANS A HUGE AMOUNT
  • 00:14:18.200 --> 00:14:19.290
  • TO ME TO COME AND WORK IN A
  • 00:14:19.290 --> 00:14:22.050
  • PARADISE LIKE THIS.
  • 00:14:22.050 --> 00:14:23.280
  • - RUMI: I FEEL LIKE CLOSE
  • 00:14:23.280 --> 00:14:25.050
  • TO HEAVEN OR SOMETHING.
  • 00:14:25.050 --> 00:14:26.230
  • - OLIVIA: GRACE IS A YOUNG 17
  • 00:14:27.190 --> 00:14:30.190
  • YEAR OLD GIRL.
  • 00:14:30.190 --> 00:14:31.260
  • VERY INNOCENT.
  • 00:14:31.260 --> 00:14:32.230
  • PURE.
  • 00:14:32.230 --> 00:14:33.270
  • TRAPPED IN HER HOUSE.
  • 00:14:33.270 --> 00:14:35.260
  • - RYAN: JO, HE IS STUCK IN
  • 00:14:35.260 --> 00:14:37.180
  • BETWEEN TWO WORLDS BECAUSE HE IS
  • 00:14:37.180 --> 00:14:38.230
  • A BIRACIAL KID.
  • 00:14:38.230 --> 00:14:41.130
  • I HAVE FIRST NATION MIXED IN
  • 00:14:41.130 --> 00:14:43.290
  • WITH IRISH, MIXED IN WITH
  • 00:14:43.290 --> 00:14:46.010
  • JAPANESE AND A COUPLE OTHER
  • 00:14:46.010 --> 00:14:46.290
  • THINGS.
  • 00:14:46.290 --> 00:14:49.060
  • I GET TO PLAY PRETTY TRUE TO HIS
  • 00:14:49.060 --> 00:14:50.170
  • CHARACTER.
  • 00:14:50.170 --> 00:14:52.130
  • - RUMI: THE WAY GOD MADE
  • 00:14:52.130 --> 00:14:53.020
  • YOU IS A GIFT.
  • 00:14:53.020 --> 00:14:54.140
  • DON'T EVER LET ANYONE TELL YOU
  • 00:14:54.140 --> 00:14:55.100
  • DIFFERENT.
  • 00:14:55.100 --> 00:14:57.070
  • THAT'S THE LINE.
  • 00:14:57.070 --> 00:14:58.080
  • THAT IS MY FAVORITE LINE.
  • 00:14:58.080 --> 00:15:00.160
  • - COLE: I'M PLAYING YOUNG JO.
  • 00:15:00.160 --> 00:15:02.150
  • MY MOTHER DIES AND I MEET UP
  • 00:15:02.150 --> 00:15:04.100
  • WITH DOC.
  • 00:15:04.100 --> 00:15:06.010
  • I'M IN LOVE WITH A GIRL BUT SHE
  • 00:15:06.010 --> 00:15:07.000
  • DOESN'T KNOW ME.
  • 00:15:07.060 --> 00:15:10.060
  • - BETTY: I KNOW THAT IN THE
  • 00:15:10.060 --> 00:15:11.200
  • MOVIE HE IS SUPPOSED TO HAVE A
  • 00:15:11.200 --> 00:15:12.110
  • CRUSH ON ME.
  • 00:15:12.110 --> 00:15:14.270
  • - STELIO: I DON'T THINK YOU
  • 00:15:14.270 --> 00:15:16.110
  • CAN POSSIBLY CREATE THIS
  • 00:15:16.110 --> 00:15:17.160
  • ANYWHERE ELSE.
  • 00:15:17.160 --> 00:15:18.070
  • A LOT OF THE CHARACTERS ARE THE
  • 00:15:18.070 --> 00:15:19.110
  • PEOPLE THAT LIVED HERE BACK THEN
  • 00:15:19.110 --> 00:15:21.030
  • BUT SEVERAL GENERATIONS MOVED
  • 00:15:21.030 --> 00:15:22.200
  • ON.
  • 00:15:22.200 --> 00:15:24.270
  • - SIDLUI: MY GRANDPARENTS WERE
  • 00:15:24.270 --> 00:15:25.190
  • COFFEE FARMERS.
  • 00:15:25.190 --> 00:15:26.030
  • MY PARENTS WERE COFFEE FARMERS
  • 00:15:26.030 --> 00:15:28.260
  • - JON: MY GREAT GRANDMOTHER
  • 00:15:28.260 --> 00:15:30.180
  • WAS ACTUALLY ONE OF THE
  • 00:15:30.180 --> 00:15:31.080
  • PICTURE BRIDES THAT CAME
  • 00:15:31.080 --> 00:15:32.140
  • FROM JAPAN.
  • 00:15:32.140 --> 00:15:34.250
  • - JOEL: THE LOCATION WHERE
  • 00:15:34.250 --> 00:15:35.150
  • SHINOBU'S SHACK WAS FILMED
  • 00:15:35.150 --> 00:15:36.260
  • WAS THE ACTUAL PLACE WHERE
  • 00:15:36.260 --> 00:15:37.270
  • JAPANESE IMMIGRANTS
  • 00:15:37.270 --> 00:15:40.070
  • WHEN THEY CAME TO HAWAII THEY
  • 00:15:40.070 --> 00:15:41.050
  • WOULD LIVE IN THIS BUILDING.
  • 00:15:41.050 --> 00:15:43.040
  • - JIM: WE DID A FILM THAT WILL
  • 00:15:43.040 --> 00:15:44.160
  • RESONATE WITH THE PEOPLE.
  • 00:15:44.190 --> 00:15:47.190
  • - MATT: I'M WORKING WITH DAVID,
  • 00:15:47.190 --> 00:15:49.240
  • HE IS A DIRECTOR YOU KNOW, WHEN
  • 00:15:49.240 --> 00:15:51.180
  • YOU ARE TALKING TO HIM, PURE
  • 00:15:51.180 --> 00:15:53.290
  • INTEGRITY.
  • 00:15:53.290 --> 00:15:54.210
  • YOU KNOW THAT THE BUCK STOPS
  • 00:15:54.210 --> 00:15:55.110
  • THERE.
  • 00:15:55.110 --> 00:15:57.120
  • - DAVID: I WENT TO KONAWAENA
  • 00:15:57.120 --> 00:15:58.140
  • HIGH SCHOOL, BAGGED GROCERIES,
  • 00:15:58.140 --> 00:15:59.150
  • AT K.T.A.
  • 00:15:59.150 --> 00:16:02.130
  • I WASN'T GREAT IN SCHOOL, BUT I
  • 00:16:02.130 --> 00:16:03.080
  • HAD A PASSION TO TELL STORIES.
  • 00:16:03.200 --> 00:16:06.200
  • - JON: BEING PART OF DAVID'S
  • 00:16:06.200 --> 00:16:07.200
  • FILM, TOO, YOU KNOW, I MEAN
  • 00:16:07.200 --> 00:16:09.020
  • A LOCAL BOY BEING A DIRECTOR
  • 00:16:09.020 --> 00:16:11.120
  • MAKING A BIG MOVIE,
  • 00:16:11.120 --> 00:16:14.050
  • BEING PART OF THAT, WHAT AN
  • 00:16:14.050 --> 00:16:14.250
  • HONOR.
  • 00:16:14.250 --> 00:16:17.050
  • - DEREK: WE HAVE A REALLY
  • 00:16:17.050 --> 00:16:17.240
  • DIVERSE CREW WITH A
  • 00:16:17.240 --> 00:16:19.040
  • WHOLE BUNCH OF ECLECTIC
  • 00:16:19.040 --> 00:16:20.040
  • BACKGROUNDS.
  • 00:16:20.040 --> 00:16:22.050
  • I MEAN WE HAVE SOME FOLK WHO
  • 00:16:22.050 --> 00:16:23.080
  • HAVE BEEN WORKING IN THE
  • 00:16:23.080 --> 00:16:24.020
  • INDUSTRY 30, 40 YEARS.
  • 00:16:24.020 --> 00:16:25.190
  • WE ALSO HAD A BUNCH OF FOLKS
  • 00:16:25.190 --> 00:16:26.280
  • FROM THE ISLAND HERE WORKING ON
  • 00:16:26.280 --> 00:16:27.200
  • OUR TEAM TO BE PART OF THIS
  • 00:16:27.200 --> 00:16:29.240
  • LARGER VISION OF PLANTING A FLAG
  • 00:16:29.240 --> 00:16:31.090
  • IN THE GROUND FOR FILMMAKING
  • 00:16:31.090 --> 00:16:32.130
  • HAWAII ISLAND.
  • 00:16:32.270 --> 00:16:35.270
  • - RYAN: THERE WAS A REAL
  • 00:16:35.270 --> 00:16:36.230
  • BLENDING OF CULTURES AND
  • 00:16:36.230 --> 00:16:37.110
  • LIFESTYLES THAT HAPPENED.
  • 00:16:37.110 --> 00:16:38.260
  • IT REPRESENTED EXACTLY, THE
  • 00:16:38.260 --> 00:16:39.230
  • PURPOSE OF THE FILM.
  • 00:16:39.230 --> 00:16:42.030
  • - COLE: MY NAME IS COLE AND I
  • 00:16:42.030 --> 00:16:43.240
  • HOPE I CAN GET ON AN AIRPLANE
  • 00:16:43.240 --> 00:16:45.250
  • AND GO TO JAPAN.
  • 00:16:45.250 --> 00:16:47.130
  • - JULIETTE: IT IS WONDERFUL TO
  • 00:16:47.130 --> 00:16:49.090
  • BE INVOLVED IN A PROJECT WHERE
  • 00:16:49.090 --> 00:16:50.250
  • EVERYBODY CARES SO MUCH.
  • 00:16:50.250 --> 00:16:53.220
  • - ALESSANDRO: IT IS THE FIRST
  • 00:16:53.220 --> 00:16:54.140
  • TIME, FIRST DAY IN THIS
  • 00:16:54.140 --> 00:16:55.180
  • DEPARTMENT.
  • 00:16:55.180 --> 00:16:56.290
  • WE BUILD THIS SET IN 48 HOURS
  • 00:16:56.290 --> 00:16:58.090
  • PHYSICALLY 48 HOURS WITH ALL THE
  • 00:16:58.090 --> 00:17:01.050
  • DETAILS OF THE DESIGN.
  • 00:17:01.050 --> 00:17:02.060
  • - LET'S DO IT NOW.
  • 00:17:02.060 --> 00:17:04.000
  • - RYAN: I HAD AN AMAZING TIME
  • 00:17:04.000 --> 00:17:05.170
  • WORKING WITH MATT IN PARTICULAR.
  • 00:17:05.170 --> 00:17:07.190
  • SEEING HOW HE HANDLED HIMSELF ON
  • 00:17:07.190 --> 00:17:08.160
  • SET EVEN IF IT WAS A LONG DAY.
  • 00:17:08.160 --> 00:17:10.040
  • THE WAY HE LOOKED AFTER OTHER
  • 00:17:10.040 --> 00:17:12.100
  • CAST MEMBERS.
  • 00:17:12.100 --> 00:17:14.010
  • - MATT: I FEEL LIKE WE'RE
  • 00:17:14.010 --> 00:17:14.270
  • SURROUNDED WITH TALENTED
  • 00:17:14.270 --> 00:17:16.150
  • PEOPLE.
  • 00:17:16.150 --> 00:17:17.010
  • - RYAN: I'VE REALLY ENJOYED
  • 00:17:17.010 --> 00:17:18.210
  • SPENDING MY TIME HERE.
  • 00:17:18.210 --> 00:17:19.250
  • - JIM: WE NEED TO DO MORE
  • 00:17:19.250 --> 00:17:20.140
  • MOVIES HERE.
  • 00:17:20.140 --> 00:17:23.110
  • - TOM: WOW!
  • 00:17:24.060 --> 00:17:27.060
  • DAVID, YOU KNOW, I THINK THE
  • 00:17:27.060 --> 00:17:29.160
  • JOY WE GET TO HAVE AS FILMMAKERS
  • 00:17:29.160 --> 00:17:31.030
  • IS WHEN YOU WORK WITH A GROUP OF
  • 00:17:31.030 --> 00:17:32.250
  • PEOPLE INTENSELY FOR 6 TO 8
  • 00:17:32.250 --> 00:17:35.110
  • WEEKS, TO 12 WEEK PERIOD OF
  • 00:17:35.110 --> 00:17:37.190
  • TIME, YOU REALLY BECOME A LOT
  • 00:17:37.190 --> 00:17:38.260
  • LIKE FAMILY.
  • 00:17:38.260 --> 00:17:39.150
  • TELL US A LITTLE BIT ABOUT THE
  • 00:17:39.150 --> 00:17:40.290
  • DYNAMIC ON THE SET WHAT IT WAS
  • 00:17:40.290 --> 00:17:42.200
  • LIKE WITH A MATT DILLON AND
  • 00:17:42.200 --> 00:17:44.190
  • JAMES CAVIEZEL AND WOW!
  • 00:17:44.190 --> 00:17:46.040
  • - DAVID: THAT WAS FANTASTIC.
  • 00:17:46.040 --> 00:17:47.280
  • IT WAS A REAL PRIVILEGE TO WORK
  • 00:17:47.280 --> 00:17:48.270
  • WITH THEM.
  • 00:17:48.270 --> 00:17:51.020
  • NOT ONLY THEM BUT THE ENTIRE
  • 00:17:51.020 --> 00:17:52.270
  • CAST.
  • 00:17:52.270 --> 00:17:53.150
  • YOU SAW THE CLIP ON THE LITTLE
  • 00:17:53.150 --> 00:17:55.250
  • BOY COLE.
  • 00:17:55.250 --> 00:17:57.090
  • THIS WAS HIS FIRST MOVIE.
  • 00:17:57.090 --> 00:17:58.110
  • WE DISCOVERED HIM.
  • 00:17:58.110 --> 00:17:59.080
  • HE WAS SO MUCH FUN.
  • 00:17:59.080 --> 00:18:01.160
  • HE WOULD GO TOE TO TOE WITH MATT
  • 00:18:01.160 --> 00:18:02.220
  • DILLON.
  • 00:18:02.220 --> 00:18:03.170
  • ACADEMY NOMINATED MATT DILLON,
  • 00:18:03.170 --> 00:18:04.080
  • HE PULLED IT OFF.
  • 00:18:04.080 --> 00:18:05.240
  • IT IS A REAL JOY.
  • 00:18:05.240 --> 00:18:07.090
  • IT IS VERY MUCH A FAMILY
  • 00:18:07.090 --> 00:18:08.160
  • EXPERIENCE.
  • 00:18:08.160 --> 00:18:10.100
  • - TOM: WHEN YOU WERE MAKING THE
  • 00:18:10.100 --> 00:18:12.050
  • SELECTION ON THIS, YOU SAID YOU
  • 00:18:12.050 --> 00:18:14.110
  • HAD A JIM CAVIEZEL PROJECT A
  • 00:18:14.110 --> 00:18:16.070
  • LONG TIME AGO THAT DID NOT QUITE
  • 00:18:16.070 --> 00:18:17.290
  • COME TOGETHER.
  • 00:18:17.290 --> 00:18:18.200
  • DID YOU STAY IN TOUCH AND WHEN
  • 00:18:18.200 --> 00:18:21.060
  • THIS ONE CAME UP YOU SAID, HEY
  • 00:18:21.060 --> 00:18:22.040
  • JIM, HOW ABOUT THIS ONE?
  • 00:18:22.040 --> 00:18:23.050
  • TELL US ABOUT THE PROCESS OF
  • 00:18:23.050 --> 00:18:24.080
  • GETTING TO JIM ON THAT.
  • 00:18:24.080 --> 00:18:25.220
  • - DAVID: WE HAD MUTUAL FRIENDS
  • 00:18:25.220 --> 00:18:27.260
  • THAT PUT US BACK IN TOUCH.
  • 00:18:27.260 --> 00:18:29.040
  • AND ONCE HE READ THE SCRIPT WE
  • 00:18:29.040 --> 00:18:31.160
  • WERE ABLE TO ENGAGE AND PICK
  • 00:18:31.160 --> 00:18:33.090
  • THAT RELATIONSHIP BACK UP AGAIN.
  • 00:18:33.090 --> 00:18:35.200
  • WE WERE TALKING ABOUT DOING
  • 00:18:35.200 --> 00:18:37.080
  • OTHER THINGS TOGETHER, TOO.
  • 00:18:37.080 --> 00:18:38.230
  • - TOM: THERE IS ALWAYS AN
  • 00:18:38.280 --> 00:18:41.280
  • APPROACH FILMMAKERS HAVE.
  • 00:18:41.280 --> 00:18:43.000
  • I LOVE WHAT THE KENDRICK
  • 00:18:43.000 --> 00:18:44.270
  • BROTHERS DO, YOU KNOW THE "WAR
  • 00:18:44.270 --> 00:18:47.090
  • ROOM," "COURAGEOUS" AND THOSE
  • 00:18:47.090 --> 00:18:48.240
  • FILMS, THEY HAVE A VERY DISTINCT
  • 00:18:48.240 --> 00:18:49.270
  • APPROACH.
  • 00:18:49.270 --> 00:18:51.210
  • LET'S GET CHRISTIAN FILMMAKERS,
  • 00:18:51.210 --> 00:18:54.150
  • CHRISTIAN WRITERS, CHRISTIAN
  • 00:18:54.150 --> 00:18:56.030
  • MAKE-UP ARTISTS, CHRISTIAN
  • 00:18:56.030 --> 00:18:57.030
  • ACTORS, EVERYTHING IS ALL ABOUT
  • 00:18:57.030 --> 00:18:58.270
  • CHRISTIAN BECAUSE THEY FEEL THAT
  • 00:18:58.270 --> 00:19:00.220
  • GIVES THEM THE ESSENCE OF WHAT
  • 00:19:00.220 --> 00:19:02.060
  • THEY NEED IN THE WAY THEY
  • 00:19:02.060 --> 00:19:03.050
  • COMMUNICATE.
  • 00:19:03.050 --> 00:19:03.250
  • NOW I'M NOT GOING TO STEP OUT ON
  • 00:19:03.250 --> 00:19:06.210
  • A LIMB HERE AND SAY NOBODY IS
  • 00:19:06.210 --> 00:19:08.050
  • NOT A CHRISTIAN ON YOUR FILM.
  • 00:19:08.050 --> 00:19:09.180
  • I'M JUST GOING TO SAY THERE IS A
  • 00:19:09.180 --> 00:19:11.110
  • LOT OF FOLKS OUT THERE THAT SEEM
  • 00:19:11.110 --> 00:19:12.180
  • THAT WOULD NOT BE IN THAT
  • 00:19:12.180 --> 00:19:14.070
  • CATEGORY.
  • 00:19:14.070 --> 00:19:16.040
  • HOW DO YOU AS A DIRECTOR WORK
  • 00:19:16.040 --> 00:19:17.210
  • WITH CHRISTIANS, NONCHRISTIANS?
  • 00:19:17.210 --> 00:19:19.080
  • TELL US ABOUT YOUR THE ART OF
  • 00:19:20.110 --> 00:19:23.110
  • STORYTELLING AND YOUR BELIEF
  • 00:19:23.110 --> 00:19:24.060
  • SYSTEM HOW YOU INTEGRATE THAT.
  • 00:19:24.060 --> 00:19:25.230
  • - DAVID: SURE, MY WIFE AND I
  • 00:19:25.230 --> 00:19:26.260
  • WORK TOGETHER, AS I MENTIONED
  • 00:19:26.260 --> 00:19:28.030
  • BEFORE.
  • 00:19:28.030 --> 00:19:29.090
  • WE FEEL WE HAVE A CALLING TO THE
  • 00:19:29.090 --> 00:19:30.190
  • INDUSTRY, TO IT AND THROUGH IT.
  • 00:19:30.190 --> 00:19:32.230
  • PEOPLE THAT WORK IN THE INDUSTRY
  • 00:19:32.230 --> 00:19:34.030
  • AND THROUGH THE MEDIUM TO THE
  • 00:19:34.030 --> 00:19:36.010
  • AUDIENCE.
  • 00:19:36.010 --> 00:19:36.240
  • I FEEL LIKE IT'S A KEY PLACE WE
  • 00:19:36.240 --> 00:19:39.110
  • NEED TO BRING LIGHT AND WE NEED
  • 00:19:39.110 --> 00:19:41.220
  • TO BE CHRIST-LIKE IN THAT
  • 00:19:41.220 --> 00:19:43.140
  • ENVIRONMENT AND THAT CAN LOOK
  • 00:19:43.140 --> 00:19:45.100
  • DIFFERENTLY.
  • 00:19:45.100 --> 00:19:46.110
  • WHEN WE WERE MAKING MOVIES
  • 00:19:46.110 --> 00:19:48.020
  • OVERSEAS, MY WIFE AND MY SISTER
  • 00:19:48.020 --> 00:19:50.260
  • STARTED A SCHOOL FOR THE CAST
  • 00:19:50.260 --> 00:19:53.220
  • AND CREW KIDS, A MOBILE SCHOOL
  • 00:19:53.220 --> 00:19:55.190
  • SO THAT FAMILIES COULD STAY
  • 00:19:55.190 --> 00:19:56.270
  • TOGETHER.
  • 00:19:56.270 --> 00:19:57.170
  • THIS INDUSTRY REALLY DIVIDES
  • 00:19:57.170 --> 00:19:59.040
  • FAMILIES SO OFTEN WITH THE
  • 00:19:59.040 --> 00:20:01.150
  • TRAVEL AND SO ON.
  • 00:20:01.150 --> 00:20:03.160
  • I HAVE A HEART FOR THE PEOPLE
  • 00:20:03.160 --> 00:20:04.160
  • THAT WORK IN THIS INDUSTRY.
  • 00:20:04.160 --> 00:20:05.210
  • I INVITE ALL KINDS AND ALL SORTS
  • 00:20:05.210 --> 00:20:08.040
  • AND THEY ARE CREATIVE AMAZING
  • 00:20:08.080 --> 00:20:11.080
  • PEOPLE.
  • 00:20:11.080 --> 00:20:13.070
  • IT'S A JOY AND PRIVILEGE TO WORK
  • 00:20:13.070 --> 00:20:14.280
  • WITH THEM.
  • 00:20:14.280 --> 00:20:16.150
  • - TOM: YOU KNOW, DAVID, BECAUSE
  • 00:20:16.150 --> 00:20:17.190
  • OF YOUR PEDIGREE, BECAUSE YOU
  • 00:20:17.190 --> 00:20:19.290
  • ARE LOREN CUNNINGHAM'S SON AND
  • 00:20:19.290 --> 00:20:21.190
  • YOUR MOM IS A FORCE HERSELF.
  • 00:20:21.190 --> 00:20:23.150
  • - DAVID: YES, SHE IS.
  • 00:20:23.150 --> 00:20:25.010
  • - TOM: I REMEMBER YEARS AGO
  • 00:20:25.010 --> 00:20:26.260
  • WHEN WE WERE OVER THERE.
  • 00:20:26.260 --> 00:20:28.150
  • MY WIFE STARTED TO GO INTO
  • 00:20:28.150 --> 00:20:29.180
  • LABOR, HAD LABOR PAINS, AND YOUR
  • 00:20:29.180 --> 00:20:32.130
  • MOM CAME AND SHE SAID, SUSAN,
  • 00:20:32.130 --> 00:20:33.280
  • AND SHE LAID HANDS ON MY WIFE
  • 00:20:33.280 --> 00:20:35.260
  • AND SAID, LORD, WE ARE GOING TO
  • 00:20:35.260 --> 00:20:37.290
  • THANK YOU THAT THAT BABY WILL
  • 00:20:37.290 --> 00:20:39.230
  • STAY RIGHT THERE UNTIL THEY ARE
  • 00:20:39.230 --> 00:20:40.250
  • BACK HOME IN TULSA.
  • 00:20:40.250 --> 00:20:42.040
  • HER LABOR PAINS STOPPED RIGHT
  • 00:20:42.040 --> 00:20:42.280
  • THERE.
  • 00:20:42.280 --> 00:20:43.260
  • I'M FOREVER GRATEFUL.
  • 00:20:43.260 --> 00:20:45.160
  • JORDAN WOULD BE BORN BACK HOME,
  • 00:20:45.160 --> 00:20:48.100
  • WHICH WAS NICE.
  • 00:20:48.130 --> 00:20:51.130
  • BUT IN THAT HERITAGE OF FAITH,
  • 00:20:51.240 --> 00:20:54.240
  • AND KNOWING THAT IT'S ALL ABOUT
  • 00:20:54.240 --> 00:20:56.290
  • WHAT YWAM IS, IT'S ALL ABOUT
  • 00:20:56.290 --> 00:20:59.150
  • WINNING THE LOST.
  • 00:20:59.150 --> 00:21:02.120
  • IT'S ABOUT GOING OUT THERE AND
  • 00:21:02.120 --> 00:21:03.130
  • LETTING PEOPLE KNOW JESUS LOVES
  • 00:21:03.130 --> 00:21:04.050
  • THEM.
  • 00:21:04.050 --> 00:21:05.170
  • WHEN YOU TAKE ON A FILM, YOUR
  • 00:21:05.170 --> 00:21:06.080
  • CALLING IS VERY DIFFERENT FROM
  • 00:21:06.080 --> 00:21:07.210
  • YOUR DAD'S, YET IT IS THE SAME
  • 00:21:07.210 --> 00:21:09.190
  • PRINCIPLE.
  • 00:21:09.190 --> 00:21:11.020
  • HOW DO YOU DEFINE THE
  • 00:21:11.020 --> 00:21:11.240
  • DIFFERENCES BETWEEN VOCATIONS
  • 00:21:11.240 --> 00:21:13.120
  • AND YET A CALLING FROM GOD?
  • 00:21:13.190 --> 00:21:16.190
  • - DAVID: I THINK IT IS EASIER
  • 00:21:16.190 --> 00:21:17.280
  • NOW.
  • 00:21:17.280 --> 00:21:20.080
  • WHEN I FIRST STARTED OUT THERE
  • 00:21:20.080 --> 00:21:21.270
  • WAS NOT THAT MANY MODELS OF
  • 00:21:21.270 --> 00:21:22.290
  • CHRISTIANS AND ENGAGED IN
  • 00:21:22.290 --> 00:21:24.260
  • POPULAR CULTURE.
  • 00:21:24.260 --> 00:21:25.210
  • THERE JUST WASN'T.
  • 00:21:25.210 --> 00:21:27.100
  • I GREW UP, MY GRANDPARENTS IN
  • 00:21:27.100 --> 00:21:29.010
  • THEIR TIME, IF YOU WERE IN A
  • 00:21:29.090 --> 00:21:32.090
  • CINEMA WHEN JESUS CAME HOME, YOU
  • 00:21:32.090 --> 00:21:33.290
  • WERE GOING TO BE LEFT BEHIND.
  • 00:21:33.290 --> 00:21:35.010
  • SO MY DAD DID NOT GO TO A MOVIE
  • 00:21:35.010 --> 00:21:37.270
  • HOUSE UNTIL HE WAS IN HIS
  • 00:21:37.270 --> 00:21:38.260
  • TWENTIES.
  • 00:21:38.260 --> 00:21:40.100
  • SOMEHOW, THE CULTURE OF
  • 00:21:40.100 --> 00:21:42.190
  • REJECTING THAT.
  • 00:21:42.190 --> 00:21:44.100
  • THAT IS A DARK PLACE.
  • 00:21:44.100 --> 00:21:46.040
  • I WENT TO USC AND MY EMPHASIS
  • 00:21:46.040 --> 00:21:48.190
  • WAS CINEMA HISTORY.
  • 00:21:48.190 --> 00:21:50.180
  • IT IS SAD TO SEE THE FAITH
  • 00:21:50.280 --> 00:21:53.280
  • COMMUNITY IN THE '50'S ABANDONED
  • 00:21:53.280 --> 00:21:56.120
  • THE ENTERTAINMENT INDUSTRY.
  • 00:21:56.120 --> 00:21:58.170
  • IN FACT, THERE WAS A STUDIO THAT
  • 00:21:58.170 --> 00:22:01.000
  • STARTED WRITING TO THE VARIOUS
  • 00:22:01.000 --> 00:22:02.290
  • BIBLE SCHOOLS IN THE '50'S
  • 00:22:02.290 --> 00:22:04.190
  • ASKING THEM TO SEND SCREEN
  • 00:22:04.190 --> 00:22:06.170
  • WRITERS TO WRITE MOVIES ABOUT
  • 00:22:06.170 --> 00:22:08.150
  • THE BIBLE BECAUSE THEY WERE
  • 00:22:08.150 --> 00:22:09.280
  • WORKING.
  • 00:22:09.280 --> 00:22:11.120
  • AND ONE BIBLE COLLEGE PROFESSOR
  • 00:22:11.120 --> 00:22:14.120
  • OR HEAD OF A BIBLE COLLEGE AT
  • 00:22:14.120 --> 00:22:17.120
  • THE TIME WROTE BACK, WE WOULD
  • 00:22:17.120 --> 00:22:18.280
  • RATHER SEND OUR STUDENTS TO HELL
  • 00:22:18.280 --> 00:22:20.160
  • THAN HOLLYWOOD.
  • 00:22:20.160 --> 00:22:22.280
  • THERE WAS THIS REJECTION.
  • 00:22:22.280 --> 00:22:25.080
  • WHAT HAPPENS, THE FEW CHRISTIANS
  • 00:22:25.080 --> 00:22:27.140
  • IN THE INDUSTRY WERE
  • 00:22:27.140 --> 00:22:28.240
  • INADVERTENTLY CURSED AS WELL.
  • 00:22:28.240 --> 00:22:31.110
  • SO, I'M SO EXCITED THESE DAYS
  • 00:22:31.110 --> 00:22:33.210
  • YOU TALK ABOUT THE KENDRICK
  • 00:22:33.210 --> 00:22:35.210
  • BROTHERS, YOUR MOVIES, WHAT I'M
  • 00:22:35.210 --> 00:22:37.060
  • TRYING TO DO, THAT THERE IS A
  • 00:22:37.060 --> 00:22:39.010
  • REAL BUBBLING UP.
  • 00:22:39.010 --> 00:22:40.290
  • I THINK IT IS NOT ABOUT
  • 00:22:40.290 --> 00:22:42.190
  • EMULATION IT IS ABOUT
  • 00:22:42.190 --> 00:22:45.000
  • TRANSFORMATION.
  • 00:22:45.000 --> 00:22:45.220
  • IT'S ABOUT INNOVATION.
  • 00:22:45.260 --> 00:22:48.260
  • AND WE DON'T WANT TO JUST COPY
  • 00:22:48.260 --> 00:22:49.170
  • WHAT HOLLYWOOD IS DOING.
  • 00:22:49.170 --> 00:22:51.160
  • WE WANT TO PRAY AND ASK THE LORD
  • 00:22:51.160 --> 00:22:53.080
  • TO INSPIRE US.
  • 00:22:53.080 --> 00:22:54.210
  • WHAT'S ON YOUR HEART?
  • 00:22:54.210 --> 00:22:55.100
  • YOU CAN'T PLAN.
  • 00:22:55.100 --> 00:22:56.020
  • THIS STUFF TAKES SO MANY YEARS,
  • 00:22:56.020 --> 00:22:57.110
  • LIKE YOU SAID, BY THE TIME IT
  • 00:22:57.110 --> 00:22:58.260
  • COMES OUT.
  • 00:22:58.260 --> 00:23:00.080
  • SO THE FACT WE ARE TAPPING IN
  • 00:23:00.080 --> 00:23:00.290
  • AND HAVE BEEN ADOPTED BY THE
  • 00:23:00.290 --> 00:23:03.020
  • ADOPTION COMMUNITY IS AMAZING.
  • 00:23:03.190 --> 00:23:06.190
  • IT'S A GOD THING.
  • 00:23:06.190 --> 00:23:07.050
  • IT IS NOT SOMETHING WE PLANNED
  • 00:23:07.050 --> 00:23:07.260
  • AND T'D UP AND SET UP.
  • 00:23:07.260 --> 00:23:09.120
  • YOU JUST GOT TO BE ON YOUR KNEES
  • 00:23:09.120 --> 00:23:12.080
  • AND SAY WHAT IS ON YOUR HEART,
  • 00:23:12.080 --> 00:23:14.180
  • USE ME.
  • 00:23:14.190 --> 00:23:17.190
  • - TOM: TBN FAMILY, "RUNNING FOR
  • 00:23:17.190 --> 00:23:19.050
  • GRACE" IS AVAILABLE NOW ON
  • 00:23:19.050 --> 00:23:21.140
  • ITUNES AND OTHER DIGITAL
  • 00:23:21.140 --> 00:23:22.090
  • PLATFORMS.
  • 00:23:22.090 --> 00:23:24.210
  • WE WANT TO ENCOURAGE YOU TO HAVE
  • 00:23:24.210 --> 00:23:25.230
  • AN AMAZING FAMILY EXPERIENCE.
  • 00:23:25.230 --> 00:23:27.290
  • DOWNLOAD THIS FILM.
  • 00:23:27.290 --> 00:23:29.110
  • WATCH IT.
  • 00:23:29.110 --> 00:23:30.240
  • SHARE IT WITH OTHERS.
  • 00:23:30.240 --> 00:23:32.070
  • BY DOING THAT, YOU BASICALLY
  • 00:23:32.070 --> 00:23:34.040
  • CHEER US ON AND SAY, YOU KNOW
  • 00:23:34.040 --> 00:23:36.050
  • WHAT?
  • 00:23:36.050 --> 00:23:36.280
  • WE WANT TO SEE MORE OF THIS KIND
  • 00:23:36.280 --> 00:23:37.200
  • OF CONTENT.
  • 00:23:37.200 --> 00:23:38.260
  • "RUNNING FOR GRACE" IS AVAILABLE
  • 00:23:38.260 --> 00:23:40.090
  • NOW ON ITUNES.
  • 00:23:40.090 --> 00:23:42.240
  • TELL US A LITTLE ABOUT THE
  • 00:23:42.240 --> 00:23:44.200
  • THEATRICAL RUN.
  • 00:23:44.200 --> 00:23:45.280
  • IT IS OPENING THEATRICALLY AS
  • 00:23:45.280 --> 00:23:47.060
  • WELL.
  • 00:23:47.060 --> 00:23:48.080
  • - DAVID: WE HAVE THE PRIVILEGE
  • 00:23:48.080 --> 00:23:49.050
  • OF DOING RED CARPET PREMIERES
  • 00:23:49.050 --> 00:23:50.090
  • AROUND THE NATION ON BEHALF OF
  • 00:23:50.090 --> 00:23:51.260
  • ADOPTION, AND FOSTERING, AND
  • 00:23:51.260 --> 00:23:53.060
  • KIDS AT RISK.
  • 00:23:53.060 --> 00:23:54.140
  • SO THAT IS A REAL JOY.
  • 00:23:54.140 --> 00:23:56.160
  • WE ARE DOING THAT IN PLACES LIKE
  • 00:23:56.160 --> 00:23:57.280
  • TEXAS, HERE IN ORANGE COUNTY.
  • 00:23:57.280 --> 00:23:59.010
  • HOUSTON, DALLAS, WE DID A BIG
  • 00:23:59.110 --> 00:24:02.130
  • RUN IN HAWAII AS WELL AS A FEW
  • 00:24:02.130 --> 00:24:04.240
  • OTHER CITIES.
  • 00:24:04.240 --> 00:24:06.040
  • WE ARE THRILLED TO DO THAT.
  • 00:24:06.040 --> 00:24:08.020
  • WE ARE TAKING THAT SAME SPIRIT
  • 00:24:08.020 --> 00:24:09.240
  • INTO THE DIGITAL CAMPAIGN.
  • 00:24:09.240 --> 00:24:11.250
  • AS I MENTIONED EARLIER, YOU CAN
  • 00:24:11.250 --> 00:24:14.040
  • BUY ON BEHALF OF ADOPTING
  • 00:24:14.040 --> 00:24:15.230
  • FAMILIES.
  • 00:24:15.230 --> 00:24:16.210
  • IF ANYBODY IS OUT THERE THAT
  • 00:24:16.210 --> 00:24:17.180
  • WANTS TO BLESS A WHOLE LOT OF
  • 00:24:17.180 --> 00:24:18.240
  • PEOPLE ACROSS THE NATION THAT
  • 00:24:18.240 --> 00:24:19.230
  • ADOPTED, YOU CAN EMAIL US.
  • 00:24:19.230 --> 00:24:21.080
  • WE WILL SET YOU UP AND MATCH YOU
  • 00:24:21.080 --> 00:24:23.250
  • WITH ADOPTING FAMILIES SO THEY
  • 00:24:23.250 --> 00:24:26.140
  • CAN WATCH THIS MOVIE AT HOME.
  • 00:24:26.140 --> 00:24:27.270
  • A LOT CANNOT MAKE IT TO
  • 00:24:27.270 --> 00:24:28.290
  • THEATERS.
  • 00:24:28.290 --> 00:24:29.160
  • SUPER BUSY.
  • 00:24:29.160 --> 00:24:30.070
  • LET'S RUN THE TRAILER ONE MORE
  • 00:24:30.070 --> 00:24:31.260
  • TIME.
  • 00:24:31.260 --> 00:24:33.010
  • WE WILL HAVE ABOUT A MINUTE LEFT
  • 00:24:33.010 --> 00:24:34.120
  • FOR CLOSING COMMENTS.
  • 00:24:34.120 --> 00:24:35.070
  • HERE WE ARE, THE TRAILER,
  • 00:24:35.070 --> 00:24:37.140
  • "RUNNING FOR GRACE."
  • 00:24:37.140 --> 00:24:38.210
  • MUSIC
  • 00:24:44.160 --> 00:24:47.160
  • - DOC: WHAT'S WITH THAT KID?
  • 00:24:47.160 --> 00:24:49.260
  • - HE JUST SHOWED UP OUT OF NO
  • 00:24:49.260 --> 00:24:50.170
  • WHERE.
  • 00:24:50.170 --> 00:24:52.080
  • - DOC: WHERE IS YOUR PARENTS?
  • 00:24:54.110 --> 00:24:57.110
  • I'VE LOST FAMILY.
  • 00:24:57.110 --> 00:24:59.210
  • IT'S A TERRIBLE THING.
  • 00:24:59.210 --> 00:25:01.040
  • BUT YOU GOT TO KEEP ON GOING.
  • 00:25:01.040 --> 00:25:03.120
  • ALL RIGHT, KID.
  • 00:25:03.120 --> 00:25:03.270
  • COME ON.
  • 00:25:03.270 --> 00:25:04.150
  • YOU CAN LIVE WITH ME.
  • 00:25:04.150 --> 00:25:05.100
  • I'M THE NEW DOCTOR FOR THE
  • 00:25:05.100 --> 00:25:05.290
  • PLANTATION.
  • 00:25:05.290 --> 00:25:06.270
  • IN ANY OF YOU ARE SICK OR GET
  • 00:25:06.270 --> 00:25:08.210
  • HURT, JUST SEE JO.
  • 00:25:08.210 --> 00:25:10.120
  • HELL COME GET ME.
  • 00:25:10.120 --> 00:25:12.050
  • YOU KNOW, JO, YOU SEEM
  • 00:25:12.050 --> 00:25:15.040
  • PRETTY SMITTEN WITH
  • 00:25:15.040 --> 00:25:16.040
  • THE BIG MAN'S PRETTY DAUGHTER.
  • 00:25:16.040 --> 00:25:17.120
  • [APPLAUSE]
  • 00:25:27.160 --> 00:25:30.160
  • - MISS HANABUSA: MISS GRACE HAS
  • 00:25:30.160 --> 00:25:31.080
  • HURT HER ANKLE.
  • 00:25:31.080 --> 00:25:32.040
  • - JO: MISS GRACE?
  • 00:25:33.190 --> 00:25:36.190
  • - SEND THAT BOY AWAY?
  • 00:25:38.280 --> 00:25:41.280
  • - DOC: YOU JEOPARDIZE YOUR
  • 00:25:41.280 --> 00:25:44.220
  • ENTIRE FUTURE.
  • 00:25:44.220 --> 00:25:46.090
  • WHAT ARE YOU THINKING?
  • 00:25:46.090 --> 00:25:47.080
  • THEY'RE BRINGING IN ANOTHER
  • 00:25:47.080 --> 00:25:47.280
  • DOCTOR.
  • 00:25:47.280 --> 00:25:48.270
  • WHEN ARE YOU GOING TO LEARN TO
  • 00:25:48.270 --> 00:25:49.180
  • TRUST ME?
  • 00:25:49.180 --> 00:25:51.140
  • - JO: DOC ASKED ME TO DROP
  • 00:25:51.140 --> 00:25:52.040
  • OFF--
  • 00:25:52.040 --> 00:25:52.130
  • - MR. DANIELSON: THAT WON'T BE
  • 00:25:52.130 --> 00:25:53.050
  • NECESSARY.
  • 00:25:53.050 --> 00:25:53.200
  • GRACE IS NOW UNDER THE CARE OF A
  • 00:25:53.200 --> 00:25:54.120
  • PROPER PHYSICIAN.
  • 00:25:54.120 --> 00:25:55.220
  • THE OTHER DOC MAY TAKE CARE OF
  • 00:25:55.220 --> 00:25:58.110
  • ORIENTALS AND THE OTHER
  • 00:25:58.110 --> 00:25:59.040
  • LABORERS.
  • 00:25:59.040 --> 00:26:00.090
  • - DOC: DO YOU HAVE A CRUSH ON
  • 00:26:00.090 --> 00:26:01.050
  • THE DANIELSON'S DAUGHTER?
  • 00:26:01.050 --> 00:26:02.250
  • - JO: I GOT YOU SOMETHING.
  • 00:26:02.250 --> 00:26:04.090
  • - GRACE: THEY'RE BEAUTIFUL.
  • 00:26:04.090 --> 00:26:05.040
  • (LAUGHTER)
  • 00:26:05.040 --> 00:26:06.190
  • - GRANDMOTHER: KEEP YOUR HANDS
  • 00:26:06.190 --> 00:26:07.140
  • OFF HER!
  • 00:26:07.140 --> 00:26:09.050
  • YOU DON'T EVEN HAVE A LAST NAME.
  • 00:26:09.050 --> 00:26:11.000
  • - DOC: I HAVE BEEN TRYING FOR
  • 00:26:11.000 --> 00:26:12.010
  • YEARS TO ADOPT THIS KID.
  • 00:26:12.010 --> 00:26:14.180
  • THIS IS ABOUT A BOY WHO DESERVES
  • 00:26:14.180 --> 00:26:15.100
  • A FUTURE.
  • 00:26:15.100 --> 00:26:17.250
  • MUSIC
  • 00:26:17.250 --> 00:26:18.270
  • WHY CAN'T WE STAY LIKE THIS
  • 00:26:18.270 --> 00:26:20.270
  • FOREVER
  • 00:26:27.260 --> 00:26:30.260
  • - JO: THERE HAS TO BE A WAY WE
  • 00:26:30.260 --> 00:26:32.020
  • CAN SHORTEN THE DISTANCE BETWEEN
  • 00:26:32.020 --> 00:26:33.180
  • THE MOUNTAIN AND THE OCEAN.
  • 00:26:33.180 --> 00:26:35.240
  • STAY LIKE THIS FOREVER
  • 00:26:36.260 --> 00:26:39.260
  • - TOM: JIM CAVIEZEL, MATT
  • 00:26:39.260 --> 00:26:41.050
  • DILLON, A GREAT SUPPORTING CAST
  • 00:26:41.050 --> 00:26:43.270
  • IT IS AVAILABLE NOW ON ITUNES,
  • 00:26:43.270 --> 00:26:45.220
  • "RUNNING FOR GRACE,"
  • 00:26:45.220 --> 00:26:47.090
  • TBN FAMILY,
  • 00:26:47.090 --> 00:26:49.180
  • DOWNLOAD YOURS, ENJOY
  • 00:26:49.180 --> 00:26:51.070
  • THIS FILM WITH YOUR WHOLE
  • 00:26:51.070 --> 00:26:52.010
  • FAMILY,
  • 00:26:52.010 --> 00:26:53.060
  • AND ENCOURAGE OTHERS TO PICK IT
  • 00:26:53.060 --> 00:26:54.130
  • UP AND WATCH IT.
  • 00:26:54.130 --> 00:26:55.250
  • UNTIL NEXT TIME, GOD BLESS EACH
  • 00:26:55.250 --> 00:26:57.220
  • AND EVERY ONE OF YOU.
  • 00:26:57.220 --> 00:26:59.130
  • WE LOVE YOU.
  • 00:26:59.130 --> 00:26:59.250
  • BYE BYE.
  • 00:26:59.250 --> 00:27:01.220